All Categories — All Formats  

Quite possibly the biggest early moment of US fame for Roxy Music – thanks to the classic "Love Is The Drug", which kicks off the album and is easily one of the group's best-known tunes of the 70s! The album tightens things up slightly from the sound of Country Life before – not as many dark corners, but still plenty of the offbeat styles that make these early Roxy Music albums so great – with none of the softer styles that took over during the early 80s years. Other tracks include "End Of The Line", "Sentimental Fool", "She Sells", "Could It Happen To Me", "Both Ends Burning", "Just Another High", and "Whirlwind".

Quite possibly the biggest early moment of US fame for Roxy Music – thanks to the classic "Love Is The Drug", which kicks off the album and is easily one of the group's best-known tunes of the 70s! The album tightens things up slightly from the sound of Country Life before – not as many dark corners, but still plenty of the offbeat styles that make these early Roxy Music albums so great – with none of the softer styles that took over during the early 80s years. Other tracks include "End Of The Line", "She Sells", "Could It Happen To Me", "Both Ends Burning", "Just Another High", and "Whirlwind".

First time on vinyl in the US!

A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between McDuff's organ and Kirk's range of reeds (tenor, manzello, stritch, flute, and siren on this record!) And given that both players have a good sense of whimsy that still always manages to swing nicely, the pairing is a strong one – and makes for a record that's slightly different for both artists. Titles include "Makin Whoopie", "Funk Underneath", "Kirk's Work", "Three for Dizzy", and "Doin' the Sixty-Eight".

Killer Latin soul! This record is one of the hardest to find from the late 60's boogaloo era, and it's a massive stormer filled with tasty grooves! The band is small and tight, with a 2-sax frontline, for an extra-soulful sound. Vocals are in English and Spanish, and the album wails away like a siren out of control. Things kick off with the organ-heavy instrumental, "Camel Walk" – then they leap into one of the catchiest vocal numbers ever from Fania, the tasty "Afro-Shingaling" – which starts with Ray Ramirez shouting "I just come from Africa – and I learned to do the Shing-a-ling!" Other nice ones include "Chevere", "Guajira", and "Creation" – but the whole thing's great!

A pair of corkers from Roland Kirk – back to back on a single CD! Domino is a key early album from reedman Roland Kirk – at set that really has him strongly finding his voice in jazz, and transforming most of modern music in the process! The set's a perfect illustration of the way that Roland could swing with soul, yet still reach out with bold new ideas too – mixing up work on tenor sax, manzello, stritch, flute, and even nose flute – instruments often played at the same time, with this amazing multi-reed style that's really mindblowing – and which follows the soaring sheets of sound of the Coltrane generation, yet completely in its own way too! There's a sharp modern edge to most of the rhythms – thanks in part to the presence of Andrew Hill on piano and celeste on a few cuts – alongside from Vernon Martin on bass and Roy Haynes and Henry Duncan on drums – and a bit of additional piano from Wynton Kelly. The whole thing's amazing – one of those records that never fails to delight us – and titles include "3 In 1 Without The Oil", "ED", "Domino", "Meeting On Termini's Corner", and "A Stritch In Time". Reeds & Deeds is a hauntingly beautiful album from the great Roland Kirk – and a perfect illustration of why his music means so much to us! The set sparkles with warmth and imagination right from the start – a subtle balance between swing, soul, and searching reedwork from the leader – bold on tenor, but also completely creative on flute, stritch, manzello, and even siren too. Benny Golson adds in a bit of tenor, and also helps with the arrangements – and the record also features key contributions from other fresh talents of the 60s – including Charles Greenlee and Tom McIntosh on trombones, Virgil Jones on trumpet, Harold Mabern on piano, Richard Davis on bass, and Walter Perkins on drums – the last of whom really seems to get the right sort of rhythms for Kirk's playful swing. The whole thing's wonderful – and titles include "Reeds & Deeds", "Waltz Of The Friends", "Hay Ro", "Limbo Boat", "This Is Always", and "Song Of The Countrymen".

An amazing look at an amazing label – the groundbreaking Dandelion Records, an early home to John Peel's much heralded talent for picking up on the best new music! The label only existed for a few short years, but left behind an amazing legacy of music – a blend of folk, rock, and other genres that are usually presented in a deeply personal, sometimes-leftfield sort of way. Peel gave full control of the music and its presentation to the artist – and as a result, most of the tunes here are quite free from cliche and conventional expectations you may have of music from the period. Perhaps the greatest Dandelion contribution was giving a space for up and coming singer/songwriters – and you'll hear plenty of them here alongside other artists who are both more traditional and more experimental. Titles include "To B Without A Hitch" by Bridget St John, "Sleeping Town" by Beau, "All For Tomorrow" by Medicine Head, "Harry Krishna" by Bill Oddie, "Almost Liverpool" by Mike Hart, "Ruby Baby" by Gene Vincent, "You Really Got Me" by Stackwaddy, "Carrie" by Clifford T Ward, "No Tree Will Grow" by Supersister, "Mood" by The Coxhill/Bedford Duo, "Cheat Me" by Kevin Coyne, "Strange Locomotion" by Siren, "King Dick II" by The Way We Live, and "Yamasuki" by The Yamasukis. An amazing package – 3CDs, 64 tracks, and a huge booklet of notes on the label and artists!

Really beautiful vocal work from Corinne Chatel – spare tunes that mostly feature overdubbed vocal passages, sung wordlessly, often with a very musical feel – yet one that's quite offbeat too! There's a quality here that really reminds us of some of our favorite Meredith Monk work from years back – really imaginative, and never gimmicky at all – with an approach that's very abstract, yet somehow all makes complete sense too – logic that's all its own, yet really beautiful overall! Titles include "Call", "Les Sirenes", "Heartbeats", "Berceuse", "Angels Vocalizing", "Awakening The Goddess", and "South India".

The rare and originally Japanese-only Seven Waves album from electronic musician Suzanne Ciani – plus her even rarer Voices Of Packaged Souls from 12 years earlier – together in a single set from Bird/Finders Keepers! Seven Waves was originally issued in the early 80s, and composed on a host of instruments that no longer exist! It's got a spare, ethereal sound – with an electronic vibe that's right up there with some of the best German or French soundtrack albums of this nature from the time – kind of post-Cluster, post-Tangerine Dream material – with shorter tunes and a great melodic focus! Titles include "Sirens", "Love In The Waves", "Wind In The Sea", "Sailing Away", "Water Lullaby", and "Birth Of Venus". Voices Of Packaged Souls is one of the first-ever albums to feature the music of Suzanne Ciani – and one of the wildest, too! The set was originally pressed up in a tiny 50 copy run – as part of an art exhibit in Brussels to feature a sound sculpture collaboration between Ciani and another artist – filled with loads of weird, wild, offbeat electronics by Suzanne – including some cool processed vocal passages, and loads of spare, stark sounds that work together as a beautiful collage – moving from noise to notes to noise and back again! This is the first time the Voices Of Packaged Souls material has ever appeared on CD – and the titles include "Sound Of Heat", "Sound Of Wetness", "Sound Of Love Turning", "Sound Of A Lighted Window", "Sound Of A Dream Kissing", "And All Dreams Are Not For Sale" and many more.

Incredible work from Nicola Conte – Schema records maestro making his Blue Note debut with this set – and giving the label one of their best new albums of the 21st Century! The record's quite different than Nicola's programmed dancefloor work for Schema – and is much more of an organic jazz-based session – with instrumentation by a wide arrangement of hip European jazzers (including Till Bronner and Rosario Giuliani!), plus sweet vocals from a variety of different singers! The groove is still very much in the Conte/Schema spirit – often in a loping modal approach to jazz, with a strong inspiration from the best European scenes of the late 60s and early 70s. The sound is wonderful – with players from the larger lineup playing in differing groups from track to track – showcasing instrumentation that includes vibes, flute, trombone, tenor, alto, and even a bit of guitar from Nicola himself. Vocalists include Bembe Segue, Lucia Minetti, Cristina Zavalloni, and Till Bronner – and titles include "Sea & Sand", "Nefertiti", "Wanin Moon", "A Time For Spring", "Kind Of Sunshine", "Aphrodite's Dream", "The Dharma Bums", "All Gone", "Le Depart", "The In Between", and "Several Shades Of Dawn". Imagine the best work of Schema or Compost done in an all-organic, all-natural mode – and you've got the beautiful sound of this set! This 2010 Schema special edition features the original album remastered, plus a bonus CD featuring the previously vinyl only "Bohemian's Dilemma" and "Waltz Of The Sirens", an alternate version of "Nefertiti", an extended version of "Kind Of Sunshine" and other great tracks – including the previously unreleased "Danubian", "Teardrop Painted Blue" and "Quiet Stars". An hour of bonus material in all!

Another incredible set of mad, moody film music from Francois de Roubaix – some featuring vocals by Serge Reggiani. Roubaix is a pretty obscure name when you consider the hallowed halls of worshipped composers – but trust us, it's as likely due to his unique vision and lack of a huge crossover film to have attached to his oeuvre than any other reasons. You could tangentially connect his style to that of Morricone (wild, hissy percussive momentum) and more well known French composers (moody, quiet passages, rich accordian work) but it all comes through with a very unique feel. It runs from weird, sorta bluesy rags to a vaguely Western sound and beyond – these could play behind anything from a shootout to a burlesque show! The tunes are from the 1965's Les Grandes Gueule, 1968's Ho!, 1972's Les Caids, and 1975's Le Vieux Fusil – plus three previously unreleased bonus cuts. 24 tracks in all. Titles include "Jackie", "Le Revolver", "Alarme Et Sirene", "Clara Et Julien", "La Mort", "Benedictine", and lots of others.

Some of the most whimsical music ever penned by Michel Legrand – music for two animated films from the late 70s! First up is Legrand's excellent score for a Baron Munchausen film – handled with these surprisingly deep tones at times, yet still mixed with a sense of fable-like wonder, too – a bit like his landmark score for Peau D'Ane from a decade before. Like that one, there's some nice sing-song moments here, and some more serious elements that balance things out beautifully – and trust us, the whole thing is way better than any US animated scores that were coming out at the time! Titles include "Sur La Route De Trukesban", "Recit Du Baron", "Theme De L'Aventure", "Chanson De La Sirene", and the playful vocal tune "Chanson Du Baron". Next up is music scored for an early Smurfs film – a very odd setting for Legrand, but one that he still handles beautifully! There's a handful of serious tunes, mixed in with music that's a lot more playful and cartoony – including a number of strange vocal songs, sung in goofy voices. Titles include "Hyme Au Travail", "La Flute A Six Schtroumphs", "Le Ballet De Torchesac", "Le Roi E La Flute", and "La Fete". CD also features one cool bonus track – "Building A Bird House" – from a TV special called Michel's Mixed-Up Musical Bird!

Way more than a trio recording – as the piano's just one of the key elements in this sound – as bold and free as anything else we've ever heard from Howard Riley, but matched equally by sounds from Barry Guy on bass and Tony Oxley on drums! Both Guy and Oxley are using a bit of electric elements too – Guy some electric bass in addition to his acoustic one – and Oxley some improvised electronics, which add a further crackle to the set – and the free play between all three players is massive – almost a further setting fire to the ideas the Riley was already exploring in his own music. Titles include "Mandrel", "Sirens", "Quantum", and "Ingot". CD also features the bonus track "Runes".

Mindblowing work from Vainica Doble – a Spanish group with a really unusual feel! The combo features dreamy vocals from singers Gloria Van Aerssen & Carmen Santonja – folded together in a style that's unlike any other female harmony work we can think of – hardly the sweet styles of Brasil 66, and instead a more sinister mode that has the voices kind of shifting back and forth against each other, working like twin sirens to draw the listener into the album! Instrumentation is equally compelling – a mix of psyche and folk modes, but with some fuller elements as well – making the fuzz sound a lot more special than usual, and creating an ambitious sound that reminds us of some of our favorite South American rock from the time. Titles include the funky "Quien Le Pone El Cascabel Al Gato" – plus "El Duende", "Dime Felix", "Caramelo De Limon", "Fulgencio Pimentel", "La Cotorra", "La Ballena Azul", and "Guru Zakun Kin Kon". CD features 8 bonus tracks and a huge booklet of notes!

50's sound effects record that features some pretty basic stuff – like a ping pong game, foghorn, trains, planes, sirens, subway train, roller coaster, thunder, and, of all things, "Laura" (?).

An excellent session for BYG! Anthony Braxton is recorded here with a number of other Chicago AACM players, including Steve McCall, Leroy Jenkins, and Leo Smith. The instrumentation includes an amazing range of oddball sound sources, including Hohner Organ, sirens, logs, mouth organ, sound machine, and chimes, and the set's played with all the sense of humor and adventure you'd expect from some of the young AACM players. The record begins with the extended "Composition No 1", which is a fairly free piece; then it moves into a nice solo by Braxton, and then a set of "small compositions", which have some excellent horn interplay between Braxton and Smith. The LP ends with a cool spoken piece by Braxton called "This Time...". Wild stuff, and a great record from his early period.

A massive tribute to the genius of soul in the Windy City – a wonderful compilation that really gets at the special sound Chicago brought into play during the early years of soul! The set is filled with key cuts from the Chi-town scene of the time – some of them lesser-known that the famous hits always associated with our hometown – and beautifully selected to really capture a moment when soul music was first starting to come together as a style! You can definitely hear roots from Chicago blues, gospel, and R&B in the cuts – but they're definitely all soul, all the way through – a killer batch of nuggets that manages to offer up fresh bits from some big names, and uncover some great cuts by some less familiar folks. The package features full track-by-track notes on the tunes by Bill Dahl – and titles include "Tragic" by The Sheppards, "At The Party "by Wade Flemons, "Hi Diddley Dee Dum Dum" By The Dells, "Tell Him" by The Drew-Vels, "I've Got A Girl" by Major Lance, "Senorita I Love You" by The Impressions, "Good Morning Little Schoolgirl" by Don & Bob, "My Heart Cries" by Etta & Harvey, "Isle Of Sirens" by Jerry Butler, "Enchanted Garden" by The Accents, "You've Got A Great Love" by The Chanteurs, "Father Knows Best" by The Radiants, "Let Em Try" by Rosco Gordon, "Behind The Curtains" by Jan Bradley, and "Puppy Love" by Barbara Lewis.

Brooklyn boogaloo from Spanglish Fly – a joyous couple of numbers for their second funky 45 for Electric Cowbell – recorded at Truth & Soul! "Me Gusta Mi Bicicleta" – kind of a Latin party soul love letter to urban cyclists! Female lead vocals and chorus backup with killer percussion and cool horn arrangements. The groove changes halfway through, too – it's almost modern boogaloo suite unto itself. "The Po-Po" is another winner – sirens sound out of horns and percussion and some playful back & forth vox. We sure love what we've heard from this combo thus far!