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Horns, harmonica, and more – all wrapped up beautifully in the hands of soundtrack maestro Francesco De Masi! The core music for Arizona Colt is done with these soaring brass parts that really recreate the scope of the scene – bursting forth in full, yet gentle modes that really stretch out for the sky – intercut with mellower, more isolated sounds on harmonica from Franco DeGemini or guitar from Alessandro Alessandroni! I Cantori Modern sing just a bit on the record – especially on two vocal versions of the theme, sung by Raoul – and the CD features a whopping 31 tracks in all, with great remastering – and titles that include "Gordon Guitar", "Agguato Al Passo", "Sentieri Misteriosi", "Arizona Ferito", "Attesa E Dolore", "Arizona Colt", "Jane E Arizona", and "Preludio Strip Tease E Fuga".

2 rare soundtracks by French composer Eric Demarsan – 1978's Attention Les Enfants Regardent and 1983's L'Indiscretion – back-to-back! Attention Les Enfants Regardent kicks off with an ethereal choir overture, and from there rolls out some laidback, but moody tracks that steadily build tension as the soundtrack plays out. Nice use of harpsichord at the beginning and heavier use strings as it goes. Sweet! Titles include "Les Enfants Du Soleil", "Le Serment", "Strip-Tease", "La Mort De L'Ogre", "Le Diner", "Supermarche", "La Recontre" and more. "L'Indiscretion" has some similar attributes, but also cool, pared down fusiony touches – with echoey electric guitar, sultry sax, synth and some rumbling drums and bass grooves in particular. It's also got a nicely alliterative tracklist – including "Indiscretion", "Elimination", "Impulsion", "Premonition", "Interrogation", "Liberation", "Fascination" and more.

Modern psych funk torchbears The Stepkids deliver once again for Stones Throw – a 12-inch tease for their 2013 record Troubadour! "Sweet Salvation" is one of the trippier tunes we've heard from the group – one that's anchored by a funky bass and stable beat – with some light, atmospheric bits of keys and percussion and some strange, but soul-steeped group vocals. It almost feels like that there's a Tom Tom Club influence to the more atmospheric bits of sound, which is never something we'd complain about! There's also a remix by Yacht and instrumental version – plus the crazier, but equally cosmic "Bitter Bug".

A rare soundtrack from the mighty Cerrone – recorded right at the height of his electro disco fame, and with a very similar groove! The film was also titled Vice Squad in the US market – and the music here definitely echoes the sleaze of its subject matter – with loads of sweet clubby lines that are heavy in the keyboard styles you'll know from "Supernature" – but maybe even leaner and meaner here – with a stripped-down punch that makes for plenty of funky disco moments! The tracks are mostly groovers, but even the few mellow moments are great – and titles include "Phonic", "Give Me Love", "Make UP", "The Loft", "Strip Tease", "Experience", and "Deauville".

Early funk from the Commodores – back in the days when Lionel Richie could still get up and groove! We'll be the first to admit that we're sometimes put off by the group, given their later hits, but it's records like this that actually remind us how great they could be – a mixture of funk and sweet soul, done with an incredibly well-crafted approach, and enough of a blend of the two styles to keep things interesting! The album's got a wonderfully tight quality – never slick or too smooth, but just nicely put together – commercial, but not so much so that it loses its soul. Titles include "Quick Draw", "Just To Be Close To You", "High On Sunshine", "Let's Get Started", "Can't Let You Tease Me", "Come Inside", and "Thumpin Music".

Did 80s US rock ever get any nastier? Tracks include "Teen Pussy Power", "C&nt Tease", "Just Wanna Die", "Constant Pain", "Spin Out", "No Count", "Die B!tch", "Kill Yourself" and more.

Three mad soundtracks from the great Francois DeRoubaix – all penned during his formative years of the 60s! Even at this early point, Francois shows a great ear for bringing up more inventive sounds from his orchestrations – sometimes great jazzy flairs on flute or vibes, sometimes playful tuning of familiar instruments, and sometimes incredibly groovy vocal passages that rival some of our favorite French pop of the period! The whole thing's wonderful – nearly 80 minutes of music that's filled with joy and delight – and plenty of sweet twists and turns along the way – with titles that include "Juke Box De La Drague", "Cover Girl", "Maquettes", "Nos Les Play-Boys", "Peggy", "Le Roi Du Yeye", "La Proposition", "Miracle A L'Italienne", "Brigade Du Twist", "Rendez-Vous Au Ritz", and "Session Jam".

Excellent work by composer/leader Pete Rugolo – Stan Kenton's old partner in modernist jazz, and the force behind excellent work by June Christy, The Four Freshmen, and others. This album's got a great "crime jazz" sound – with an approach that sort of starts at the Peter Gunn level, but which gets much crazier as the record goes on. Titles include "The Teaser", "Richard Diamond Theme", "Who's Sam?", "All Star", and "Teen Age Rock".