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A killer side project from Roy Ayers – recorded right around the same time as the Ramp album, but with a different feel over all – proof that the Ayers empire was really exploding at the end of the 70s! The vibe here is quite similar to some of Roy's own albums over at Polydor – a great balance between upbeat groovers and mellower steppers – all done with a nice undercurrent of jazz, thanks to some sweet keyboards from Philip Woo and saxes from Justo Almario – both of who played often with Ayers as well. The vocals are especially great – wrapped up warmly along the rhythms, mixing the male/female leads of Jimmy Haslip and Sylvia Cox with some additional backing vocals from group members – creating a righteous ensemble sound that's totally wonderful, and very much in the Roy Ayers spirit. Titles include "Spread It", "If You Wanna See The Sunshine", "The Five Flies", "Midnight After Dark", and "Love Is Love".

One of the greatest Roy Ayers albums of all time – and one of the rarest! The record is right in the same vein as Roy's groundbreaking He's Coming LP – a righteous mix of soul jazz, subtle funk, and some of the cosmic wisdom that Roy was spreading among the jazz funk underground – all wrapped up beautifully, but never in a way that's like commercial soul of the time. There's a few instrumental tracks on the album, plus some vocal ones that show that off-beat male/female style that Roy would use more famously in later tracks like "Everybody Loves The Sunshine" or his work with Ramp. Players include Harry Whitaker on electric piano, Edwin Birdsong on organ, Alphonse Mouzon on drums, Jumma Santos on congas – and titles include a version of Nat Adderley's "Hummin", done as "Hummin In The Sun", and very much in the Ramp vein. Also features instrumental cuts "The Fuzz", which has Roy's vibes toned way up, and the cool mellow "The Painted Desert", a really offbeat slow jazz number. The group also does a great job with Edwin Birdsong's "Pretty Brown Skin", picking up the song as a really anthemic groover that gives the record a nice kick!

Some of the funkiest tracks on the mighty Luv N Haight and Ubiquity labels – no surprise, given that all of them have been sampled over the years! The bulk of the work here is 70s funk – of the gritty, obscure sort that Luv N Haight first started digging 20 years ago, and has continued to reissue at a rock-solid level – overlooked gems from the American underground, brought back to life not just through key hip hop samples, but also from the label's own series of excellent compilations and reissues! The package includes a number of out of print tracks – and titles include "Searching For Soul (part 1)" by Jack Wade & The Soul Searchers, "Spread The News" by Perfect Circle, "Boys With Toys" by Gap Mangione, "Sweetest Thing In The World" by Turner Brothers, "Africana" and "Do Whatever Turns You On (part 2)" by The Propositions, "Hang On In There" by Mike James Kirkland, "Getting Down" and "We Know We Have To Live Together" by Eugene Blacknell, and "Plenty Action" by Soft Touch.

Another round of funky Ape Breaks from producer Shawn Lee – some of the most solid break tracks we've ever stocked – all nice and simple, with the drums, riffs, fills, and skits laid out in an easy to use way! The BPM's of the tracks are all nice and slow too – 100 bpm or less – making for a tasty batch of funky tracks that have a nice almost-classic sound. Tracks include "Mayfair", "Honky Tonk", "The Duck", "Hit Me", "Barney Miller", "Fish Break", "My Left Foot", "Ruff Stuff", and "Dead Beat".

Reel-y great grooves from Shawn Lee – perhaps his funkiest record in years, and one that has a definite cinematic feel too – as you might guess from the title! The style here is blacksploitation funk at its finest – stripped down to its best core elements, and served up by Lee with a lean, mean groove that shows that he really understands the roots of the genre – and knows how to get the sound just right – while still bringing in some of his own core touches too! As we've come to expect from Shawn, the beats are mighty nice – and the album's overflowing with breaks – plenty of funk to drive along the album's heavy keyboards and guitar riffs in the lead. Titles include "Boomwack", "The Definition Of Funk", "Big Ben", "Rocks On Rocks", "Soho Chase", "Straight To Video", "Piano Milano", "Daylight Robbery", and "Biker Chick".

The Monophonics definitely have a way of getting inside your brain – using a cosmic slop of fuzzy guitars and funky basslines to eat away your grey matter more than a maggot inside your cranium! Yet even past that heavy Funkadelic reference, they've also got a richer vibe too – elements of 60s psych mixed in with their funk – particularly in the way that the younger generation's been re-digging crates from the early 70s these days – especially some of the more farther-flung tracks from the global underground. There's slight Afro elements at times, garagey bits at others, and even some well-timed rhythms that help the whole thing have a good sense of focus – and save it from the overindulgence that toppled the hippie generation before they even got started. Titles include "Mirage", "Bang Bang", "Temptation", "In Your Brain", "Sure Is Funky", "There's A Riot Going On", "Say You Love Me", "They Don't Understand", and "Thinking Black".

The great Luv N' Haight album of unreleased material by legendary Chicago soul jazz group Pharaohs – live tracks that serve as a vital document of the group outside the studio! There's 5 long tracks here, 4 of them recorded live, plus an unreleased gem from the Awakening sessions. Standouts include is a spacey version of "People Make The World Go Round and the extended drum suite of a closer – but it's excellent throughout! Other titles include "Pharaohs Love Y'All", which is a stellar funk jam, plus "African Roots". Nice heavy vinyl, too. Essential!

A great full-length set from Dandy Teru – a producer who's been making a fair bit of waves in the underground in recent years – finally stepping into the limelight here himself! Teru's got a great ear for a crispy beat and cosmic keyboard line – often fusing the two together in a trans-spatial way that creates a nice undercurrent of older soul and funk, yet which still retains a really contemporary vibe! This approach works really well for the range of talents helping Dandy out on the set – including Ty, Moka Only, Rita J, Quiet Dawn, Count Bass D, Tchad Unpoe, and Sarah Gessler – all different voices that help shape the sound of the record, and really unleash the variety in Teru's approach. Titles include "Fragile Things", "Below", "Wake Up Now", "Burned", "Waters", "Clouds Catcher", and "Rwvnll" – plus a few remix tracks too.

A great step forward for the Afro Latin Vintage Orchestra – even better than their previous album, and a set that beautifully mixes together jazz, Latin, and African elements into one seamless groove! Percussionist Masta Conga is at the head of the group – leading the ensemble with a unique vision that's less of the overdone Afro Funk you might know from other contemporary combos – and more of a classic 60s blend of elements – especially that unique hybrid of Latin modes you'd get from west coast groups – like the Afro Latin Soultet or Afro Blues Quintet – both clear choices of inspiration, given this group's name! Yet there's also some 70s elements moving through the grooves too – thanks to great Fender Rhodes lines, and bits of other keyboards too – often used in these cool spare ways that work perfectly with the mix of funk and Latin in the rhythms, and occasional bits of strings as well. Most tracks are instrumental, although there are a bit of vocals on the set – and titles include "Requiem Pour Un Grooveur", "Petrof Sublimination", "Onze De France", "Gibbon's Dub", and "Dimension 7".

Another platter of tasty beats in the tradition of the funky drummer series of break records Ubiquity put out a few years back. Just drums, raw and crisp, and ready for battling, looping or whatever you need. These aren't looped bits from famous breaks or some fool with a drum machine in his bedroom, but fresh new beats recorded by an actual drummer, fills and all! They're conveniently labelled with BPMs, and there's a variety of snare, kick and cymbal tones used throughout. Names like "Premier Funk", "Steve Mack Queen" and "Fat Foot" give you an idea what we're talking about.

If the story is stripped down avant funk instrumentals with subtle stylistic twists and turns, it's a story worth telling – and that's what Clutchy Hopkins puts down on The Story Teller – an album that manages to be among his most raw and direct and his most adventurous at the same time! There's an almost low fi approach to the production, as well as an emphasis on drums, percussion and keys that keeps it all cohesive, but the range of styles he rolls in and out while doing that is pretty incredible! Hazy, raw mood funk, bits of South American and other points global influenced guitar and percussion, trippier keys and most always a sinister bass groove. The persona is low less mysterious than ever, but the leftfield funk sound is as impressive as ever! Includes "Giraffe Crack", "Laughing Jockey", "Miles Chillin", "Truth Seekin", "Nina", "Truch Seekin", "Drunk Socks", "Verbal Headlock" and more.

The much anticipated full length debut of Brooklyn Afro Funk and psych soul-influenced combo Ikebe Shakedown – following up their tight, promising EP on the Colemine label with an excellent self-titled set on Ubiquity! One of our favorite things about Ikebe Shakedown's style is the way they blend signature elements of classic Afro Funk and soul with more broadly influenced grooves. Heavy horns and pummeling drums, vamping guitar licks and elastic basslines are prominent and funky – but they work with more measured and spaced out material, too. It's roomy enough to let the individual musicianship shine, and the production is really great. Includes ""Tujumba", "Kumasi Walk", "No Name Bar", "Tame The Beats", "Don't Contradict", "Refuge", "In Circles", "Asa-Sa", "The Hold Up", "The Viking" and "Five Points". 10 tracks on the vinyl.

Beautiful material from this legendary Bay Area soul jazz combo! The Sons & Daughters of Lite have an incredibly spiritual sound – one that sounds sort of like the best groups on the Strata East label, with touches of Roy Ayers or James Mason-esque soulfulness, but with a little less polish. Many of the cuts have sweet female vocals in the lead – with backing that includes vibe, electric piano, tenor, alto, and percussion by Babatunde. The record's a great one if you dig spiritual jazz funk – along the lines of Gary Bartz, The Pharoahs, or Oneness Of Juju – and Luv N Haight have done a stellar job of repackaging the album! Titles include the classic mellow groover "Let The Sun Shine In", plus "Fly Away", "Operation Feed Yourself", "Darkuman Junktion", and "Ju Ju's Door".

Shawn Lee draws from a deep wellspring of global funk influences and instrumentation for his Ping Pong Orchestra's eclectic World Of Funk – featuring Clutchy Hopkins, Curumin, Elliot Bergman of Nomo, Michael Leonhart and others! Lee weaves a tapestry western funk and soul instrumentals with strains of Ethio jazz, Brazilian soul, Thai and Cambodian psych, Afro grooves and more – making it all work with his own personal vision, informed by years of crate diggin' and un-compromised music making. We don't know how he does it – balancing such a diverse array of influences and doing it all justice. Wonderful stuff from the indefatigable Mr. Lee and his stellar roster of guests. Includes "Bina", "Ghosts In The Rain" feat Clutchy Hopkins & Chhom Nimol, "Ethio" and " Booya" feat Michael Leonhart, "Nao Vacila" feat Curumin, "La Eterna Felicidad" feat Bardo Martinez, "Nanny Jee" feat Nanny G, "Mi Ilusion" feat Cava, "Accelerate, "Hairy Krishner" and more.

Orgone's second full length for Ubiquity and it's a monster – taking a rough, rugged, and uber soulful live funk vibe into a deeper and even livelier realm! The group's sound is more finely honed from a couple of years of hard touring – and it's paid off wonderfully. The sound is more sharply focused, but with swagger to spare on both the funky instrumental workouts and showpieces for soulful singer Fanny Franklin. From sun toasted Cali funk & soul to strains of classic Afrobeat, boogaloo and and funk rock (the guitar sound is terrific on this one) – they nail everything their shooting for, and pull it all together in tight package that's ultimately all their own. A total win for Orgone and Ubiquity Records. Titles include "The Last Fool", "Crazy Queen", "Give It Up", "Cali Fever", "Overtime", "Mantana", "The Only One", "Doing Me Wrong", "The Cleaner", "It's Time Tonight" and "Sandstorm".

One of the rarest and greatest Roy Ayers albums of all time – the sly, funky and spiritual masterpiece He's Coming from 1971 – really the beginning of the funk years from Roy Ayers Ubiquity! This one's a totally solid mix of soulful jazz, jazzy soul and righteous funk – and it's straight up wonderful all the way through – with a groove that's hugely influential to say the least! Includes the amazing track "We Live In Brooklyn Baby", which has a slow sample bassline in the intro that's just incredible – plus groovy cuts like the spiritual funk classic Jesus Christ Superstar "He's a Superstar", "He's Coming", and "Sweet Tears". The lineup includes Sonny Fortune on soprano sax and flute and Billy Cobham drums and percussion, and the record's co-arranged by Harry Whitaker, who's also on keys and vocals – with other tracks include "He Ain't Heavy, He's My Brother", "Ain't Got Time", "I Don't Know How To Love Him", "Sweet Butterfly Of Love" and "Fire Weaver". Amazing stuff, really a beautiful encapsulation of Roy Ayers in peak form!

The great lost Darondo album – amazing Bay Area funky soul from a singular talent – and material that we did not even know existed! It was cut for Ray Dobard's Music City label – purportedly in just a couple of marathon sessions – most of which we've never heard before now, which is mindblowing in and of itself, as we had thought Ubiquity Records mined what little was available of Darondo for their killer Let My People Go compilation. Lo and behold – here's some more, and it's just as incredible! Slinky, stripped down funk and some sweeter soul that's as much influenced by Memphis recordings as it is the Bay Area – but all with Darondo's distinctive, freewheeling gritty baritone and when the mood strikes, piercing falsetto vocals. A total treasure! The vinyl edition has 10 tracks and approximates the album as it should have been issued in 1974 – with "I Don't Understand It", "I'm Gonna Love You", "Didn't I", "Luscious Lady", "Saving My Love", "Gimme Some", "Do You Really Love Me", "Listen To My Song" and more.