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Wynton Kelly

 

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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
New Joe Henderson with Wynton KellyStraight No Chaser ... CD
Verve, 1968. Used ... $8.99
A great counterpart to the album Four – and like that one, which comes from the same session, this one features material recorded live in 1968, but only issued here for the first time! CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyCome Rain Or Come Shine/Joe's Avenue ... 7-inch
Vee Jay, Early 60s. Very Good ... $1.99
7-inch, Vinyl record

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! ... CD
Verve (Japan), 1964. New Copy ... Around December 3, 2014
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD

Exact matches4
CD, LP, Vinyl record album cover art
New Wynton KellyKelly Blue ... LP
Riverside, 1959. Used ... Temporarily Out Of Stock
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". LP, Vinyl record album
(Japanese pressing)

Exact matches5
CD, LP, Vinyl record album cover art
New Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Used Gatefold ... Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing with deep groove. Cover has some wear, two chewed corners, some stains, and some seam splitting. Vinyl has a sticker in the deadwax on one side.)

Exact matches6
CD, LP, Vinyl record album cover art
New Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note (plus bonus tracks) ... CD
Verve, 1965. Used ... Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD features 6 bonus tracks too – including "Willow Weep For Me", "Portrait Of Jenny", "Misty", "Impressions", and "Oh You Crazy Moon". The bonus tracks make for an album that's almost twice as long as the original! CD
(Verve master edition.)
 
Possible matches: 66
Possible matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... $13.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Possible matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside/OJC, 1958. New Copy (reissue)... $15.99 17.98
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
Also available Things Are Getting Better ... LP 19.99

Possible matches9
CD, LP, Vinyl record album cover art
New Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good- ... $19.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo and deep groove. Vinyl has marks that click on two tracks. Cover has a bit of light wear, with some stains, a spot of sticker residue, and a bit of pen on the back.)
Also available Things Are Getting Better ... LP 15.99

Possible matches10
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... LP
Riverside, 1959. Good ... $12.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album
(Small blue label Bill Grauer pressing with microphone logo and deep groove. Cover has light wear and a small center split in the spine.)

Possible matches11
CD, LP, Vinyl record album cover art
New Donald Byrd & Gigi GryceModern Jazz Perspective ... LP
Columbia, 1957. Good+ ... $6.99
The second of two early LPs that the Byrd and Gryce team cut for Columbia – and the more obscure of the two by far! This one features the group's groundbreaking format – a mixture of hardbop and modern jazz, always swinging, but angularly carved, with striking tones and colors that recall the best mid 50s Mingus. The difference, though, is that 4 tracks also feature some vocals by Jackie Paris, a hip singer who's at his best here – vocalizing with way better material than he often got on his own albums, singing on the tracks "Now Don't You Know", "Elgy", "Early Byrd", and "Early Morning Blues". The rest of the group features Wynton Kelly, Art Taylor, and Wendell Marshall – but more than anything else, it's Gryce's unbelievable tone on alto that really makes the record cook. Why couldn't he have played like this forever? We love it to death! Other tracks include "Satellite", "Social Call", and "Steppin Out". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has moderate wear and a half split bottom seam.)

Possible matches12
CD, LP, Vinyl record album cover art
Paul ChambersEase It (aka Go. . .) ... LP
Vee Jay/Yes To Jazz (Portugal), Late 50s. Very Good ... $7.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(UK pressing on Affinity.)

Possible matches13
CD, LP, Vinyl record album cover art
New Miles DavisFree Trade Hall, Manchester, England 1960 ... CD
Magnetic (France), 1960. Used ... $11.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin" and 2 takes of "Four". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
New Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... LP
Columbia, 1961. Very Good ... $8.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". LP, Vinyl record album
(6 eye pressing. Cover has half-split top & bottom seams, with some wear.)

Possible matches15
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (180 gram vinyl – mono edition) ... LP
Columbia, 1961. New Copy (reissue)... $24.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2CD ... $9.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches18
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie At Newport (plus bonus tracks) ... CD
Verve, 1957. Used ... $6.99
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of other great players who include Melba Liston and Al Grey on trombones, Benny Golson and Billy Mitchell on saxes, and rhythm from the trio of Wynton Kelly on piano, Paul West on bass, and Charlie Persip on drums! Although big, the band often had the sharper groove of a small combo – and even when hitting some older moments from Gillespie's earlier years, they still kept a modern edge in their approach – thanks to arrangements by AK Salim, Tadd Dameron, Benny Golson, Quincy Jones, and Dizzy himself. Titles include "School Days", "I Remember Clifford", "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". CD also features a full bonus side from another album – Dizzy Gillespie with Mary Lou Williams At Newport – featuring Mary Lou Williams with the same group, on titles that include the extended "Zodiac Suite", plus "Carioca" and "Night In Tunisia". CD

Possible matches19
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy In Greece ... LP
Verve, 1956. Very Good- ... $24.99
Dizzy's in Greece, looking very cool in a fez on the cover – and really wailing hard with a larger group that includes Billy Mitchell, Charlie Persip, Lee Morgan, Wynton Kelly, and Phil Woods! The mode here is still quite boppish, despite the larger size of the ensemble – but Dizzy also manages to bring in some of those wonderfully rich colors that were coming into his later work – a tonal depth that's completely amazing, and which pushed Gillespie way past his simple roots of the 40s, into a space that made him one of the most expressive jazz leaders of the 50s. The horn charts alone are totally great – and Dizzy's got a wonderful talent for letting the key soloists step out with a really strong voice in the set – and although short, the tunes have an incredible reach overall. Titles include "Tin Tin Deo", "Yesterdays", "Groovin' High", "Hey Pete", "Arnnie's Dance", and "Groovin' for Nat". LP, Vinyl record album
(Original Verve Inc pressing with trumpeter logo & deep groove. Cover has some minor seam splitting.)

Possible matches20
CD, LP, Vinyl record album cover art
Benny GolsonTurning Point ... LP
Mercury, 1963. Very Good+ ... $11.99
An incredible, and oft-overlooked album from the great Benny Golson – and one of the few early albums that really point the way to his huge run of work for decades to come! The style here is a bit looser, and more open than some of Golson's previous albums – less of a focus on arrangements, and more on the spontaneous interplay between his tenor and the crack rhythm section – which features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – a dream lineup who really make the record sparkle. But the real star of the show is Golson – who's hitting this raspy, soulful tone he never had before – much freer of soul jazz formalities, and with a modern edge that's wonderful – as you'll hear on titles that include "Alone Together", "Turning Point", "Stella By Starlight", and "Dear Kathy". LP, Vinyl record album
(Japanese pressing with obi. Cover has a cutout notch.)

Possible matches21
CD, LP, Vinyl record album cover art
New Jimmy HeathNice People ... LP
Riverside, 1959. Near Mint- ... $7.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. 8 tracks in all, including "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
Roland KirkDomino ... CD
Verve, 1962. Used ... $6.99
A key early album from reedman Roland Kirk – at set that really has him strongly finding his voice in jazz, and transforming most of modern music in the process! The set's a perfect illustration of the way that Roland could swing with soul, yet still reach out with bold new ideas too – mixing up work on tenor sax, manzello, stritch, flute, and even nose flute – instruments often played at the same time, with this amazing multi-reed style that's really mindblowing – and which follows the soaring sheets of sound of the Coltrane generation, yet completely in its own way too! There's a sharp modern edge to most of the rhythms – thanks in part to the presence of Andrew Hill on piano and celeste on a few cuts – alongside from Vernon Martin on bass and Roy Haynes and Henry Duncan on drums – and a bit of additional piano from Wynton Kelly. The whole thing's amazing – one of those records that never fails to delight us – and titles include "3 In 1 Without The Oil", "ED", "Domino", "Meeting On Termini's Corner", and "A Stritch In Time". CD
(Out of print. CD spindle is missing teeth.)

Possible matches23
CD, LP, Vinyl record album cover art
Blue MitchellBlue Time ... LP
Milestone, Early 60s/1980. Very Good+ 2LP Gatefold ... $4.99
Tight collection of tracks culled from Blue's Riverside LPs from the late 50's and early 60's. His hard edged trumpet is out front in all of the tracks, and the personnel includes Johnny Griffin, Wynton Kelly, Philly Joe Jones, Wilbur Ware, Cedar Walton, and Benny Golson. Nice notes on Mitchell's early days, and titles include "Minor Vamp", "Studio B", "Strollin", "Sir John", and a classic recording of "Blues March". LP, Vinyl record album
(Cover has a partially removed sticker over a promo stamp.)

Possible matches24
CD, LP, Vinyl record album cover art
Hank MobleyPeckin' Time ... LP
Blue Note, 1958. Very Good ... $8.99
One of the first great pairings of Hank Mobley and Lee Morgan – a trumpet/tenor team that was always a treasure, no matter what the setting! This one's a pretty open-ended blowing date – one that gives both horn players plenty of room to stretch out, in a setting that's filled with sharp-edged, and imaginative lines! The rhythm section is rock solid too – with Wynton Kelly on piano, Paul Chambers on bass, and the great Charlie Persip on drums – kicking things nicely on the kit to get a groove going. Tracks are all quite long, and titles include "Git Go Blues", "Stretchin Out", and "High & Flighty". LP, Vinyl record album
(80s pressing. Cover has initials in marker.)

Possible matches25
CD, LP, Vinyl record album cover art
Hank MobleyWorkout (RVG remaster edition) ... CD
Blue Note, 1962. New Copy ... $8.99 11.98
Hank Mobley was a genius – as you'll hear on this incredible hardbop session from the 60s! He never made a bad album, and even when playing straight, he had a sheer raw power that made every moment rich with excitement! This session's got a great lineup that features Grant Green on guitar, Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums – all working together in razor-sharp formation, with strong guidance from Mobley's tenor in the lead. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". CD also features the bonus track "Three Coins In The Fountain". CD

Possible matches26
CD, LP, Vinyl record album cover art
Wes MontgomeryEncores Vol 1 – Body & Soul ... CD
Milestone, Early 60s/1983. Used ... $1.99
A posthumous collection of work recorded by Wes in the early 60s – one that features alternate takes of tunes issued on his early Milestone albums! The work on the set features Wes in a variety of settings – including small combos with Mel Rhyne on organ, or straighter jazz groups with players that include Victor Feldman, James Clay, Wynton Kelly, and Milt Jackson – and one more track with the Montgomery Brothers, and one more with a larger string section. Titles include "Movin Along (take 4)", "Body & Soul (take 4/6)", "So Do It (take 1)", "Stablemates (take 2)", and "Doujie (take 7/8)". CD

Possible matches27
CD, LP, Vinyl record album cover art
Wes MontgomeryWillow Weep For Me ... LP
Verve, 1965/1968. Very Good+ ... $8.99
A strange little record – a posthumous album that took older Wes Montgomery sides and souped them up a bit after his death! The core material here is quartet recordings done in 1965 – Montgomery's guitar in a hip group with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – other material recorded at the same time as the Smokin At The Half Note set, discovered later by Verve, and augmented with fuller backings from Claus Ogerman for this record in 1968. In contrast to some of Wes' other albums of this nature, the core combo grooving was done first, which then ends up directing Ogerman's arrangements – and not the other way around – making for a really unique mix of sounds, especially on some of the longer tracks. Titles include "Four On Six", "Oh You Crazy Moon", "Willow Weep For Me", "Misty", "Impressions", and "Portrait Of Jennie". LP, Vinyl record album
(Original pressing. Cover has light wear.)

Possible matches28
CD, LP, Vinyl record album cover art
Charlie Persip & His Jazz StatesmenDouble Or Nothin ... LP
Liberty, 1957. Very Good- ... $19.99
One of the few albums ever cut as a leader by crack drummer Charlie Persip – and a great record that you might have missed because Howard Rumsey's name is bigger on the cover than Charlie's! The album's one of Rumsey's "Lighthouse Series" sides of the 50s – but it's a lot harder-driving and more energy-filled than most of the other Lighthouse-related sides coming out of LA at the time. Half the record features Charlie's group – a set of east coasters that includes Lee Morgan, Benny Golson, and Wynton Kelly – and the other part features some of the players from that ensemble mixing it up with drummer Stan Levey and other LA talents that include Frank Rosolino, Conte Candoli, Bob Cooper, and others. In all, the album's a great meeting of east and west coast hardbop styles – with short driving tracks that include "Reggie Of Chester", "Celedia", "Moto", "The Champ", and "Wildwood". LP, Vinyl record album
(Original black label stereo pressing, with deep groove. Cover has some wear, aging, stains on the back, a split spine, a bottom spine, and a mostly split top seam.)

Possible matches29
CD, LP, Vinyl record album cover art
Sonny RollinsSonny Rollins Vol 1 (Blue Note 1542) ... LP
Blue Note, 1956. Very Good ... $14.99
The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius for improvisation. He's playing here in a quintet with Wynton Kelly, Donald Byrd, Gene Ramey, and Max Roach – but as with all Rollins Blue Note sessions, his tenor is the dominant force. Titles include "Bluesnote", "Plain Jane", "Sonnysphere", and "Decision". LP, Vinyl record album
(70s pressing. Cover has some wear, rippling on parts of the front, a cut corner, a name in marker on the front and back, and some stains.)

Possible matches30
CD, LP, Vinyl record album cover art
Charlie Rouse & Paul QuinichetteChase Is On ... CD
Bethlehem/Solid (Japan), 1957. New Copy ... $13.99
A killer – and one of the greatest records ever cut on Bethlehem! Charlie Rouse and Paul Quinichette go head to head in a hard-blown session that's very different than most of the work on Bethlehem – grooving in a free-wheeling "chase" mode, as you might guess from the title – with lots of heavy tenor in the lead, cooking at a level that's more like a Prestige or Savoy session from the 50s! The group's as tight as can be – with some killer drum work from Ed Thigpen, and piano by either Wynton Kelly or Hank Jones. Titles include "The Chase Is On", "You're Cheating Yourself", "Knittin", "Tender Trap", and "When The Blues Come On". CD

Possible matches31
CD, LP, Vinyl record album cover art
Frank Strozier & Booker LittleWaltz Of The Demons (aka Fantastic Frank Strozier) ... LP
Vee Jay/Affinity (UK), 1959. Very Good+ ... $7.99
A seminal early recording from one of our favorite reed players ever! In the late 1950s, the young Frank Strozier came up to Chicago from Memphis, along with his longtime friend, pianist Harold Mabern. The two of them both settled nicely in the city's MJT+3 combo, where they proceeded to recorde some incredible hardbop sessions for Vee Jay. During that same time, Strozier began to emerge as a strong soloist and a competent leader in his own right, and Vee Jay gave him a much-needed crack at this debut album. The session's a perfect showcase for Strozier's lyrical beauty, and given the quality of the work, it's a wonder he was never more famous. The group's a quintet, and Strozier's ably teamed with Booker Little, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Titles include "WK Blues", "Waltz Of The Demons", "Runnin", and "Off Shore". LP, Vinyl record album
(Early 80s UK pressing. Cover has some creases, an unglued bottom seam held with a piece of clear tape, and a small ding on the opening.)

Possible matches32
CD, LP, Vinyl record album cover art
New Leon Thomas, T-Bone Walker, & OthersSuper Black Blues, Vol 2 ... LP
Flying Dutchman, 1970. Very Good+ Gatefold ... $14.99
A weird little set on Flying Dutchman – a live set that features the talents of Leon Thomas, T-Bone Walker, Eddie Vinson, and Joe Turner on vocals – plus instrumental backing by players that include Elvin Jones, Wynton Kelly, Howard Morgan, Earl (aka Neal) Creque, and Richard Landrum. The groove here is a mix of blues and funky soul – hipper than the usual blues set of the time, especially on the Leon Thomas tracks "Welcome To New York", "Damn Nam (Aint' Goin To Vietnam)", and "Disillusion Blues". Leon sings lead vocals on half the album – and other tracks include "Sail On", "Stormy Monday Blues", "I Had A Dream", "Person To Person", and "Honey Hush". LP, Vinyl record album
(Cover has light wear.)

Possible matches33
CD, LP, Vinyl record album cover art
VariousJazz Club – Summer Jazz ... CD
Jazzclub/Verve (Germany), 1960s. New Copy ... $8.99
Summer jazz is 60s jazz – or at least that's the way it seems on this set – but that's A-OK with us, because 60s jazz is some of our favorite jazz ever! Although the package features a few numbers from other years, the main focus here is on the best 60s styles of labels like Verve, Impulse, and Mercury – particularly those tracks that borrowed heavily from the bossa nova, or used other Latiny rhythms to create a gently breezy groove! The styles here are subtle, but warm and wonderful – and the package is filled with plenty of jazzy numbers that slide along like waves on the shore on a sunny summer beach. Titles include "From The Hot Afternoon" by Paul Desmond, "Beach Samba" by Astrud Gilberto, "Sunny" by George Benson, "South Seas" by Wynton Kelly, "Little Sunflower" by Dorothy Ashby, "The Shining Sea" by Stan Getz, "Surfboard" by Roberto Menescal, "Summer Is Gone" by Carmen McRae, "The Things We Did Last Summer" by Art Van Damme, and "Boy From Ipanema" by Sarah Vaughan. CD

Possible matches34
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Johnny LytleLoop/New & Groovy ... CD
BGP (UK), 1966. New Copy ... Just Sold Out!
Killer set that combines both of Johnny's rare albums cut for the tiny Tuba label in the mid 60s! The records both have a great funky vibes sound, with lots of tight drumming, and soulful bubbling organ grooves. These are very sought after in their original pressings, and both LPs usually fetch upwards of $40 when we get them in – and they fly right out the door as soon as they hit the web. Loop is the rarer of Johnny Lytle's two albums for the obscure Tuba label from Detroit. Johnny's classic trio, with Peppy Hinnant on organ, is backed by a larger group that features Wynton Kelly on piano and Willie Rodriguez on conga. New and Groovy is very nicely stripped down - and the focus of the album is on down-and-dirty groovers, perfect for the jazzy stepper set that still digs Lytle loads! Loads of short groovy steppin jazz vibes cuts, like "The Loop", "The Man", "The Snapper", "Selim", and way way more! CD

Possible matches35
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New Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Black label mono pressing. Cover has a name in pen and a tear on the back paste-on.)
Also available Cannonball Adderley Quintet In Chicago ... CD 13.99

Possible matches36
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New Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Used ... Temporarily Out Of Stock
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Small blue label Bill Grauer Productions pressing with deep groove and microphone logo. Cover has a split top seam, a thin stain and some flaking on the opening, and small black bits on front.)

Possible matches37
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New Cannonball Adderley QuintetCannonbal Adderley Quintet Plus ... LP
Riverside, 1962. Used ... Temporarily Out Of Stock
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Cover's back paste-on has a small light stain and a small edge rip.)

Possible matches38
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New Nat Adderley & The Big Sax SectionThat's Right! ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has discoloration from age, half split seams, and a name in pen.)

Possible matches39
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New John ColtraneColtrane Jazz ... LP
Atlantic, 1960. New Copy (reissue)... Temporarily Out Of Stock
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album

Possible matches40
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New John ColtraneGiant Steps ... LP
Atlantic, 1959. Used ... Temporarily Out Of Stock
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Red & green label pressing. Cover has some light wear.)

Possible matches41
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New John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... Temporarily Out Of Stock
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD
(BMG Direct pressing.)

Possible matches42
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New Curtis FullerCurtis Fuller Jazztet With Benny Golson (Japanese paper sleeve edition) ... CD
Savoy/Denon (Japan), 1959. Used ... Temporarily Out Of Stock
Stellar stuff – recorded a few years before Benny Golson started to explore his "jazztet" ideas with Art Farmer, but handled in a very similar mode. The sextet on the session's a crack one – with Charlie Persip, Paul Chambers, and Wynton Kelly on rhythm – and searing horn solos from Fuller, Golson, and a very young Lee Morgan. All tracks are long, and the set includes 2 Fuller originals – "Arabia" and "Judy's Dilemma" – plus "Wheatleigh Hall" and "It's All Right With Me". CD
(Out of print 90s paper sleeve pressing. Includes obi.)

Possible matches43
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New Dizzy GillespieDizzy Gillespie At Newport ... CD
Verve, 1957. Used ... Temporarily Out Of Stock
An excellent live set – featuring great work by some of Dizzy's best sidemen of the late 50's! The ensemble is razor sharp, in that hip post-bop way that Dizzy was developing in the 50s, before moving into his Latin groove years of the early 60s. Benny Golson, Billy Mitchell, and Wynton Kelly all get a chance to solo nicely, and the tracks include renditions of "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". CD
(Out of print.)

Possible matches44
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New Benny GolsonBlues On Down (The Modern Touch/The Other Side Of Benny Golson) ... LP
Milestone/Riverside, 1957/1958. Used 2LP Gatefold ... Temporarily Out Of Stock
A 2-in-1 package that features 2 of Benny's best late 50s albums in one set! The Modern Touch is a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". The Other Side is a smokin' hard bop side from a sort of amalgamation of players who played in and out of the Jazz Messengers around this time, but Philly Joe's sittin' in the drummers seat, so though the rhythms cook hard, that not quite as bombastic as Bu's. We've always loved Benny Golson, and though his playing was at it's most sublime in the Jazztet, he got to stretch out just a bit more and played with just a touch more fire in other contexts, like this session. Barry Harris is on piano, with Jymie Merritt and Philly Joe rounding out the rhythm section and Curtis Fuller joins Golson in the front line for a spry quintet setting. Six tracks: "Strut time", "Jubilation", "Symptoms", "Are You Real?", "Cry A Blue Tear" and "This Night". LP, Vinyl record album
(Cover has some wear and a name in marker. Labels on one LP has a name in marker.)

Possible matches45
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New Johnny GriffinBlowing Session (aka Johnny Griffin Vol 2) (RVG remaster edition) ... CD
Blue Note, 1957. Used ... Temporarily Out Of Stock
A stellar early Johnny Griffin recording for Blue Note, and one that features him in a larger group with Hank Mobley, Lee Morgan, John Coltrane, and Wynton Kelly. As the "blowing session" title might imply, this set features long tracks that let the players get in plenty of soloing (and, we might add, in a very competitive way!) The record is similar to the Prestige sessions of the same vintage and style, but recorded with a little bit more of the care and rehearsal that Blue Note provided. Cuts include "Ball Bearing" and "Smoke Stack" – and this CD reissue has a very tasty alternate version of "Smoke Stack", with tight alternate solos! CD
(BMG music club pressing.)

Possible matches46
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New Johnny GriffinIntroducing Johnny Griffin ... LP
Blue Note, 1956. Used ... Temporarily Out Of Stock
If you've ever needed a definition of hardbop, this is it! The set's a crack quartet session for Blue Note, recorded in the mid 50s by a young Johnny Griffin – fresh in from Chicago, and playing with tons of fire and loads of imagination! Wynton Kelly's on piano and Max Roach is on drums – and the excitement never stops as the group rolls their way through the tightly-crafted tunes on the set. And don't mistake the session as just a head-blowing album with no creativity – because the whole thing's incredibly precise, and the real charm is the way in which the razor-sharp group manages to twist and turn so deftly – yet still always plays with creative imagination and thoughtful solos! Cuts include "Mil Dew", "Chicago Calling", "These Foolish Things", The Boy Next Door", "Lover Man" and "It's Alright With Me". LP, Vinyl record album
(Classic Records 200 gram pressing – in great shape!)

Possible matches47
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New Billie HolidayLady Sings the Blues ... LP
Verve, 1956. Used ... Temporarily Out Of Stock
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. MGV 8099. Cover has light wear, and a tiny bit of seam splitting – but this is a nice copy overall.)

Possible matches48
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New Johnny LytleLoop ... LP
Tuba, 1966. Used ... Temporarily Out Of Stock
The cover bills this one as "the in sound of vibes and organ" – and it's totally right, because you can't get more "in" than the grooves Johnny lays down on the set! The tunes are short, tight, and very soulful – a wonderful blend of vibes, Hammond organ, and conga – played by a group that includes Peppy Hinnant on organ, plus some occasional extra piano by Wynton Kelly. The whole thing kicks nicely sweet 60s soul jazz, but with a tight groove that's all its own! Titles include "Possum Grease", "The Man", "The Loop", and "Hot Sauce". LP, Vinyl record album
(Cover has a cutout hole near the opening.)

Possible matches49
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New Chuck MangioneRecuerdo ... LP
Jazzland, Early 60s. Used ... Temporarily Out Of Stock
Chuck Mangione – but a hip Mangione! This is an early session by Chuck – cut when he was a young hopeful from nowhere on the trumpet, featuring him and tenor player Joe Romano with a soulful rhythm section of Wynton Kelly, Sam Jones, and Louis Hayes. With players like those, it's hard not to groove – and Chuck does alright, even though he's blowing the trumpet a bit too "bright" on a few of the tracks. Titles include "Recuerdo", "Blues For Sandaar", and "The Little Prince". LP, Vinyl record album
(Black label Bill Grauer Productions pressing. Cover has light wear.)

Possible matches50
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New Blue MitchellBlue's Moods ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
An early session as a leader from trumpeter Blue Mitchell – recorded during his glory years with Horace Silver! Unlike his other records, which usually have him in the company of another horn player, this set's got him carrying the full horn solo load by himself – working in a quartet, and playing in a vein that reminds us of similar Art Farmer quartet sessions from the time. Wynton Kelly's backing him up on piano – in a group that also includes Sam Jones on bass and Roy Brooks on drums. Some of the titles are quite unique too – and include "Avars", "Kinda Vague", "Sir John", and "Sweet Pumpkin". LP, Vinyl record album
(OJC pressing. Cover has a few creases.)

Possible matches51
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New Hank MobleySoul Station (75th Anniversary Edition) ... LP
Blue Note, 1960. New Copy (reissue)... Temporarily Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album

Possible matches52
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New Hank MobleyWorkout ... LP
Blue Note, 1962. Used ... Temporarily Out Of Stock
Hank Mobley was a genius – as you'll hear on this incredible hardbop session from the 60s! He never made a bad album, and even when playing straight, he had a sheer raw power that made every moment rich with excitement! This session's got a great lineup that features Grant Green on guitar, Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums – all working together in razor-sharp formation, with strong guidance from Mobley's tenor in the lead. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". LP, Vinyl record album
(Liberty/UA pressing. Cover has light wear, but vinyl is great!)
Also available Workout (RVG remaster edition) ... CD 8.99

Possible matches53
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New Wes MontgomeryFull House ... LP
Riverside, 1962. Used ... Temporarily Out Of Stock
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deel of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album
(Japanese pressing, with obi.)

Possible matches54
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New Art PepperGettin' Together! ... LP
Contemporary, 1960. Used ... Temporarily Out Of Stock
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/5 of a quintet that also includes trumpeter Conte Candoli! The tracks open up a bit more from some of Pepper's 50s work in LA – arguably a bit tighter at times, and possibly a bit more "classic" – at least to longtime fans of the set. There's a bit less edge here than on some of Art's other 50s dates, but the album's still a great one – with titles that are a mixture of originals like "Getting Together", "Diane", and "Bijou The Poodle", plus a few other strong numbers, like Chambers' "Whims Of Chambers" and Dory & Andre Previn's "Why Are We Afraid?" LP, Vinyl record album
(OJC pressing. Cover has staining & a small rip on the bottom right corner.)

Possible matches55
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New Dizzy ReeceStar Bright ... LP
Blue Note, Late 50s. Used ... Temporarily Out Of Stock
The greatest of Dizzy Reece's 3 LPs for Blue Note – and it's also the hardest to find! The British trumpeter is playing here with a group that is totally classic hardbop Blue Note – and which includes Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums. Mobley's playing is fantastic – as on all of his Blue Notes – and his presence alone takes the set into another level. His solos on the harder tracks are all great, and played with a razor-sharp edge that opens up Reece a lot more than usual. Tracks include "The Rebound", "Groovesville", "The Rake", and "A Variation On Monk". Great stuff, and a true classic lost Blue Note! LP, Vinyl record album
(A really nice Japanese pressing, in excellent shape – with obi and insert!)

Possible matches56
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New Sonny RollinsNewk's Time (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
One of Sonny Rollins' classic sides for Blue Note from the 50s – all of which are excellent! For the set, Sonny's working in a relatively free quartet format, with Wynton Kelly on piano, and rhythm from the team of Doug Watkins and Philly Joe Jones. Overall, the session's got a bit more of a boppish edge than some of Sonny's more modern sides from the time, but that's no problem with us, especially given the fresh touches on tracks like "Tune Up", "Asiatic Raes", and "Blues For Philly Joe". If you've ever needed a record to convince you how great Rollins is, this might just be the one! CD

Possible matches57
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New Art TaylorAT's Delight (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1960. Used ... Temporarily Out Of Stock
A real stormer! This was one of the few albums ever cut as a leader by the great hardbop drummer Art Taylor – and it's one of the best from the Blue Note catalog at the time! The band is a heavily smoking one – with Dave Burns on trumpet, Stan Turrentine on tenor, and Wynton Kelly on piano – and Patato Valdez backs them up on conga on a number of tracks, too. The whole thing is perfectly put together, with an insanely tight rhythm line, and perfectly placed solos by Turrentine and Burns – really cooking with an intensity that matches some of the best Jazz Messengers albums of the time. Features a great version of Coltrane's "Syeeda's Song Flute", plus the tracks "Cookoo & Fungi", "Blue Interlude", and "Move". CD
(Out of print. Includes obi.)

Possible matches58
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New Dinah WashingtonDinah! (Emarcy) ... LP
EmArcy, 1956. Used ... Temporarily Out Of Stock
A great little small group session for Dinah Washington – more jazz-based than some of her earlier or later work, sung with a small combo that includes Wynton Kelly on piano, Georgie Auld on tenor, and Herb Geller on alto. Tracks include "Look To The Rainbow", "Goodbye", "Ill Wind", "A Cottage For Sale", "Accent On Youth", and "Make Me A Present Of You". LP, Vinyl record album
(Blue label Mercury pressing with deep groove. Cover has splitting on the bottom seam.)

Possible matches59
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New Lorez AlexandriaAlexandria The Great ... CD
Verve, 1964. Used ... Out Of Stock
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches60
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New Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Used ... Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(6 eye mono pressing. Cover has some light wear.)

Possible matches61
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New Miles DavisLive Miles – More Music From The Legendary Carnegie Hall Concert ... CD
Columbia, 1961. Used ... Out Of Stock
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You". CD
(Out of print.)

Possible matches62
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New Grant GreenFirst Session ... CD
Blue Note (Japan), 1961. New Copy ... Out Of Stock
Grant Green's first-ever session as a leader – recorded by Blue Note in 1960, and not issued until now! The set features Green's guitar playing in a piano quartet, with rhythm by Wynton Kelly, Paul Chambers, and Philly Joe Jones – about as fine a backing trio as Green could hope to find. We're not sure why Blue Note didn't issue this material at the time – perhaps because they were trying to break Green as R&B-inflected soul jazz player, and this set had more of a straight jazz quality (like his Sunday Morning album) – but whatever the case, it's all here now, along with 2 other tracks from a 1961 session with Sonny Clark on piano. Titles include "Seepin", "Sonnymoon For Two", "Just Friends", "Woody N You", and an early recording of "Grant's First Stand". CD
(SHMCD pressing.)

Possible matches63
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New Milt Jackson & Wes MontgomeryBags Meets Wes! (Keepnews collection with bonus track) ... CD
Riverside, 1961. Used ... Out Of Stock
A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although Wes played a bit with vibes when working in The Montgomery Brothers, the Jackson approach here is a bit different – more soulful, and a bit more driven on by the rhythm section of Wynton Kelly, Sam Jones, and Philly Joe Jones. Titles include the originals "SKJ", "Blue Roz", "Jingles", and "Sam Sack" – plus versions of "Stairway To The Stars (take 2)", "Stablemates (take 2)", "Jingles (take 8)", and "Delilah (take 3)". CD

Possible matches64
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New Hank MobleyRoll Call ... LP
Blue Note, 1960. Used ... Out Of Stock
A killer set of hardbop from the legendary Hank Mobley – recorded during the initial Mobley run at Blue Note, and a keen document of his amazing power on the tenor sax! The album's got a tightness that's almost impossible to believe – a summation of all the best bop trends of the 50s, rolled into a freewheeling and soulful expression, guided by Mobley's always-sharp ear for a groove. The group's great too – and Art Blakey is on drums, Wynton Kelly on piano, Paul Chambers on bass, and a young young Freddie Hubbard plays trumpet. All tracks are nice and long, with a firey hardbop sound, deeply held in place by Mobley's soulful tone on the tenor! Titles include "My Groove Your Move", "Baptist Beat", and "The Breakdown". LP, Vinyl record album
(63rd street pressing, with RVG stamp and ear – and deep groove on one side. Cover is great – and this is a very nice copy!)

Possible matches65
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New VariousCome Spy With Us – The Secret Agent Songbook ... CD
Ace (UK), Late 60s. New Copy ... Out Of Stock
Seminal spy sounds from the 60s – a treasure trove of spy-themed tunes, and one that features loads of material you might not hear otherwise! The set doesn't feature the big hits from the James Bond films, and instead includes all the great little records that sprung up in the wake of those movies – cool jazz, vocal, and instrumental records that sometimes feature weird reworkings of more famous soundtrack numbers, sometimes lesser-known cuts from b-grade films, and sometimes fresh new spy numbers on their own! The style ranges from groovy guitar numbers to blaring jazzy tracks to slinky steppers that find a very cool balance between suspense and swing. Titles include "Dr Goldfoot & The Bikini Machine" by The Supremes, "The Last Of The Secret Agents" by Nancy Sinatra, "Theme From Danger Man" by Red Price, "A Man Alone" by John Barry, "Deadlier Than The Male" by The Walker Brothers, "Burke's Law" by Wynton Kelly, "We Should've" by Cleo Laine, "Our Man Flint" by Billy Strange, "Theme From Where The Spies Are" by Jimmy Smith, "The Liquidator" by Shirley Bassey, "I Spy" by Roland Shaw, "Come Spy With Me" by Smokey Robinson & The Miracles, and "High Wire" by Brian Fahey. CD

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New Blue MitchellBlue Soul ... CD
Riverside/OJC, 1959. New Copy ... Out Of Stock
A strong early winner from Blue – recorded with an all-star group that includes Curtis Fuller, Jimmy Heath, Wynton Kelly, Sam Jones, and Philly Joe Jones. Mitchell's not necessarily the leader – Benny Golson and Jimmy Heath handled the arrangements – but the group overall is great, and the set has a nice mix of lyricality and hard bop groove. 9 numbers in all, including "Minor Vamp", "The Head", "Top Shelf", "Blue Soul", "The Way You Look Tonight", "Park Avenue Petite", "Polka Dots & Moonbeams", "Nica's Dream", and "Waverly Street". CD
(CD case has a cutout hole.)

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New Hank MobleySoul Station ... LP
Blue Note, 1960. New Copy (reissue)... Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album

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New Wes MontgomeryFull House ... LP
Riverside/OJC, 1962. New Copy (reissue)... Out Of Stock
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deel of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album

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New Kunihiko Sugano Trio + 1Love Is A Many Splendored Thing (Japanese paper sleeve edition) ... CD
Three Blind Mice/Think (Japan), 1974. New Copy ... Out Of Stock
Love is a many splendored thing – and so is the mighty piano work of Kunihiko Sugano – a great Japanese player from the 70s, but one who never got much exposure on our shores at the time! This live album really shows Sugano at his best – balancing a talent for flowing, lyrical moments with a tighter sense of a groove – laid down perfectly by a combo that features conga added to the usual lineup of bass and drums! Most tunes are nice and long, and begin with a solo statement by Kunihiko – then snap into a groove that really takes off nicely. Titles include the original "Blues For Wynton Kelly", a side-long reading of "Perdido", and versions of "Love Is A Many Splendored Thing" and "Autumn Leaves". CD
(Blu Spec CD.)

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New Nat AdderleyWork Songs (Work Song/That's Right) ... LP
Riverside, 1960. Used 2LP Gatefold ... Out Of Stock
Milestone 2-fer combining two of our favorite late 60s soul jazz LPs, that practically defined the genre – Work Song and That's Right! "Work Song" was a whopping hit for Nat, plus Cannonball's killer "Sack O Woe", played here by a firey group that includes the great Bobby Timmons on piano, and Wes Montgomery on guitar, making a rare non-leader group appearance. On the second set Nat's trumpet is backed up by a "big sax section" – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. 17 tracks in all, including "Tadd", "The Old Country", "Chordnation", "ESP", "Scrambled Eggs", "Pretty Memory", and "Fallout". LP, Vinyl record album
(Vinyl has some marks that click a bit on two tracks. Cover has some wear, a few stains, and some waviness on the back.)

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New Miles Davis with John ColtraneSwiss Radio Days Vol 31 – Recorded Live In Zurich 1960 ... CD
TCB (Switzerland), 1960. New Copy ... Out Of Stock
A classic Miles Davis group – captured here in 1960 with incredible sound! The format is wonderful – as the tracks are quite long, and allow for lots of space for long trumpet solos from Miles, and tenor from John Coltrane – both supported beautifully by the trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! Coltrane's definitely in fine form – and has this commanding way of playing that almost blows away Davis – especially since Miles usually starts out most numbers here on his own, then lets Coltrane come in second – a move that almost makes the trumpet dim by comparison. Titles include "Fran Dance", "So What", "All Blues/Bye Bye", and "If I Were A Bell". CD

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New Clark Terry/Kenny DorhamTop Trumpets ... LP
Jazzland, Late 50s. Used ... Out Of Stock
A strange little album that combines tracks from 2 different earlier Riverside LPs – Serenade To A Bus Set by Clark Terry, and another session that features Kenny Dorham and Ernie Henry, possibly issued under Henry's name as Seven Standards & A Blues. The Terry set features Johnny Griffin, Wynton Kelly, Paul Chambers, and Philly Joe Jones – on tracks that include "Boomerang", "Digits", and "Donna Lee". The Dorham set features Henry, Wilbur Ware, and GT Hogan – on the tracks "Soon", "Sposin", and "Lotus Blossom". LP, Vinyl record album
(Smaller orange label pressing, with deep groove. Cover has some wear, a split top seam with some tape residue, some splitting on the other seams, and some stains and an ink stamp on the back.)
 
 
 



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