Fantastic work from the 50s New York scene – and a legendary set that offers up its own interpretation of Santerian rhythms! The groove on the set is very percussion-heavy – and done with that rich sort of vibe you might get on some of the classic Sabu Martinez records – or maybe even some of the percussion projects that were handled by jazz labels of the time – although with a definite rootsy feel, too – as all instrumentation is focused on the rhythms. There's vocals on the set – which give it a slightly spiritual sort of energy – alongside the heavy work on maracas, bongos, claves, cow bell, and an assortment of other percussion instruments. Titles include "Obanlaese", "A Bailar Oriza", "Africa", "Laye, Laye", "Nueva Oriza", and "Malambo". LP, Vinyl record album

A great collection of work from one of our favorite funky scenes! Way up in Scandinavia, where the winters are 360 days long (or something like that!) they've got to do something to warm themselves up – so they take to their instruments, and jam like mad to come up with some great funky jazz – as you'll hear in this incredibly well-done collection of early 70s gems from Funky Finland, Swinging Sweden, and Nonstopjamming Norway! The package is a brilliant introduction to the lost gems lurking in the icy lands of Northern Europe – and is incredibly well-timed, given that in recent years, some of this under-issued music is finally getting back out to the public again, and inspiring a whole new generation of funky listeners. There's loads of great keyboard work on the set – cool in tone, but warm and soulful in approach – and even if you're the type that's got some non-American funk biases, you'll be more than happy to place this one on the shelf next to your favorite 70s albums on labels like CTI or Kudu. Titles include "Grandma's Rocking Chair" by Olli Ahvelahti, "Bluegaloo" by Ablution, "Mr Minor" by Staffan Ableen Quintets, "Equinox" by Pop Workshop, "Karakorum" by Mamba, "6 Down" by Eero Koivistoinen Music Society, "Watusi Dance" by Pop Workshop, "Afro Temple" by Sabu Martinez, and "Batucada Por Favor" by Bob Azzam. LP, Vinyl record album

An incredible early experimental album from Art Blakey – one of the first to feature him in expanded percussion format! Side one of the album features the extended "Drum Suite" – a set of 3 tracks ("The Sacrifice", "Cubano Chant", and "Oscalypso") that has Blakey and Jo Jones on drums, joined by Sabu Martinez on bongos and Charles Wright on tympani and gong. Ray Bryant snakes some soulful piano through the set and Oscar Pettiford is on bass and cello – and the overall feeling of the side is similar to some of Blakey's work in the format for Blue Note – like the albums Afro-Drum Orgy or Holiday for Percussion. Side two has straight hard bop, played by Blakey's 1957 combo that included Jackie McLean and Bill Hardman – and the group grooves hard on a classic reading of "Nica's Tempo", plus the cuts "D's Dilemma" and "Just For Marty". CD features 3 bonus tracks – unedited versions of "Lil'T" and "The New Message"! CD

A great set that brings together early material that trombone giant JJ Johnson cut for Blue Note as a leader – sides that already mark his approach to the instrument as one of the most distinct of the time, and which pave the way for all the greatness that Johnson would bring to jazz in years to come! JJ's got a way of blowing his horn here that's almost trumpet-like at time – tight and focused, and perfect for the young bop generation – as he's paired on these cuts with players who include Hank Mobley and Jimmy Heath on tenor, Clifford Brown on trumpet, and either Wynton Kelly, John Lewis, or Horace Silver on piano, depending on the volume. There's plenty of other great surprises too – including a bit of bass from Charles Mingus, on a few cuts that also feature congas from Sabu Martinez – plus drums from Kenny Clarke on all tracks too. Titles on this first volume include include "Turnpike", "Sketch 1", "Capri", "Lover Man", "Get Happy", and "Coffee Pot". CD

A totally excellent bit of drum-heavy jazz funk – originally recorded by Sonet in Sweden, and issued here in the US by Peters International. The album's a no-nonsense batch of tight groovers, played by Vinding's quartet with added conga work by Sabu Martinez! The tracks have a tight choppy Euro fusion mode – but not too much jamming, which is a good thing by us – and the best numbers strip out the drums at moments, leaving the record with a few very tasty breaks that really drive the cuts home. Titles include "Danish Drive" and "Funky But" – both of which have breaks – plus "Fast Winding", "La Tour", and "Moog's Blues". LP, Vinyl record album