One of the greatest jazz vocal albums of all time – and one of the first true moments of genius from a young Dee Dee Bridgewater! The album's a Japanese only release (proof that they're always hipper to our jazz artists than we are!) – and it features Dee Dee singing material that's quite different than her later R&B-inflected sides from the late 70s – very soaring and spiritual work, delivered in a way that set a whole new standard for jazz at the time! Backing is by a small combo with brothers Ron and Cecil Bridgewater, plus Roland Hanna on acoustic and electric piano, George Mraz on bass, and Motohiko Hino on drums and percussion – but the star of the set is always Dee Dee, who sparkles beautifully on the album's classic versions of "Afro Blue" and "Little B's Poem" – both of which have been redone by many other singers over the years. Other great cuts include "People Make The World Go Round", "Love From The Sun", and "Love Vibrations". LP, Vinyl record album

One of our favorite albums ever from the legendary trumpeter Lee Morgan – a set that Blue Note recorded in the mid 60s, but didn't show the world until almost two decades later! The album's got Lee as his lyrical best – working almost with a sense of exoticism, especially on the wonderful leadoff track – which is this loping take on Cal Massey's lesser-known composition "Pilgrim's Funny Farm" – blocked out into bold solos from Lee, plus Hank Mobley on tenor and Cedar Walton on piano! You can really hear Walton's influence on the record – that mix of flow and lyricism that he was hitting at the time – and drummer Billy Higgins also brings a lot to the record, too – creating these shifting rhythms that really move past the standard hardbop modes of a few years before. In addition to "Pilgrim's Funny Farm", the album also includes the tracks "The Rajah" and "Is That So" – and the whole thing's wonderful all the way through! LP, Vinyl record album

One of the last truly outside albums recorded by Archie Shepp in the 70s – a French performance that's very similar to the open-ended, freely-blown recordings he did for the BYG/Actuel label a few years before! The record captures Shepp in territory that's different than some of the more structured recordings and sets of standard material he'd soon be giving the world – and he blows tenor with unbridled energy on long live tracks – working with a very cool group that includes the great Charles Greenlee on trombone, plus Dave Burrell on piano, Cameron Brown on bass, and Beaver Harris on drums! The band plays with a perfect style that matches freer soloing with soulful modal rhythms – and as a French-only release, it's one of the more obscure Archie Shepp sessions from the period. Titles include "Hipnosis", "U-Jaama", "African Drum Suite", and the amazing "Blues For Don L Duck". LP, Vinyl record album

A weird and wonderful collection of tracks – funk, soul, and plenty more – all put together without any sort of boundaries or focus – which makes the whole thing one hell of a groovy record! The set's one of the flagship titles for the Seth Rogan-owned Houseplant label – one of their few vinyl releases, designed to fit in with the lifestyle of their other products – but even without that pedigree, there's plenty of great and well-chosen cuts here – and the assortment makes the whole thing way different than any standard funky compilation! Titles include "Good News" by Eamon, "Together (down dumbing rmx)" by Quel Maker, "Night Dancer" by Split Decision Band, "Leave My Beat Alone" by Raw Soul & Dorsey Brockington, "Cars That Go Boom" by L'Trimm, "Green & Money (good woman rmx)" by Maker Bishop Lamont, "Ombele" by Karl Hector & The Malcouns, "Blister In The Sun" by Violent Femmes, "Beat 100" by Benny Sings and Cola Boyy, "Pimp" by Bacao Rhythm & Steel Band, "Oxtanding" by Roc C, "Summer Madness SA" by Karriem Riggins, "Come & Get Your Love" by Family Tree, "Love Dub" by World Quake Band, and "Drop" by The Pharcyde. LP, Vinyl record album

The massive full length flowering of Television – a record issued on a major label, but which represents all the underground genius that the group had been bringing to the New York scene for a few years in the mid 70s! The guitar might be worth the price of admission alone – a standard-setting approach that influenced a generation – and, when matched with the vocals of Tom Verlaine, really knocks the whole thing out of the park! There's a blend of raw edge and understated poetry that instantly demonstrates why the American underground of the time was so different than the world of British punk – and although the set came out in 1977, it still has a massive power all these many years later. Every track's a gem – and titles include "See No Evil", "Venus", "Friction", "Marquee Moon", "Elevation", "Guiding Light", "Prove It" and "Torn Curtain". LP, Vinyl record album

The album that started the whole Daft Punk legend back in the day! At this point, the duo are maybe wearing their classic funk influences a bit more strongly – with plenty of 80s basslines and keyboards next to some more conventional clubby elements – but handled with a lot more depth than if these guys were just putting together a track here and there – a quality that helps set a new standard for clubby crossover sounds! Titles include "Da Funk", "Revolution 909", "Around The World", "Rollin & Scratchin", "High Fidelity", "Teachers", "Burnin", "Alive", "Indo Silver Club", and "WDPK 83.7 FM". LP, Vinyl record album

A hardcore classic from Lil Kim – her first full length set as a solo act, and a record that maybe set a new standard for rawness in the world of female hip hop at the time! The record's got some famous help from Notorious BIG, Jermaine Dupri, Puff Daddy, and Jay Z – but Kim's clearly the driving force of the record on her own – Brooklyn in the house, on titles that include "We Don't Need It", "Crush On You", "Drugs", "No Time", "Big Momma Thang", "Queen Bitch", "Player Haters", "MAFIA Land", and "Take It". LP, Vinyl record album

Heavy soul by one of the funkiest groups of all time – New Orleans mighty Meters, a group who forever set a new standard with the classic singles featured in this package! The Meters are an instrumental group at their core – with a moody blend of heady basslines, bubbling organ, and scratchy guitar – made famous by their early singles on the Josie label, then taken to new heights as they moved to Warner/Reprise in the 70s, and came up with some even more complicated grooves! And while the group's albums are all great, it's definitely their singles that put the money where their funk is – creating these cool, compact, mostly-instrumental modes that pack a hell of a lot of punch in just a short space. The collection features 40 of these massive numbers – titles that include "Joog", "Sassy Lady", "No More Okey", "Trick Bag", "Mister Moon", "Find Yourself", "Chug Chug Chug (parts 1 & 2)", "The Flower", "Smiling", "Do The Dirt", "Africa", "People Say", "Running Fast (long version)", "Disco Is The Thing Today", "Hey Pocky A Way", "Stretch Your Rubber Band", "This Is My Last Affair", "Chicken Strut", "Sophisticated Cissy", "Cissy Strut", "Here Comes The Meter Man", "Ease Back", "Ann", "Dry Spell", "Little Old Money Maker", "Hey Last Minute", and "The World Is A Little Bit Under The Weather Doodle Oop". LP, Vinyl record album

Joni's third beautifully-voiced, gorgeously-composed album for Reprise, following up on her already solid standard of taking a significant step forward in craft and spirit from one album to next! Joni has this perfect way of making you feel like she's singing only for you, but in a way that's big and open enough for the whole world to listen in. The arrangements and production are so good here, too, bringing in lightly jazzy sax, clarinet and flute without compromising on the intimate nature of the songs. Titles include "Morning Morgantown", "For Free", "Conversation", "Ladies Of The Canyon", "The Arrangement", and "The Priest". LP, Vinyl record album

A fantastic lost set from modernist genius Gil Evans – one that expands on some of the larger group territory he was exploring with Miles Davis at Columbia Records – but with an even hipper range of soloists overall! The lineup on the record is an all-star one – mostly top shelf players, not studio musicians – and the set has Evans making room in the arrangements for key solo performances by giants who include Johnny Coles on trumpet, Steve Lacy on soprano sax, Budd Johnson on tenor, Ray Crawford on guitar, and both Curtis Fuller and Jimmy Cleveland on trombones – all players who each bring some key moments of magic to the larger arrangements on the album. Evans himself plays piano, and drums are by Elvin Jones and Dennis Charles – which should give you an idea of the modernist inclinations in the music. And although the title says "standards", the tunes here are definitely on the hipper side of the jazz spectrum of the 50s, expanded with beautiful modern arrangements by Gil – on versions of "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed". LP, Vinyl record album

The last album that Jimmy Heath ever gave the world – and a record that makes us miss him even more – as the whole thing takes Heath back to that spectacular mix of solo expressionist, thoughtful composer, and sensitive arranger territory of his best early years! And if you want proof of Jimmy's warm, open spirit – the set begins with a one minute bowed bass solo before Heath's horn even comes into play – then works sublime magic on a number of original numbers, and a few well-chosen classics – all put together by Jimmy as a "ballads" album, but in a way that's hugely different from some of the more facile songbook sessions of over-recorded standards. Instead, the Heath arrangements throughout are wonderfully fresh, and have a soulful quality that really blows us away – more than even on some of his other late records, which is what makes this final session so bittersweet. The core group features Kenny Barron on piano, Monte Croft on vibes, Russell Malone on guitar, and Lewis Nash on drums – and the set features vocals from Gregory Porter on one track, and Cecile McLorin Salvant on another – and Wynton Marsalis blows a trumpet solo on a third track. Titles include "Ballad From Upper Neighbors Suiter", "Left Alone", "Inside Your Heart", "La Mesha", "Con Alma", "Fasion Or Passion", and "Don't Explain". LP, Vinyl record album

The lovely Aaliyah left our planet all too soon, and left behind a number of unissued tracks as well – material intended for a future album, and which was combined here with a few other tracks to make for a posthumous tribute to her too-short legacy in R&B! The practice is, unfortunately, a common one in the worlds of R&B and hip hop – and although the set's maybe not a standard album by Aaliyah, it's certainly a great addition to the lineup. Titles include "Miss You", "Come Over", "Rock The Boat", "Erica Kane", "We Need A Resolution", "Got To Give It Up (rmx)", "Back & Forth", "Are You That Somebody", "I Care 4 U", "One In A Million", "At Your Best", "Don't Know What To Tell Ya", "Try Again", and "All I Need". LP, Vinyl record album

Beautiful work from the Brooklyn scene of the early 80s – at a moment when it seemed like some of the more spiritual styles of the 70s had fallen out of mainstream favor, but were still being served up beautifully on obscure records like this! Mustafa Abdul Rahman isn't just a tenor player, as he works here as a fantastically majestic leader – leading a small combo through sounds that soar to the heavens on righteous energy – often with vocals from Odell Grier, and delivered with instrumentation from Ahmed Abdullah on trumpet, Richard Radu Williams on bass, Rafik Abdul Rahim on piano, Gregg Bufford on drums, and Babafumi Akunyon on congas and percussion. There's a spirit here that's a bit like Abdullah's own record of the period, and other players come into the mix from time to time – including a young Malachi Thompson, who plays trumpet on one track. Titles include the originals "Polygamy", "Silent World", and "God Is" – plus a take on Coltrane's "Some Other Blues", and the more traditional standards "Afternoon In Paris" and "One & Only Love". LP, Vinyl record album

With a record like this, it's hard to believe that Christian Scott started out in more standard jazz – as Chief Xian Atunde Adjuah is a very different artist altogether, one who wraps together worlds and eras of musical heritage – working here in a set that's very heavy on percussion, vocal refrains, and other elements you never would have heard in his earlier music! The leader works a whole host of percussion along with other members of the group, but also adds in some larger production elements too – always in a way that's nicely subtle, and preserves the acoustic energy at the core – yet which really enriches the proceedings too! The album's overflowing with righteous power – and titles include "On To New Orleans", "Bark Out Thunder Roar Out Lighting", "Xodokan Iko Hu Na Ney", "Trouble That Mornin", "Blood Calls Blood", "Ashe Chief Donald", "Golden Crown", and "Shallow Water". LP, Vinyl record album

Way more than just a typical collection of rare funk and soul – as the selections here not only meet the stunningly high standards of the BGP label – but they've also been sampled in more recent years for hip hop records and other contemporary recordings! Essentially, you've got the best of both worlds – vintage funk from the late 60s and early 70s – brought together in a great collection – and work that's gone onto form the blueprint for contemporary urban sounds as well – which means you'll probably recognize some or part of most of these songs from their use in more contemporary recordings. Nearly every cut's been sampled at least more than once – and titles include "Blind Alley" by The Emotions, "Chick A Boom" by Pazant Brothers, "Eva" by Jean Jacques Perry, "Walk Tall" by Cannonball Adderley, "Baby Let Me Take You In My Arms" by Detroit Emeralds, "Bouncy Lady" by Pleasure, "Tramp" by Lowell Fulson, "Take Yo Praise" by Camille Yarbrough, "Thinking Single" by The Counts, "Different Strokes" by Syl Johnson, "Ike's Mood" by Isaac Hayes, "What A Man" by Linda Lynell, and "Smokey Joe's La La" by Googie Rene. Funky funky! LP, Vinyl record album