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Early 70s Afro Funk treasures by the Apostles on a stunning 45 – material mined in a joint effort by Academy & Voodoo Funk – both among of the most reverent and respectful diggers of rare African recordings around these days! The Apostles have a unique vibe of their own, though they carry the influences of, and a love for, the global funk and soul of their time. "Onye Akpa" pulls us right in with loose-limbed, yet walloping drums and a relentless rhythm. Punctuated with woozy organ and sweet guitar lines under shout soul vocals, this one kills all the way! "Oshi Onwu" on the other side is cut from the same sweaty cloth, begging you to shout along with the vocals and then slays you with a funky drum break and limber guitar solo. Top notch all the way down to the picture sleeve. Don't miss out!

Monumental Afro Soul from El Rego Et Ses Commandos – El Rego's best recordings from the late 60s to early 70s – a beautifully done compilation put together by Daptone and Frank Gossner, the deep digging West African music expert behind Voodoo Funk! Theophile Do-Rego is a legend in his native Benin, essentially credited as the godfather of Benin funk – but to date, he hasn't been celebrated around the world nearly as famously as the superstars of African music hailing from Nigeria and Ghana. That's something that can change really quickly if enough people pick up this truly great compilation of pioneering recordings. Singer El Rego and his excellent, diversely capable band – sax and flute by Baboni Oudou, sax by Michel Diogo, guitar by Oscar De Souza, trumpet by Emmanuel Ganssounou, guitar by Roger Coffi, tumba by Marcelin Kpohonon, additional vocals by Christian Agueh, and bass by band leader Paul Hounnou – take a tighter approach to funky soul. Just a couple tracks on this set roll past the 4 minute mark – which gives it a tighter soul sound, along with some Benin blues and some riveting JB-indebted vocal affections. We owe Voodoo Funk and Daptone big for putting this together! Includes "Feeling You Got", "Zon Dede", "E Nan Mian Duku", "Dkobime", "Dis-Moi Oui", "Djobime", "Hessa" (the centerpiece of the album, 3 minutes of Afro Soul perfection. . .the whole set is great, but this track is unforgettable), "Kpon Fi La", "Do Do Baya", "Vive Le Renouveau", "Achuta", "Cholera" and "Ke Amon-Gbetchea".

Wow! Straight up incredible Afro Funk from Benin's El Rego Et Ses Commandos – the pummeling, yet soulful "Vimado Wingnan" and the slower, more hypnotic "E Nan Mian Nuku" – rare early 70s numbers on Daptone! "Vimado Wingnan" is one of those tracks that's so incredible that it should be an Afro Funk staple, yet we have to admit we were just recently hipped to it. The drums and percussion are amazing and it's got a wild organ in the mix that gives it something of a psych funk feel. Some flute lightens things up just a bit and the vocals are nice and funky, too. The flip isn't as intense, but it's got a rhythm that's just as insistent in it's less perspiring way. The material was brought to Daptone by Frank Gossner of Voodoo Funk and a full album is promised. We cannot wait!

Breaking drums, popping organ, and fuzzy guitar – all exploding at the start of this rare funky nugget – and setting fire to the tune right from the beginning! There's a nervous, jumpy sort of energy to "Uto Nwa" – one that not only sets it apart from other Afro funk gems of the time – but which also has enough core funk to earn Tex the "soul" in his name on the cover! The flipside follows up with "Osi Na Nganda" – a tune with raw conga rhythms, bursts of freaky organ, and this loping groove that's really wonderful

An uber-rare LP from Orlando Julius & The Afro Sounders – recorded at Ginger Baker's studio in Lagos and originally (apparently quite scarcely) released by Philips in 1973 – wonderful stuff and on par with the excellent material the group recorded in the handful of previous years! The sound is terrific, still fresh and live sounding, but recorded with the best studio technology Julius had access to to date. The drums and percussion are prominent in the mix and so is the bass – with punchy, soulful brass, organs and passionate vocals. Wonderful! Tracks include "Yio Si Da Miliki Beat", "Afro Instrumental", "Osika Ranti", "Buje Buje", "Aseni" and "Kete Kete Koro".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

Reputedly, this is an African funk band recorded recently by the folks at Desco Records – but as with a lot of their projects, we're not entirely sure whether or not to believe them, since they're always a bit too mysterious about the origins of their material, and this may just be some new grooves, cut by a funk band of non-African origin. Whatever the case, though, the record kicks butt, and is a very tight batch of funky instrumentals that have a classic sound that hints at Fela, Manu Dibango, and other Afro Funk artists of the 70's. There's lots of choppy guitar grooves, heavy percussion, and raw blaring sax solos. Very nice stuff, and every bit as great as the other stuff on Desco! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

Plenty of fanfare here – given the great horns that top the groove of Kingdom Afrocks! The ensemble have a Afro Funk vibe that's mighty nice – one that's slightly askew, but in the best way possible – with some cool flat-toned electric piano running ragged over the rhythms, while the horns soar in over the top, and really give the whole record a bold dose of energy in the process! Rhythms really know when to break from the familiar at all the right moments – never sticking too straightly in a 70s Afro Funk mode, and instead going for some bold changes that really keep things interesting – and grooving as well! Titles include "Voodoo Grease", "Will To Live", "Typhoon", "Fanfare", "Escucha", and "Baila Y Goza".

One of the most incredible African collections we've ever heard – almost more amazing than the African Scream Contest set from the same label! The package focuses on work by Orchestre Poly-Rythmo De Cotonou – a group who really live up to their name, by bringing in a host of complicated rhythms to their music – including the "sato" groove, which is kind of a modern funky take on older voodoo modes! Production is often echoey – in ways that dub out the bass and drums nicely – and make the guitar parts sound nice and sinister – the vocals too, for that matter, even though we can't ever understand the lyrics. The music was originally recorded for a variety of different labels, but is brought together here beautifully – complete with a 44 page, full color booklet that not only tells the tale of the group, but also that of all the labels – then follows the whole thing up with a discography as well – a real labor of love that's as much of a visual treat as it is a sonic delight. Titles include "Se We Non Nan", "Ako Ba Ho", "Mi Ni Non Kpo", "Assibavi", "Mi Homlan Dadale", "Iya Me Dji Ki Bi Ni", "Mawa Mon Nou Mio", and "Koutoulie".

One of the most incredible African collections we've ever heard – almost more amazing than the African Scream Contest set from the same label! The package focuses on work by Orchestre Poly-Rythmo De Cotonou – a group who really live up to their name, by bringing in a host of complicated rhythms to their music – including the "sato" groove, which is kind of a modern funky take on older voodoo modes! Production is often echoey – in ways that dub out the bass and drums nicely – and make the guitar parts sound nice and sinister – the vocals too, for that matter, even though we can't ever understand the lyrics. The music was originally recorded for a variety of different labels, but is brought together here beautifully – and the great vinyl version has loads of notes inside the gatefold and on the inner sleeves that not only tells the tale of the group, but also that of all the labels – then follows the whole thing up with a discography as well – a real labor of love that's as much of a visual treat as it is a sonic delight. Titles include "Se We Non Nan", "Ako Ba Ho", "Mi Ni Non Kpo", "Assibavi", "Mi Homlan Dadale", "Iya Me Dji Ki Bi Ni", "Mawa Mon Nou Mio", and "Koutoulie".

A groovy little set – one that mixes up Afro Funk influences with bits of Italian sound library grooving – but all with a contemporary twist that's mighty nice! Guglielmo Pagnozzi handles alto sax, farfisa, and even some percussion – and his horn really dominates the sound on most of the best tracks – snaking out in ways that echo other Afro Funk alto work, but also with some hip retro touches too – a slight dose of European sex that really helps give the record a feel that's different than usual! Instrumentation is mostly live, although it feels like there's a bit of programmed rhythms at points – but again, this helps give the whole thing a nice sound of its own. Titles include "Ogun", "Leo", "Music For Sale", "Slow", "Voodoo Strange Fruit", and "Afroderrick".

A groovy little set – one that mixes up Afro Funk influences with bits of Italian sound library grooving – but all with a contemporary twist that's mighty nice! Guglielmo Pagnozzi handles alto sax, farfisa, and even some percussion – and his horn really dominates the sound on most of the best tracks – snaking out in ways that echo other Afro Funk alto work, but also with some hip retro touches too – a slight dose of European sex that really helps give the record a feel that's different than usual! Instrumentation is mostly live, although it feels like there's a bit of programmed rhythms at points – but again, this helps give the whole thing a nice sound of its own. Titles include "Ogun", "Leo", "Music For Sale", "Slow", "Voodoo Strange Fruit", and "Afroderrick".

The Africa Issue of Wax Poetics – with Fela on the front cover and Tony Allen on the back – plus pieces on The Rail Band, Orchestra Baobob, Orchestre Poly-Rhythmo, Soundway's Ghana Special and so much more! You know Wax Poetics is going to go deep, and Issue 39 doesn't disappoint – from the pivotal Afro funk & soul of the cover artists to the Cuban-influenced vibe of Senegal's Orchestra Baobob, the griot sounds of the Rail Band and well beyond – loaded with photographs we've never seen before (always a big draw to Wax Po) – Re:Discovery items on Mams & Hart, Buari's Disco Soccer and more, plus pieces on African vinyl collector Voodoo Frank, Shafiq of Sa-Ra, a Record Rundown of from African rhythms champion DJ Rich Medina and lots more!

Raw mod and gritty funk rock grooves from team Le Beat Bespoke – the fourth set in the series – bubblegum garage, fuzzed out pop, funky percussion and wailing organs – this just might be the best in the series to date! Compiler Rob Bailey out does himself here, once again digging deep for obscure mod singles, groovy slabs of garage rock, with a few left turns such as a heavy Latin gem and a more psych-steeped number or two – propulsive, exciting numbers regardless of genre affections and fiery dancefloor ready rock tunes all the way! 20 tailor made cuts on the CD – a brief notes on each tune, all of which are exciting and groovy as can be! Titles include "Voodoo Medicine Man" by Jerry & Jeff, "False Alarm Love" by Peaceful Coalition, "Eg Veit Ao Pu Kemar" by Trubrat, "Feelin" by Joy Unlimited, "No Thank You Mr Pusher" by Big Tom, "King Of Siam" by East Of Eden", "Comin On Down" by The Twilights and more.

Little-known Chicago funk group who recorded briefly for RCA. This LP's got production by old Brunswick Chicago soul talents Carl Davis, Eugene Record, and Sonny Sanders, the groove is sort of uptempo and funky, like some of the late Brunswick club work. Tracks include "Volcanic Voodoo", "Take It To The Top", "What Makes You Wanna Lie To Me", "You're My Everything", "Show Him The Way To Go", and "Worry".

A lost bit of 70s soul jazz and global funk percussion from conguero & trombonist Melvyn Price – an incredible set of heavily rhythmic grooves recorded in Stockholm in 1974 – originally a private press effort, and the most impressive rediscovery yet from Wax Poetics Records! Melvyn grew up outside of Detroit, and he cut his teeth with the freeform Afrikan Folk Ensemble before relocating to Sweden in the 60s, where he thrived in the country's healthy and creative jazz scene. He's joined by a great group of international players who bring diverse flavors to the overall sound, with Latin and African styles of percussion from Price, Jon Dill and Luis Agudo, drums by Gunnar Nyberg and Fredrik Noren, piano by Bjorn Wolff, fluidly jazzy tenor sax from Ed Epstein, and bass by Guy Roellinger, who's work here often sounds like the stuff of funky 70s soundtracks. If we can't quite peg the bluesy bits promised by the title, the rhythms are absolutely impeccable – with the conga and percussion as the driving force of the sound! Titles include "Voodoo Love Dance", "Toward Brazil", "Behind Kungstradgarden", "Happiness Is. . .", "Five O'Clock Traffic" and "Last Train".

A lost bit of 70s soul jazz and global funk percussion from conguero & trombonist Melvyn Price – an incredible set of heavily rhythmic grooves recorded in Stockholm in 1974 – originally a private press effort, and the most impressive rediscovery yet from Wax Poetics Records! Melvyn grew up outside of Detroit, and he cut his teeth with the freeform Afrikan Folk Ensemble before relocating to Sweden in the 60s, where he thrived in the country's healthy and creative jazz scene. He's joined by a great group of international players who bring diverse flavors to the overall sound, with Latin and African styles of percussion from Price, Jon Dill and Luis Agudo, drums by Gunnar Nyberg and Fredrik Noren, piano by Bjorn Wolff, fluidly jazzy tenor sax from Ed Epstein, and bass by Guy Roellinger, who's work here often sounds like the stuff of funky 70s soundtracks. If we can't quite peg the bluesy bits promised by the title, the rhythms are absolutely impeccable – with the conga and percussion as the driving force of the sound! Titles include "Voodoo Love Dance", "Toward Brazil", "Behind Kungstradgarden", "Happiness Is. . .", "Five O'Clock Traffic" and "Last Train".

Lee Perry & The Upsetters – rolling them Music Bones in peak form here – stellar mid 70s Black Ark material from the master! This one totally delivers the goods: raw, gritty, funky jams cut at the Black Ark during the height of Perry's most creative period. Vin Gordon's trombone is pushed waaaay up to the front of the mix in these instrumental versions, which are basically dubs, though there's not too much in the way of echo drops and atom bomb reverb – but on this album that's just the way we like it, so we can feel every beat of the chunky rhythms! 15 tracks in all, including "Coco-Macca", "The Message", "Licky-Licky", "Quinge Up", "Raw Chaw", "Four Of A Kind", "Nah Go Run", "Mek It Soon" and "Voodoo Man".

Funky club with jazzy touches – all served up in a stripped-down mode that takes us back to some of our favorite dancefloor experiments of the 90s! The groove here is somewhere in the house-y side of the Acid Jazz scene of early 90s London, or mid-decade work from the Tokyo club jazz crowd, or even a bit like "Hot Music" from Soho – a tune that would be a great comparison for the sound of this sweet little set! Rhythms are built from lots of sampled live jazz passages – so there's an acoustic warmth throughout, even when things are processed – and there's enough live jazz instrumentation to keep a spontaneous feel in the music as well. Titles include "Karabine", "Get A Wiggle On", "Voodoo Juju", "Black Milk", "Hip To The Jive", and "Solitaire".

Quite possibly the most celebrated album ever from keyboardist Lonnie Liston Smith – a groove-heavy classic that's burned up many a dancefloor in its day, yet also a record that features some great mellow moments as well! The title track "Expansions" is virtually a blueprint for the migration of the cosmic jazz sound onto the dancefloor – a tune that's as funky as it is righteous – but other cuts on the album slow down the pace a bit too, and show off the mellower, more introspectively spiritual side that's always made Lonnie way more than just a funky jazz artist. Easily the best place to start in the all-great Lonnie Liston Smith catalog – and featuring tracks that include "Expansions", "Summer Days", "Desert Nights", "Shadows", "My Love", "Peace", and "Voodoo Woman".

Quite possibly the most celebrated album ever from keyboardist Lonnie Liston Smith – a groove-heavy classic that's burned up many a dancefloor in its day, yet also a record that features some great mellow moments as well! The title track "Expansions" is virtually a blueprint for the migration of the cosmic jazz sound onto the dancefloor – a tune that's as funky as it is righteous – but other cuts on the album slow down the pace a bit too, and show off the mellower, more introspectively spiritual side that's always made Lonnie way more than just a funky jazz artist. Easily the best place to start in the all-great Lonnie Liston Smith catalog – and featuring tracks that include "Expansions", "Summer Days", "Desert Nights", "Shadows", "My Love", "Peace", and "Voodoo Woman".

A surprisingly great album by Booker T – recorded after his Memphis years with The MGs, and his duets with Priscilla – and done in a sweetly mellow style that has Booker emerging as a whole new style of songwriter! As with all the post-MG albums, Booker sings lead vocals on all tracks – in a gently, almost folksy mode that fits beautifully with the compressed production of the set. There's almost a Terry Callier-ish quality to a few of the cuts, and on others, Booker's hitting a cool LA style that's kind of a west coast take on the Memphis vibe – but with a few more rock-based touches. Book plays a bit of organ and some keyboards on the set, and titles include "Jamaica Song", "Mama Stewart", "Flamingo", "Tennessee Voodoo", "Lie To Me", and "Evergreen". CD features lots of bonus tracks too – "Life Is Funky", "Take Me To The River", "A Whiter Shade Of Pale", "Higher & Higher", "Love Is Strange", and "Evergreen (single version)".

An excellent compilation of rare funky jazz tunes – issued here supposedly as a lost soundtrack, but really just a collection of tunes from other sources, all with a nice soundtrack-y jazz feel! There's a few familiar names here, but most of the material is from rare European and American indie jazz LPs, and sound library sources of late 60s/early 70s vintage, with a nice mix of electric and acoustic playing. Titles include "Troublemaker" by John Cameron, "Voodoo Love Dance" by Melvyn Price, "Do Whatever Sets You Free" by Gus Giordano, "Chili Mac" by Preston Love, "La Folla" by Solar Plexus, "A New Generation" by Oscar Brown Jr & Jean Pace, "Dancer" by Gregory Charles Royal, "Zazueira" by Meta Roos, and "Jody's Freeze" by James Reese & The Progressors.