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2 beautiful tracks of group soul by this lost Chicago group. "I Owe You Love" is a smooth ballad cut, with a very nice descending chorus that's extremely catchy. "Summer Ride" is a remake of a track done by the Sandpebbles, and is a very nice groover!... read more

A tremendous bit of harmony soul from Chicago – one of the few cases where the Windy City really gave the east coast a run for its money – and the landmark album from teen soul quartet Brighter Side Of Darkness! Although young, Brighter Side managed to bring a depth to their work that... read more

Brilliant work from this long-lost Barry White protege! Tom Brock was one of the leading lights in Barry's stable of sweet mid 70s soul talents – a great writer who contributed songs to the legendary Gloria Scott album, and a heck of a great mellow soul singer on his own – with a style... read more

A pretty darn compelling album – one of the only sets we've ever seen from singer John Byrd – and a unique set of work for the time! The album was recorded at Muscle Shoals – with arrangements, production by Joe Wilson, who also wrote a good deal of the songs too – but the... read more

A surprisingly great album – even if it's short on information! There's no real dates on this one, so we have to assume that it's of the vintage of the album's release date – somewhere in the early 60s – making the album pretty late for Benny, but also pretty great as well! The... read more

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Carl Douglas' classic pop soul track about "Kung Fu Fighting" is an enduring favorite, as we're reminded everytime our local UHF station cops it for a promo for a martial arts double feature they're running on Saturday afternoon! The rest of the tracks on here aren't as great, but there's... read more

Two different Jimmy Stewart comedy soundtracks from the 60s – both of them nice! First up is Dear Brigitte – an overlooked 1965 score by George Duning – done with a mix of the playful modes you'd expect from the story, and some of those great deeper dramatic touches that Duning... read more

A strange little film from the late 60s – a brit comedy starring Deborah Kerr and David Niven, in kind of a tender and silly comedy about the early years of birth control. About half the soundtrack's kind of orchestral and romantic (surprisingly), but the other half is nice and groovy –... read more

Arranged by Van McCoy – with tracks that include "I'm Ready For A New Love", "Keep Me Baby", "Don't Pity Me", "You Never Were My Friend", "Find What You Need", and "People In Love Oughta Be Together".... read more

The soundtrack to the 60s version of Stagecoach – the one with the outrageously beautiful Ann Margaret, Bing Crosby, Red Buttons, Slim Pickens and Alex Cord – with a lavish, though appropriately dust-strewn Jerry Goldsmith soundtrack! This '66 remake may not rival John Ford's landmark... read more

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Two dramatic scores from Leigh Harline – a sometimes-overlooked composer from the great years of Hollywood soundtracks! The Wayward Bus is put together with some really beautiful charts – filled with sadder tones and bluer notes amidst the orchestrations – that wonderful late 50s... read more

Leon Haywood's best album from the 70s! After working as a keyboardist and sometimes vocalist for a number of years – making some strong and some tentative entries into the soul genre – Leon really exploded with this album, an electric funk classic that gave the world his fantastic... read more

Leon Haywood's best album from the 70s! After working as a keyboardist and sometimes vocalist for a number of years – making some strong and some tentative entries into the soul genre – Leon really exploded with this album, an electric funk classic that gave the world his fantastic... read more

Leon Haywood's best album from the 70s! After working as a keyboardist and sometimes vocalist for a number of years – making some strong and some tentative entries into the soul genre – Leon really exploded with this album, an electric funk classic that gave the world his fantastic... read more

A nice range of tracks from Ahmad, and one that really illustrates the diversity of styles he was using in the 70s. Some cuts feature acoustic piano, and others electric – but the best moments are those when the groove gets nice and funky, with that spacey expanded tip that was used to push... read more

After Ahmad spent the 60s playing mellow acoustic piano, he turned into a great jazz artist on the Fender Rhodes – and this album is one of the best he ever made in that genre. The record has some great orchestrations by Richard Evans, and Ahmad's tone is very rich and full, with a great... read more

Unlike Ahmad's other LPs for 20th Century, this one's a fairly straight set of tracks, with (mostly) acoustic piano (although he does play Fender Rhodes on one track). He's backed by a nice combo that features Calvin Keys on guitar, Frank Gant on drums, John Hurd on bass, and Selden Newton on... read more

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A killer debut from the Dazz Band – issued way back when they were named Kinsman Dazz, and when "dazz" was a reference to the fact that the group could play both dance music and jazz! That jazzy element is definitely in place here – as the set's got lots of hip instrumental... read more

A pair of killers – back to back on a single CD! First up is the killer debut from the Dazz Band – issued way back when they were named Kinsman Dazz, and when "dazz" was a reference to the fact that the group could play both dance music and jazz! That jazzy element is... read more

Great stuff from the girls who first put Barry White on the map! The record is the group's second – and by this point, Barry had developed that tight snapping drum sound that made his orchestral albums work so well. You'll hear it to good effect on most songs on the LP, which have a great... read more

Excellent instrumentals from The Maestro! Barry's in fine fine form here – and he's just about the only one who could make a record with so many strings sound so funky! The album includes the excellent groover "Bring It On Up", which has a tightly snapping rhythm underneath... read more

A beautiful swirling instrumental album that features the classic "Love's Theme", the cut that made Barry a multi-millionaire, and which firmly established his sophisticated orchestral soul style as one of the trademarks of the 70s! This is the ultimate in 70s soul class – from the... read more

Excellent little small combo record, cut by this obscure funky jazz group for 20th Century – and probably the only thing they ever did! The album's got a number of tight short cuts, played by organ, vibes, and guitar – and titles include "Soul Samba", "Mad Hatters... read more

An amazing score to an overlooked Mr Tibbs film – Gil Melle's mighty music for The Organization, a soundtrack that we might like even better than some of Quincy Jones' funk for Sidney Poitier! Melle got his start in modern jazz during the 50s, but by the time of this 1971 movie, he was a... read more

Stephanie Mills in fine formation here – working with the team of James Mtume and Reggie Lucas, who helped the lady reach the heights of her career in the early 80s! The sound here is catchy and contemporary, but hardly ever too commercial – just relaxed and grooving, in a mode that... read more

Soaring soul from Stephanie Mills – one of the lady's all-time hits, and for good reason too! The album really gives Stephanie's great voice a lot of focus – an upbeat, uptempo groove that sets her firmly on the dancefloor, but always with a touch of class – and a lot more depth... read more

Soaring soul from Stephanie Mills – one of the lady's all-time hits, and for good reason too! The album really gives Stephanie's great voice a lot of focus – an upbeat, uptempo groove that sets her firmly on the dancefloor, but always with a touch of class – and a lot more depth... read more

One of Hugo Montenegro's greatest soundtracks ever – and one of the grooviest 60s scores we can think of! The album's filled with incredible jazzy tracks – darkly tinged, but bubbling, upbeat, and wonderful – the kind of hard-driving numbers that make a soundtrack like this so... read more

The follow up to the first Mondo Cane film – in case you couldn't tell by the title! Nino did part of the music for the first one, and the style here is very similar – mostly orchestral, but with a few lighter moments that get a little groovy. There's no big hit on this one, as with... read more

"It's not a sequel – there's never been anything like it." Finally, an awesome reissue of the classically groovy camp soundtrack to "king of the nudies" Russ Meyer's crazy non-sequel to Valley Of The Dolls – one of the greatest exploitation movies of all time! The... read more

An incredible blend of southern and modern soul – the second album by soul songwriter Sydney Joe Qualls, recorded in both Chicago and Muscle Shoals, with a stone mellow sound that's outta site! The groove here is extremely well-done – tight, but never too slick – and with a... read more

Very late material from Art Tatum – recorded at a private party in LA in 1956, and featuring the piano genius working his way through spare complicated solo versions of standards. Titles include "Yesterdays", "Body & Soul", "Someone To Watch Over Me", "I... read more

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A pair of lost classics – back to back in a single set, with bonus tracks too! First up is the self-titled Mary Wells album – non-Motown magic from Wells – a killer 60s album that really lives up to her previous promise! The scope is a bit wider here than before – and Mary'... read more

Sure, Esther Phillips and a few other 60s soul singers were recording Beatles tracks – but Mary Wells was the real deal, as she even had the support of the group itself, who made it known that she was one of their favorite American soul artists. This nice album on 20th Century features an... read more

Can't get enough of Barry White at this key point in his career – a time when he was stepping from the shadows as one of the most sensuous soul stars of the 70s! The album's a near-perfect effort throughout – a great blend of the soaring strings and funkier rhythms that always made... read more

Can't get enough of Barry White at this key point in his career – a time when he was stepping from the shadows as one of the most sensuous soul stars of the 70s! The album's a near-perfect effort throughout – a great blend of the soaring strings and funkier rhythms that always made... read more

Barry White's got plenty to give here – a massive classic from his legendary early 70s years – and the first record to feature the maestro on his own as a lead act! The set's a masterpiece through and through – a sublime mix of soaring strings, soulful rhythms, and some killer... read more

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Barry White at the height of his powers – soaring out here with that amazing groove that never lets us down! The album's a mini-soul symphony throughout – tight beats, soaring strings, and that rock-solid Barry White vocal approach – that warm, fluid sound that's instantly... read more

While not as huge a hit as some of his other 70s efforts, this is still a solid LP from White as the 70s were winding down. His signature sweeping soul style is fully in place, and the rich production complements the slower get-your-groove-on ballads nicely. Includes "Your Sweetness Is My... read more

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Mid 60s magic from Johnny Williams – a cool little score to an obscure heist film that starred Audrey Hepburn and Peter O'Toole! The style here is very much like some of Johnny's other best of the time – often playful at points, but warmer at others – a great blend of fuller... read more

Once a raw harmony group, the Younghearts moved into a sweeter, smoother soul vein for their 20th Century recordings, and the result is an excellent batch of modern soul tracks with a nice groove to them. This album includes their great groover "Do You Have The Time (parts 1 & 2)",... read more

Standout work from The Younghearts – one of the best harmony soul groups of the 70s to record away from the east coast. The group's vocals are the strongest thing about the record – but they get a great extra push from Vernon Bullock, who produced and conducted the record with a nice... read more