You know, despite the fact that this one was recorded in the mid 80s, when we felt that Tania's great jazzy vocal style was being buried in excessive arrangements – in retrospect, it's actually got some darn nice moments. These include the great "Tanoca Vignette", a lively number that features some excellent vocal/piano interplay by Tania, produced with a bright style that brings out the best elements of the song. Another nice one is the cut "Bronx", which has a good fusiony groove to it. Other titles include "Valeu", "I Should Not Call You", and "Just Get Up", which was produced by George Duke. LP, Vinyl record album
An incredible batch of Brazilian fusion – cut by keyboardist Manfredo Fest, and one of the few records he ever waxed in the US during the 70s! The record mixes Fest's soaring Brazilian groove with a tight soulful set of arrangements by Jerry Peters – a bit club-oriented, with a similar sound to some of the other records on the Tabu label at the time, but always sensitive to Fest's playing and writing – especially his Brazilian roots! The record features wonderful vocals by Roberta Davis – a very soulful singer who had a hip wordless style that was similar to Tania Maria's at the time – breezy, scatting, and very nice. Her work really makes the record sparkle, working perfectly with Fest's jazzy electric keyboards in a perfect way! Titles include "Jungle Kitten", "Koko & Leeroe", "Arigo", and "Who Needs It". LP, Vinyl record album
(White label promo. Cover has a radio station tracklist sticker, a promo stamp, a small sticker, and a few strips of clear tape.)
Bonzo Dog Doo Dah Band —
Gorilla ... LP Imperial, 1967. Used ...
Out Of Stock
The insane debut of the Bonzo Dog Doo Dah Band – an amazing late 60s Brit ensemble who were almost to music what Monty Python were to TV! This first effort by the group is a mad array of sounds and styles that come together with a great sense of play and joy – a real delight in quick turns, witty phrases, and parodic re-castings of earlier modes – inspired by dada work of the early 20th century, but also handled with a lot more of a post-modern feel overall. Most tracks are short, and many echo earlier music styles, filtered through a slightly psyche filter – and titles include "Death Cab For Cutie", "In San Francisco", "Jollity Farm", "Equestrian Statue", "Cool Brittania", "I'm Bored", "Piggy Bank Love", "Big Shot", "Mickey's Son & Daughter", and "The Sound Of Music". LP, Vinyl record album
An obscure release that compiles tracks from a number of different sessions by this legendary American soul jazz combo. The tracks are less soul jazz oriented than their records from the mid 70's, and much more oriented towards their big club sound from the early 80's. Plunky's still in the group on sax, and they're joined here by Virtania Tillery, who sings vocals on a number of cuts. There's some nice groovers on here, including "Plastic Is Easy To See Through", issued here for the first time, plus "Get Your Head Together", and "Be About The Future". LP, Vinyl record album