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Richard Young

 

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Possible matches: 13
Possible matches1
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches2
CD, LP, Vinyl record album cover art
New Black Note43rd & Degnan ... CD
World Stage, 1991. Used ... $6.99
One of our favorite jazz debuts of the 90s – a bold statement from the LA underground, and a record that's filled with the soul and creative spirit of a classic Blue Note from the 60s! The group's lineup changed a bit in later years, but on this first outing players are a tight combo that includes James Mahone on alto sax, Richard Grant on trumpet, Ark Sano on piano, Mark Shelby on bass, and Willie Jones III on drums – grooving together in a way that has a great deal of modern touches in the head arrangements, but which breaks out in relaxed, open solos that mark each of the young players as tremendously creative individuals. The trumpet/alto lines are especially nice – almost recalling the sound of some of Jackie McLean's pre-new thing albums of the early 60s – but the original compositions of the album also carry a great deal of the power of the set as well! Titles include "43rd & Degnan", "Lanorris", "Millissa", "New Day", "4th Grade", "Cloud Nine", and "To Be Announced". CD

Possible matches3
CD, LP, Vinyl record album cover art
New John PattonBoogaloo ... CD
Blue Note (Japan), 1968. New Copy ... $18.99
Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced by Larry Young's work at the same time. The record features great work by Harold Alexander on flute and tenor, plus trumpet by Vincent McEwan, drums by George Brown, and added conga by Richard Landrum. The groove is somewhere between 60s soul jazz and modal – and the tracks are long, with that heavy Patton swing! Title sinclude "B&J", "Boogaloo Boogie", "Milk & Honey", "Shoutin But No Poutin", and "Spirit". CD
(SHMCD pressing.)

Possible matches4
CD, LP, Vinyl record album cover art
PersuadersThin Line Between Love & Hate ... CD
Win Or Lose/Atlantic (UK), 1972. New Copy ... $16.99
A landmark album – one of the greatest harmony soul albums of the early 70s! The title cut is one you'll know instantly – as "Thin Line Between Love & Hate" is one of those soul classics that never gets old – and the rest of the album's equally great, with a sublime mix of rough and sweet that the group was never able to duplicate again. The sound is incredible – with arrangements by Richard Poindexter, and backings by the group Young Gifted & Bad, who often use a bit of vibes behind the vocals, which makes for a really cool sound! Titles include "Let's Get Down Together", "Blood Brothers", "If This Is What You Call Love (I Don't Want No Part Of It)", "Love Gonna Pack Up" and "You Musta Put Something in Your Love". CD

Possible matches5
CD, LP, Vinyl record album cover art
Young-Holt Unlimited/Slide HamptonOh Girl/Somethin' Sanctified ... CD
Atlantic/Collectables, 1961/1973. Used ... $9.99
A strange pairing – but both albums are fantastic! Oh Girl is one of the best albums ever by the Young-Holt funky group. It's got a sweet electric sound that's different than their Brunswick releases, and it features a very dope 70s funky groove that rolls along nicely, and which features more than a few sample tracks. Bobby Lyle and Richard Tee make appearances on the record, and tracks include "Yes We Can Can", "Rubber Lips", "Oh Girl", "Food Stamps", and the massive "Bumpin On Young Street". Something Sanctified is of much earlier vintage, and features some hard-wailing arrangements by the most soulful trombonist we've ever heard! Some of the hardest swingin' stuff ever recorded by a band led by a trombone player. The album features great hardbop material played by a firey octet that includes Hobart Dotson, George Coleman, Larry Ridley, Charles Greenlee, and Richard Williams. Cuts include "El Sino", "Ow", "Milestones", and the stormin' title cut. Great stuff, and two soul jazz classics from 2 different ends of the 60s! CD

Possible matches6
CD, LP, Vinyl record album cover art
VariousGreenwich Village In The 60s – Beginnings & Branches Of The New York Folk Revival ... CD
Warner (Australia), Mid 60s. New Copy 2CD ... $23.99
A really well-done collection that gets at the full range of folk sounds in the Village scene of the 60s – and one that also traces some of its influence in farther reaches too! The package was put together by Warner, and features some real gems from the Elektra catalog – mixed with other great bits from Vanguard, Prestige, Tradition, and even Columbia Records too – all very important forces in folk music that really had a strong presence in New York, and were often working hard to grab the freshest young talents to make the scene. The 2CD package features over 40 tracks – some classics mixed with lesser-known treasures – and Richie Unterberger's notes really do a great job of situating the music and illuminating the Village a the time. Titles include "He Was A Friend" by Dian & The Greenbriar Boys, "Close The Door Lightly When You Go" by Eric Anderson, "Hang Me Oh Hang Me" by Dave Van Ronk, "I Can't Slow Down" by Tim Hardin, "Patriot Game" by Liam Clancy, "House Un-American Blues Activity Dream" by Richard Farina, "The Cuckoo" by Jean Ritchie, "Urge For Going" by Tom Rush, "Fare Thee Well" by Bob Gibson, "500 Miles" by Hedy West, "The Street" by David Blue, "The Death Of Queen Jane" by Joan Baez, and "Deportees" by Cisco Houston. CD

Possible matches7
CD, LP, Vinyl record album cover art
New Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. New Copy 2CD ... Temporarily Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD

Possible matches8
CD, LP, Vinyl record album cover art
New Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. Used ... Out Of Stock
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD
Also available Levels & Degrees Of Light ... CD 8.99

Possible matches9
CD, LP, Vinyl record album cover art
New Joe HendersonIn N Out (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Out Of Stock
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful sense of swing – that balance that Joe had more than most of his contemporaries – and which he only continued to develop as the years went on. Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". CD

Possible matches10
CD, LP, Vinyl record album cover art
New Andrew HillBlack Fire (RVG edition – with bonus tracks) ... CD
Blue Note, 1963. Used ... Out Of Stock
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group here has some key figures fleshing out the sound – a young Joe Henderson, blowing tenor with a very edgey quality – the very versatile Richard Davis on bass – and the great Roy Haynes on drums, very much at his most fluid interpretation of rhythm! The whole set's pretty darn great – one of the more mindblowing Blue Notes you'll ever hope to buy – and tracks include "Pumpkin", "Subterfuge", "Cantarnos", and "McNeil Island". CD features 2 bonus tracks too – alternate takes of 2 tracks on the album. CD
(BMG Direct pressing.)
Also available Black Fire (180 gram pressing) ... LP 28.99

Possible matches11
CD, LP, Vinyl record album cover art
New Richard Groove HolmesComin' On Home ... CD
Blue Note, 1971. Used ... Out Of Stock
A killer from Groove Holmes – one of his rarest albums ever, a one-off session recorded for Blue Note, with a group that includes a young Weldon Irvine! Weldone was a hip up-and-comer at the time – and he not only plays electric piano on the set, but contributes some of the album's best tracks. The mix of electric piano and organ makes for a very unusual sound – one that gets a nice kick from the conga/drum rhythm section, mixed in with electric bass and guitar. Includes the classic "Groovin For Mr G", an early version of Irvine's "Mr Clean", a funky version of "Theme From Love Story", and the cuts "Don't Mess With Me", "This Here", "Wave", and "Down Home Funk". CD
Also available Comin' On Home ... LP 19.99

Possible matches12
CD, LP, Vinyl record album cover art
New VariousNew Folk Routes ... CD
Rev-Ola (UK), Late 60s/Early 70s. New Copy ... Out Of Stock
A loose collection of British folk and folk rock from the late 60s – a mix of dreamy acoustic tunes, lightly jazzy ones, and full of chiming songcraft from Richard & Linda Thompson, Nick Drake, Fairport Convention, Traffic, Sandy Denny and more! Some tunes are pretty well known in the broad landscape, and others are fairly deep – some achingly intimate others ready for a hootenanny! Titles include "Hornpipe" by John Locke, "She Moves Through The Air" by Fairport Convention, "Black Jack David" by Incredible String Band, "I Was A Young Man" by Albion Country Band, "When I Get To The Border" by Richard and Linda Thompson, "Audrey" by Mike Heron, "Man Of Iron" by Sandy Denny and more! CD

Possible matches13
CD, LP, Vinyl record album cover art
New VariousRight On! Vol 3 – More Break Beats & Grooves From The Atlantic & Warner Vaults ... CD
Warner (UK), Late 60s/Early 70s. New Copy ... Out Of Stock
Killer funk, soul, and jazz tunes from the Warner and Atlantic catalogs – including more than a few that rank with our favorite funky cuts of the era! As with previous volumes in this series, the titles are selected with a focus on tunes that have or can be sampled – so there's lots of sweet jazzy brakes, warm keyboards, and tasty drums on the package! Titles include "Wah Wah Man" by Young Holt Unlimited, "Nuki Suki" by Little Richard, "Mama Soul" by The Soul Survivors, "It's Love" by The Young Rascals, "Funky Canyon" by Phil Moore Jr, "Everything I Do Gonna Be Funky" by Claudia Lennear, "Soul Bowl" by Memphis Horns, "Shiloh" by David Newman, "Let Me Fix It" by Brook Benton, "Angela, My Sister" by Richard Evans, "When She Made Me Promise" by The Beginning Of The End, "Moment Of Truth" by Earth, Wind, & Fire, "Bumpin On Young Street" by Young Holt Unlimited, and "Mortgage On My Soul" by Keith Jarrett. CD
 
Partial matches: 7
Partial matches14
CD, LP, Vinyl record album cover art
Pete BrownPeter The Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $13.99
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown with a crisp tone firmly in place – sitting somewhere between older bop players and some of the emerging Tristano-ites from the east coast – a vibe that's almost like Charlie Mariano or Dick Johnson in their best younger years, but with a bit more soul too. The group's a hip sextet – with trumpet from Joe Wilder, guitar from Wally Richardson, and piano by Wadde Legge – and the album includes a great version of "The World Is Waiting For The Sunrise", plus the nice originals "Delta Blues" and "Used Blues". CD
Also available Peter The Great ... CD 9.99

Partial matches15
CD, LP, Vinyl record album cover art
New Pete BrownPeter The Great ... CD
Bethlehem/Solid (Japan), 1954. Used ... $9.99
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown with a crisp tone firmly in place – sitting somewhere between older bop players and some of the emerging Tristano-ites from the east coast – a vibe that's almost like Charlie Mariano or Dick Johnson in their best younger years, but with a bit more soul too. The group's a hip sextet – with trumpet from Joe Wilder, guitar from Wally Richardson, and piano by Wadde Legge – and the album includes a great version of "The World Is Waiting For The Sunrise", plus the nice originals "Delta Blues" and "Used Blues". CD
(Includes obi.)
Also available Peter The Great ... CD 13.99

Partial matches16
CD, LP, Vinyl record album cover art
ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. New Copy ... $8.99 14.98
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Partial matches17
CD, LP, Vinyl record album cover art
VariousNicola Conte Presents Mystic Prestige – Deep Afrocentric Modal Jazz From Prestige Archives ... CD
Prestige/Universal (Japan), Late 50s/Early 60s. New Copy ... $28.99
Nicola Conte digs deep into the catalog of Prestige Records – and comes up with a host of spiritual and modal jazz tunes in the process! Conte's ears are always wonderful – not just on his own albums, or his work with Schema Records – but also when he's given material like this – sounds that might seem familiar at the outset, but which really bristle with new energy in his hands! You'll recognize most of the artists here, but Nicola's done an excellent job of pulling out really special tracks – including some under-heard album gems that resonate with some of the earliest examples of spiritual undercurrents in jazz. Titles include "Taboo" by Yusef Lateef, "Poinciana" by Jerome Richardson, "Blues In Bloom" by Gigi Gryce, "Cubano Chant" by Art Taylor, "Talkin Bout JC" by Larry Young, "Barengo" by Barry Harris, "Quiet Dawn" by Cedar Walton, "Feeling Good" by Andy & The Bey Sisters, and "Stolen Moments" by Eddie Lockjaw Davis. CD
(SHMCD pressing.)

Partial matches18
CD, LP, Vinyl record album cover art
New Kenny Clarke, Cannonball Adderley, & OthersBohemia After Dark (with bonus track) ... CD
Savoy, 1955. Used ... Temporarily Out Of Stock
An excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". CD features the bonus track "Caribbean Cutie". CD

Partial matches19
CD, LP, Vinyl record album cover art
New Cannonball & Nat AdderleySummer Of 1955 (Bohemia After Dark/Spontaneous Combustion/That's Nat) ... CD
Savoy, 1955. New Copy 2CD ... Out Of Stock
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". Next is more material from the same stretch, originally issued under the title Spontaneous Combustion under Cannonball's name. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Spontaneous Combustion", "Caribbean Cutie", "A Little Taste", "We'll Be Together Again", "Still Talkin To Ya", and "Flamingo". Last up is the album That's Nat – a real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD

Partial matches20
CD, LP, Vinyl record album cover art
New Earl HinesHere Comes Earl Fatha Hines ... CD
Contact/Sony (Japan), 1966. New Copy ... Out Of Stock
Earl Hines has a very cool trio here – a unique group that features Richard Davis on bass and Elvin Jones on drums – both younger modern players who provide a surprising match for his lead work on piano! Hines really seems to step up to the setting, and although his phrasing and tone echo his older years in jazz, there's also a fresh crackle to the record too – one that may also partly come from the way in which Earl was really being rediscovered and re-exposed at the time of the album's recording. Davis and Jones definitely never try to overdo things, but you can definitely feel their presence at work – particularly Jones, whose percussion on the record is a real delight. Titles include "Stanley Steamer", "Shoe Shine Boy", "Smoke Rings", "Save It Pretty Mama", and "Bernie's Tune". CD
 
 
 



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