All Categories — All Formats  

A wonderful little session from Manny Albam – one that continues the strong tradition of larger group jazz arranging he began in the 60s, but which takes it to an even deeper level! Manny composed the entire set as kind of a "city suite" in jazz – one that paints the picture of many different shades of city life through jazzy solos and a range of deeper tones and colors from the larger ensemble. Players include Frank Wess, Phil Woods, JJ Johnson, Jerome Richardson, and Mike Manieri – all extremely well-suited to an outing like this – and titles include "The Game Of The Year", "Born On Arrival", "The View From The Inside", "El Barrio Latino", "Ground Floor Rear", and "Riverview".

Lots of complicated lines and rhythms going on here – a session recorded under the leadership of trombonist Jeff Albert, but which features equal energy coming from all members of the quartet – Kidd Jordan on tenor, Josh Abrams on bass, and Hamid Drake on drums! Abrams and Drake offer up way more than rhythms – and lines from all instruments intersect, criss-cross, and parallel each other – creating a rich tapestry of sounds and tones throughout! Titles include a few different installments of "Instigation Quartet" – plus the Fred Anderson songs "The Strut" and "Three On Two".

Excellent compilation of some of the best tracks recorded by the Alegre All Stars. One of the greatest recording projects in Latin music, the Alegre All Stars was a loose collective of great talents like Charlie Palmieri, Bobby Rodriguez, Chombo, Jo Quijano, Kako, Johnny Pacheco, and lots of others – and the records they made were laidback sessions full of lots of fire, communication, and laughter. Few groups matched their ability to lay down a tightly swinging Latin groove, and you'll hear the proof on tracks like "Manteca", "Estoy Buscando A Kako", "El Sopon", and "El Manicero".

A nice 7" package on Decon – with cover art that folds out into a full-sized poster! Superstar guest, too! Action Bronson joins in on "Artesia" – and The Alchemist guests on "Getaway Car".

Incredible early work from Lorez Alexandria – the kind of albums that instantly set her apart from other singers of the 50s, reissued here properly for the first time in years! On This Is Lorez, the singer is working with sublime small combo backings from the group of pianist King Fleming – an unusual Chicago ensemble that includes Wilber Wynn on guitar, Ronald Wilson on flute and oboe, Vernel Fournier on drums, and Audrey Jones on bongos – a musical lineup that brings in a different sort of sophistication to the record, shading tunes with moody colors on flute and oboe that perfectly support Alexandria's soulful and sensitive interpretations of the tunes. The whole thing is pure genius, and a key look at the new levels of sophistication that were bubbling everywhere on the Chicago scene during the years of Jamal and Sun Ra. Lorez Sings Pres follows in a very similar mode – with backing by a Chicago group that again includes King Fleming piano, plus Charles Stepney on vibes, Paul Serrano on trumpet, and Vernel Fournier on drums – an extremely hip lineup that makes the record far more than just the Lester Young tribute promised in the title! But despite the instrumentalists, the real star on all sides is Alexandria – who sings with dark tones and deep colors that go far beyond conventional jazz vocals – all carried off with that slightly breathy mode that was one more unique aspect of her work! CD features all tracks from both albums – a total of 22 titles that include "Snowstorm", "I'm Glad There Is You", "The Sky Is Crying", "I'm Making Believe", "Necessity", "Penthouse Serenade", "DB Blues", "This Year's Kisses", "Easy Living", "No Eyes Blues", "Jumping With Symphony Sid", and a key early reading of "Baltimore Oriole".

The massive All Music Guide To Rock – The Definitive Guide To Rock, Pop And Soul (3rd Edition) – featuring reviews of thousands and thousands albums as rated and reviewed by the exceptional All Music Guide writers! The book is an encyclopedia of pop music from the 50s to the early 00s – and an very, very good one – we find the All Music Guide an indispensable reference around here, and this is a great one to have on the shelf! 14,000 reviews of albums by more than 2000 artists. Amazing! Paperback, 1399 pages.

A return to Stax by Rance Allen – his first album for the label after a stellar set for Capitol, and a much smoother set than before! Rance has learned from his work with Larry Mizell on Capitol, and is using a warmer glide on his tracks on this set – arrangements mostly done by producer Henry Cosby, used to kick Rance's sound up to a smoother modern soul kind of sound. The overall groove isn't as spacious as his work on Capitol, but the record's still pretty darn nice – and given Rance's always-great vocals, we tend to love just about anything he does. Titles include "Stand Up For Love", "I Belong To You", "Joy", "Security", "California Gold", "I Found A Friend", and "The Wheel Of Life".

Do you need a dollar? You just might get one with this stellar and soulful single by Aloe Blacc – rawly produced, memorably composed, and one of the finer underground soul singles of 2010! "I Need A Dollar" may sound familiar – it's the theme song to How To Make It In America on HBO – but that aside, it's a winning single and a sign of the great things to come on Aloe's Good Things LP. He takes a socially conscious tack on the A-side that serves the sound wonderfully. Co-produced and by Jeff Dynamite and Truth & Soul player Leon Michels – the latter providing tight horn arrangements. The flip "Take Me Back" is a more measured funky soul number that's just as excellent.

A great 80s groove from AM & Shawn Lee – heavy on these Casio-like keyboards at the start, then given a dubby finish as it moves on – all to set the scene for the cool spacey lyrics in the middle! Slow funky, with a nice retro vibe – and "Dancing Heart" follows in a similar mode, with a cool dark groove that blends piano, guitar, and electronics in a very post-punk way!

These two tenor giants meet in the period slightly before Ammons death, and they're grouped with some of the younger funky players on Prestige, like Leon Spencer, Idris Muhammad, and George Freeman. The sound is fairly traditional, but there's some nice funky moments. Tracks include "Out Of It", which was written by Harold Vick, "The People's Choice", written by Harold Ousley, and the title cut, which is a Leon Spencer original.

Bad Meets Evil is Eminem and Royce the 5-9. Eminem's verses here are as good as the rhymes on his long out of print ep, and Royce's are just about as nice. Reef's production on both tracks is probably better than most of the production on Eminem's Aftermath/Interscope LPs.

Crackling with excitement – and the future of piano jazz! The Bad Plus are a totally tight trio that explore the realm of acoustic piano with the same depth and imagination that Medeski, Martin, & Wood once brought to the Hammond. The trio are clearly steeped in pop influences from the past 20 years – but manage to play together with the free-thinking complexity and rhythmic conviction of some of the best French and Japanese piano trios of the 70s. The set includes a few great covers that might otherwise sound gimmicky, but which come across amazing well – thanks to the group's depth and level of execution – plus some even better original tunes that we love especially much! Titles include "Big Eater", "Everywhere You Turn", "1972 Bronze Medalist", "Boo Wah", "Flim", "Silence Is The Question", "Heart Of Glass", and "Smells Like Teen Spirit".

A brilliant funky soundtrack – with great work from a number of different artists! The Buddah soul stable came out in full force for this soundtrack, including Harvy Fuqua, The New Birth, Barbara Mason, and Horace Ott – as well as the little known group Badder Than Evil! They play on the great instrumental track "Hot Wheels", which is the chase theme in the film, and a great sample track! Also includes "Super Shine #9", sung by Sister Goose & the Ducklings, which is a very groovy, goofy, soulful number – plus the tracks "Child Of Tomorrow", "Harlem Dreams", "Child Of Tomorrow", and "Come On & Dream Some Paradise".

The Beach Boys – day by day, year by year, presented in a very compelling diary format that really gets past some of the overblown mythos about the group! Author Badman goes for a "just the facts" sort of approach – and lists key days in the group's career from the 60s onward – with most of the details given to important stretches before 1970, but some key information from later decades too. Each entry is dated, with specific information on what the Beach Boys were involved in on that day – recording, rehearsing, touring, etc – with a surprising amount of vintage photos and other bits to support the text. Perhaps most compelling is the book's frequent use of Musicians Union sheets for recording sessions – listing session players and their details (including, oddly, social security numbers!) – which really helps illuminate the way that the records were being made. 399 pages, softcover, with black and white images.

The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more.

Erykah and The Roots, what else do you need to know?

British jazz/rock drum great Ginger Baker working live with is Air Force group in Germany, 1970! Live material from Ginger Baker's Air Force has always been sorely lacking in official releases, and this set from Offengach, Germany at the dawn of the 70s has 2CDs of material. From the official Ginger Baker archives! Titles include "I Got The Answer", "Free Kings", "Don't Care", "Sunshine Of Your Love", "12 Gates In The City", "Aiko Biae", "Do What You Lik" and more.

A rare later album from 50s guitar giant Mickey Baker – recorded overseas, and with a different vibe than his legendary R&B work – including some nice funky moments too! The album's not really jazz, and it's hardly rock at all – and instead is more of a bluesy effort with slight undercurrents of funk – some modern touches provided by the tight rhythms of bassist Alex Sanders and his combo – who provide a nice backdrop for Baker's sharp lines on guitar! Mickey's picked up a few modern tones over the years, but still has plenty of grit in his grooves – and titles include "Pop Off", "Prelude", "Ouagadougou", "Sophie", "Wag Your Tail", "Shadadabah", and "Alexander's Funk Time".

A sweet instrumental tribute to the 70s soul genius of Thom Bell – plus the Delfonics and Stylistics as well – served up with lots of mellow keyboards from the mighty Bob Baldwin! Given that Bob's got a firm lock on soulful sounds of the 21st Century, he's a great choice to revive the music of Bell – helping to bridge the space of decades with his well-crafted lines on piano and keyboards – and with great guest work from artists who include Marion Meadows, Vivian Green, Will Downing, Paul Taylor, Ragan Whiteside, and Russ Freeman! Titles include "Didn't I Blow Your Mind This Time", "Betcha By Golly Wow", "People Make The World Go Round", "Break Up To Make Up", "I'll Be Around", and "La La Means I Love You".

A great step forward for The Bamboos – still as funky as ever, but in a much greater range of styles than before! The core deep funk sound we've always loved is still burning away at the bottom – thanks to the ever-trusty grooves of Lance Ferguson and crew – but this time around, there's also a host of guests who really seem to shape the overall feel of the record – Aloe Blacc, Megan Washington, Klye Auldist, Daniel Merriweather, Bobby Flynn, and Ella Thompson – each bringing in their own great flavors, and creating a depth of sound that's mighty nice! Most of these guests are vocalists, but their shifting styles seems to spur the instrumentation onto new heights too – adapting to suit the mood, yet never in a way that's too frenetic to keep the album from being unified overall. Titles include "Where Does The Time Go", "What I Know", "I Got Burned", "Cut Me Down", "Midnight", "Medicine Man", "Window", and "Hello Stranger".

Amazing work from Gato Barbieri's legendary exploration of Latin American sounds for Impulse Records – a set that's heavy on Cuban influences, thanks to arrangements from the mighty Chico O'Farrill! The sound is sublime – a bit fuller than some of Gato's other albums in the run, but never with any slick or commercial styles – just more of a richness from O'Farrill's backings, matched perfectly by Barbieri's amazing tones on the tenor! There's a lot of Latin percussion in the backings – courtesy of Ray Mantill, Luis Mangual, and Ray Armando – and Eddie Martinez mixes in some sweet electric piano with his acoustic lines, deepening the soul of the record in a really 70s way. Titles include "Milonga Triste", "Lluvia Azul", "La Padrida", "Viva Emiliano Zapata", and "El Sublime" – the last of which is a good description of the record!

A pair of mid 70s album by Bobby Bare – the ambitious, concept-driven Hard Time Hungrys – and the easygoing The Winners & Other Losers – two worthy efforts from one the most unique voices and personalities of his era! Both albums are heavy with songs written by Bare family friend and frequent songwriting partner Shel Silverstein. Johnny Cash gets all the mainstream attention for collaborating with Shel on "A Boy Named Sue", but Shel and Bare have a far richer collaborative history together. Home For The Hungrys tells the story of the impoverished, with the title track, "Back Home In Huntsville Again", "Bottles And Boxes", "Truck Driver, Truck Driver", "The Unemployment Line" and more. The Winners And Other Losers is simply a great batch of tunes, sans concept, with the enduring "Drop Kick Me Jesus", "My Better Half", "Keeping Rosie Proud Of Me" and more. 24 tracks in all.

Classic level greatness from Bobby Bare – with The Real Thing from 1970! At his peak – and we consider this to be peak material – Bobby Bare had an easygoing, laconic storyteller vocal style that's as great as any of his more celebrated peers – plus add a perfect mix Nashville Sound lushness and stripped-down country laid down by the best session musicians in the business and the recipe is pretty close to perfection! Includes: "Sunday Mornin' Comin' Down", "The Chicago Story", "Maggie (I Wish We'd Never Met)", "California Dreams", "Tulsa County", "Barbara Joy", and more.

The only album ever by The Barrino Brothers – a stellar early 70s harmony group, and one who could sing with the best of the east coast scene of the time! The whole set's got a feel that's very much in the best mode of groups like The Modulations, Soul Generation, and even The O'Jays – as the group's got a deeper, more solid sound than some of the more fragile outfits of their era. Production is very strong – thanks to the Holland-Dozier-Holland powerhouse sound of the time – and the group's vocals are supported on a full groove that really helps send the whole thing over the top! The title cut "Livin High Off The Goodness Of Your Love" is a stone classic – and other nice tracks include "Rain", "I Had it All", and "It Doesn't Have to Be That Way". Loads of bonus tracks too – including "Trapped In A Love", "I Had It All (single)", "I Shall Not Be Moved", "Livin High Off The Goodness Of Your Love (inst)", "Livin High Off The Goodness Of Your Love (single)", "Born On The Wild (voc)", and "Born On The Wild (inst)".

A treasure trove of 50s romance comics – brought together in a great-looking package, with helpful framing from author Michael Barson! The core material is great – way more than the soppy romance stories you might think – and instead some really compelling work that really gets at the worries and anxieties of America in the post-war years. Sure, there's certainly tales of gals looking for love in all the wrong places – but you'd also be amazed at how much of this stuff offers up a larger comment on society as well – penned with surprisingly thoughtful prose, and illustrated with relatively mature images too. If we had one complaint, it would be that Barson doesn't give us enough detail about the artists and writers of the material – but that's only because the whole thing's so beautiful, we want to know more! 208 pages, softcover, in full color.

A perfect illustration of the genius of guitarist Robbie Basho – a set recorded early in his career, but with music that's light years ahead of most of his contemporaries! Although a set of solo acoustic guitar tracks, the music isn't really folk – nor is it the sort of acoustic underground music that would emerge more strongly in the 70s – and instead, it's got a real edge throughout – lots of odd tones and weird phrasings that almost preface a whole generation of guitar experimentalists like Derek Bailey or Eugene Chadbourne – yet still within a setting that's relatively tuneful overall! Basho's music has this subtle mysticism that we really love – and the solo sounds here are as evocative as the titles – which include "Mountain Man's Farewell", "Seal Of The Blue Lotus", "Sansara In Sweetness After Sandstorm", "Dravidian Sunday", and "Bardo Blues".

Spacey fingerstyle guitar meanderings from Robbie Basho – a contemporary of John Fahey who helped create the genre of tripped out, open tuning excursions! This album was recorded after Basho's early work for the Takoma label, and it's got a bit less Native American imagery than before – replaced with more of a sense of Eastern mysticism for inspiration that also features some vocals alongside the guitar! Titles include "Venus In Cancer", "Eagle Sails The Blue Diamond Waters", "Kowaka D'Amour", "Song For The Queen", "Cathedrals Et Fleur De Lis" and "Wine Song (Sweet Wine Of Love)".

Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried off here wonderfully by a lineup that includes Frank Wess and Frank Foster on saxes, Snooky Young and Al Aarons on trumpets, Benny Powell and Henry Coker on trombones, and Freddie Green on guitar. Titles include "The Second Time Around", "Hey Jealous Lover", "All Of Me", "This Love Of Mine", "Saturday Night", "Come Fly With Me", and "South Of The Border" – almost a Sinatra album in spirit, given the choice of tunes like these!

Count Basie goes pop, and the results are mighty nice – a hard-swinging take on familiar tunes from the 60s, but all re-tooled the jazzy Basie way! The vibe here is right up there with the best Neal Hefti moments with the group – and although the arrangements are by Billy Byers, they've got that sense of tightness that Hefti first help bring to the band – a great setting for the inventive solos, and all the cool little twists and turns that make a record like this so great. And while you might think of the setting, or the title, as some sort of sell-out on the Count's part – the album's instead a perfect way to hear what made the Basie band so great – how they could completely transform tunes like "Pretty Woman", "Bye Bye Love", "Doo Wah Diddy Diddy", "At Long Last Love", and "Go Away Little Girl".

A great live date from Batacumbele – a double-length album that really lets the group open up, stretch out, and do their thing! Given that Batacumbele's all about complicating the percussion patterns of their rhythms, the album's live, extended jams are perfect for demonstrating their best musical skills – a rich array of sounds on congas, timbales, bata, bongos, and other percussion instruments – providing the core grooves for instrumentation on keyboards, trumpets, tenor, and trombone! Most tracks have some sort of vocals, but the focus is often mostly on the instrumentation – and titles include "May Day", "Elegua", "Muevete", "La Tia", "Danzonete", "Calabo Y Bambu", "Hot Blood", and "Batacumbele Te Saluda".

A mixing of modes – although basically music that has a bouncy Batida touch on all tracks! "Ncongo J'Ami" is an older groove, remixed by Batida – and given a jumpy finish that's mighty nice – almost a 70s African vibe, filtered through contemporary Columbia – with just a few twists and turns along the way! The group's own "Yumbala" is reworked by AJ Holmes in an equally bouncy version – one that's got plenty of great basslines that move things along!

2 rare slices of exotica by Les Baxter – back to back on one CD! The first half of the set features material from the album Ports Of Pleasure – a dreamy exploration of south sea ideals that's got a more lightly drifting quality than some of Baxter's more percussive exotica albums, and which is awash in dreamy soundscapes penned by Les himself! The orchestrations are large and bold throughout – mixing strings and woodwinds almost in a soundtrack-y mode – but always with the light sense of interplay that makes Baxter's work so great. Titles include "Monkey Dance Of Bali", "Pearls Of Ceylon", "Tahiti A Summer Night At Sea", "Hong Kong Cable Car", "Tramp Steamer To Singapore", "Harem Silks From Bombay", and "Sidewalk Cafes Of Saigon". The Sacred Idol is a real standout set from the end of Les Baxter's run at Capitol Records – originally scored for a film that was never released, but a great set of tracks that more than stands strongly on its own! The theme here is a Mexican/Latin American one – explored by Baxter with his trademark blend of larger orchestrations and lighter exotica touches – often swirling around in an extremely evocative mode that makes us wish the film had been issued to the public, and at a few key moments even hinting at the funkier modes that would follow on some of Les' later work for other labels. Titles include "Aqueducts", "Gardens Of The Moon", "Pyramid Of The Sun", "Temple Of Gold", and "Procession Of The Princes".

Eerie early 60s material from Les Baxter – his soundtrack work for Roger Corman's American International feature The Man With X-Ray Eyes – plus Corman's Morella entry in the Poe-themed anthology Tales Of Terror! The Man With X-Ray Eyes is one of those groovy soundtracks where the mood and style of the material matches the titles pretty greatly – "Penthouse", "Fast Twist", "Casino Lounge", "Posh" and more. Fun stuff! The Morella material is, appropriately more gothic horror themed and it's very well done at that! Includes "The Corpse And The Ghost", "Lenora/Morella/Fire & Smoke/Eerie House" and more. This great La La Land set also includes 4 bonus tracks from The Man With X-Ray Eyes.

A classic theremin set!

A groovy little version of The Beach Boys' "Here Comes The Night" – updated to a clubbier style from the original version – with soaring strings, dancefloor rhythms, and a bit of keyboards too!

The Beatles at their late best – on a self-titled set that's been long immortalized as The White Album! The White Album capped offed a period of intense creativity for the band, with a double set that's as freewheeling as anything they'd ever release. It's got raw rockers with wry lyricism, tender acoustic balladry, psych blues jams and some flat out weird bits. As was always the case, John's and Paul's songs cover the majority of the sides, but The White Album also features what's arguably George's most vital moment as a Beatle with "While My Guitar Gently Weeps". Other tracks include "Back InThe USSR", "Dear Prudence","Ob-La-Di, Ob-La-Da", "Happiness Is A Warm Gun", "Martha My Dear", "Rocky Raccoon", "Why Don't We Do It In The Road", "Julia", "Yer Blues", "Sexy Sadie", "Helter Skelter", "Revolution 1", Good Night" and more.

Titles include "Hey Jude", "Revolution", "Paperback Writer", "Ballad Of John & Yoko", "Can't Buy Me Love", "Old Brown Shoe", and "I Should Have Known Better".

Titles include "This Boy", "Don't Bother Me", "Little Child", "Not A Second Time", "I Wanna Be Your Man", and "I Want To Hold Your Hand".

An iconic early cover image from The Beatles – with iconic early music to match! The tunes are short, tuneful, and undeniably great – that sound that instantly set the group apart from just about all of their contemporaries. Titles include "It Won't Be Long", "All My Loving", "Hold Me Tight", "Roll Over Beethoven", "You Really Got A Hold On Me", "I Wanna Be Your Man", "Money", "Little Child", and "Devil In Her Heart".

Raw early Beatles – recorded in Hamburg at the beginning of the 60s when they were backing up singer Tony Sheridan – surprisingly well-preserved recordings, assuming that no one knew that this little backing band was going to take over the entire pop music world in a few years! We actually really dig the stripped-down, fairly rudimentary, though nicely rollicking Beatles instrumentation here – with charismatic vocals by Sheridan as well as some nice early Beatles compositions and vocals. The original release of this material may have been a post-breakout cash grab, but the music holds up really well and it's very much worthy! Includes "Ain't She Sweet", "Cry For A Shadow", "Let's Dance", "My Bonnie", "Sweet Georgia Brown", "Ruby Baby", "Why", "Nobody's Child", "Ya Ya" and more.

We've always been a fan of the Beatnuts, or later Ghetto Professionals production, but none of their recordings as the Beatnuts are better than this first EP. Includes "Reign of the Tec" (with the Grand Puba sample), "No Equal", "World's Famous", "Psycho Dwarf." 6 full-length tracks plus 5 interludes.

The Beatnuts continue the gimme-the-cash theme (see "Find That Sh*t", "Do You Believe In God") on the third single from the Stone Crazy LP, but this time its the its hidding assets from the IRS trick. Nice guest vocals from Big Punisher and Cuban Links.

Includes Beethoven's "Symphony No 1 In C Op 21" and the "Egmont Ouverture Op 84", plus Wagner's "Lohengrin, Prelude To Ackt III", "Die Meistersinger Von Nurnberg, Prelude To Act I", and "Tannhauser, Overture & Venusberg Music".

A massive collection of work from Beggars Opera – Vertigo Records giants who work here with a heck of a lot of great work on organ! The set features a fair bit of music from each of the group's four albums – Act One, Waters Of Change, Pathfinder, and Get Your Dog Off Me – plus some single tracks too – all wrapped together as a 2CD set that really shows a great progression in the group's style – from tripped-out and jamming, to tighter and more song-based – yet always with a soaring sort of energy in the end. The keyboards alone have a strength to rival Rick Wakeman's best work for Yes – and titles include "Passacaglia", "Memory", "Raymond's Road", "Festival", "Impromptu", "Fox", "The Witch", "Pathfinder", "Sarabande", "Think", "Time Machine", "Lament", and "Working Man".

A monster bit of funk that's unlike anything else we can think of! Beginning Of The End hailed from The Bahamas, but don't hold that against them – because instead of being a Caribbean cliche, they took the best part of the island rhythms, and used them to forge an incredible approach to funk! They've got a choppy sound that's the result of some incredibly dexterous guitar, bass, and drums – and which you'll recognize instantly from their one-time hit "Funky Nassau", a killer funk track that never gets old, no matter how many bands cover it over the years! That gem kicks off the album, which then rolls into the monster funky "part 2", which is even better! Other titles are equally wonderful – and include "Come Down", "Surrey Ride", "Monkey Tamarind", and "In The Deep". Essential – and one that you'll be spinning for years!

Kenny Dope takes on the funkiest sounds of the Miami Soul generation – on a single that's got more heavy funk than most full albums! Side one features a great edit of Beginning Of The End's "Come On Baby" (aka "Come Down Baby") – a groove that's just as heavy as their famous "Funky Nassau", and done with a similar blend of choppy guitar, romping rhythms, and blasting horns! Next up is Willie Johnson's amazing "Lay It On Me" – a tune that's got a really amazing bassline – one that moves faster than anything in the tune – including the blasting horns and rip-shot drums! And last is "Till I Get My Share" – one of the funkiest tunes ever from Clarence Reid – a hard and heavy number that feels a lot like the best Syl Johnson work for Twinight!

Fantastic work from Archie Bell & The Drells – an important record that bridges their earlier and later sounds! It's a key transitional album for the crew – as most of the album's in the harder rawer Texas funk groove of earlier year, but some of it features newer production by Gamble & Huff, in that excellent smooth dancing style that took Archie light years from his roots. The Gamble & Huff tracks are the most obvious – the singles "I Can't Stop Dancing" and "Do The Choo Choo" – and the album's got other great cuts like the original tunes "Do You Feel It?", "You're Such A Beautiful Child", "Jammin In Houston", and "Love Will Rain On You", plus versions of Curtis Mayfield's "I've Been Trying" and "Sometimes I Wonder". CD also features three bonus tracks – "Low Down", "Going Out Of My Head (demo)", and "Who's Loving You (demo)".

An incredible bit of southern funk – the first landmark LP by Archie Bell & The Drells, and the first big burst of energy from the Texas scene of the 60s! The album's incredible – with Archie up front on rough-hewn vocals, the band grooving in a mad tangle of guitar, bass, and drums, and some super-fierce horn work by the TSU Tornadoes! You've no doubt heard the band's classic "Tighten Up (part 1)", but this album also includes the incredible "part 2" to the track – which takes the groove a million miles higher! And the whole album's equally great – filled with other tight soul gems that include "A Thousand Wonders", "I Don't Want To Be A Playboy", "Give Me Time", and "When You Left Heartache Began".

An incredible bit of southern funk – the first landmark LP by Archie Bell & The Drells, and the first big burst of energy from the Texas scene of the 60s! The album's incredible – with Archie up front on rough-hewn vocals, the band grooving in a mad tangle of guitar, bass, and drums, and some super-fierce horn work by the TSU Tornadoes! You've no doubt heard the band's classic "Tighten Up (part 1)", but this album also includes the incredible "part 2" to the track – which takes the groove a million miles higher! And the whole album's equally great – filled with other tight soul gems that include "A Thousand Wonders", "I Don't Want To Be A Playboy", "Give Me Time", and "When You Left Heartache Began".

A great look at the never-ending genius of the legendary Steve Ditko – one of the greatest comic book artists of all time, and someone who's given us decades of enjoyment! This beautiful oversized book is a great companion to all the vintage Ditko material that's been reissued in recent years – and features a brilliantly-illustrated bio of Steve – with loads of images from his work at Marvel, Charlton, DC, Warren, and on his own – plus a key look at the influence of Ayn Rand on Ditko's images and ideas. A very hefty book, filled with color images – hardcover, and oversized!

A wonderful set by the enigmatic Charles Bell – a 60s modernist, but one with a great sense of soul! The album definitely lives up to its title, and has a fresh approach to the medium – a style that has some of the Modern Jazz Quartet influence in its structure, yet which also shares some more complex rhythmic ideas from the Ornette Coleman camp – mixed with a straighter hardbop vibe as well! The blend is quite compelling – and in addition to Bell's work on piano, the set also features Bill Smith on guitar, Ron Carter on bass, and Allan Blairman on drums. Titles include "Satan Said", "Django", "Portrait Of Aunt Mary", "Theme", and "Bass Line".

Socking soul from the 60s – a record with American roots and a very groovy British sound! The set was the second full length album from Madeline Bell – an American singer transplanted to the mod UK scene of the 60s, where she really flourished in a rich career of hit singles, endless session work, and later fame with the group Blue Mink. The tunes on this set are a wonderful bridge between Madeline's two worlds – and have a sound that's a lot like the uptown soul coming out of the US at the time – sweet and smooth arrangements, topped by deeper soul vocals that make for a wonderful juxtaposition. Arrangements are by British talents Arthur Greenslade, Ian Green, and Keith Mansfield – and titles include "Step Inside Love", "Hold It", "Help Yourself", "After All Is Said & Done", "For Your Pleasure", and "It's Up To You". CD features bonus singles too – 6 more tracks that include "Thinkin", "Go Ahead On", "How Much I Do Love You", "What'm I Supposed To Do", and "We're So Much In Love".

Smooth, soulful piano from David Benoit – sounding stronger than ever here in a collection of classics recorded for the GRP label! Although the setting's often a bit electric, David plays acoustic throughout – bringing in a core sense of humanity to the tracks, and often a strong sense of individuality as his leads and solos echo out from the smoother backings. The set list is overflowing with tracks – 18 numbers in all – and titles include "Houston", "I Remember Bill Evans", "Cast Your Fate To The Wind", "Saturdays", "Some Other Sunset", "Getting Ready", "Gothic Jazz Dance", "Linus & Lucy", and "Reflections".

Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on guitar, laying down some smooth vocals that we never would have imagined from his mid 60s recordings. Includes the massive hit "Give Me The Night", a cover of "Moody's Mood", and the tracks "Star Of A Story (X)", "Midnight Love Affair", "What's On Your Mind", and "Dinorah, Dinorah". The sound of a million supermarkets and elevators during the 80s!

Seminal Chicago sounds from cornetist Josh Berman – and a record that's not just a key example of his talents, but of the whole energy of the Windy City scene as well! There's a nice gag in the "His Gang" on the cover of the record – but it's also somewhat well put, too – as Berman's definitely got ears for the old-time sounds such a name might imply – yet always has ways of making those older modes come out with freshly modern energy! The balance is amazing – and really shows Josh's ear for trad jazz, mixed with his contemporary avant expressions – a pan-historical jazz mode that's hardly ever been handled this well – except maybe by Jaki Byard at a few moments. At some level, the instrumentation reads like an old trad band – cornet, clarinet, trombone, bass clarinet – but the sounds here are definitely 21st Century – played by a great "gang" that includes Guillermo Gregorio on clarinet, Jeb Bishop on trombone, Jason Stein on bass clarinet, Keefe Jackson on tenor, Jason Adasiewicz on vibes, Josh Abrams on bass, and Frank Rosaly on drums. Berman's arrangements are wonderful – very offbeat, but swinging too – and titles include "Sugar", "Mobile & Blues", "Liza", "Cloudy", "One Train May Hide Another", and "Jada".

Elmer Bernstein serves up some of his most famous soundtrack themes – but in a style that's even more jazz-based than the original! The group here is a large one, filled with great west coast players – and Bernstein's tunes sparkle even more in this rich setting than they did in their initial use on film – partly because the presentation allows some musicians the chance to really open up and solo! The lineup features Bud Shank and Bob Cooper on saxes, Pete Candoli and Don Fagerquist on trumpets, Milt Bernhart and Dick Nash on trombones, Bob Bain on guitar, Russ Freeman on piano, Shelly Manne on drums, and Francisco Aquabella on percussion – and titles include "Rat Race", "Three Time Blueser", "Hop Skip But Jump", "Jubilation", "Man With The Golden Arm", "Saints & Sinners", and "Sweet Smell Of Success".