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Richard Young

 

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Williamson/Meale/Brophy/Glanville Hicks/DeanAustralian Composers Series Vol 3 – Richard Mills/Antony Walker/Dobbs Franks/Kenneth Young/Sebastian Lang Lessing/Tasmanian Symphony Orch ... CD
ABC (Australia), 2009. Used 5CD ... $24.99
CD
(Out of print.)
 
Possible matches: 11
Possible matches2
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches3
CD, LP, Vinyl record album cover art
Muhal Richard AbramsThings To Come From Those Now Gone ... CD
Delmark, 1972. Used ... $6.99
A tremendous step forward for the young Muhal Richard Abrams – a set that still shows his early roots in the AACM, but which also blossoms with some of his more serious compositional efforts to come! There's a sensitivity here that really stands out – even among Abrams' contemporaries – a striving for a wider range of expression – some as bold as before, some much more deeply personal and intimate. The tracks feature a shifting array of players – working alongside Abrams piano, and building up the sound in a number of different ways. Players include Wallace McMillan on flute and sax, Edwin Daugherty on sax, Richard Brown on sax, Emanuel Cranshaw on vibes, Rufus Reid on bass, and Steve McCall and Wilbur Campbell on drums. Ella Jackson provides vocals on "How Are You?" – and other titles include "Ballad For New Souls", "Things To Come From Those Now Gone", "In Retrospect", "Ballad For Old Souls", "1 & 4 Plus 2 & 7", and "March Of The Transients". CD

Possible matches4
CD, LP, Vinyl record album cover art
New American Jazz QuintetGulf Coast Jazz Vol 1 ... CD
Andex/VSOP, 1959. New Copy ... $11.99 14.99
A record with an unassuming group name, title, and cover – but a rare set from the New Orleans scene – and one that offers up early work from Ellis Marsalis, both Alvin and Harold Battiste, and even a young Ed Blackwell too! The record's a rare example of the kind of forward-thinking jazz that was happening in New Orleans at the time – not a reworking of trad modes, but instead one of the few records from that scene that offered up some really fresh new voices, working in a righteous spirit that's all their own! All tunes are originals – most by Alvin Batiste – played by Marsalis on piano, Alvin Batiste on clarinet, Harold Batiste on tenor, Ed Blackwell on drums, and either Richard Payne or William Swanson on bass. The overall sound is surprisingly modern – lots of crackling edges that make both the compositions and performances really sparkle – and titles include "Punchin", "Tribute", "Ohadi", "Capetown", "Fourth Month", and "Chatterbox". CD
(Please note: This is a CD-R pressing.)

Possible matches5
CD, LP, Vinyl record album cover art
PersuadersThin Line Between Love & Hate ... CD
Win Or Lose/Atlantic (UK), 1972. New Copy ... $16.99
A landmark album – one of the greatest harmony soul albums of the early 70s! The title cut is one you'll know instantly – as "Thin Line Between Love & Hate" is one of those soul classics that never gets old – and the rest of the album's equally great, with a sublime mix of rough and sweet that the group was never able to duplicate again. The sound is incredible – with arrangements by Richard Poindexter, and backings by the group Young Gifted & Bad, who often use a bit of vibes behind the vocals, which makes for a really cool sound! Titles include "Let's Get Down Together", "Blood Brothers", "If This Is What You Call Love (I Don't Want No Part Of It)", "Love Gonna Pack Up" and "You Musta Put Something in Your Love". CD

Possible matches6
CD, LP, Vinyl record album cover art
Young-Holt Unlimited/Slide HamptonOh Girl/Somethin' Sanctified ... CD
Atlantic/Collectables, 1961/1973. Used ... $6.99
A strange pairing – but both albums are fantastic! Oh Girl is one of the best albums ever by the Young-Holt funky group. It's got a sweet electric sound that's different than their Brunswick releases, and it features a very dope 70s funky groove that rolls along nicely, and which features more than a few sample tracks. Bobby Lyle and Richard Tee make appearances on the record, and tracks include "Yes We Can Can", "Rubber Lips", "Oh Girl", "Food Stamps", and the massive "Bumpin On Young Street". Something Sanctified is of much earlier vintage, and features some hard-wailing arrangements by the most soulful trombonist we've ever heard! Some of the hardest swingin' stuff ever recorded by a band led by a trombone player. The album features great hardbop material played by a firey octet that includes Hobart Dotson, George Coleman, Larry Ridley, Charles Greenlee, and Richard Williams. Cuts include "El Sino", "Ow", "Milestones", and the stormin' title cut. Great stuff, and two soul jazz classics from 2 different ends of the 60s! CD

Possible matches7
CD, LP, Vinyl record album cover art
VariousNighttime Lovers Vol 21 – A Fine Collection Of Disco Funk Classics Of The 80s ... CD
PTG (Netherlands), Early 80s. New Copy ... $18.99
Keep the party going all night long – with another great set of grooves from this long-running series! The music here is similar to the other collections on the PTG/Vinyl Masterpiece label – a strong focus in the best sounds of the 80s – not the underground work or indie sides – but overlooked soul and club cuts that were bubbling under in the mainstream at the time – and which are wonderfully revived here! Titles include "Celebrate Your Love" by Executive, "In The Night (ext version)" by Richard Jon Smith, "Just In Time" by Raw Silk, "Make Up Your Mind" by Val Young, "Stop Playin With My Love" by Steve Drayton, "Let Me Hold You" by Sonique, "Pick Me Up" by Electric Mind, "My Love Is Hot" by Cool Notes, and "Don't Give Me Up" by Harold Melvin & The Blue Notes. CD

Possible matches8
CD, LP, Vinyl record album cover art
New VariousGreenwich Village In The 60s – Beginnings & Branches Of The New York Folk Revival ... CD
Warner (Australia), Mid 60s. New Copy 2CD ... Just Sold Out!
A really well-done collection that gets at the full range of folk sounds in the Village scene of the 60s – and one that also traces some of its influence in farther reaches too! The package was put together by Warner, and features some real gems from the Elektra catalog – mixed with other great bits from Vanguard, Prestige, Tradition, and even Columbia Records too – all very important forces in folk music that really had a strong presence in New York, and were often working hard to grab the freshest young talents to make the scene. The 2CD package features over 40 tracks – some classics mixed with lesser-known treasures – and Richie Unterberger's notes really do a great job of situating the music and illuminating the Village a the time. Titles include "He Was A Friend" by Dian & The Greenbriar Boys, "Close The Door Lightly When You Go" by Eric Anderson, "Hang Me Oh Hang Me" by Dave Van Ronk, "I Can't Slow Down" by Tim Hardin, "Patriot Game" by Liam Clancy, "House Un-American Blues Activity Dream" by Richard Farina, "The Cuckoo" by Jean Ritchie, "Urge For Going" by Tom Rush, "Fare Thee Well" by Bob Gibson, "500 Miles" by Hedy West, "The Street" by David Blue, "The Death Of Queen Jane" by Joan Baez, and "Deportees" by Cisco Houston. CD

Possible matches9
CD, LP, Vinyl record album cover art
New John PattonBoogaloo ... CD
Blue Note (Japan), 1968. New Copy ... Temporarily Out Of Stock
Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced by Larry Young's work at the same time. The record features great work by Harold Alexander on flute and tenor, plus trumpet by Vincent McEwan, drums by George Brown, and added conga by Richard Landrum. The groove is somewhere between 60s soul jazz and modal – and the tracks are long, with that heavy Patton swing! Title sinclude "B&J", "Boogaloo Boogie", "Milk & Honey", "Shoutin But No Poutin", and "Spirit". CD
(SHMCD pressing.)

Possible matches10
CD, LP, Vinyl record album cover art
New Bee Gees/Richard Hewson OrchestraLove Melody ... CD
Polydor (Argentina), 1971. Used ... Out Of Stock
A very groovy soundtrack to this cool British film – starring a young Jack Wild in his pre-HR Puffenstuff days! The film's kind of a mod kids film – with a number of bright and peppy tunes mixed with others that are either more serious or more jazzy. The Bee Gees contribute a number of great tracks – like "Melody Fair", "In The Morning", "First Of May", and "To Love Somebody". Even better, though, are the instrumental bits by the Richard Hewson Orchestra – which include "Teacher's Chase", a killer groover with some sweet electric harpsichord and strings, plus the cuts "Working On It Night & Day", "Spicks & Spacks", and "Melody Fair". Peter Knight put the whole thing together, too! CD

Possible matches11
CD, LP, Vinyl record album cover art
New Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. New Copy 2CD ... Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD

Possible matches12
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New VariousRight On! Vol 3 – More Break Beats & Grooves From The Atlantic & Warner Vaults ... CD
Warner (UK), Late 60s/Early 70s. New Copy ... Out Of Stock
Killer funk, soul, and jazz tunes from the Warner and Atlantic catalogs – including more than a few that rank with our favorite funky cuts of the era! As with previous volumes in this series, the titles are selected with a focus on tunes that have or can be sampled – so there's lots of sweet jazzy brakes, warm keyboards, and tasty drums on the package! Titles include "Wah Wah Man" by Young Holt Unlimited, "Nuki Suki" by Little Richard, "Mama Soul" by The Soul Survivors, "It's Love" by The Young Rascals, "Funky Canyon" by Phil Moore Jr, "Everything I Do Gonna Be Funky" by Claudia Lennear, "Soul Bowl" by Memphis Horns, "Shiloh" by David Newman, "Let Me Fix It" by Brook Benton, "Angela, My Sister" by Richard Evans, "When She Made Me Promise" by The Beginning Of The End, "Moment Of Truth" by Earth, Wind, & Fire, "Bumpin On Young Street" by Young Holt Unlimited, and "Mortgage On My Soul" by Keith Jarrett. CD
 
Partial matches: 5
Partial matches13
CD, LP, Vinyl record album cover art
Cannonball & Nat AdderleySummer Of 1955 (Bohemia After Dark/Spontaneous Combustion/That's Nat) ... CD
Savoy, 1955. New Copy 2CD ... $8.99 24.98
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". Next is more material from the same stretch, originally issued under the title Spontaneous Combustion under Cannonball's name. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Spontaneous Combustion", "Caribbean Cutie", "A Little Taste", "We'll Be Together Again", "Still Talkin To Ya", and "Flamingo". Last up is the album That's Nat – a real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD

Partial matches14
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Pete BrownPeter The Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $13.99
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown with a crisp tone firmly in place – sitting somewhere between older bop players and some of the emerging Tristano-ites from the east coast – a vibe that's almost like Charlie Mariano or Dick Johnson in their best younger years, but with a bit more soul too. The group's a hip sextet – with trumpet from Joe Wilder, guitar from Wally Richardson, and piano by Wadde Legge – and the album includes a great version of "The World Is Waiting For The Sunrise", plus the nice originals "Delta Blues" and "Used Blues". CD

Partial matches15
CD, LP, Vinyl record album cover art
New Kenny ClarkeBohemia After Dark ... CD
Savoy, 1955. Used ... $4.99
An excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". CD
(Out of print.)

Partial matches16
CD, LP, Vinyl record album cover art
ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. New Copy ... $8.99 14.98
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Partial matches17
CD, LP, Vinyl record album cover art
VariousNicola Conte Presents Mystic Prestige – Deep Afrocentric Modal Jazz From Prestige Archives ... CD
Prestige/Universal (Japan), Late 50s/Early 60s. New Copy ... $28.99
Nicola Conte digs deep into the catalog of Prestige Records – and comes up with a host of spiritual and modal jazz tunes in the process! Conte's ears are always wonderful – not just on his own albums, or his work with Schema Records – but also when he's given material like this – sounds that might seem familiar at the outset, but which really bristle with new energy in his hands! You'll recognize most of the artists here, but Nicola's done an excellent job of pulling out really special tracks – including some under-heard album gems that resonate with some of the earliest examples of spiritual undercurrents in jazz. Titles include "Taboo" by Yusef Lateef, "Poinciana" by Jerome Richardson, "Blues In Bloom" by Gigi Gryce, "Cubano Chant" by Art Taylor, "Talkin Bout JC" by Larry Young, "Barengo" by Barry Harris, "Quiet Dawn" by Cedar Walton, "Feeling Good" by Andy & The Bey Sisters, and "Stolen Moments" by Eddie Lockjaw Davis. CD
(SHMCD pressing.)
 
 
 



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