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A great back-to-basics set for the Sweet Inspirations – now working here as the trio of Estelle Brown, Myrna Smith, and Sylvia Shamwell – and working with David Porter in a strongly Memphis mode! The arrangements on the set are a bit more ambitious than usual for Stax at the time – and feature added strings and horns on many numbers, plus core backings by the Ebony Web group. The sound is rootsy at times, and spiritual at others – and titles include "Emergency", "Why Marry", "Wishes & Dishes", "Pity Yourself", and "Slipped & Tripped". CD features 2 bonus tracks – "Sweet Inspiration" and "Why (Am I Treated So Bad)".

Way more than just a simple reissue – because there's so many tracks on here, it's more like spending a day in the vaults of Sirocco Records! The core material here comes from Voyage 3 – a soaring third set from Voyage, – and one with a bit of a post-disco groove, as you might guess from the new wave look of the cover! The tunes still step out with plenty of clubby rhythms and keyboards, but also bring the guitars up a bit more – and almost give them a sharp edge at times – seeming to go for a crossover style that really works well with the lyrics. But the best cuts, as before, are mostly instrumental – and have that soaring, spacey sound that really lives up to the "voyage" name – a cool Euro-disco groove that works perfectly, even when the vocals drop out. Titles include "I Love You Dancer", "I'm Only Human", "Do It Again", "I Don't Want To Fall In Love Again", and "All The Way". Yet there's way way more, as promised – including 7 more tracks from Special Instrumental No 3 – an all-instrumental version of the album that's almost even better. Then, you also get the Sylvia Mason album – a project with a soulful singer fronting the same production lineup of Marc Chantereau, Slim Pezin, Pierre Alain Dahan, and Roger Tokarz! Sylvia's vocals really bring in a lot more soul than usual for Voyage material – sounding great on cuts that include "Shadow In The Sun", "Hello Superduper Star", "You're Like A Silent Movie", "Afraid Of Love", and "We've Gotta Dance". CD also features lots of bonus tracks too – including "I Love You Dancer" in 12" and 7" mixes, "We've Gotta Dance" in 12" and 7" mix , "I Don't Want o Fall In Love Again (7" mix)", and "Discotch" in 12" and 7" mixes!

Early work from vocalist Sylvia Syms – all of it pretty darn great! The tracks here feature Sylvia in 2 different settings – one with larger arrangements from Johnny Richards, and soloists who include Kai Winding on trombone, Don Elliott on vibes, and Al Cohn on tenor – the other with smaller backing from the Barbara Carroll Trio, a nicely mellow combo with pianist Carroll providing some nicely sensitive colors. Both settings are great – and Syms steps out here without any of the hoke that we sometimes fear in her other records – in a mode that's quite personal, and very much in the spirit of her best contemporaries in 50s vocal jazz. Titles include "Paradise", "Comes Love", "Imagination", "Can't You Just See Yourself", "Love Walked In", "Lonely Woman", "Tea For Two", and "I Want A Little Boy".

An incredible album by Roy Ayers – but one that's often overlooked because it was a rare indie effort issued between Roy's years at Polydor and Columbia! The session's Roy's only full album for Uno Melodic – the label he formed to showcase the talents of Sylvia Striplin, Ladies Of The Eighties, and others – and it's done in a snapping, boogie-styled groove that's very similar to the work by other Uno acts at the time. There's still plenty of the late Polydor Roy in the mix too – especially on the album's mellower numbers, which glide along nicely with all the right jazzy touches we love in a classic Ayers groove! Highlights include the excellent "Chicago", a really dark funk track with a mad descending groove; the Fela-styled "Black Family"; the warmly jazzy "Lots Of Love", an instrumental with vibes along strings; and the bass bumping "Everybody", a wicked later funk number! Other tracks include "And Then We Were One", "DC City", "Drive", and "Fast Money" – all great too!

A lost album of raw twangy guitar from Mickey Baker – best known as the noisier half of the Mickey & Sylvia team – and even more let loose here on his own! The record is pretty rocking all around – with lots of loud, complex guitar soloing from Mickey – in a manner that would later emerge more in surf recordings, but which is here set in nice jazz-based studio arrangements – of the sort that really lets Baker step out as a bold solo talent on his own, instead of lurking in the background of the countless other sides he cut with other artists. Mickey really wails, and the album's a great lost treasure in the Atlantic catalog – with grooves that include "Midnight Midnight", "Gloomy Sunday", "Baia", "Whistle Stop", "Milk Train", "Baker's Dozen", and "Chloe".

Really early sounds from the great John Barry – a huge amount of tracks recorded with his combo for the Drumbeat TV show in the UK! The program had a strong focus on the emerging rock and roll sounds of the late 50s – and the John Barry Seven were a perfect group to provide musical accompaniment – professional enough to handle the gig in just the right way, but youthful enough to come up with plenty of sharp-edged sounds! The instrumentation's often heavy on guitar, but features some trumpet lines from Barry too – and although the set features some instrumentals by the group, there's also a lot of vocal numbers – with singers who include Derry Hart, Adam Faith, Bob Miller, Sylvia Sands, Roy Young, Vince Eager, and others. 40 tracks in all – including "Mad Mab", "Bees Knees", "Don't Leave Me", "Slippin & Slidin", "Rockin Sandy", "Get Happy", "Italian Style", "Beatnik", "Catwalk", "I Go Ape", "Shame On You Miss Johnson", and "Buzzin".

One of Joao Gilberto's first-ever albums – filled with incredibly beautiful bossa material that captures the vocals and guitar of Gilberto at their fragile early best – backed by sublime arrangements from Antonio Carlos Jobim and Walter Wanderley! The setting is perfect, and the sound is amazing – that incredible stripped-down breathy quality that made Joao a legend right out of the box – which so many others tried to copy over the years, but never got this right. A beautiful relic from the past – with a lovely image of Joao's young face on the cover – and titles that include "O Barquinho", "O Amor Em Paz", "Voce e Eu", "Coisa Mas Linda", and "Presente De Natal". CD features bonus tracks by some of Gilberto's contemporaries – including "O Barquinho" by Maysa, "Coisa Mais Linda" by Carlos Lyra, "Manha De Carnaval" by Sylvia Telles, "Bim Bom" by Oscar Castro Neves, and "O Samba Da Minha Terra" by Lucio Alves.

A wonderful album of Joao Gilberto's early bossa tracks from Brazil – loaded up here with various numbers from other great Brazilian stars! The original one of the first few that he ever recorded, and it's a masterpiece of understatement, recorded with arrangements by a young Antonio Carlos Jobim, and a soaring bossa sound that would soon make history. Tracks include "Discussao", "O Pato", "Outra Vez", "Doralice", and "Samba De Uma Nota So", "Se E Tarde", "Corcovado", "So Em Teus Bracos" and more. This version in El UK fills out the CD with covers of some of these numbers and many more by Sergio Mendes, Sylvia Telles, Walter Wanderly, Silvio Silveira, Carlos Lyra and others. 35 tracks in all!

A pair of 60s albums from one of the more dynamic bandleaders at RCA! Something Special For Movie Lovers has Marty Gold taking on a host of movie themes from the early 60s – numbers by Ennio Morricone, Henry Mancini, Johnny Mandel, and others – all given a twist that's somewhere in the territory of some of Marty's earlier hi-fi material, but which also respects the sensitivity of the original soundtracks as well. There's some inventive arrangements on the set – just what we'd expect from Gold – and titles include "Sylvia", "Goldfinger", "Funny World", "Polly's Song", "A Heart Must Learn To Cry", and "Emily". Suddenly It's Springtime features lush strings mixed with occasionally dynamic touches – definitely one of the mellower albums that Marty Gold ever cut, but a set that's still got a wonderful sonic range overall! Titles include "The Story Of My Love", "Portrait Of Jennie", "I Wish You Love", "Don't Take Your Love From Me", "Smile", and "Suddenly It's Springtime".

An amazing bit of jazz funk from Johnny Hammond – and one of his greatest LPs! This is the first album that Johnny recorded with Larry Mizell, cut right before the pair of them went onto do the landmark Gears album. While this one never became as famous as Gears, it's got some fantastic moments that are every bit as great – a perfect blend of Mizell's spacey fusion and Hammond's fiercely soulful soloing, with lots of great jazzy changes to keep the pace fresh throughout. Includes the great spacey jazz cuts "Star Borne" and "Yesterday Was Cool", the latter of which is an excellent piece of work by Larry Mizell – plus the cuts "Back To The Projects", "Gambler's Life", "Rhodesian Thoroughfare", and "Virgo Lady". Plus, the CD features 4 bonus tracks that represent some of Johnny's best work for the Kudu label – including "Rock Steady", "Higher Ground", "Breakout", and "Who Is Sylvia".

A holy grail, and one of the only records ever cut by Donna McGhee – an incredibly soulful club singer who worked with both Patrick Adams and Roy Ayers! This album's her legendary side for the team of Adams and Greg Carmichael – and it's got a sweet and mellow groove that's unlike anything else we can think of – clubby, but not disco – funky, but not deep funk either – a really unique mode that's hit by very few artists at the time! The record's definitely in the vein of Sylvia Striplin and Pam Todd – but is somehow even more soulful and better put together than work by those two singers – really consistent all the way through, with an undeniable sort of depth. The album includes a killer 6 and a half minute version of Donna's classic "It Ain't No Big Thing", plus the tight groover "Mr Blindman", and the cuts "Do As I Do", "I'm A Love Bug", and "Make It Last Forever". CD also features 3 bonus tracks – "It Ain't No Big Thing (Danny Krivit re-edit)", "Make It Last Forever (single)", and "It Ain't No Big Thing (single)".

The one and only solo album by Mario Telles – brother of the better-known Sylvia Telles, but an equally great bossa singer on his own! This rare date from the 60s features some wonderful arrangements by Baden Powell, Moacir Santos, and Astor Silva – all of whom bring Mario into some very Elenco-like territory – a blend of fuller strings and lighter bossa instrumentation, all touched with just the right amount of sadness! Some of the tunes are penned by Telles himself, and others are some great early Baden Powell/Vinicius De Moraes collaborations – beautiful material that really fits the mood of the music, as you'll hear on tracks that include "So Por Nao Saber", "Tem Do", "Aurora Do Amor", "Tristeza Vai Embora", "Dorme Em Paz", "Pra Que Chorar", "Bom Dia Amiga", and "Cavalho Marinho".

The second US album from Euro disco outfit Voyage – a group who manage to bring in some nice progressive and jazzy elements to the mix! There's almost a jamming rock-gone-disco approach to a few of the best numbers – thanks to a strong use of heavy guitars and keyboards, and a real rock-like phrasing at times. All tracks are longish, with TK-styled breakdowns on the better tunes – and lead vocals are handled by Sylvia Mason. Titles include "Tahiti, Tahiti", "Souvenirs", "Kechack Fantasy", "Eastern Trip", "Let's Fly Away", "Golden Eldorado", and "Gone With The Music". This 2CD special edition also includes he album length Special Instrumental Vol 2 on CD1 – plus a second CD featuring 12", 7" and otherwise alternate mixesof "Souvenirs", "Let's Fly Away", "Tahiti, Tahiti" and more – including the bonus "Dance And Romance" recorded as Disco & Co. 24 tracks on 2CDs!

A wicked little collection that really lives up to its name – a set that's filled with warmth and good energy throughout – not to mention a great array of overlooked soul tracks too! Most of the numbers here are lesser-known gems from the late 70s and early 80s – upbeat, but not in a disco way – and usually somewhere in a space between modern soul and boogie, which works perfectly for the positive vibes of the tunes! There's a soaring feel that definitely takes off from an Earth Wind & Fire sort of style – and although most of the artists here are familiar, you'll really be surprised at the tracks chosen for the set. Titles include "Love Vibes" by The Emotions, "Something On Your Mind" by Melba Moore, "Razzle Dazzle" by Heatwave, "Better Things" by Sylvia St James, "Riding" by Michael Henderson, "Can You See Where I'm Coming From" by Instant Funk, "All In The Way You Get Down" by Ray Parker Jr & Raydio, "Sweet Fire" by Mighty Fire, "Here I Am" by Dynasty, "No One" by Flakes, "Love Is Such A Crazy Thing" by The Spinners, "Wonderful" by GQ, and "When I'm Dancin" by Lenny Williams.

Think you know Stax Records? Guess again – as this mindblowing collection offers up a whole new side of Stax we've never heard before. Forget the hits, forget the overplayed oldies – this set's brimming full of deep soul gems from the legendary Memphis label – including a fair bit of heartbreaking tracks that go way beyond any southern soul cliches! The music is amazing – proof that Ace still really knows how to put together a compilation – and in addition to some real rarities, there's also some killers appearing here for the first time ever – making the whole thing essential to any fan of Stax – or southern soul in general. A massive amount of music, all of it great – and titles include "Stay Baby Stay" by Johnny Daye, "I've Done It Again" by The Charmells, "Move Over" by Soul Children, "Hold On This Time" by Chuck Brooks, "Groovin' On My Baby's Love" by Freddie Waters, "Make A Joyful Noise" by Bettye Crutcher, "The Fault Is Not In Me" by Sylvia & The Blue Jays, "A Love Affair Theat Bears No Pain" by Shack, "Two Fools" by Willie Singleton, "Let Em Down Baby" by Jimmy Hughes, "Love Changes" by Charlene & The Soul Serenaders, and "Woman Across The River" by Little Milton.

Way more than just an introduction – and instead, an amazing collection of bossa nova gems – 48 tracks pulled from the vaults of the legendary EMI/Odeon label – home to some of the best bossa work ever recorded in Brazil! The package is a treasure through and through – filled with key classics, overlooked gems, and the kind of weird and wonderful bossa numbers that never made it here to the US – but which have made digging for Brazilian records a favorite pastime of ours for decades. Most tracks here are from the 60s, and the set runs from straight bossa numbers to others that use bossa as a starting point, then take off into great new territory. Titles include "Ao Amigo Tom" by Doris Monteiro, "A Resposta" by Marcos Valle, "Voce" by Milton Banana Trio, "Deixa Eu Dizer" by Claudia, "A Ra" by Joao Donato, "Eh Mundo Bom Tai" by Johnny Alf, "Agua De Beber" by Neco, "Onde Anda O Meu Amor" by Bossa Tres, "Fotografia" by Sylvia Telles, "Por Causa De Voce" by Marisa, "Outra Vez" by Elizeth Cardoso, "Inutil Paisagem" by Dick Farney, "Ho Ba La La" by Norma Benguell, "Estamos Ai" by Leny Andrade, "So Tinha De Ser Com Voce" by Eumir Deodato, and "Misturada" by Quarteto Novo.

Sweet and jazzy pop from early 70s Brazil – a great little album that we'd rank with our favorites by Marcos Valle and Edu Lobo! Arthur Verocai isn't nearly as well-known as those two, but he works in a similar territory – taking jazz, large arrangements, and nice touches of electric funk – and working them into a groove that has the soaring and ambitious feel of the best post-Tropicalia work of 70s Brazil! This rare gem was self-produced, and fell of the map almost as soon as it was released – but it really deserves wider recognition, and shines with a depth that makes it an instant classic to our ears! Titles include "Presente Grego", "Caboclo", "Pelas Sombras", "O Mapa", "Sylvia", "Karina", "Velho Parente", and "Dedicada A Ela".

A legendary project from Roy Ayers – and a record that's almost as in-demand as his classic Ramp album! The Eighties Ladies were a hip vocal quartet, with the soulful Sylvia Striplin on lead – and they work here in a mix of perfect Ayers-styled grooves – often using female harmonies in just the same way as Ramp, but coming across with a style that's a bit more pointed at the clubs, and very much in the same mode as Striplin's classic solo album too! Roy brings plenty of jazzy undercurrents to the set – those sinister shapes and changes that always make his music so great – and Edwin Birdsong's help with arrangements ensure that there's some suitably offbeat twists and turns, which really keeps things interesting. Titles include the classic break "Turned On To You", plus vocal and instrumental versions of "Ladies Of The Eighties", and the tracks "Tell Him", "It's Easy To Move", "I Knew That Love", "He Is Mine Forever", and "Sing Me".

A lovely later score from Ennio Morricone – done for a lesser-known TV film, but with a sense of majesty and greatness that really rivals his classics! Edda Dell'Orso gets plenty of chance to sing here – in those moody, wordless styles she does so well – and the set also features great solo work from Oscar Valdambrini – who blows smooth flugelhorn lines that arch out beautifully over the larger orchestrations – which themselves have that gently-stepping way of folding the strings together that only Morricone can do this well! A gem throughout – with tracks that include "The Endless Game", "Anif", "The Game Goes On", "Sylvia's Game", "Just A Game", and "Summer Solitude".