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A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really... read more

A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really... read more

Beautiful late work from Lee Morgan! The last five years of Lee's life saw him really stretching out to do some fantastic writing, playing, and leading – and this record stands today as one of the best examples of that period – a pure act of genius, with a sound that really takes off... read more

Lost genius from trumpeter Lee Morgan – a session recorded for Blue Note in 1967, but not issued until the late 70s – and even then, only for a very short time! The session has Morgan moving into that wonderful last stage of his career – working in tight formation towards a sound... read more

Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played... read more

Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played... read more

Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played... read more

One of our top 5 favorite Blue Note records of all time – a bold and powerful session from trumpeter Lee Morgan, but one that sat in the vaults for 15 years before release! The session was recorded around the same time as Morgan's hit The Sidewinder (which eclipsed its release at the time)... read more

One of our top 5 favorite Blue Note records of all time – a bold and powerful session from trumpeter Lee Morgan, but one that sat in the vaults for 15 years before release! The session was recorded around the same time as Morgan's hit The Sidewinder (which eclipsed its release at the time)... read more

A heavy heavy set from the legendary Alphonse Mouzon – one of his drum-heavy funk records for Blue Note! Alphonse has a style that's a bit different than some of his other work here – very direct, with plenty of soul undercurrents – although definitely some of the rockish... read more

A really unique album from funky drummer Alphonse Mouzon – a set that has him putting away some of the guitars used heavily on other Blue Note records, in exchange for a keyboard-heavy groove that almost sounds a bit like Gene Harris a the time! In addition to drums, Alphonse solos a fair... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

Drummer Alphonse Mouzon cut some of the hardest, heaviest fusion albums ever to hit the Blue Note label in the 70s – including this legendary powerhouse of a record! The set features Mouzon with one of his longtime partners – guitarist Tommy Bolin – hitting a hard-rocking, heavy... read more

Drummer Alphonse Mouzon cut some of the hardest, heaviest fusion albums ever to hit the Blue Note label in the 70s – including this legendary powerhouse of a record! The set features Mouzon with one of his longtime partners – guitarist Tommy Bolin – hitting a hard-rocking, heavy... read more

A great little 2LP set – and a near-definitive release of recordings made by Gerry Mulligan and Lee Konitz, along with players like Zoot Sims, Allan Eager, and Al Cohn during the early 50s in LA. Some of the sides are studio sets, others are recorded live, and all seem to have a freeness... read more

A full LP issue of material that Navarro recorded for Blue Note during the 78 and 10" LP eras – compiled here with master and alternate takes of tunes that were some of the few that Navarro ever recorded for the label! Some of the work was recorded under groups led by Tadd Dameron and... read more

A great collection of work by Fats Navarro – his complete Blue Note recordings, and a masterful collection of trumpet-based bop! There's are a total of 26 songs on this 2 LP set and several groups that Navarro played with are represented – The Tadd Dameron Sextet & Septet, The... read more

The legendary vocals of Aaron Neville – heard here in one of his most old-school sessions in years! The songs are all vintage R&B – material that even pre-dates Neville's famous years in New Orleans soul, and which goes back to a late 50s/early 60s genre that seems to fit Aaron's... read more

A vivid visual follow-up to Aaron Neville's album of the same name – a sweet set in which he takes on classics from the 60s soul generation, all with a different vibe than any older music Aaron ever made! The live performance features a guest appearance by Paul Simon on one track, but... read more

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One of the singles pulled from Greg Osby's hip hop crossover LP, 3-D lifestyles. The beats and production were provided by Eric "Vietnam" Sadler, and have that harder early 90s sound tothem, and we forget who the MCs are, though they aren't half bad. The last mix is instrumental.... read more

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A darkly-grooving killer from pianist Horace Parlan – and one of our favorite Blue Note albums ever! Although Parlan's always a great player on other sides for the label, this album has him stepping out with an extra edge that's really amazing – working with brothers Tommy and Stanley... read more

A killer set from an amazing quintet made up of some of the best players to ever grace the Blue Note label! Horace Parlan leads a tight tight tight combo that includes Grant Green on guitar and Booker Ervin on tenor sax – and the three of them fit together beautifully, with a dark moody edge... read more

A classic Blue Note album – with one of the label's most compelling cover images ever! The "three" in this case refers to pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood – all of whom jam nicely on this classic soul trio album from Blue Note! The record... read more

A wonderfully wicked meeting of the minds – and a legendary bit of soul jazz from organist Big John Patton! The core of the record features the usual Patton groove – with John on Hammond, Grant Green on guitar, and Otis Finch on drums – but added to that mix is Bobby Hutcherson... read more

Oh Baby is right – as the album's one of the best John Patton albums for Blue Note – a perfect mix of funky organ and burning hardbop! The tracks hare are all originals penned for the album – mostly by Patton, but also by other group members – the kind of fresh grooves that... read more

Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on... read more

Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey... read more

A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also... read more

A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also... read more

A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also... read more

A late 70's compilation of some of the best Art Pepper recordings from the 50s! This 2 LP set features everything Art recorded for the Intro and Jazz West labels, and is a totally necessary addition to any Art Pepper collection – as it's some of the finest work we can think of from the time.... read more

Given that Pepper was on and off the LA scene a fair bit in the 50s – due to personal trouble and legal battles – this album's not so much "the return", as it is one of Pepper's many strong steps back into the studio, a place in which he demonstrated an uncanny ability to... read more

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With Steve Wilson on alto and soprano sax, Terence Blanchard on trumpet, and Geri Allen on piano!... read more

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A legendary performance from the 1986 Montreux Jazz Festival – recorded by Blue Note at the height of the pianist's greatest fame, and mostly featuring duets with guitarist Jim Hall – plus guest sax work by Wayne Shorter on 3 of the album's 7 tunes. Titles include "Careful",... read more

A great return to basics for Pieces Of A Dream – a set that's tightly jazzy, yet still filled with plenty of soul! The style's a great illustration of the smooth jazz roots the group first offered the world – a style that was really coming into its own at the time of this release, but... read more

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A pair of great pair of records from electric fusion violinist Noel Pointer – Phantazia from '77 and Hold On from '78 – in a 2CD set! Like others of the 70s generation, Pointer plays the violin in a way that's clearly heavily influenced by keyboards of the time – electric in... read more

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A nice little record – way different than Ponty's overblown sides from the 70s, and cut at a time when he was hanging out with George Duke and Frank Zappa! The record is a live session recorded at the hip Donte's nightclub in Hollywood at the end of the 60s – but not issued until this... read more

Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio... read more

One of the few rare non-trio recordings done by Powell from around this time. He plays with a trio (Paul Chambers bass, Art Taylor drums) on the whole first side of the record, but the group's then joined by Curtis Fuller for all of side 2. Fuller's deep trombone makes for a different twist, and a... read more

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Great work from the Don Pullen-George Adams Quartet – a great post-Mingus group that featured Adams on tenor and Pullen on piano, along with Dannie Richmond on drums and Cameron Brown on bass! The sound of these sides is really wonderful – as inventive and exploratory as some of Pullen'... read more

Quasimode are definitely cooking on this sweet little set – picking up a rich array of influences they've never had before – including bits of Latin rhythms, and some soul music as well! A few of the cuts feature vocals – but in ways that are more straight soul than the group's... read more

A totally great live set from Quasimode – and one that really returns the combo to the core brilliance of their first few records from Japan! The setting is completely unfurled and unbridled – the main quartet soaring away in a fast flurry of piano, bass, and percussion – always... read more

A smoking little EP from Quasimode – proof that these guys pack more into a short space than most other groups do into a full album! "Summer Madness" isn't the 70s classic, but a jazzy groover with Japanese lyrics – soaring over a Rhodes-heavy groove that's also got plenty of... read more

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The "flipside" of Ike Quebec's legendary run of albums for Blue Note – a huge set of material recorded only as 45 singles during his same stretch at the label! Although Quebec's work as a soulful tenorist has been well documented and reissued over the years on albums like Blue &... read more

Heavy soul from Ike Quebec – one of Blue Note's greatest players of the 78 era in the 40s, stepping out here on one of his brilliant comeback sets from the early 60s! The set features Ike blowing in an all soul jazz mode – working with a quartet that includes some great work from... read more

Heavy soul from Ike Quebec – one of Blue Note's greatest players of the 78 era in the 40s, stepping out here on one of his brilliant comeback sets from the early 60s! The set features Ike blowing in an all soul jazz mode – working with a quartet that includes some great work from... read more

One of the all-time great 60s albums from Blue Note – a seminal session from tenor legend Ike Quebec, cut in a warm, mellow style that's simply wonderful! Ike's working here with a quartet that includes organist Freddie Roach – a perfect match for the Quebec tone of the time –... read more

One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on... read more

A killer album that stands as a wonderful complement to Ike Quebec's classic LP sessions for Blue Note – and a set that's even more noteworthy for a rare early appearance of keyboardist Earl Van Dyke! Earl's best known for later famous work at Motown – but here, he plays some great... read more

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More than just a great overview of Lou Rawls' jazz work for Capitol Records – because the set also features 3 previously unissued numbers that Rawls recorded with the Curtis Amy Sextet! Those 3 tracks are almost worth the price of the album alone – as Amy's combo was one of the hippest... read more

An amazing set from altoist Sonny Red – a player who hardly ever got to make any albums as a leader, and who really burns brightly on this Blue Note classic! Red's got a tone on alto that's as deep and sharp as most tenorists of his generation – extremely soulful, but with a really... read more

An exquisite bit of modernist hardbop – recorded by Freddie Redd with the same sort of sound that he brought to the classic Connection recording, also done for Blue Note! As with that session, Redd is working here with alto from a young Jackie McLean's on alto sax – really at the top... read more

One of the few American releases cut by the legendary British trumpeter Dizzy Reece – and a great one! The album was strange for Blue Note, in that it was a joint US/UK session – featuring American players Donald Byrd and Art Taylor, along with great Brit players Reece, Tubby Hayes,... read more

Beautiful! London-based, West Indies-born trumpeter Dizzy Reece was one of the most fantastic trumpet talents of the late 50s and early 60s – as you'll clearly hear on this previously unreleased session recorded by Blue Note in 1960. Reece had an incredible tone that managed to be very... read more

The greatest of Dizzy Reece's 3 LPs for Blue Note – and it's also the hardest to find! The British trumpeter is playing here with a group that is totally classic hardbop Blue Note – and which includes Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on... read more

The lovely Dianne Reeves pays tribute to jazz legend Sarah Vaughn, in a set that's one of her straightest jazz outings to date! The album features arrangements by Billy Childs, who plays on the album, along with Mulgrew Miller, Clark Terry, Reginald Veal, and Steve Wilson. Tracks include the... read more

Proof that sophisticated jazz vocals were still around in the 80s, even if they weren't being recorded as often as in the 70s! Reeves emerges here as one of the decade's best vocalists, and on this early Blue Note effort, she's working with great players like Herbie Hancock, George Duke, Freddie... read more

Some of the freest, most far-reaching work that Sam Rivers ever cut for Blue Note – a set recorded in 1967, but not issued until nearly a decade later by the label! The album's a great precursor of some of the work that Sam would do later in the 70s – still somewhat in a "new... read more

One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron... read more

One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron... read more

A mindblowing moment from the young Sam Rivers – and definitely a set that warrants the "new conception" of the title! Unlike some of Rivers' other material of the time, which often featured original inventive compositions, this set's based around classic standards – but all... read more

Freddie Roach always makes a good move on his Blue Note sessions – going for a lean and tight style on the organ that never fails to please! On this set, he's working with a mixed group of hardbop and soul jazz players that include Blue Mitchell, Hank Mobley, Eddie Wright, and Clarence... read more

Freddie Roach always makes a good move on his Blue Note sessions – going for a lean and tight style on the organ that never fails to please! On this set, he's working with a mixed group of hardbop and soul jazz players that include Blue Mitchell, Hank Mobley, Eddie Wright, and Clarence... read more

Incredible! If you've ever wondered why people think Sonny Rollins is so great, you owe it to yourself to own this album, because it's one that stands as one of the best 5 that Rollins ever cut, and because it features him playing in a stripped-down raw setting that lets his full solo talent come... read more

One of Sonny Rollins' classic sides for Blue Note from the 50s – all of which are excellent! For the set, Sonny's working in a relatively free quartet format, with Wynton Kelly on piano, and rhythm from the team of Doug Watkins and Philly Joe Jones. Overall, the session's got a bit more of... read more

One of Sonny Rollins' classic sides for Blue Note from the 50s – all of which are excellent! For the set, Sonny's working in a relatively free quartet format, with Wynton Kelly on piano, and rhythm from the team of Doug Watkins and Philly Joe Jones. Overall, the session's got a bit more of... read more

One of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn fantastic from a bop... read more

One of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn fantastic from a bop... read more

A rare volume of one of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn... read more

The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius... read more

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Soulful bossa from Blue Note – and a real lost treasure! Tenor giant Charlie Rouse makes a rare appearance as a leader here – working with a percussion-heavy group that includes Willie Bobo, Potato Valdez, and Garvin Masseaux – and hitting a sax-meets-bossa groove that's simply... read more

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Killer jazzy grooves from the French jazz house scene – and hands down one of our favorite albums of the 00s! St Germain take a Blue Note 70s sound as their base – with lots of sweet Hammond riffs, mellow Fender Rhodes licks, funky flute lines, and spacey percussion – then they... read more

Killer jazzy grooves from the French jazz house scene – and hands down one of our favorite albums of the 00s! St Germain take a Blue Note 70s sound as their base – with lots of sweet Hammond riffs, mellow Fender Rhodes licks, funky flute lines, and spacey percussion – then they... read more

Sal Salvador was one of the 50's more accomplished modernist talents on jazz guitar – and his work ranks up there with players like Tal Farlow, or Gil Melle's great bandmate Joe Cinderella. This reissue is Salvador's rare first album for Blue Note – only issued in a 10" vinyl... read more

Sal Salvador was one of the 50's more accomplished modernist talents on jazz guitar – and his work ranks up there with players like Tal Farlow, or Gil Melle's great bandmate Joe Cinderella. This long-overdue CD brings together some of his best work from the mid 50s – by pairing one... read more

A sublime 70s session from Moacir Santos – a set that mixes the complex grooves he forged in 60s Brazil with the warmly jazzy sound of American fusion – all in a result that's totally unique! The album's quite different than any other electric Brazilian sets recorded in the US at the... read more

Amazing 70s work from Moacir Santos – the first album the Brazilian arranger recorded for Blue Note, and a set that sparkles with warmth and soul from the very first note! The approach is a brilliant updating of the famous sound that Santos crafted in Brazil the decade before – recast... read more

One of the rare Blue Note gems from Brazilian arranger/composer Moacir Santos – an album of incredible warmth and charm, with a sound that's hardly been duplicated again! Santos is usually best known for his early bossa arrangements in the 60s, but here he's working in the US – hitting... read more

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An all-star group – featuring John SCOfield, Joe LOvano, Dave HOlland, and Al FOster, hence the unusual name of the ensemble – all grooving in an angular mode that recalls the current Blue Note sound at its freshest. Lovano's edgey tenor and soprano work really make the session hold... read more

An excellent set of sophisticated soul cuts from Marlena Shaw – and a album that more than lives up to the title! Marlena really sparkles here – thanks to impeccable arrangements by Wade Marcus that perfectly mix together jazz and soul – finding that unique space that Shaw and a... read more

Soaring soul from Marlena Shaw – her last recording for Blue Note, and a set that points the way towards her bigger fame to come at Columbia Records! Like some of her previous sets, there's definitely still some jazzy elements in the mix – yet the overall sound is much more fully... read more

Soaring soul from Marlena Shaw – her last recording for Blue Note, and a set that points the way towards her bigger fame to come at Columbia Records! Like some of her previous sets, there's definitely still some jazzy elements in the mix – yet the overall sound is much more fully... read more