A great Crusaders album – and one that's a perfect bridge between their earlier soul jazz styles, and their tighter funkier electric one. The album was recorded live at the Roxy, and the group is augmented by Larry Carlton on guitar, who gives the tracks a nice razor edge at his best moments. All songs are pretty long – and the band is in extremely good form, jamming away with lots of funky vamping, and breaking out with some very soulful solos. Titles include "Scratch", "Hard Times", "So Far Away", and "Way Back Home". CD

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A classic album from the mighty Slim Harpo, and one that definitely lives up to the "scratch" in the title! That scratch is present strongly in the rhythms – which have this skittish style that's really a precursor to funk, although a lot more rootsy overall – almost Slim's entry to the sort of grooves that Bo Diddley and a few others were laying down in Chicago, but with a more southern quality overall! All the instrumental aspects of the record are wonderful – Harpo's trademark harmonica lines, and his wicked rhythmic guitar – and Slim's vocals are also excellent, too – with this sweetly bending way of coming across that had an undeniable influence on later singers to come. Titles include "Buzzin", "I'm Gonna Miss You Like The Devil", "Wondering Blues", "We're Two Of A Kind", "I Need Money", and "My Little Queen Be". LP, Vinyl record album

The classic Juice Crew posse cut with Master Ace, Big Daddy Kane, Craig G and Kool G Rap, all at the height of their careers! 12-inch, Vinyl record

Clement Coxsone Dodd and Lee Scratch Perry – a match made in any reggae lover's dreams! This tasty little collection pulls together more than chicken scratch, rather it documents a batch of deep cuts from Perry's formative years, early numbers cut under the tutelage of Coxsone Dodd during the ska era. Perry takes care of the vocal duties while the Skatalites and other luminaries from the Brentford Road stable deliver bouncing ska rhythms for a truly seminal collaboration between the best of the best on the Kingston scene! 18 tracks in all, including "Feel Like Jumping", "Chicken Scratch", "Solid As A Rock", 'Tackoo", "Roast Duck", "Gumma", "Just Keep It Up", "Open Up (Cook Book)", "Mother In Law", "Madhead", "Cannot Wrong (And Get Right)", "John Tom" and "Run Rudie Run". CD

Produced by DJ Battlecat. 12-inch, Vinyl record

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With selections by Jim Schwall, JEM, New Avenue, Rhythm Rockers, TUG, Psycho Gene & The Neons, Natty Scratch, PS, The Mudsharks, The Spoonbills, Hi Fi, and The Blue Collar Boys. LP, Vinyl record album

A loving portrait of key figures in Jamaican music – a book done during the 21st Century, but filled with classic artists from back in the day – dozens of giants pictured in full color images, alongside some words on their art and music, plus standout tracks and details of their best qualities! The book is on an academic press, but it's a great read for anyone – and features a brief introduction by the author, before diving into the dozens of entries – of subjects who include Derrick Harriott, Ras Michael, Mr Fix It, Bobby Aitkin, Deadly Headley, Bob Andy, Cedric Im Brooks, Max Romeo, Ken Parker, Lee Scratch Perry, Boris Gardinier, Gladdy Anderson, Steely & Clive, Sly Dunbar, and many others. The softcover edition is 230 pages, with full color photos throughout, and features helpful indexes on key recordings and the locations and timing of the interviews within. Book

Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album

The Game, Dr. Dre, and G-Unit make a wise investment with the west coast MC's debut LP – ignoring new hot trends and laying out blueprint street rap that'll have a satisfying sound for years to come! Tracks include "Westside Story", "Dreams", "Hate It Or Love It", "Higher", "How We Do", "Don't Need Your Love", "Church For Thugs", "Put You On The Game", "Start From Scratch", "Documentary", "Runnin'" and more. LP, Vinyl record album

Genius early work from the legendary Thad Jones – one of his greatest albums ever, and a sublime tribute to his talents on the trumpet! Jones has a groove here that definitely fits in nicely with the title – some of the more contemplative, expressive modes of his native Detroit scene – honed with a bit more of the sharpness that New York players were bringing to hardbop at the time! Jones' trumpet is warmly lyrical, but never in a sleepy, or too-easy sort of way – and the group here has plenty of nice edges, thanks to killer tenor sax from the under-rated Billy Mitchell, guitar from Kenny Burrell, piano from Tommy Flanagan, bass from Oscar Pettiford, and drums from Shadow Wilson. There's a tremendous balance between gentleness and depth going on here – and the album has an unbounded sense of creativity that easily makes it one of the most sparkling Blue Note sides from the time! Titles include "Little Girl Blue", "Blue Room", "Tar Riff", "Zec", and "Scratch". CD

A tremendous little record and maybe THE album from trombonist George Lewis – a groundbreaking solo set that's maybe his equivalent of Anthony Braxton's For Alto – and which does similar things both for his instrument and the further growth of the AACM in jazz! The record features Lewis completely solo – but also features one brilliant long track that features overdubs – "Piece For 3 Trombones Simultaneously" – in which Lewis clones himself, and creates this incredible trio trombone sound that's completely wonderful. But even the straight solo tracks are mindblowing – filled with sounds and ideas on the instrument that couldn't have been imagined a decade before – on the titles "Lush Life", "Phenomenology", and "Untitled Dream Sequence". LP, Vinyl record album

A long-delayed album from Main Source – one that was recorded back in the early 90s, but never really saw the light of day until 5 years later – a record that features a revised version of the group, but still working with all the best energy that made them so wonderful on their debut! Large Professor is out, but Mikey D does a mighty nice job as the MC – working with cuts that are mostly produced by K-Cut, with a few more by Sir Scratch – all sharing that lean love of key samples and laidback vibes that make Main Source such a standout act, even all these many years later! The style here is almost a refinement of the Native Tongues approach, taking things to a core, while also adding a bit of NYC street to the mix – on titles that include the classic "Set It Off", plus "F*ck What You Think", "Down Low", "What You Need", "Where We're Coming From", "Hellavision", and "Diary Of A Hitman". CD features the bonus track "Breaking It Down". CD

A trio of legendary albums by Lee Perry – Super Ape, Return Of The Super Ape, and Roast Fish, Collie Weed & Cornbread – back-to-back-to-back in a great 2CD package complete with a handful of bonus tracks! Super Ape is the King Kong of dub albums – classic Lee Perry and an essential dub album, rendering Scratch's dense, multi-layered Black Ark rhythms in all their raw glory – with toasts and vocal snippets darting in and out of the dubs courtesy Prince Jazzbo, the Heptones, Dillinger and Scratch himself. Tracks include "Zion's Blood", "Croaking Lizard", "Dread Lion", "Patience", "Dub Along", "Black Vest", "Underground Root", "Curly Dub" "Three In One" and "Super Ape". Roast Fish, Collie Weed & Cornbread is Scratch's funky reggae party, put together at the Black Ark, with Boris Gardner, Mickey Boo, Sly Dunbar & Winston Wright. A nice batch of skanking Jamaica funk, with the requisite Black Ark smoke blowing throughout. Includes a bunch of classic Perry-isms, like "Yu Squeeze My Panhandle", "Roast Fish & Cornbread", "Soul Fire" & "Free Up The Weed". Return Of The Super Ape is mostly instrumental, but not quite dub, though some cuts do have Perry's vocals on top. Slow rolling and a bit murky, this set bears no relation to the Super Ape set, other than the freaky cover, but is still infused with Perry's unique vision. Includes the title track, "Bird In Hand", "Psyche & Trim", "Huzza A Haha" and "High Rankin Sammy". Includes 7 bonus tracks! CD

Soul Jazz have done it again! As with their classic NuYorica, Strata East, and Black Jazz comps, this one's a definitive sampling of rare funky stuff that you'll never find otherwise. The set brings together 14 classic Jamaican tracks from the 60's and 70's – and unlike a lot of the other weak-ass reggae comps out there, every cut on here is a winner (or if you prefer, 100% Dynamite!) Great cuts include "Armageddon Time" by Willie Williams, "Stereo Freeze" by Jackie Mittoo, "Granny Scratch Scratch" by Sound Dimension, "Popcorn" by The Upsetters, and lots more! There's also some great Jamaican covers of American funky soul classics – like The Marvels' version of "Rock Steady", and Phyllis Dillon's great remake of Marlena Shaw's "Woman of the Ghetto". Lots more goodies, and the usual Soul Jazz high standard – which is 100% Dynamite! LP, Vinyl record album

CD version of the 2 LP companion to Ego Trip's Book of Rap Lists. They did a good job of including a lot of amazing old school tracks (1983-1989) that maybe not everyone knows about – but should, including some that are nearly impossible to find on 12". Every track here is worth it, and most haven't been on other compilations. Tracks include "Holy War (Live)" by Divine Force, "My Mic Is On Fire" by Lord Shafiyq, "Marly Marl Scratch" by Marly Marl featuring MC Shan, "Get Retarded" by MC EZ & Troup , "Get Down Grandmaster" by Grandmaster Caz, "Step Up Front" by Positive K, "This Cut's Got Flavor" by Latee, "Droppin' It" by Bizzie Boyz, "I'm Not Playing" by Ultimate Force,"Do It! Do It!" by Alliance, "Brooklyn Blew Up The Bridge" by MC Mitchski, and "Beat Bop" (full 10-minute version) by Rammelzee vs. K-Rob. CD

A classic collection from the early days of the Ubiquity/Luv & Haight label – the kind of groundbreaking funk collection that set the tone for so many others! This set's got some real killers – including Hilton Felton's "Spreadin' Fever", Don Cunningham's "Tabu","Fantasy" by PIR Square, "Hip City" by Roy Porter, and the Chili Peppers' "Chicken Scratch", a funky hard scratchy guitar track that makes the Meters look like a bunch of wimps! Worth it for this track alone! LP, Vinyl record album

Music from the Bomboras, the Cave 4, the Fathoms, Four Piece Suit, Man Or Astroman?, Ben Vaughan, the Vice Royals, Eddie Angel, Scratch Bongowax, the Tiki Tones, the Tiki Men, Los Straitjackets, and more. CD

A huge amount of greatness – including Clifford Brown's famous recordings with Max Roach, his All Stars jam session, and recordings with Dinah Washington, Sarah Vaughan, and Helen Merrill – plus a "with strings" session, and unreleased tracks! CD

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One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – and although the tracks are mostly ballads and standards, they're all nicely given the Davis treatment on the set, turned into beautiful new vehicles for jazz imagination and improvisation! Titles include "If I Were A Bell", "I Could Write A Book", "Oleo", and "Woody'n You". LP, Vinyl record album

Mostly instrumental tracks from hip hop djs and producers including Rob Swift, Prince Paul, DXT, Invisible Scratch Pickles, Q-Bert, DJ Krush, New Kingdom, all overseen by Bill Laswell. Much better than your average Axiom stuff. Cover art by Rammellzee. 14 tracks in all, including "Reanimation" by Rob Swift, "ShinKi Row" by DJ Krush, "If 9 Was 6" by Prince Paul, "Invasion Of The Octopus People" by the Invisible Scratch Pickles and "Embryo" by DXT (formerly know as D. St). CD

A really new setting for the vocals of singer Liam Bailey – and one that's a bit different for El Michels Affair! The group here are still very funky, and filled with all the fantastic sonic touches that we've always loved from leader Leon Michels – but the setting is more in a reggae mode, with lots of dubby elements at the bottom that are balanced out by soulful falsetto vocals from Liam – sometimes in a way that's heavily processed, sometimes a bit more straight up in the mix! As always with El Michels, the whole thing is like hearing the sounds of the past, but refracted with a unique contemporary vision – topped off here with guest work from Lee Scratch Perry and Black Thought too. Titles include "Conquer & Divide", "Ugly Truths", "Faded", "Lucky Man", "I Love NY", "Superstar", "Angel Face", "Walk With Me", "King", and "No One Else". LP, Vinyl record album

Early 80s clubby funk & soul from Freeez – a pretty sweet mix of period synth and boogie soul with far richer, live instrumentation and solid, hooky songwriting! Freeez recorded Gonna Get You in Manhattan – and you can certainly hear the NYC culture of the time flowing nicely in the groove. The songs are really good, and catchy enough to have caught on a much bigger level – with male and female lead and chorus backing vocals, and the synths and drum machines pulse and thump underneath congas, bongos and other percussion, Rhodes, piano and other elements. Includes "We've Got The Juice", "Can't Keep My Love", "Love's Gonna Get You", "Pop Goes My Love", "IOU", "Freezin'", "Can You", "Watch Me" and "Gonna Get You (Megamix)" – the 13 minute closer of disc 1. Disc 2 features 13 bonus tracks: "IOU (7" Version)", "We Got The Jazz", "Scratch Goes My Dub (7" Version)", "Love's Gonna Get You (7" Version)", "IOU – Megamix", "A Capella U" and more. CD

Still great after all these years – maybe more so, given that the buzz on these guys finally died down – and has kept this one out of heavy rotation in coffee shops and cafes! LP, Vinyl record album

Killer late work from Slim Harpo – with titles that include "Dynamite", "Baby Scratch My Back", "Jody Man", "The Hippy Song", "You Can't Make It", and "The Music's Hot". LP, Vinyl record album

Features John Hartford's original recording of the title track, which many others would make a hit – plus other gems that include "The Six O'Clock Train & A Girl With Green Eyes", "California Earthquake", "Mouth To Mouth Resuscitation", "Untangle Your Mind", and "Front Porch". Great production and lots of odd arrangements! LP, Vinyl record album

If you love records as much as we do, you know that often the producers are as important to the sound of the music as the artists themselves – a fact that's spun out again and again in this look at some key record producers of the 20th Century! The book shows that, in the right hands, the studio is as important to the outcome of the records as the singer and the songs – and the author features detailed chapters on recording legends who include Brian Wilson, Phil Spector, David Axelrod, Norman Whitfield, Willie Mitchell, Brian Eno, Lee Scratch Perry, and Martin Hannett – all names that are on the back of some of the most treasured records in our collections! This softcover edition is 307 pages, with some black and white images, and assorted lists of key recordings by each producer. Book

Funky fusion from 70s Japan – a really great set that's heavy both on Fender Rhodes, and on a range of choppy reed lines on tenor, soprano sax, and flute! The set's got a warm glow that's perfect for the CTI generation – with an equally apt sense of space, one that keeps the record from veering into any overdone fusion cliches, and which instead helps the group stay in just the right territory to bring out all the best soul in their music. There's a funky feel on most cuts, but even the mellow numbers have a hell of a lot of soul too – thanks partly to the keyboards, and even more to a brilliant execution of the whole set. Titles include "Funky Stuff", "Scratch", "Breeze", "Painted Paradise", "Funky Motion", "Gentle Wave", and "Four Up". LP, Vinyl record album

One of the greatest mainstream 70s efforts from Lee Scratch Perry – a wonderful collaboration with Jah Lion – who serves up rhymes of knowledge and wisdom over some dubby genius from Scratch himself! The album skews towards the roots side of the spectrum, but has a looser, more open vibe too – as Jah Lion (aka Jah Lloyd) really lets his words space out amidst the fantastic production – really waiting his time for the rhythms to flow, then letting his vocals come in right on the money! The whole thing is great – virtually a blueprint for the entire On-U Sound label – with titles that include "Wisdom", "Dread In A Jamdong", "Flashing Whip", "Black Lion", "Fat Man", "Black Lion", "Little Sally Dater", "Hay Fever", and "Colombia Colly". LP, Vinyl record album

One of the Jazz Crusaders' classic funky live sets from the 60's, recorded live at the Lighthouse, where there talents were slowly becoming the stuff of legend. Nice tight soul jazz stuff, with some excellent groovers that include an early version of "Scratch", plus "Blues Up Tight", "Miss It", and "Doin' That Thing". Longish tracks, with good drawn-out solos, and a totally heavy groove! LP, Vinyl record album

Genius early work from the legendary Thad Jones – one of his greatest albums ever, and a sublime tribute to his talents on the trumpet! Jones has a groove here that definitely fits in nicely with the title – some of the more contemplative, expressive modes of his native Detroit scene – honed with a bit more of the sharpness that New York players were bringing to hardbop at the time! Jones' trumpet is warmly lyrical, but never in a sleepy, or too-easy sort of way – and the group here has plenty of nice edges, thanks to killer tenor sax from the under-rated Billy Mitchell, guitar from Kenny Burrell, piano from Tommy Flanagan, bass from Oscar Pettiford, and drums from Shadow Wilson. There's a tremendous balance between gentleness and depth going on here – and the album has an unbounded sense of creativity that easily makes it one of the most sparkling Blue Note sides from the time! Titles include "Little Girl Blue", "Blue Room", "Tar Riff", "Zec", and "Scratch". LP, Vinyl record album

The great Maggot Brain keeps on growing and growing – really reaching mind-expanding territory this special seventh issue, at a level that goes far beyond the large features on Lou Reed and Loaded pictured on the cover! There's a wealth of different shorter features, mixed with artwork and other articles too – bits on Lee Scratch Perry, Pastor TL Barrett, Sister Rosetta Tharpe, Dane Wareham, The Goats, and the late 80s underground noise scene around Detroit – plus an especially strange feature on Doug Henning and his relationship to glam rock in Canada! As always, its less the topics than the way they're handled that makes the magazine so great – and Maggot Brain is definitely one of those publications that really rewards a cover-to-cover read – like the old classics Grand Royal, Wax Poetics, or even Motorbooty. Magazine

An obscure late 50s set from the mighty Hank Mobley – and like all of the tenorist's sides for Blue Note, an essential gem that tops most work by the rest of his contemporaries! The setting here is a really warm and lyrical one – as Mobley's playing with Horace Silver on piano, Doug Watkins on bass, Art Blakey on drums, and the great Art Farmer on trumpet – making one of his rare (and appreciated!) Blue Note appearances on the set! The tracks have a good mixture of hardbop and more lyrical overtones – in a manner that's similar to Silver's work, but with a little more gutbucket soloing on tenor from Mobley. Titles include "Base On Balls", "Fin De L'Affaire", "Funk In Deep Freeze", and "Startin From Scratch". LP, Vinyl record album

An obscure late 50s set from the mighty Hank Mobley – and like all of the tenorist's sides for Blue Note, an essential gem that tops most work by the rest of his contemporaries! The setting here is a really warm and lyrical one – as Mobley's playing with Horace Silver on piano, Doug Watkins on bass, Art Blakey on drums, and the great Art Farmer on trumpet – making one of his rare (and appreciated!) Blue Note appearances on the set! The tracks have a good mixture of hardbop and more lyrical overtones – in a manner that's similar to Silver's work, but with a little more gutbucket soloing on tenor from Mobley. Titles include "Base On Balls", "Fin De L'Affaire", "Funk In Deep Freeze", and "Startin From Scratch". CD also features 2 bonus tracks – alternate takes of "Funk In Deep Freeze" and "Wham & They're Off". CD

One of Ken Nordine's trippiest albums! This was released on Ken's own Snail Records label in the late 70's, and it's got a very different feel than his classic Word Jazz LPs on Dot. There's still a lot of cool processed vocals, and weird production in which Ken talks with himself in many different voices, but there's also some added instrumentation, and even a few tracks that you could call "songs". The musicians are an odd batch of players from the Chicago scene, including Odell Brown and Manfredo Fest, and Kitty Haywood also sings vocals on some of the album. Titles include "Smelts", "Scratch", "Angel's Lament", "Island", "Mister Blister", and "Cracks In the Ceiling". LP, Vinyl record album

Three dub classics, two of them impossible to get for years, except for the occasional "unofficial" LP repressing. On the first LP of the set, Scratch teams up with the great Tommy McCook for one of his hardest to find gems, recorded in the late 70s, when his wigged out follies at the Black Ark had reached their peak, and though there's a bit of debate over whether these tracks were actually recorded at the Black Ark, this was originally one of the first LPs issued after the studio burned to the ground. In any case, you can't argue with the tracks on this one: spare instrumentals with jaunty guitar, loping syncopated drums and bouncing bass, a baker's dozen tracks, including "Cloak & Dagger", "Musical Transplant", "Liquid Serenade", "Iron Claw", "Rude Walking", "Caveman Skank" and "Pee-Wee Special". Blackboard Jungle Dub, the second album of the triptych, is widely cited as the first full length dub LP, though we'd rather not get too academic about it. Besides, this is one mighty set of Perryisms, wrought in the pre-Black Ark era, with a dozen of the Upsetter's finest rhythms rendered in dub versions here, and with King Tubby reportedly responsible for the wonderful reverb and mixing console action taking these tracks to the next level. An essential dub masterpiece, with 14 tracks on this version of the LP, including "Black Panta", "Khasha Macka", "African Skank", "Dreamland Skank", "Jungle Jim", "Dub Organizer", "Apeman Skank" and "Jungle Fever". The third album included is another tough one to get, originally issued in a tiny, tiny batch, though it's been bootlegged more than a few times over the years. 10 tracks in all, a tasty stew with that Black Ark groove running through it pretty heavily, with some nice guitar and a really spare approach to the often murky Perry tone poetry. Includes "Dub Revelations", "Womans Dub", "Kojak", "Doctor On The Go", "Bush Weed", "Dreadlock Talking", "Own Man", "Dub The Rhythm", "Black Hand" and "Rain Drops". CD

A tremendous record from one of the hippest soul singers ever – and an album that has Gil Scott-Heron really pushing forward after his initial classics for the Flying Dutchman label! There's less spoken material here and more sung passages – as Gil's really discovering his confidence as a singer, moving effortlessly between jazz and soul – and getting superb accompaniment from Brian Jackson, who plays both acoustic and electric piano next to Gil's electric. Backings are spare – just bass and drums – and it's no surprise that the album was released on the legendary Strata East label, as it rivals the rest on that imprint for righteous spiritual power! Titles include Gil's classic "The Bottle" – which went on to become a huge hit in many versions – plus the beautiful "Your Daddy Loves You", heard here in the original version – and the tunes "Peace Go With You Brother", "Back Home", "Rivers Of My Fathers", and "A Very Precious Time". LP, Vinyl record album

5CDs, and a set that's overflowing with classic tracks from the legendary Stax Records – with an especially heavy emphasis on the label's genius moments from 1968 to the mid 70s! There's way too much here to list, but some of the more unusual tracks include "What A Man" by Linda Lyndell, "Gettin Funky Round Here" by Black Nasty, "Funky Robot (part 1)" by Rufus Thomas, "Circuit's Overloaded" by Inez Foxx, "Gettin Funky Round Here" by Black Nasty, "Sweetback's Theme" by Melvin Van Peebles, "Help" by David Porter, "Starting All Over Again" by Mel & Tim, "I Could Never Be President" by Johnnie Taylor, "How Can I Be A Witness" by RB Hudmon, "What Goes Around Must Come Around" by Sons Of Slum, "Harlem Heaven" by Rance Allen, "Mother's Day" by 24 Carat Black, "Bump & Boogie (part 1)" by The Wrecking Crew, "Chains Of Love" by Jimmy Hughes, "Itch & Scratch (part 1)" by Rufus Thomas, "What's Usual Ain't Natural" by Eric Mercury, "Lovin You Lovin Me" by Sandra Wright, "What Do You See In Her" by Hot Sauce, "The Creeper Returns" by Little Sonny, and "It's Worth A Whippin" by Shirley Brown. CD

The Beastie Boys are looking plenty playful on the cover, and they definitely follow up in spirit on the record – all with that great mix of really rich production that they seemed to discover on the west coast – while still able to serve up all the youthful energy when they burst into the world frm the New York scene! The album has a space of a few years between its predecessor Ill Communication – and it almost feels as if the Beasties spent that time to go record shopping and crate digging – to bring in all these really cool musical twists and turns that remind us that some of their best expressions often come from the direct inspirations of others! Lee Scratch Perry and Money Mark help out on the set – but as always, it's the energy of the core trio that really ignites the fire – on titles that include "Super Disco Breakin", "The Move", "Song For The Man", "Just A Test", "Body Movin'", "Intergalactic", "Flowin Prose", "Remote Control", "Three MCs & One DJ", "Song For Junior", and "Dr Lee PhD". LP, Vinyl record album

A late 90s classic from the Beastie Boys, done with that great mix of really rich production that they seemed to discover on the west coast – while still able to serve up all the youthful energy when they burst into the world frm the New York scene! The album has a space of a few years between its predecessor Ill Communication – and it almost feels as if the Beasties spent that time to go record shopping and crate digging – to bring in all these really cool musical twists and turns that remind us that some of their best expressions often come from the direct inspirations of others! Lee Scratch Perry and Money Mark help out on the set – but as always, it's the energy of the core trio that really ignites the fire – on titles that include "Super Disco Breakin", "The Move", "Song For The Man", "Just A Test", "Body Movin'", "Intergalactic", "Flowin Prose", "Remote Control", "Three MCs & One DJ", "Song For Junior", and "Dr Lee PhD". Features two bonus LPs of material – including remixes, live tracks, and b-sides! LP, Vinyl record album

A massive amount of fast funk groovers from the mighty Hamilton Bohannon – just the kind of skittish, upbeat, and totally amazing tracks that have made him a legend for years! The sound is really stripped down – usually just bass, drums, and guitar – wrapped together in this groove that's super tight, but not slick at all – like someone had dug deep into the best resources of the funky 45 underground, then pushed them to the limit! The guitar work alone is completely amazing – razor-sharp perfection at a level that blows away any previous chicken scratch lines – and titles include "Can You Feel It", "Think Of Me", "The Funky Reggae", "The Bohannon Walk", "Bohannon's Beat Part 1", and "Gentle Breeze". LP, Vinyl record album

Killer organ jazz from the Chicago scene of the late 60s – one of the few Chess albums recorded by organist Odell Brown, an artist who'd go on to behind-the-scenes fame in the world of soul later on in the 70s! Here, Odell hosts a cool combo that features his own Hammond work in the lead – with other local players who include Artee "Duke" Payne on alto, Tommy Purvis on tenor, Phil Upchurch on bass, and Master Henry Gibson on conga – all grooving nicely through short "combo" oriented organ cuts like "Get Off My Back", "Mirar, Mirar", "She's Coming My Way", "Tough Tip", and "No More Water In The Well". They play with a mix of funkiness and virtuosity, and with the same sense of wit as contemporaries like the Jack McDuff group or Young-Holt Unlimited! LP, Vinyl record album

The first of Branford Marsalis' two LPs to venture into the "acid jazz" or "hip hop crossover" genre, however you choose to look at it. Fortunately, he gets a helping hand from Premier on a number of cuts. Includes "Breakfast At Denny's", "Some Cow Fonque", "Some Sh*t At 78 BPM (The Scratch Opera)", "Hotter Than Hot" and "The Black Widow Blues". CD

Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier touches that made him one of the most exciting trumpeters to appear in the 50s scene. The rest of the group features GT Hogan on drums and Wilbur Ware or Eddie Mathias on bass – and the session's got a great reading of Kenny's classic "Lotus Blossom", plus the tracks "Jazz Classic", "Noose Bloos", "The End Of A Love Affair", and "Soon". LP, Vinyl record album

Full strength roots from Dr Aminatado! In a perfect world, this album would need no introduction from us – it's classic caliber to say the least! For those yet to visit the doctor, this is the perfect perscription –in which Dr Alimantado and Lee Scratch Perry lead you through a top tier side of funky Black Ark reggae with the heavy murky Perry touch and some mad Dee Jay stylings from the best dressed chicken in town. 10 cuts, including the awesome title track, plus "Just The Other Day", "Gimme Mi Gun", "I Killed The Barber", "Unitone Skank", "Can't Conquer Natty Dreadlocks", "Ride On", "I Shall Fear No Evil". CD

An excellent lost funky soundtrack on Blue Note – their only one for years, and Grant Green's entry into the blacksploitation genre! The whole thing bristles with the kind of chunky, thumping percussive feel as the best funky soundtracks of the era – informed by the work of Curtis Mayfield and Isaac Hayes, but with the deeper jazz feel that Green brings from his other Blue Note sides of the time! Some cuts are quite funky, particularly the opener, "Past, Present, and Future" with it's crisp trap, chicken scratch guitar and bongo driven beat. Others have more of a stripped-down dope instrumental feel – there's some sweet funky flute work on "Fathers Lament", and even a slight bossa groove creeps into the title track! The whole album's very nice, and it's very different than any of Grant Green's other work! Other titles include "Afro Party", Luana's Theme", "Slight Fear And Terror", and "Battle Scene". LP, Vinyl record album

Mosaic Records doing what it does best – providing a brilliant way to hear material from the 78rpm generation – all remastered with great sound, and presented with fantastic notes on the music! 171 tracks in all – recorded for Brunswick, Vocalion, Bluebird, Okeh, and other labels – with some unissued tracks. CD

Uncut, full version Jay Love Japan – one of the best of the early posthumous Dilla releases – originally slated exclusively for the Japanese market! This is Dilla in a mostly uptempo vibe, with soulful strings and vocal samples and blunt, snapping beats. There are a couple vocal appearances from Detroit fellows – Baatin of Slum Village and Ta'Raach – plus additional scratch work in a couple spots by Exile and and Ricci Rucker. Includes a short intro, "Yesterday", "Say It" feat Ta'Raach and scratches by Exile, "Oh Oh", "First Time" feat Baatin and scratches by Tha Ruckazoid, "In The Streets", "Feel The Beats", "Believe In God", "Can't You See" and "Say It". 2016 CD version includes 11 tracks in all! CD

Genius early work from the legendary Thad Jones – one of his greatest albums ever, and a sublime tribute to his talents on the trumpet! Jones has a groove here that definitely fits in nicely with the title – some of the more contemplative, expressive modes of his native Detroit scene – honed with a bit more of the sharpness that New York players were bringing to hardbop at the time! Jones' trumpet is warmly lyrical, but never in a sleepy, or too-easy sort of way – and the group here has plenty of nice edges, thanks to killer tenor sax from the under-rated Billy Mitchell, guitar from Kenny Burrell, piano from Tommy Flanagan, bass from Oscar Pettiford, and drums from Shadow Wilson. There's a tremendous balance between gentleness and depth going on here – and the album has an unbounded sense of creativity that easily makes it one of the most sparkling Blue Note sides from the time! Titles include "Little Girl Blue", "Blue Room", "Tar Riff", "Zec", and "Scratch". CD

Gus Mancuso was a 50s instrumentalist who made a brief but strong flash on the modern scene – playing one of the most unlikely jazz instruments ever, a euphonium, which he handled with surprising dexterity and grace, creating a bass-heavy sound that was not unlike some of the work done on baritone during the decade. This 18 track CD features tunes from two of Mancuso's earliest (and only) albums as a leader – Introducing Gus Mancuso and Music From New Faces. The first set features Mancuso blowing hard in a group with Cal Tjader, Richie Kamuca, Eddie Duran, and Vince Guaraldi – and the second set features him working through titles from the show New Faces. Tracks include "The Ruble & The Yen", "Brother Anitz", "Ev'ry Time", "How Do You Like Your Eggs In The Morning?", "A Hatful Of Dandruff", and "Scratch My Back". CD

Early work from the great Bob Marley – material cut with the initial lineup of The Wailers, at a time before the group would go onto much greater global fame on Island Records! The equally legendary Lee Scratch Perry is at the helm on production – and although the music here has more rough edges than some of the polished commercial work of Marley's classic years, that also makes for a heck of a lot of appeal – and a quality that also links the group's work more tightly to some of the other Jamaican trios of the rocksteady years. A few cuts here were remade later, and titles include "Keep On Moving", "Don't Rock My Boat", "Fussing & Fighting", "Put It On", "Duppy Conqueror (Version 4)", "Kaya", "Memphis", "African Herbsman" "Brain Washing", and "Sun Is Shining". In the original Upsetter mono mix, too! LP, Vinyl record album

An amazingly soulful set of folk tunes from the late 60s – the only album we've ever seen from singer Jerry Moore, and a real rarity from the ESP label! Moore's got a style that's somewhere between Terry Callier and Tim Buckley – earthy and acoustic one minute, but stepping out with some hipper rock-influenced touches the next – in a style that makes the album way more than just a conventional folk set. There's a strong political undercurrent to many of the tunes – and Moore is backed by a quartet that includes Eric Gale on electric guitar and Ralph McDonald on percussion. Titles include "Ballad Of Birmingham", "Drugged", "This Is My Time", "Let Go Reach Out", and "Anti Bellum Sermon". LP, Vinyl record album

The all time classic from Junior Murvin – as essential as any late 70s reggae! Production-wise, Police And Thieves is among Scratch's finest moments, from the most monumental period in Perry's career, during the height of the Black Ark. The title track needs no introduction from us, and the rest of the record is solid, funky roots rock, at a level Murvin would not match again in his career. His sweet falsetto is draped in the dense, murky production that carved a niche in history for Perry. Tracks like "Roots Train" and "False Teaching" are the embodiment of crucial, and the album is filled with other great cuts like the now classic title track, "Rescue Jah Children", "Tedious", "Easy Task" and "I Was Appointed". CD

2nd pressing of one of the most obscure sessions for the legendary Mode label – a one-off date by The Bernie Nerow Trio – a group that was actually led by pianist Peter Nero, working on the original album under a "nom de date", but billed here on the 2nd pressing with full credits! The Nero sound here is much jazzier than on any of his more overblown pop instrumental sides from the time – a lightly leaping approach that still allows plenty of space for his strong command of the keys, yet which never succumbs to its own excesses. Rhythm is by the team of Max Wayne on bass and Dick Stein on drums – and the record's got a gentle warmth and easygoing feel that we like a heck of a lot! Titles include "Lullaby Of The Leaves", "Scratch My Bach", "Red's Romp", "Love For Sale", "How About You", and "Our Love Is Here To Stay". LP, Vinyl record album

A brilliant bit of work from the UK scene of the early 80s – a group formed out of the ashes of The Prefects, and driven strongly by the uniquely bristling energy of frontman Robert Lloyd! The record's got lots of fantastically jagged moments – punk into post-punk, but without the freer frenzy of The Fall – maybe more the well-rooted basslines of Gang Of Four, although the style of The Nightingales is very different! Lloyd's vocals and presence are wonderful – and the songs are laced together with all these fast, jagged guitar lines that are fantastic – a bit like those from the Ron Johnson label scene to come. Tracks include "Blood For Dirt", "Start From Scratch", "One Mistake", "It Lives Again", "Joking Apart", "Yeah, It's OK", "Under The Lash", "Blisters", "Don't Blink", "Elvis The Last Ten Days", and "Make Good". CD