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We're always big fans of Bev Kelly's work, but this album is way hipper than the usual vocal album of its type from the time – thanks to a sweet little lineup that features Pony Poindexter on alto sax and Flip Nunez on piano! The presence of Poindexter's horn is always a treat, on the handful of smaller group sides he cut from this time – and Nunez's piano lines have an inherently rhythmic groove that comes out even on the mellower numbers – which often are somewhat spacious, but stepping along with a gentle groove underneath Kelly's fantastic vocals. Part of the credit for this groove goes to Johnny Allen, whose work on bass is great – and the group's completed by the drums of Tony Johnson, who's a bit more down in the mix. Titles include "Long Ago & Far Away", "My Foolish Heart", "Night & Day", "Just Friends", "Love Letters", "This Is Always", and "My Funny Valentine".

The third and tightest of Ade's albums for Island. The sound here is a hybrid of his Ju Ju style with a bit of Afrobeat thrown in, with Tony Allen guesting on one number. The percolating multi-guitar and talking drum sound that was Ade's signature keeps the set gliding along nicely. 6 longer numbers in all: "Gboromiro", "Oremi", "Ire", "Iro", "Ogunja", and "Ase".

The lasting testament of trumpeter Tony Fruscella – a great talent whose powers only flourished briefly on vinyl, and never so brightly as on this LP! The set's a well-composed one – gently grooving numbers arranged and written by Phil Sunkel, played by Tony and a group that includes Allen Eager on tenor sax. Eager's another talent who's not always represented as strongly as he should be on record – and this session is as great an appearance for him as it is for Fruscella. Titles include "Muy", "Old Hat", "Raintree Country", "Let's Play The Blues", and "Metropolitan Blues".