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Wes Montgomery

 

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Exact matches: 18
Exact matches1
CD, LP, Vinyl record album cover art
Wes MontgomeryBest Of Wes Montgomery (Verve) ... LP
Verve, Mid 60s. Very Good+ Gatefold ... $5.99
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' soulful playing shines over top. Arrangements are by Oliver Nelson, Johnny Pate, Claus Ogerman and Don Sebesky and the tracks are 'Tequila", "Movin' Wes (part 1)", "End Of A Love Affair", "Naptown Blues", "Con Alma", "Goin' Out of My Head", "How Insensitive (Insensatez)", "The Shadow Of Your Smile", "Caravan" and "Bumpin' On Sunset". LP, Vinyl record album
(Cover has light wear, and candle wax on the back.)

Exact matches2
CD, LP, Vinyl record album cover art
Wes MontgomeryFull House ... LP
Riverside/OJC, 1962. New Copy (reissue)... $15.99 17.98
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deel of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note (plus bonus tracks) ... CD
Verve, 1965. Used ... Just Sold Out!
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". CD features 6 bonus tracks too – including "Willow Weep For Me", "Portrait Of Jenny", "Misty", "Impressions", and "Oh You Crazy Moon". The bonus tracks make for an album that's almost twice as long as the original! CD
(Verve master edition.)

Exact matches4
CD, LP, Vinyl record album cover art
Wes MontgomeryBoss Guitar ... CD
Riverside/OJC, 1963. Used ... Just Sold Out!
Early greatness from Wes Montgomery – a real cooker that features the great Mel Rhyne on organ, coming out of the same Indy hub as Wes – plus Jimmy Cobb on drums! The bass-less trio format burns nicely throughout – coming across with a bit more soul jazz burn than on Wes' later sides, that small combo that came from Montgomery's earlier roots. Titles include a couple of Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". Also includes bonus tracks "Besame Mucho (take 2)" and "Fried Pies (take 1)". CD

Exact matches5
CD, LP, Vinyl record album cover art
Jimmy Smith & Wes MontgomeryJimmy & Wes – The Dynamic Duo ... CD
Verve, 1966. Used ... Just Sold Out!
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and "Down By The Riverside". Nice hard playing from Jimmy, with that great tone that he was getting in the mid 60's, and lots of very clean Hammond lines on his solos. CD
(Verve Master edition in a tri-fold case.)

Exact matches6
CD, LP, Vinyl record album cover art
New Milt Jackson & Wes MontgomeryBags Meets Wes! ... LP
Riverside, 1961. Used ... Temporarily Out Of Stock
A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although Wes played a bit with vibes when working in The Montgomery Brothers, the Jackson approach here is a bit different – more soulful, and a bit more driven on by the rhythm section of Wynton Kelly, Sam Jones, and Philly Joe Jones. Titles include the originals "SKJ", "Blue Roz", "Jingles", and "Sam Sack" – plus versions of "Stairway To The Stars" and "Delilah". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has light wear.)

Exact matches7
CD, LP, Vinyl record album cover art
New Wynton Kelly Trio & Wes MontgomerySmokin' At The Half Note ... LP
Verve, 1965. Used Gatefold ... Temporarily Out Of Stock
One of the greatest 60s recordings from the Wyton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. Tracks are longish, with some nice solos – and include the 13 minute original "No Blues", plus "If You Could See Me Now", "Unit 7", "Four On Six" and "What's New". LP, Vinyl record album
(MGM pressing with deep groove. Cover has moderate wear and aging.)
Also available Smokin' At The Half Note (plus bonus tracks) ... CD

Exact matches8
CD, LP, Vinyl record album cover art
New Wes MontgomeryDay In The Life ... LP
CTI/A&M, 1967. Used Gatefold ... Temporarily Out Of Stock
Mindblowing! This is when Wes Montgomery really starts to get interesting to us – when he's working with a top-line arranger like Don Sebesky, crafting some incredibly compelling chords over lightly jazzy arrangements and soaring strings, in a whole new mode of expression that would go onto transform a generation of guitar players! And sure, this album sold a gazillion copies – but we'll be honest in saying that we think it's loads more complex and mature than some of Wes' straight jazz sides from earlier years – light years away from the small combo dates of the early years, both in conception and sound. Titles include "Day In The Life", "Watch What Happens", "California Nights", "Windy", "Trust In Me", and "The Joker". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
New Wes MontgomeryJust Walkin' ... LP
Verve, 1965/1966. Used ... Temporarily Out Of Stock
An assortment of material that Wes Montgomery recorded for Verve before his too-early death – which the label then collected together as a surprisingly good posthumous release for Wes! There's a really great feel to the record – a mix of small combo and large group settings that offers up both sides of Montgomery's genius in the 60s – all without any sort of confusion of sounds or modes, thanks to a really great assemblage of material. A number of tunes that that sly, stepping groove that always made Wes so great – especially the album's great version of "Bumpin On Sunset", which is offered up here as a small group number. Other titles include "Wives & Lovers", "Sunny", "The Big Hurt", "Tequila", and "Just Walkin". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
New Wes MontgomeryMovin' Along ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with the microphone logo and deep groove. Cover has some wear, a small split on the bottom seam, and some light stains on the back.)

Exact matches11
CD, LP, Vinyl record album cover art
New Jimmy Smith & Wes MontgomeryFurther Adventures of Jimmy & Wes ... LP
Verve, 1966. Used ... Temporarily Out Of Stock
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower style used over larger backings on most of his Verve sets, back to the rootsier soul jazz tone of his earliest recordings from his days on the Indianapolis scene. Jimmy and Wes are working with a core combo that includes Grady Tate on drums and Ray Barretto on conga – making for a lean organ/guitar groove that's only got percussion to kick it along. Titles include "Call Me", "OGD", "King Of The Road", "Mellow Mood", and "Maybe September" – plus a great version of "Milestones" that features some hard swinging larger backings from Oliver Nelson! LP, Vinyl record album
(Original yellow label promo! Cover has a promo sticker in one corner.)

Exact matches12
CD, LP, Vinyl record album cover art
New Jimmy Smith & Wes MontgomeryJimmy & Wes – The Dynamic Duo ... LP
Verve, 1966. Used Gatefold ... Temporarily Out Of Stock
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and "Down By The Riverside". Nice hard playing from Jimmy, with that great tone that he was getting in the mid 60's, and lots of very clean Hammond lines on his solos. LP, Vinyl record album
(Cover has some wear, some pen, and small stains across the back.)

Exact matches13
CD, LP, Vinyl record album cover art
New Milt Jackson & Wes MontgomeryBags Meets Wes! (Keepnews collection with bonus track) ... CD
Riverside, 1961. New Copy ... Out Of Stock
A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although Wes played a bit with vibes when working in The Montgomery Brothers, the Jackson approach here is a bit different – more soulful, and a bit more driven on by the rhythm section of Wynton Kelly, Sam Jones, and Philly Joe Jones. Titles include the originals "SKJ", "Blue Roz", "Jingles", and "Sam Sack" – plus versions of "Stairway To The Stars (take 2)", "Stablemates (take 2)", "Jingles (take 8)", and "Delilah (take 3)". CD
(CD case has a small cutout hole.)

Exact matches14
CD, LP, Vinyl record album cover art
New Wes MontgomeryBumpin' (original master recording) ... LP
Verve/Mobile Fidelity, 1965. Used ... Out Of Stock
An incredible album from Wes Montgomery – and the beginning of a whole new sound for his guitar! Wes moves away from his small combo soul jazz roots on the set – and hits a wonderfully sweet new vibe with larger arrangements from Don Sebesky – bigger backdrops that fill in the space between the notes wonderfully, yet still leave plenty of space for Montgomery to really open up and do his thing! Sebesky's got a perfect sense of timing on the record – and many tunes have a subtle sort of groove – one that pushes Wes' solos beautifully, and has them open up in chromatic tones that are simply mindblowing. This is the start of Montgomery's really classic years in the 60s jazz mainstream – and titles include the classic "Bumpin", plus "Mi Cosa", "Musty", "Con Alma", and "Tear It Down". LP, Vinyl record album
(Cover has light wear.)

Exact matches15
CD, LP, Vinyl record album cover art
New Wes MontgomeryRound Midnight ... LP
Riverside/ABC, Early 60s. Used ... Out Of Stock
2nd pressing of some early material by Wes Montgomery – a tasty trio session cut when he was working with hometown talent from Indianapolis. The set's a real treat because it features organ work by the great Mel Rhyne, an oft-overlooked player who began with Montgomery, but who got left in the dust when he started recording with bigger players. The trio's completed by drummer Paul Parker – and tracks include "Whisper Not", "Ecaroh", "Missile Blues", and "Jingles". LP, Vinyl record album
(Cover has some wear.)

Exact matches16
CD, LP, Vinyl record album cover art
New Wes MontgomeryWillow Weep For Me ... LP
Verve, 1965/1968. Used ... Out Of Stock
A strange little record – a posthumous album that took older Wes Montgomery sides and souped them up a bit after his death! The core material here is quartet recordings done in 1965 – Montgomery's guitar in a hip group with Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – other material recorded at the same time as the Smokin At The Half Note set, discovered later by Verve, and augmented with fuller backings from Claus Ogerman for this record in 1968. In contrast to some of Wes' other albums of this nature, the core combo grooving was done first, which then ends up directing Ogerman's arrangements – and not the other way around – making for a really unique mix of sounds, especially on some of the longer tracks. Titles include "Four On Six", "Oh You Crazy Moon", "Willow Weep For Me", "Misty", "Impressions", and "Portrait Of Jennie". LP, Vinyl record album
(Original pressing – in great shape!)

Exact matches17
CD, LP, Vinyl record album cover art
New Wes MontgomeryLive At The Turf Club (10 inch vinyl) (2014 Record Store Day Release) ... LP
Resonance, 1956. New Copy (reissue)... Out Of Stock
Totally amazing work from the young Wes Montgomery – presented here in a 50s groove that's a lot harder-edged than his later material! The set was recorded in Wes' home scene of Indy – with a combo that also features Alonzo Pookie Johnson on alto, biting hard next to Wes on guitar, Buddy Montgomery on piano, Monk Montgomery on bass, and Robert Johnson on drums. One track – "Down To Big Mary's" – features Debbie Andrews on vocals – and other titles include "Caravan", "Wes' Tune", "Six Bridges To Cross", and "Django". LP, Vinyl record album
(Limited to 2000 hand numbered copies.)

Exact matches18
CD, LP, Vinyl record album cover art
New Wes MontgomeryWes Montgomery & the Montgomery-Johnson Quintet (10 inch vinyl) (2014 Record Store Day Release) ... LP
Resonance, 1955. New Copy (reissue)... Out Of Stock
Don't look for this 10" record in any jazz discographies, because it never existed back in the 50s! Instead, this release only saw the light of day in the 21st Century – even though it features very early sessions for Columbia by a young Wes Montgomery – working here in a quintet that's co-led by Alonzo Pookie Johnson on tenor, and which also features Monk Montgomery on bass and Buddy Montgomery on piano. The vibe's a bit different than the early work by the Montgomery brothers for other labels – and titles include "Blues", "Far Wes", "Leila", and "Love For Sale" – all originally produced by Quincy Jones! LP, Vinyl record album
(Limited to 2000 hand numbered copies.)
 
Possible matches: 13
Possible matches19
CD, LP, Vinyl record album cover art
Eric GaleForecast ... CD
Kudu/King (Japan), 1973. New Copy ... $13.99
One of the most successful albums ever from guitarist Eric Gale – a laidback understated player whose mellow sound had a tremendous influence on mainstream jazz funk in the 70s! The album takes off from the late 60s CTI and Verve sessions by Wes Montgomery – and features Gale riffing out chromatically over tightly woven arrangements by Bob James, who also plays keyboards on the set. There's no standout funky numbers on the record, but it's got a great conception overall – with lots of dreamy grooves that sound very nice! Titles include "Forecast", "Tonsue Corte", "White Moth", "Cleopatra", and "Dindi". CD
(Blu Spec CD.)

Possible matches20
CD, LP, Vinyl record album cover art
MastersoundsKismet – A Jazz Interpretation By The Mastersounds ... LP
World Pacific, Late 50s. Very Good- ... $4.99
The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the sound past the usual exotic chamber groove laid down by the combo. Titles include "Fate", "Olive Tree", "This Is My Beloved", "Not Since Nineveh", and "Stranger In Paradise". LP, Vinyl record album
(Black label pressing. Cover has some wear, discoloration due to aging, and a sticker, with small splits on the top and bottom seams.)

Possible matches21
CD, LP, Vinyl record album cover art
MastersoundsKismet/The King & I ... CD
El/Cherry Red (UK), 1957/1958. Used ... $8.99
A strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the sound past the usual exotic chamber groove laid down by the combo. Titles include "Fate", "Olive Tree", "And This Is My Beloved", "Not Since Nineveh", and "Stranger In Paradise". The King And I is a strange batch of titles played by one of the stranger groups of the late 50s, but the record works nicely – possibly because Rodgers & Hammerstein's tracks are a good forum for the group's mix of soul jazz and lyrical mysticism. Monk Montgomery plays an early Fender bass, Buddy Montgomery's on vibes, Richie Crabtree plays piano, and Benny Barth plays drums. The highlight is a great version of "Dance Of The Siamese Children", one of those odd show tunes that gets picked up often by jazz players, and turned into a completely different vehicle. Other titles include "Shall We Dance", "We Kiss In The Shadows", "My Lord & Master", and "I Have Dreamed". CD

Possible matches22
CD, LP, Vinyl record album cover art
Monk MontgomeryReality (with bonus track) ... CD
Philadelphia International/Big Break (UK), 1974. New Copy ... $14.99
A really sweet set from bassist Monk Montgomery – the Indy jazz legend who first made big waves with his brothers Wes and Buddy in the 50s – still sounding great here on a funky album for Philly International! The album's mostly instrumental, but done in the same great groove as the label's big soul hits of the time – a mode that really works well for the grounding that Monk's bass solos bring to the whole thing – "singing" in this voice that's nice and deep, and which really comes as a surprise! Bobby Martin produced, and also helped Monk with the arrangements – and while the album's definitely got a jazzy vibe, it works equally well as a 70s funky soul instrumental set. Titles include an excellent funky instrumental called "Bump De Bump", plus Bill Cosby's "I Love You Camille", and the tracks "Reality", "Close Your Face", "Girl Talk", "Little Os", and "Sippin & Tippin". CD features a bonus single version of "Reality". CD

Possible matches23
CD, LP, Vinyl record album cover art
Oliver Nelson, Jimmy Smith, Johnny Hodges, etcLeonard Feather's Encyclopedia Of Jazz In The 60s Vol 1 – The Blues ... LP
Verve, Mid 60s. Sealed Gatefold ... $6.99
Looks like a compilation, but a set that features some great material! Side one features Oliver Nelson directing a special group with JJ Johnson on trombone, Nat Adderley and Clark Terry on trumpets, Phil Woods and Jerome Richardson on reeds, and Hank Jones on piano – on titles that include "St Louis Blues", "I Remember Bird", and "John Brown's Blues". Jimmy Smith and Wes Montgomery jam on "OGD", Johnny Hodges and Earl Hines play "C Jam Blues", and Count Basie swings "Blues For Eileen". LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
Johnny ShacklettJohnny Shacklett At The Hoffman House ... LP
Universal Artists, 1969. Very Good ... $24.99
A rare lost groover! Guitarist Johnny Shacklett originally hailed from Indianapolis, but this session has him working in Madison, Wisconsin – with a trio that includes organist Mel Rhyne and his brother Ronnie on drums. Mel was the original organist with Wes Montgomery when he lived in Indiana, and his work on the album is great, and especially fitting to Shacklett's guitar style, which is clearly influenced by Wes. The wildest part of the record, though, is this weird guitar-sculpture thingy that Johnny uses – called a Baraka, and sort of a mixture of electric guitar and balalaika, strung into a weird harp-shaped instrument. Johnny's playing the instrument on the front cover – and that image alone is almost worth the price of the record! The music's pretty straight soul jazz guitar/organ material – but it's all very nice, and the overall package is pretty wonderful. Titles include "Day In The Life Of A Fool", "Hoffman House Blues", "Birk's Works", and "Haskell's Tune". LP, Vinyl record album
(Cover has ring & edge wear, with some stains, a bit of marker, and a small peeled mark on the back.)

Possible matches25
CD, LP, Vinyl record album cover art
Soul MerchantsLight My Fire/For Wes ... 7-inch
Weis, Early 70s. Very Good- ... $7.99
A very mellow, very dope verson of the famous Doors song! The cut is all instrumental – with a slowly meandering guitar groove, and the kind of slow funk rendition that always makes the cut great as an instrumental! Right up there with the best Johnny Harris version, and with some cool Varitone work that's pretty darn tasty! "For Wes" is a great one too – with a killer slow dope guitar groove, supposedly in a Wes Montgomery mode, but much more in the vein of underground hipsters like Cal Green or O'Donel Levy! The arrangements have a slight Latin tinge – for a great bit of slow LA funk that's very very nice! 7-inch, Vinyl record

Possible matches26
CD, LP, Vinyl record album cover art
New VariousBurt Bacharach Songbook – Lippy Lip Bacharach ... CD
Polydor (Japan), 1998. Used ... $23.99
There's been a lot of samplers of Burt Bacharach tunes over the years, but this is one of the grooviest we've ever seen – and it doesn't have any of the weak stuff that you'll find on other samplers! The folks at Polydor Japan poked through their back catalog of the 60's, and they pulled out 19 fab tracks of Burts beat compositions, by a range of artists that's wider (and fresher) than usual. The set includes material by Jimmy Smith, Jerry Butler, James Brown, Willie Bobo, The Fortunes, Wes Montgomery, Dusty Springfield, Sophia Loren, Connie Francis, Jerry Bulter, and even Astrud Gilberto. Very nicely packaged, and with a very odd title to boot! CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
Yoshiyaki MasuoWinds Of Barcelona ... CD
Sony (Japan), 1969. New Copy ... Around October 22, 2014
Groovy guitar work from Yoshiaki Masuo – working here in a sweetly chromatic style with hip small combo backing! Yoshiaki's got echoes of 60s work from George Benson or Wes Montgomery – a sound that's clean, but which has great colors billowing out nicely from the edges – a slight rasp at times, in a way that creates a warmly soulful undercurrent. Other instrumentation includes vibes, organ, flute, and additional guitar – used sparingly, but wonderfully alongside Yoshi's great lead. Titles include "One For Wes", "Winds Of Barcelona", "What The World Needs Now Is Love", "I Say A Little Prayer", and "Gary's Tune". CD

Possible matches28
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley & The Poll Winners ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". LP, Vinyl record album
(Mono pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
New Kenny BurrellBlues – The Common Ground ... LP
Verve, 1967. Used ... Temporarily Out Of Stock
Not "blues" like you might expect from the title – but a hip batch of tracks that has Kenny soloing over arrangements by Don Sebesky, playing in a warmly chromatic mode that's similar to the work that Wes Montgomery also cut with Sebesky. The tracks all have a nicely angular quality – Kenny taking care of the frontline solos with ease, and Sebesky letting the band fall behind him in broad washes of color, tone, and mood. Titles include "Sausalito Nights", "Were You There", "Burning Spear", "Angel Eyes", "The Preacher", and "The Common Ground". LP, Vinyl record album
(In great shape!)

Possible matches30
CD, LP, Vinyl record album cover art
New Freddie GreenMr. Rhythm ... CD
RCA (Spain), 1956. Used ... Temporarily Out Of Stock
A long overdue classic from Count Basie's excellent 50s guitarist! Freddie was one of the strongest single-line players of the 50s – coming to prominence in the years before Grant Green and Wes Montgomery completely transformed jazz guitar, but never getting as much chance as those greats to record under his own name. This rare 1956 set is one of the few that Freddie ever did on his own, and it's a nicely laidback small group romp, with players that include Al Cohn, Joe Newman, Nat Pierce, and Milt Hinton. Tracks are short, with a focus on Green's guitar on the solos. Titles include "Down For Double", "Free & Easy", "Date With Ray", "Swinging Back", and "Feed Bag". CD
(Out of print.)

Possible matches31
CD, LP, Vinyl record album cover art
New Nat AdderleyWork Song ... CD
Riverside, 1960. New Copy ... Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(CD case has a small cutout hole.)
 
Partial matches: 2
Partial matches32
CD, LP, Vinyl record album cover art
VariousWolfe City Madness – Twisted Primitive Hillbilly Bop From Wolf-Tex Records ... LP
Norton, Late 50s/Early 60s. New Copy ... $12.99
Great rockabilly sounds from a tiny Texas label – an imprint so small it only pressed up 300 copies of each of its singles – and never reissued them at all! This long-overdue package really digs deep into the Wolf-Tex label – to come up with a handful of gems that really illuminate the company's contribution to music at the start of the 60s – raw tunes that bring together the best elements of early rock, rough-edged country, and even a trace of Western swing at times. All tracks are pretty rare, and the set also features a few unissued numbers too – and titles include "How Much Do You Miss Me", "The Gospel Will Speak", and "Back To Old Wyoming" by Harold Montgomery; "Rock In My Arms" by Herman Stone, "Marguerite" by Ralph & Roy, "My Three Sorrows" by Col Ralph Red McKee, "Waves On The Bayou" by Ramblin Roy Cunningham, and lots more – including some songs by unknown artists, and even a bit of a radio show too! LP, Vinyl record album

Partial matches33
CD, LP, Vinyl record album cover art
New Bobby HutchersonCruisin The Bird ... LP
Landmark, 1988. New Copy ... Out Of Stock
An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All". LP, Vinyl record album
(Original pressing – in limited supply!)
 
 
 



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