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A classic from Merry Clayton – and a record whose title follows from her big fame of singing on the original version of "Gimme Shelter" by the Rolling Stones! The sound here is a lot more soul-based, as you'd guess – arranged beautifully by Gene Page, with a really righteous feel that's perfect for Merry's deeply soulful vocal approach – and produced to perfection by Lou Adler, with some surprising help from Curtis Amy – one of our favorite saxophonists ever. Music is by a hip cast of top-shelf talents from the coast – including Billy Preston on organ, Joe Sample on piano, David T Walker on guitar, and Paul Humphrey on drums – all nice and tight, but totally right in the pocket with their grooves. Titles include Merry's classic version of "Gimme Shelter", plus "Tell All The People", "I've Got Life", "Here Come Those Heartaches Again", and "Good Girls".

One of Harris' hippest of the 80s – a set that has some great Strata East overtones! Players include Don Byron on clarinet, Edward Allen on trumpet, Anthony Cox on bass, and Pheeroan Aklaff on drums – and Tunde Samuel sings on two tracks, "African's Unite" and "Shelter".

A classic from Merry Clayton – and a record whose title follows from her big fame of singing on the original version of "Gimme Shelter" by the Rolling Stones! The sound here is a lot more soul-based, as you'd guess – arranged beautifully by Gene Page, with a really righteous feel that's perfect for Merry's deeply soulful vocal approach – and produced to perfection by Lou Adler, with some surprising help from Curtis Amy – one of our favorite saxophonists ever. Music is by a hip cast of top-shelf talents from the coast – including Billy Preston on organ, Joe Sample on piano, David T Walker on guitar, and Paul Humphrey on drums – all nice and tight, but totally right in the pocket with their grooves. Titles include Merry's classic version of "Gimme Shelter", plus "Tell All The People", "I've Got Life", "Here Come Those Heartaches Again", and "Good Girls".

A second sublime set from Ruth Copeland – a funky female singer from the Detroit scene of the early 70s, with key ties to the P-Funk universe, and a unique groove that mixes singer/songwriter modes with the fuzzier funkier elements of artists like Betty Davis or Yvonne Fair! There's a bit more emphasis on soul here than the funk of Copeland's previous efforts – but in a way that makes for an even more impressive record overall, especially when you realize that Ruth arranged and produced the whole thing. George Clinton and Eddie Hazel both had a hand in co-writing songs with Copeland – and instrumentation features Hazel on guitar, plus Bernie Worrell on piano – so there's still a key P-Funk link. Titles include the breakbeat track "Suburban Family Lament", the fuzzy stoner funk number "Don't You Wish You Had", and covers of the Rolling Stones' "Gimme Shelter" and "Play With Fire" – plus "Crying Has Made Me Stronger", "Hare Krishna", and "The Medal". CD features bonus single versions of "Hare Krishna" and "Gimme Shelter".

The 9th music & film collaborative effort in the FRKWYS series – in which free-thinking modern work with inspirational elder or otherwise further-traveled figures – this one finding Sun Araw and M Geddes Gengres meeting Jamaican music legends The Congos! M Geddes Gengres is skilled synth experimenter and Sun Araw works in a number of psych-steeped projects, and work respectfully with the words and Jamaican vocal harmonies of The Congos, though they fearlessly launch them into some tripped out atmosphere! Includes "New Binghi", "Happy Song", "Food Clothing And Shelter", "Sunshine", "Jungle", "Invocation" and "Thanks And Praise. The set also includes the hour-long Icon Eye DVD, documenting the making the of album as well as serving as a strikingly visual travelogue companion piece. Cool, ambitious stuff that combines classic Jamaican songcraft with wildly creative, experimental soundscapes!

The 9th music & film collaborative effort in the FRKWYS series – in which free-thinking modern work with inspirational elder or otherwise further-traveled figures – this one finding Sun Araw and M Geddes Gengres meeting Jamaican music legends The Congos! M Geddes Gengres is skilled synth experimenter and Sun Araw works in a number of psych-steeped projects, and work respectfully with the words and Jamaican vocal harmonies of The Congos, though they fearlessly launch them into some tripped out atmosphere! Includes "New Binghi", "Happy Song", "Food Clothing And Shelter", "Sunshine", "Jungle", "Invocation" and "Thanks And Praise. The set also includes the hour-long Icon Eye DVD, documenting the making the of album as well as serving as a strikingly visual travelogue companion piece. Cool, ambitious stuff that combines classic Jamaican songcraft with wildly creative, experimental soundscapes!

One of our favorite Cal Tjader albums ever – and one of the first to have his vibes working alongside Fender Rhodes! The record's a surprising little set from the start of the 70s – one that almost has Cal picking up some of the New York sounds of a few years before, then mixing them up with a hipper west coast electric style in the end – a Fantasy Records vibe that meshes together a few different modes, and comes up with a rich new style in the process! There's a bit of vocals on the set – somewhat unusual for Cal Tjader, and often used to augment the soulfully snapping grooves of the best tunes – but even more amazing is the heavy use of Fender Rhodes, played here by the amazing Al Zulaica, who's work on the album really ranks right up there with the best early 70s keyboardists on the coast! Zulaica's piano is amazing next to Cal's warmly chromatic vibes – and other instrumentation includes saxes from Bill Perkins, flute from Mel Martin, trumpet from Luis Gasca, moog from Rita Dowling, and percussion from both Pete and Coke Escovedo. Titles include the killer "Aqua Dulce (Cool-Ade)", a fantastic version of "Gimme Shelter", a sublime of Clare Fischer's "Morning", and the cuts "Ran Kan Kan", "Descarga Cubana", "Curacao", and "Somewhere In The Night".

A wonderful snapshot of the late 60s/early 70s underground rock scene in Vancouver! The original album was put together as a benefit for the Cool Aid House – a shelter for homeless youth in Vancouver, and no doubt a haven for hippie culture at the time. The album was and is a vital document of the scene – touching on the freedom-seeking vibe of the time in the lyricism, but free of hippie rock cliché –it's great stuff! Sunny and loose harmonies, deft acoustic and electric instrumentation, creative and inviting music from Spring, Route Nine, Mock Duck, Papa Bear's Medicine Show, Black Snake, Mock Duck and others. Includes "Girl Of The Night Suite" by Route Nine, "The Reason" and "Catfish" by Black Snake, "Do Re Me" by Mock Duck, "Gardens And Flowers" by Hydro Electric Streetcar and more. This beautiful joint effort reissue from Light In The Attic and Lion includes a bonus second LP of material! 9 on LP2: "Borrowed Song" by Mock Duck, "Wordplay" by Spring, "Carousel" by Black Snake, "The Planet Man" by Greydon Moore and Leo Jung and more.

Killer funky stuff! Dean Rudland put together this tasty set of lost funk tracks from the many labels currently making up the BGP/Ace catalog – and the groove runs through 15 tracks of hard heavy soul, fuzzy funky instrumentals, and slammin groovy grooves. A few tracks on the set might be on other reissues you have – but there's plenty of other nice ones that don't show up elsewhere, and that are packaged in a great way with the rest of the set. Titles include "You" by Spanky Wilson, "Afro Mania" by Preston Epps, "New Beginning" by Sonny Costanzo, "Marriage Is A State Of Mind" by Dave Hamilton, "Gimme Shelter" by Cal Tjader, "One Monkey Can't Stop The Show" by Jacqueline Jones, "Loose & Juicy" by The Pazant Bros, "Light My Fire" by Tammi Lynn, "Chili Mac" by Preston Love, "Brother, You Know You're Wrong" by Idris Muhammad, and "Mighty Mouse" by Caesar Frazier. 15 tracks – and a very nice set!

The classic – with "You Can't Always Get What You Want", "Gimme Shelter", "Monkey Man", "Life With Me", and "Midnight Rambler".

Titles include "Meet Me In The Morning", "Shelter From The Storm", "Idiot Wind", "You're A Big Girl Now", "If You See Her, Say Hello", "Buckets Of Rain", and "Tangled Up In Blue".

A surprisingly great comeback for The Beach Boys – working here with Brian Wilson at the production helm, in a mode that really recalls the glory of the group's post-Pet Sounds years! We'll be honest that we were initially cringing at the title – and expected the worst – but there's a compelling, charming quality here that comes not just from the group's well-crafted harmonies, or the sensitive and careful production – but also from the fact that these guys have aged a heck of a lot, and seem to bring a sense of humanity to the music they wouldn't have had before! It's almost like that early 20s moment when the Boys were starting to grow up and bringing a new sense of pain to their previous teen lyrics – but recast here in a post-middle age mode that's even more human and honest – yet somehow still served up with all the sweetness that's always made the group great! It's that mix of sweet sounds and bittersweet undercurrents that really makes the album shine – a balance that even Brian Wilson never managed to capture this well in some of his own solo projects over the past few decades. So our hat's off to the group (showing the same bald spot that most of them have too) – thanks for a nice album that includes the cuts "Shelter", "The Private Life Of Bill & Sue", "Think About The Days", "Isn't It The Time", "Pacific Coast Highway", "Summer's Gone", and "From There To Back Again".

Way more than just a standard collection of soundtrack work – and instead, a great package that really shows how global styles can circulate even more strongly than usual when added to films! The package features a whopping 3 discs in all, with 38 tracks total – divided up into one CD of "classics", famous themes that helped spread new styles to the western world via film scores; one CD of "traditional and world fusions", soundtrack elements that mix both Hollywood and more exotic styles together; and one CD of "contemporary" tracks – really showing the growth in this mode in recent years. Titles include "La Java Bleue" by Frehel, "Zorba's Dance" by Mikis Thedorakis, "Gabriel's Oboe" by Ennio Morricone, "Sheltering Sky" by Ryuichi Sakamoto, "Brush On Silk" by John Williams with Yo Yo Ma, "Convite Para Vida" by Antonio Pinto & Ed Cortez, "Volver" by Estrella Mrente, "Wedding Celebration" by Richard Robbins & Zakhir Hussain, "Mantra Vishnu Shasranaman" by Srivasta Krishna, "Final Movement" by Clint Mansell, "Me & You" by Take It Easy Hospital, and "Les Parents Ne Nous Comprennent Pas" by Linh Dan Pham.

Titles include "Elephant Talk", "Frame By Frame", "Thela Hun Ginjeet", and "The Sheltering Sky".