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Wynton Kelly

 

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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
Wynton KellyCome Rain Or Come Shine/Joe's Avenue ... 7-inch
Vee Jay, Early 60s. Very Good ... $1.99
7-inch, Vinyl record

Exact matches2
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! (Japanese pressing) ... CD
Verve (Japan), 1964. Used ... $21.99
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD
(Out of print Japanese pressing. Includes obi.)

Exact matches3
CD, LP, Vinyl record album cover art
Wynton KellyIt's All Right! ... CD
Verve (Japan), 1964. New Copy ... Around December 3, 2014
A tight little groover from Wynton Kelly – one of a few mid 60s gems done for Verve in a style that's harder-hitting and more focused than some of Kelly's other work! The record's got an approach that's a bit pop, but plenty darn soulful too – a style that focuses the already-great Kelly approach to the keys, and brings it into territory explored by Ramsey Lewis and Ray Bryant – kicking up the rhythms with lots of playful touches, including extra guitar by Kenny Burrell and conga from Candido, and even an added steel band on one number! The record's got a few mellower ballads that recall the lyrical Kelly mode of the past – but most is upbeat and very grooving – with titles that include "South Seas", "Not A Tear", "It's All Right", "Kelly Roll", "Moving Up", and "Escapade". CD
Also available It's All Right! (Japanese pressing) ... CD 21.99

Exact matches4
CD, LP, Vinyl record album cover art
New Wynton KellyPiano Interpretations By Wynton Kelly ... CD
Blue Note, 1951. Used ... Temporarily Out Of Stock
A rare early 10" session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". CD

Exact matches5
CD, LP, Vinyl record album cover art
New Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Used Gatefold ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing with deep groove. Cover has some wear, a few stains, and some pen on the back.)
 
Possible matches: 56
Possible matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside/OJC, 1958. New Copy (reissue)... $15.99 17.98
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
Also available Things Are Getting Better ... LP 19.99

Possible matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good- ... $19.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo and deep groove. Vinyl has marks that click on two tracks. Cover has a bit of light wear, with some stains, a spot of sticker residue, and a bit of pen on the back.)
Also available Things Are Getting Better ... LP 15.99

Possible matches8
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... LP
Riverside, 1959. Good ... $9.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album
(Small blue label Bill Grauer pressing with microphone logo and deep groove. Cover has light wear and a small center split in the spine.)

Possible matches9
CD, LP, Vinyl record album cover art
Nat Adderley & The Big Sax SectionThat's Right! ... LP
Riverside, 1960. Very Good- ... $5.99
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has some wear, a split bottom seam, and a partially split top seam.)

Possible matches10
CD, LP, Vinyl record album cover art
Paul ChambersEase It (aka Go. . .) ... LP
Vee Jay/Yes To Jazz (Portugal), Late 50s. Very Good ... $7.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(UK pressing on Affinity.)

Possible matches11
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz ... LP
Atlantic, 1960. New Copy (reissue)... $9.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
Also available Coltrane Jazz ... LP 19.99

Possible matches12
CD, LP, Vinyl record album cover art
John ColtraneColtrane Jazz ... LP
Atlantic, 1960. Very Good+ ... $19.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
(Red & green label pressing.)
Also available Coltrane Jazz ... LP 9.99

Possible matches13
CD, LP, Vinyl record album cover art
Miles DavisFree Trade Hall, Manchester, England 1960 ... CD
Magnetic (France), 1960. Used ... $11.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin" and 2 takes of "Four". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (180 gram vinyl – mono edition) ... LP
Columbia, 1961. New Copy (reissue)... $24.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
New Dizzy GillespieChamp (Savoy) ... LP
Savoy, Early 50s. Very Good- ... $29.99
A nice little collection of some of Dizzy Gillespie's best bop material for Savoy – tunes that were originally recorded as 78rpm singles – then issued together on this classic album of all-star players! The tunes are short, catchy, and often very grooving – that mix of whimsy and modernism that made Dizzy stand out from the start – handled by a few different groups of players, with musicians who include Milt Jackson on vibes, John Coltrane on tenor, Wynton Kelly on piano, and Percy Heath on bass. Titles include "Tin Tin Deo", "Star Dust", "The Bluest Blues", "The Champ", "Birk's Works", "Caravan", "Time On My Hands", and "Ooh Shoo Be Doo Bee". LP, Vinyl record album
(Red label pressing with deep groove. Cover has moderate wear, peeling of the gloss finish, and a bit of seam splittin, with some staining, stuck-on paper, and peeling along the bottom.)

Possible matches16
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie At Newport (plus bonus tracks) ... CD
Verve, 1957. Used ... $4.99
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of other great players who include Melba Liston and Al Grey on trombones, Benny Golson and Billy Mitchell on saxes, and rhythm from the trio of Wynton Kelly on piano, Paul West on bass, and Charlie Persip on drums! Although big, the band often had the sharper groove of a small combo – and even when hitting some older moments from Gillespie's earlier years, they still kept a modern edge in their approach – thanks to arrangements by AK Salim, Tadd Dameron, Benny Golson, Quincy Jones, and Dizzy himself. Titles include "School Days", "I Remember Clifford", "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". CD also features a full bonus side from another album – Dizzy Gillespie with Mary Lou Williams At Newport – featuring Mary Lou Williams with the same group, on titles that include the extended "Zodiac Suite", plus "Carioca" and "Night In Tunisia". CD

Possible matches17
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy In Greece ... LP
Verve, 1956. Very Good- ... $24.99
Dizzy's in Greece, looking very cool in a fez on the cover – and really wailing hard with a larger group that includes Billy Mitchell, Charlie Persip, Lee Morgan, Wynton Kelly, and Phil Woods! The mode here is still quite boppish, despite the larger size of the ensemble – but Dizzy also manages to bring in some of those wonderfully rich colors that were coming into his later work – a tonal depth that's completely amazing, and which pushed Gillespie way past his simple roots of the 40s, into a space that made him one of the most expressive jazz leaders of the 50s. The horn charts alone are totally great – and Dizzy's got a wonderful talent for letting the key soloists step out with a really strong voice in the set – and although short, the tunes have an incredible reach overall. Titles include "Tin Tin Deo", "Yesterdays", "Groovin' High", "Hey Pete", "Arnnie's Dance", and "Groovin' for Nat". LP, Vinyl record album
(Original Verve Inc pressing with trumpeter logo & deep groove. Cover has some minor seam splitting.)

Possible matches18
CD, LP, Vinyl record album cover art
Benny GolsonTurning Point ... LP
Mercury, 1963. Very Good+ ... $9.99
An incredible, and oft-overlooked album from the great Benny Golson – and one of the few early albums that really point the way to his huge run of work for decades to come! The style here is a bit looser, and more open than some of Golson's previous albums – less of a focus on arrangements, and more on the spontaneous interplay between his tenor and the crack rhythm section – which features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – a dream lineup who really make the record sparkle. But the real star of the show is Golson – who's hitting this raspy, soulful tone he never had before – much freer of soul jazz formalities, and with a modern edge that's wonderful – as you'll hear on titles that include "Alone Together", "Turning Point", "Stella By Starlight", and "Dear Kathy". LP, Vinyl record album
(Japanese pressing with obi. Cover has a cutout notch.)

Possible matches19
CD, LP, Vinyl record album cover art
New Grant GreenFirst Session ... CD
Blue Note (Japan), 1961. New Copy ... $18.99
Grant Green's first-ever session as a leader – recorded by Blue Note in 1960, and not issued until now! The set features Green's guitar playing in a piano quartet, with rhythm by Wynton Kelly, Paul Chambers, and Philly Joe Jones – about as fine a backing trio as Green could hope to find. We're not sure why Blue Note didn't issue this material at the time – perhaps because they were trying to break Green as R&B-inflected soul jazz player, and this set had more of a straight jazz quality (like his Sunday Morning album) – but whatever the case, it's all here now, along with 2 other tracks from a 1961 session with Sonny Clark on piano. Titles include "Seepin", "Sonnymoon For Two", "Just Friends", "Woody N You", and an early recording of "Grant's First Stand". CD
(SHMCD pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
Philly Joe Jones & Elvin JonesPhilly Joe Jones & Elvin Jones Together! ... LP
Atlantic, 1961. Good+ ... $3.99
A stunner of an album – and one that definitely draws plenty power from the double drummers in the lead! The set's way different than most of Elvin Jones' other work of the time – and is even more hard-hitting than some of the Philly Joe Jones sessions too – and, unusual for Atlantic Records at the time, the tracks are all quite long – with a very open, freewheeling sound! There's some great horn players who really help shape the sound of the tunes – Hank Mobley on tenor, Blue Mitchell on trumpet, and Curtis Fuller on trombone – and the piano of Wynton Kelly and bass of Paul Chambers ensure that the music is right in the groove. The set features three long tracks – "Brown Sugar", "Le Roi", and "Beau-ty". LP, Vinyl record album
(Red & purple label pressing. Cover has some wear, aging, moisture stains, splitting and peeling bottom seam and old library info cards partially removed from the back. Label has a library sticker.)

Possible matches21
CD, LP, Vinyl record album cover art
Roland KirkDomino ... CD
Verve, 1962. Used ... $4.99
A key early album from reedman Roland Kirk – at set that really has him strongly finding his voice in jazz, and transforming most of modern music in the process! The set's a perfect illustration of the way that Roland could swing with soul, yet still reach out with bold new ideas too – mixing up work on tenor sax, manzello, stritch, flute, and even nose flute – instruments often played at the same time, with this amazing multi-reed style that's really mindblowing – and which follows the soaring sheets of sound of the Coltrane generation, yet completely in its own way too! There's a sharp modern edge to most of the rhythms – thanks in part to the presence of Andrew Hill on piano and celeste on a few cuts – alongside from Vernon Martin on bass and Roy Haynes and Henry Duncan on drums – and a bit of additional piano from Wynton Kelly. The whole thing's amazing – one of those records that never fails to delight us – and titles include "3 In 1 Without The Oil", "ED", "Domino", "Meeting On Termini's Corner", and "A Stritch In Time". CD
(Out of print. CD spindle is missing teeth.)

Possible matches22
CD, LP, Vinyl record album cover art
Booker LittleIn New York ... CD
Jazz View, 1960. Used ... $8.99
Tight quartet sides recorded in New York towards the end of this brillant trumpeter's life. Roy Haynes and Scott La Faro provide excellent rhythm accompaniment, and the piano chores are handled by either Tommy Flanagan or Wynton Kelly. Tracks include "Opening Statement", "Minor Sweet", "Bee Tee's Minor Plea", and "The Grand Valse". The cover's lousy, but the music is great. CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
New Blue MitchellBlue's Moods ... LP
Riverside, 1960. Near Mint- ... $14.99
An early session as a leader from trumpeter Blue Mitchell – recorded during his glory years with Horace Silver! Unlike his other records, which usually have him in the company of another horn player, this set's got him carrying the full horn solo load by himself – working in a quartet, and playing in a vein that reminds us of similar Art Farmer quartet sessions from the time. Wynton Kelly's backing him up on piano – in a group that also includes Sam Jones on bass and Roy Brooks on drums. Some of the titles are quite unique too – and include "Avars", "Kinda Vague", "Sir John", and "Sweet Pumpkin". LP, Vinyl record album
(Japanese pressing. Cover has a cutout notch.)

Possible matches24
CD, LP, Vinyl record album cover art
Hank MobleyPeckin' Time ... LP
Blue Note, 1958. Very Good ... $8.99
One of the first great pairings of Hank Mobley and Lee Morgan – a trumpet/tenor team that was always a treasure, no matter what the setting! This one's a pretty open-ended blowing date – one that gives both horn players plenty of room to stretch out, in a setting that's filled with sharp-edged, and imaginative lines! The rhythm section is rock solid too – with Wynton Kelly on piano, Paul Chambers on bass, and the great Charlie Persip on drums – kicking things nicely on the kit to get a groove going. Tracks are all quite long, and titles include "Git Go Blues", "Stretchin Out", and "High & Flighty". LP, Vinyl record album
(80s pressing. Cover has initials in marker.)

Possible matches25
CD, LP, Vinyl record album cover art
Hank MobleySoul Station ... LP
Blue Note, 1960. Sealed ... $19.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
(80s pressing on Manhattan. Shrinkwrap has a hole in front.)
Also available Soul Station (Japanese paper sleeve edition) ... CD 34.99

Possible matches26
CD, LP, Vinyl record album cover art
New Hank MobleySoul Station (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1960. Used ... $34.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
(Out of print. Includes obi!)
Also available Soul Station ... LP 19.99

Possible matches27
CD, LP, Vinyl record album cover art
Hank MobleyWorkout (RVG remaster edition) ... CD
Blue Note, 1962. New Copy ... $8.99 11.98
Hank Mobley was a genius – as you'll hear on this incredible hardbop session from the 60s! He never made a bad album, and even when playing straight, he had a sheer raw power that made every moment rich with excitement! This session's got a great lineup that features Grant Green on guitar, Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums – all working together in razor-sharp formation, with strong guidance from Mobley's tenor in the lead. Tracks are longish, with plenty of room for solos – and titles include "Smokin", "Greasin Easy", "Workout", and "Uh Huh". CD also features the bonus track "Three Coins In The Fountain". CD

Possible matches28
CD, LP, Vinyl record album cover art
New Wes MontgomeryWes & Friends ... LP
Milestone, 1960s. Very Good 2LP Gatefold ... $3.99
One of numerous two-fers offered by Milestone in the early 70s, compiling recordings by artists that fell under the Fantasy records catalog umbrella at the time, in this case, the Riverside recordings of Wes Montgomery. There are two groups documented here, a quintet and sextet, the first featuring Milt Jackson, Wynton Kelly, Sam Jones and Philly Joe Jones and the second his 2 brothers Buddy and Monk, plus George Shearing, Walter Perkins and Armando Peraza. 18 tracks in all, including "Stablemates", "Stairway To the Stars", "Sam Sack", "Jingles", "Delilah", "Love Walked In", "Love For Sale", "Enchanted", "Stranger In Paradise", "The Lamp Is Low", "Darn That Dream" and "Mambo In Chimes". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Wes MontgomeryWillow Weep For Me ... LP
Verve, 1965/1968. Very Good+ ... $6.99
A strange little record – a posthumous album that took older Wes Montgomery sides and souped them up a bit after his death! The core material here is quartet recordings done in 1965 – Montgomery's guitar in a hip group with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – other material recorded at the same time as the Smokin At The Half Note set, discovered later by Verve, and augmented with fuller backings from Claus Ogerman for this record in 1968. In contrast to some of Wes' other albums of this nature, the core combo grooving was done first, which then ends up directing Ogerman's arrangements – and not the other way around – making for a really unique mix of sounds, especially on some of the longer tracks. Titles include "Four On Six", "Oh You Crazy Moon", "Willow Weep For Me", "Misty", "Impressions", and "Portrait Of Jennie". LP, Vinyl record album
(Original pressing. Cover has light wear.)

Possible matches30
CD, LP, Vinyl record album cover art
Lee MorganLee Morgan Quintet ... LP
Vee Jay, Late 50s. Very Good+ Gatefold ... $8.99
A later Vee Jay album that appears to pull tracks from Morgan's first 2 records on the label – both of which were totally tight hardbop sessions, performed by top-line players like Art Blakey, Paul Chambers, Clifford Jordan, and Wynton Kelly. 6 tracks in all, very tight and energetic – and titles include "Bess", "Terrible T", "Expoobidient", "Easy Living", "I'm A Fool To Want You" and "Fire". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has a peeled spot from sticker removal.)

Possible matches31
CD, LP, Vinyl record album cover art
Sonny RedOut Of The Blue ... LP
Blue Note, 1960. Near Mint- ... $44.99
An amazing set from altoist Sonny Red – a player who hardly ever got to make any albums as a leader, and who really burns brightly on this Blue Note classic! Red's got a tone on alto that's as deep and sharp as most tenorists of his generation – extremely soulful, but with a really raspy edge that's almost modern at times – a combination that's quite unique, and which makes his playing on a few key albums well worth tracking down. This album's one of the best of Sonny's few dates on record – and it features the saxophonist working with two different groups – both headed by Wynton Kelly on piano, and with either Sam Jones or Paul Chambers on bass, and either Roy Brooks or Jimmy Cobb on drums – a hell of a great rhythm lineup, no matter how you slice it! Both groups are right on the money, and the whole album swings very nicely – and titles include "Alone Too Long", "The Lope", "Nadia", "Bluesville", and "Blues In the Pocket". LP, Vinyl record album
(Japanese pressing on King – with insert and in nice shape!)

Possible matches32
CD, LP, Vinyl record album cover art
Sonny RollinsSonny Rollins Vol 1 (Blue Note 1542) ... LP
Blue Note, 1956. Very Good ... $11.99
The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius for improvisation. He's playing here in a quintet with Wynton Kelly, Donald Byrd, Gene Ramey, and Max Roach – but as with all Rollins Blue Note sessions, his tenor is the dominant force. Titles include "Bluesnote", "Plain Jane", "Sonnysphere", and "Decision". LP, Vinyl record album
(70s pressing. Cover has some wear, rippling on parts of the front, a cut corner, a name in marker on the front and back, and some stains.)
Also available Sonny Rollins Vol 1 (Blue Note 1542) (non-RVG Edition) ... CD 4.99

Possible matches33
CD, LP, Vinyl record album cover art
New Sonny RollinsSonny Rollins Vol 1 (Blue Note 1542) (non-RVG Edition) ... CD
Blue Note, 1956. Used ... $4.99
The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius for improvisation. He's playing here in a quintet with Wynton Kelly, Donald Byrd, Gene Ramey, and Max Roach – but as with all Rollins Blue Note sessions, his tenor is the dominant force. Titles include "Bluesnote", "Plain Jane", "Sonnysphere", and "Decision". CD
(Out of print.)
Also available Sonny Rollins Vol 1 (Blue Note 1542) ... LP 11.99

Possible matches34
CD, LP, Vinyl record album cover art
Charlie Rouse & Paul QuinichetteChase Is On ... CD
Bethlehem/Solid (Japan), 1957. New Copy ... $13.99
A killer – and one of the greatest records ever cut on Bethlehem! Charlie Rouse and Paul Quinichette go head to head in a hard-blown session that's very different than most of the work on Bethlehem – grooving in a free-wheeling "chase" mode, as you might guess from the title – with lots of heavy tenor in the lead, cooking at a level that's more like a Prestige or Savoy session from the 50s! The group's as tight as can be – with some killer drum work from Ed Thigpen, and piano by either Wynton Kelly or Hank Jones. Titles include "The Chase Is On", "You're Cheating Yourself", "Knittin", "Tender Trap", and "When The Blues Come On". CD

Possible matches35
CD, LP, Vinyl record album cover art
New Wayne ShorterIntroducing Wayne Shorter ... LP
Vee Jay, 1959. Near Mint- ... $39.99
The birth of a genius! From the vantage point of the 21st century,Wayne Shorter hardly needs any introduction – but when he recorded this debut album in the late 50s, Shorter was just the new kid on the block – making a few important waves as the tenor star in Art Blakey's Jazz Messengers. The album wisely works off that fame, and pairs Shorter with co-Messenger Lee Morgan – in front line on the trumpet – but it's also got a slightly different groove too, thanks to a rhythm team that includes Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. The Kelly trio approach makes for a nice change from the Blakey mode – and Shorter more than follows suit by blowing some wonderfully well-crafted solos, and working in a more introspective soul mode – really pointing the way towards his later genius as a leader on Blue Note. Shorter also emerges as a heck of a great writer too – contributing 5 great original tracks to the set, titles that include "Blues A La Carte", "Harry's Last Stand", "Black Diamond", "Pug Nose", and "Down in The Depths". LP, Vinyl record album
(Excellent Japanese pressing – with obi!)

Possible matches36
CD, LP, Vinyl record album cover art
Frank Strozier & Booker LittleWaltz Of The Demons (aka Fantastic Frank Strozier) ... LP
Vee Jay/Affinity (UK), 1959. Very Good+ ... $7.99
A seminal early recording from one of our favorite reed players ever! In the late 1950s, the young Frank Strozier came up to Chicago from Memphis, along with his longtime friend, pianist Harold Mabern. The two of them both settled nicely in the city's MJT+3 combo, where they proceeded to recorde some incredible hardbop sessions for Vee Jay. During that same time, Strozier began to emerge as a strong soloist and a competent leader in his own right, and Vee Jay gave him a much-needed crack at this debut album. The session's a perfect showcase for Strozier's lyrical beauty, and given the quality of the work, it's a wonder he was never more famous. The group's a quintet, and Strozier's ably teamed with Booker Little, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Titles include "WK Blues", "Waltz Of The Demons", "Runnin", and "Off Shore". LP, Vinyl record album
(Early 80s UK pressing. Cover has some creases, an unglued bottom seam held with a piece of clear tape, and a small ding on the opening.)

Possible matches37
CD, LP, Vinyl record album cover art
Leon Thomas, T-Bone Walker, & OthersSuper Black Blues, Vol 2 ... LP
Flying Dutchman, 1970. Very Good+ Gatefold ... Just Sold Out!
A weird little set on Flying Dutchman – a live set that features the talents of Leon Thomas, T-Bone Walker, Eddie Vinson, and Joe Turner on vocals – plus instrumental backing by players that include Elvin Jones, Wynton Kelly, Howard Morgan, Earl (aka Neal) Creque, and Richard Landrum. The groove here is a mix of blues and funky soul – hipper than the usual blues set of the time, especially on the Leon Thomas tracks "Welcome To New York", "Damn Nam (Aint' Goin To Vietnam)", and "Disillusion Blues". Leon sings lead vocals on half the album – and other tracks include "Sail On", "Stormy Monday Blues", "I Had A Dream", "Person To Person", and "Honey Hush". LP, Vinyl record album
(Cover has light wear.)

Possible matches38
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... LP
Limelight, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Later pressing in a non-gatefold cover. Cover has a cutout hole, split top seam, and a gouge near the bottom.)

Possible matches39
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Possible matches40
CD, LP, Vinyl record album cover art
New Cannonball AdderleyJulian Cannonball Adderley (aka Cannonball Adderley Quintet In Chicago) ... LP
Mercury/Everest, 1959. Used ... Temporarily Out Of Stock
A later budget line reissue of this great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! Twe love Coltrane's "The Sleeper" and the set features 4 other numbers, including "Wabash", "You're A Weaver Of Dreams", 'Stars Fell On Alabama" and "The Tune Of The Hickory Stick". LP, Vinyl record album
(Cover has some stains on front and a small split on the bottom seam.)

Possible matches41
CD, LP, Vinyl record album cover art
New John ColtraneGiant Steps ... LP
Atlantic, 1959. Used ... Temporarily Out Of Stock
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Red & green label pressing. Vinyl has some marks that click a bit on Side 2. Cover has half split seams.)

Possible matches42
CD, LP, Vinyl record album cover art
New Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Used ... Temporarily Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(6 eye mono pressing. Cover has wear. Vinyl plays with some clicks and crackles.)

Possible matches43
CD, LP, Vinyl record album cover art
New Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... LP
Columbia, 1961. Used ... Temporarily Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". LP, Vinyl record album
(Columbia Special Products pressing. Cover has a sticker on the front.)

Possible matches44
CD, LP, Vinyl record album cover art
New Miles DavisSomeday My Prince Will Come (with bonus track) ... CD
Sony, 1961. Used ... Temporarily Out Of Stock
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". Includes the bonus track "Someday My Prince Will Come (alt take)". CD
(Out of print.)
Also available Someday My Prince Will Come (180 gram vinyl – mono edition) ... LP 24.99

Possible matches45
CD, LP, Vinyl record album cover art
New Abbey LincolnThat's Him! ... CD
Riverside/OJC, 1957. Used ... Temporarily Out Of Stock
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also bringing a bit more feeling to the material than most singers of her generation – hinting at the sharper tones that would come just a few years later in her work! And given the strength of the sidemen alone, the album's already a cut above most jazz vocal records from the time – but really takes on a strong voice when Abbey opens up on some of the best numbers on the set. Titles include "Strong Man", "My Man", "That's Him", "Don't Explain", "I Must Have That Man", and "When A Woman Loves A Man". CD

Possible matches46
CD, LP, Vinyl record album cover art
New Abbey LincolnThat's Him! ... LP
Riverside, 1957. Used ... Temporarily Out Of Stock
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also bringing a bit more feeling to the material than most singers of her generation – hinting at the sharper tones that would come just a few years later in her work! And given the strength of the sidemen alone, the album's already a cut above most jazz vocal records from the time – but really takes on a strong voice when Abbey opens up on some of the best numbers on the set. Titles include "Strong Man", "My Man", "That's Him", "Don't Explain", "I Must Have That Man", and "When A Woman Loves A Man". LP, Vinyl record album
(OJC pressing, with obi.)

Possible matches47
CD, LP, Vinyl record album cover art
New Johnny LytleLoop/New & Groovy ... CD
BGP (UK), 1966. New Copy ... Temporarily Out Of Stock
Killer set that combines both of Johnny's rare albums cut for the tiny Tuba label in the mid 60s! The records both have a great funky vibes sound, with lots of tight drumming, and soulful bubbling organ grooves. These are very sought after in their original pressings, and both LPs usually fetch upwards of $40 when we get them in – and they fly right out the door as soon as they hit the web. Loop is the rarer of Johnny Lytle's two albums for the obscure Tuba label from Detroit. Johnny's classic trio, with Peppy Hinnant on organ, is backed by a larger group that features Wynton Kelly on piano and Willie Rodriguez on conga. New and Groovy is very nicely stripped down - and the focus of the album is on down-and-dirty groovers, perfect for the jazzy stepper set that still digs Lytle loads! Loads of short groovy steppin jazz vibes cuts, like "The Loop", "The Man", "The Snapper", "Selim", and way way more! CD

Possible matches48
CD, LP, Vinyl record album cover art
New Hank MobleyPeckin' Time (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
One of the first great pairings of Hank Mobley and Lee Morgan – a trumpet/tenor team that was always a treasure, no matter what the setting! This one's a pretty open-ended blowing date – one that gives both horn players plenty of room to stretch out, in a setting that's filled with sharp-edged, and imaginative lines! The rhythm section is rock solid too – with Wynton Kelly on piano, Paul Chambers on bass, and the great Charlie Persip on drums – kicking things nicely on the kit to get a groove going. Tracks are all quite long, and titles include "Git Go Blues", "Speak Low", "Stretchin Out", and "High & Flighty". This CD edition includes 3 bonus tracks – alternate takes of ""High & Flighty", "Speak Low" and "Stretchin Out". CD
Also available Peckin' Time ... LP 8.99

Possible matches49
CD, LP, Vinyl record album cover art
New Hank MobleySoul Station (75th Anniversary Edition) ... LP
Blue Note, 1960. New Copy (reissue)... Temporarily Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
Also available
Soul Station ... LP 19.99
Soul Station (Japanese paper sleeve edition) ... CD 34.99

Possible matches50
CD, LP, Vinyl record album cover art
New Charlie Persip & His Jazz StatesmenDouble Or Nothin ... LP
Liberty, 1957. Used ... Temporarily Out Of Stock
One of the few albums ever cut as a leader by crack drummer Charlie Persip – and a great record that you might have missed because Howard Rumsey's name is bigger on the cover than Charlie's! The album's one of Rumsey's "Lighthouse Series" sides of the 50s – but it's a lot harder-driving and more energy-filled than most of the other Lighthouse-related sides coming out of LA at the time. Half the record features Charlie's group – a set of east coasters that includes Lee Morgan, Benny Golson, and Wynton Kelly – and the other part features some of the players from that ensemble mixing it up with drummer Stan Levey and other LA talents that include Frank Rosolino, Conte Candoli, Bob Cooper, and others. In all, the album's a great meeting of east and west coast hardbop styles – with short driving tracks that include "Reggie Of Chester", "Celedia", "Moto", "The Champ", and "Wildwood". LP, Vinyl record album
(Original black label stereo pressing, with deep groove. Cover has some wear, aging, and clear tape along all seams.)

Possible matches51
CD, LP, Vinyl record album cover art
New Charlie Rouse & Paul QuinichetteChase Is On ... CD
Bethlehem/Jazz Heritage, 1957. Used ... Temporarily Out Of Stock
A killer – and one of the greatest records ever cut on Bethlehem! Charlie Rouse and Paul Quinichette go head to head in a hard-blown session that's very different than most of the work on Bethlehem – grooving in a free-wheeling "chase" mode, as you might guess from the title – with lots of heavy tenor in the lead, cooking at a level that's more like a Prestige or Savoy session from the 50s! The group's as tight as can be – with some killer drum work from Ed Thigpen, and piano by either Wynton Kelly or Hank Jones. Titles include "The Chase Is On", "You're Cheating Yourself", "Knittin", "Tender Trap", and "When The Blues Come On". CD
Also available Chase Is On ... CD 13.99

Possible matches52
CD, LP, Vinyl record album cover art
New VariousCome Spy With Us – The Secret Agent Songbook ... CD
Ace (UK), Late 60s. New Copy ... Temporarily Out Of Stock
Seminal spy sounds from the 60s – a treasure trove of spy-themed tunes, and one that features loads of material you might not hear otherwise! The set doesn't feature the big hits from the James Bond films, and instead includes all the great little records that sprung up in the wake of those movies – cool jazz, vocal, and instrumental records that sometimes feature weird reworkings of more famous soundtrack numbers, sometimes lesser-known cuts from b-grade films, and sometimes fresh new spy numbers on their own! The style ranges from groovy guitar numbers to blaring jazzy tracks to slinky steppers that find a very cool balance between suspense and swing. Titles include "Dr Goldfoot & The Bikini Machine" by The Supremes, "The Last Of The Secret Agents" by Nancy Sinatra, "Theme From Danger Man" by Red Price, "A Man Alone" by John Barry, "Deadlier Than The Male" by The Walker Brothers, "Burke's Law" by Wynton Kelly, "We Should've" by Cleo Laine, "Our Man Flint" by Billy Strange, "Theme From Where The Spies Are" by Jimmy Smith, "The Liquidator" by Shirley Bassey, "I Spy" by Roland Shaw, "Come Spy With Me" by Smokey Robinson & The Miracles, and "High Wire" by Brian Fahey. CD

Possible matches53
CD, LP, Vinyl record album cover art
New VariousUncompromising Expression – The Story Of Blue Note In 75 Singles (5CD set) ... CD
Blue Note, 1940s/1950s/1960s/1970s/1980s/1990s/2000s. New Copy 5CD ... Temporarily Out Of Stock
A surprisingly cool package from Blue Note Records – especially given its unassuming cover! The 5CD set looks at a really overlooked side of the Blue Note legacy – the label's strong line of 78 and 45 rpm singles over the years – many of which featured different mixes or performances than the better-known album recordings from the time! The set begins with the earliest years of Blue Note – and goes right up to the present, to include some rare promo or download-only tracks too – but the core focus is on the legendary Blue Note years of the 50s, 60s, and early 70s – with a tremendous amount of hard-to-find gems that were originally only issued as 7" records. The package features 75 tracks in all, with a sweet little book on all the material too – which includes all the session/lineup details for each cut – and titles include "The Thin Man" by Art Blakey, "Born To Be Blue" by Wynton Kelly, "Oop Pop A Da" by Bab's 3 Bips & A Bop, "Topsy" by Ike Quebec Swing Seven, "Summertime" by Sidney Bechet, "Safari" by Horace Silver, "Roccus" by Lou Donaldson, "Senor Blues" by Bill Henderson, "Blue Train (part 1)" by John Coltrane, "Oscalypso" by Curtis Fuller, "DB Blues" by Kenny Burrell, "The High & The Mighty" by Jimmy Smith, "Message From Kenya" by Art Blakey & Sabu, "Ain't No Use" by Jimmy Smith & Bill Henderson, "The Rake" by Dizzy Reece, "True Blue" by Tina Brooks, "One Mint Julep" by Freddie Hubbard, "Ernie's Tune" by Dexter Gordon, "Our Miss Brooks" by Harold Vick, "Miss Ann's Tempo" by Grant Green, "Change" by Donald Byrd, "Chicago Damn" by Bobbi Humphrey, "Theme From Electric Surfboard" by Jack McDuff, "Smells Like Teen Spirit" by Robert Glasper, "Holding Onto You" by Derric Hodge, and "I Can't Stand The Rain" by Cassandra Wilson. CD

Possible matches54
CD, LP, Vinyl record album cover art
New Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2CD ... Out Of Stock
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches55
CD, LP, Vinyl record album cover art
New Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Used ... Out Of Stock
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(70s pressing.)

Possible matches56
CD, LP, Vinyl record album cover art
New Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... Out Of Stock
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches57
CD, LP, Vinyl record album cover art
New VariousJazz Club – Summer Jazz ... CD
Jazzclub/Verve (Germany), 1960s. New Copy ... Out Of Stock
Summer jazz is 60s jazz – or at least that's the way it seems on this set – but that's A-OK with us, because 60s jazz is some of our favorite jazz ever! Although the package features a few numbers from other years, the main focus here is on the best 60s styles of labels like Verve, Impulse, and Mercury – particularly those tracks that borrowed heavily from the bossa nova, or used other Latiny rhythms to create a gently breezy groove! The styles here are subtle, but warm and wonderful – and the package is filled with plenty of jazzy numbers that slide along like waves on the shore on a sunny summer beach. Titles include "From The Hot Afternoon" by Paul Desmond, "Beach Samba" by Astrud Gilberto, "Sunny" by George Benson, "South Seas" by Wynton Kelly, "Little Sunflower" by Dorothy Ashby, "The Shining Sea" by Stan Getz, "Surfboard" by Roberto Menescal, "Summer Is Gone" by Carmen McRae, "The Things We Did Last Summer" by Art Van Damme, and "Boy From Ipanema" by Sarah Vaughan. CD

Possible matches58
CD, LP, Vinyl record album cover art
New Blue MitchellBlue Soul ... CD
Riverside/OJC, 1959. New Copy ... Out Of Stock
A strong early winner from Blue – recorded with an all-star group that includes Curtis Fuller, Jimmy Heath, Wynton Kelly, Sam Jones, and Philly Joe Jones. Mitchell's not necessarily the leader – Benny Golson and Jimmy Heath handled the arrangements – but the group overall is great, and the set has a nice mix of lyricality and hard bop groove. 9 numbers in all, including "Minor Vamp", "The Head", "Top Shelf", "Blue Soul", "The Way You Look Tonight", "Park Avenue Petite", "Polka Dots & Moonbeams", "Nica's Dream", and "Waverly Street". CD
(CD case has a cutout hole.)

Possible matches59
CD, LP, Vinyl record album cover art
New Wes MontgomeryFull House ... LP
Riverside/OJC, 1962. New Copy (reissue)... Out Of Stock
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deel of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album

Possible matches60
CD, LP, Vinyl record album cover art
New Miles Davis with John ColtraneSwiss Radio Days Vol 31 – Recorded Live In Zurich 1960 ... CD
TCB (Switzerland), 1960. New Copy ... Out Of Stock
A classic Miles Davis group – captured here in 1960 with incredible sound! The format is wonderful – as the tracks are quite long, and allow for lots of space for long trumpet solos from Miles, and tenor from John Coltrane – both supported beautifully by the trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! Coltrane's definitely in fine form – and has this commanding way of playing that almost blows away Davis – especially since Miles usually starts out most numbers here on his own, then lets Coltrane come in second – a move that almost makes the trumpet dim by comparison. Titles include "Fran Dance", "So What", "All Blues/Bye Bye", and "If I Were A Bell". CD

Possible matches61
CD, LP, Vinyl record album cover art
New Blue MitchellBlue Time ... LP
Milestone, Early 60s/1980. Used 2LP Gatefold ... Out Of Stock
Tight collection of tracks culled from Blue's Riverside LPs from the late 50's and early 60's. His hard edged trumpet is out front in all of the tracks, and the personnel includes Johnny Griffin, Wynton Kelly, Philly Joe Jones, Wilbur Ware, Cedar Walton, and Benny Golson. Nice notes on Mitchell's early days, and titles include "Minor Vamp", "Studio B", "Strollin", "Sir John", and a classic recording of "Blues March". LP, Vinyl record album
(Cover has a partially removed sticker over a promo stamp.)
 
 
 



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