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Richard Evans

 

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Possible matches: 22
Possible matches1
CD, LP, Vinyl record album cover art
Dorothy AshbyAfro-Harping ... CD
Cadet/Verve, 1968. New Copy ... $10.99 11.98
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with Richard Evans at Cadet Records that her sound really began to cook – breaking down genres and expectations in the trademark style of the best late 60s sides from the Chicago underground. The record's got a bit of funk, a bit of jazz, and a heck of a lot of soul – and the setting works perfectly for Dorothy's harp, giving it a lot more room to work around than some of her smaller jazz combo albums. The album includes two great originals – "Soul Vibrations" and "Afro-Harping" – both of which have a nice funky edge, and a groovy soulful bounce – and other tunes include "Lonely Girl", "Life Has Its Trials", "Look Of Love", "Come Live With Me", and a great version of Freddie Hubbard's "Little Sunflower". CD

Possible matches2
CD, LP, Vinyl record album cover art
Kenny BurrellOde To 52nd Street ... CD
Cadet, 1967. Used ... $11.99
Less of the bop tribute that you might think – given the title – and more of a groovy batch of jazz tracks, with arrangements by Richard Evans, in the soulful bouncy style that was his best standard for mid 60s work at Chess! Evans' work is what really makes the record sparkle – and Kenny's soloing here in a Verve-ish mode, floating over the top of a variety of material, both mellow and upbeat. Side one features the extended "Suite For Guitar & Orchestra" – and side two features "I Want My Baby Back", "Soulero", "Con Alma", and "Blues Fuse". CD
(Out of print. Barcode has a cutout hole.)

Possible matches3
CD, LP, Vinyl record album cover art
Ronnie DysonLove In All Flavors/More You Do It ... CD
Columbia/Expansion (UK), 1976/1977. New Copy ... $16.99
A pair of overlooked gems from Ronnie Dyson – both of which show there's way more to love than just his early hits! On Love In All Flavors, Ronnie's older than during his falsetto soul early years – and he's working here with some impeccably mature Chicago soul arrangements by Gene Barge, Gene Page, and Richard Evans. The album's produced by the always-great modern soul dynamic duo of Chuck Jackson and Marvin Yancey (ex-Independents), and it's got an approach that mixes deeply soulful vocals with smoother backings, kind of in the same mode that The Manhattans were using, but with a bit more of a modern tip that points towards the Capitol work by the Jackson/Yancey team. Tracks include "I Want To Be Where You Are", "Sara Smile", "Don't Be Afraid", "I Just Want To Be There", and "Ain't Nothing Wrong". On More You Do It, Dyson works with the 70s hit soul team of Chuck Jackson and Marvin Yancy – the pair who brought great sound to Natalie Cole, and who work some similar magic with Ronnie! The album was recorded in Chicago – partially at Curtom – and has arrangements from Gene Barge, Gene Page, and Richard Evans – all of whom bring a fullness to the record that's a nice change from Dyson's more fragile work of earlier years. Some of the best cuts have a gentle midtempo groove that's almost like Leroy Hutson – warm, and never slick – very personal, and stepping along nicely. Titles include "The More You Do It", "You & Me", "Jive Talkin", "Close To You", "Love Won't Let Me Wait", and "Lovin Feelin". CD

Possible matches4
CD, LP, Vinyl record album cover art
ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. New Copy ... $8.99 14.98
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Possible matches5
CD, LP, Vinyl record album cover art
Ahmad JamalPittsburgh ... CD
Atlantic, 1990. Used ... $5.99
Sweet piano and soaring strings – a wonderful little record that brings the keyboard work of Ahmad Jamal into play with larger arrangements from Richard Evans, both working together here in an update of the sound from earlier albums at Chess! Although a later Jamal recording, the sound here is surprisingly great – and Ahmad's on acoustic piano throughout, playing in bold tones and strong colors – while Evans shades things in with just the right amount of orchestrations to expand on the themes without smothering them. There's very few "modern" touches here, save for perhaps the careful recording of Jamal's grand piano – and titles include "Fly Away", "Apple Avenue", "Pittsburgh", "Bellows", "Mellowdrama", "Divertimento", and "Foolish Ways". CD

Possible matches6
CD, LP, Vinyl record album cover art
New Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. New Copy ... $15.99 16.98
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD

Possible matches7
CD, LP, Vinyl record album cover art
Salsoul OrchestraStreet Sense (with bonus tracks) ... CD
Salsoul/Big Break (UK), 1979. New Copy ... $14.99
Brillant work from the Salsoul Orchestra – some of their most sophisticated work ever, and right in line with a soulful orchestral style that runs back through the work of Barry White into the early experiments of the Soulful Strings! The album marks a shift for the group – now led by the mighty Tom Moulton, after the departure of Vince Montana – a new force who really takes the group in some great directions, and stretches out the tunes here even more than before – which makes for a lot more musical complexity as well! Thor Baldursson helps out on some of the arrangements, and the pair really work magic with the tight Philly lineup of the group – soaring out on great versions of two massive Richard Evans groovers – "Zambesi" and "Burning Spear", both killers that were originally performed by the Soulful Strings – plus the original numbers "212 North 12th", "Street Sense", and "Sun After The Rain". CD features bonus tracks – "Somebody To Love (single)", "Street Sense (single)", "Sun After The Rain (12" disco)", and "Sun After The Rain (12" inst)". CD

Possible matches8
CD, LP, Vinyl record album cover art
Linda WilliamsCity Living (with bonus tracks) ... CD
Arista/Big Break (UK), 1979. New Copy ... $6.99
A killer bit of modern soul – one of the standout classics from the best years of Arista! Richard Evans produced and arranged this excellent set of smooth soul grooves for Linda Williams. Linda plays keyboards and sings, and the album was recorded in 2 different sessions – one in LA, and one in Chicago. The album's got a nice jazzy sound, with a similar feel to the Breakwater LPs on Arista at the time. Linda's voice is as wonderful on this set as on anything we've heard from her, and with her depth of talents on the piano & keys, and on the songwriting tip, she's a real creative force at the top of her game here! Tracks include "No Love, No Where, Without You", "Oh Honey", "Loving You Forever", and the great groover "Elevate Our Minds", which is worth the price of the record alone! This Big Break UK remastered edition has 2 bonus tracks: "No Love, No Where, Without You (Single Version)" and "City Living (Single Version)". CD

Possible matches9
CD, LP, Vinyl record album cover art
VariousChicago Soul – Electric Blues, Funk & Soul – The New Sound Of Chicago In The 1960's ... CD
Soul Jazz (UK), Late 60s. New Copy ... $22.99
A massive overview of the genius Chicago scene of the late 60s – and a set that's overflowing with some of the heaviest music ever recorded! The collection focuses on the most groundbreaking work from the later Chess years – particularly the funky blues, psychedelic soul, and tripped out jazz that was coming out of the Cadet Concept studios in the hands of producers like Charles Stepney, Richard Evans, and Marshall Chess! The Chess groups were ahead of their time by decades – blending together styles without a thought of simple genre restrictions, often forsaking chart fame and record sales in pursuit of an adventurous groove. And while some of the artists on the set may be familiar names, we can promise that most of them are presented in styles that you may not have heard before – as the collection features many unreissued numbers that are making their first reappearance here! CD set comes with a 40 page set of notes – and features 20 tracks in all, including "Please Newsboy" by Eve Barnum, "Burning Spear" by Soulful Strings, "More & More" by Little Milton, "Baltimore Oriole" by Lorez Alexandria, "Soul Vibrations" by Dorothy Ashby, "Evil" by Howlin Wolf, "Stereo Freeze" by The Stereos, "The Way I Feel" by Phil Upchurch, "Mama's Got A Good Thing" by Laura Lee, "The Wailer" by Sonny Cox, "Leave It In The Hands Of Love" by Fontella Bass, "Why Am I Treated So Bad" by The Majestic Choir & The Soul Stirrers, "She Suits Me To A Tee" by Buddy Guy, "Memory Band" by Rotary Connection, and "In My Body's House" by Gene Chandler. CD
Also available Chicago Soul – Electric Blues, Funk & Soul – The New Sound Of Chicago In The 1960's ... LP 26.99

Possible matches10
CD, LP, Vinyl record album cover art
VariousRight On! Vol 3 – More Break Beats & Grooves From The Atlantic & Warner Vaults ... CD
Warner (UK), Late 60s/Early 70s. New Copy ... $9.99
Killer funk, soul, and jazz tunes from the Warner and Atlantic catalogs – including more than a few that rank with our favorite funky cuts of the era! As with previous volumes in this series, the titles are selected with a focus on tunes that have or can be sampled – so there's lots of sweet jazzy brakes, warm keyboards, and tasty drums on the package! Titles include "Wah Wah Man" by Young Holt Unlimited, "Nuki Suki" by Little Richard, "Mama Soul" by The Soul Survivors, "It's Love" by The Young Rascals, "Funky Canyon" by Phil Moore Jr, "Everything I Do Gonna Be Funky" by Claudia Lennear, "Soul Bowl" by Memphis Horns, "Shiloh" by David Newman, "Let Me Fix It" by Brook Benton, "Angela, My Sister" by Richard Evans, "When She Made Me Promise" by The Beginning Of The End, "Moment Of Truth" by Earth, Wind, & Fire, "Bumpin On Young Street" by Young Holt Unlimited, and "Mortgage On My Soul" by Keith Jarrett. CD

Possible matches11
CD, LP, Vinyl record album cover art
Dorothy AshbyDorothy's Harp ... CD
Cadet (Japan), 1969. New Copy ... Around September 25, 2014
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell Brown even plays a bit of Fender Rhodes on the record – which sounds especially great! Both Ashby and Evans are at the height of their powers here – mixing together bits of jazz, soul, and trippier elements in a sublime late 60s Cadet Records blend – one that's carried off perfectly on the original tunes "Truth Spoken Here", "Tornado", "Cause I Need It", and "Just Had To Tell Somebody" – but which also sounds great on some of the album's cool covers too! Other titles include Brazilian numbers "Reza" and "Canto De Ossanha" – both of which are transformed in Dorothy's hands – plus "This Girl's In Love", "By the Time I Get to Phoenix", and "Windmills of Your Mind"! CD

Possible matches12
CD, LP, Vinyl record album cover art
Shades Of BrownS.O.B. ... CD
Cadet (Japan), 1970. New Copy ... Around August 27, 2014
Amazing soul from Chess Records – and an album that almost feels like some lost small-label soul set, or a batch of rare funky 45s! Shades Of Brown are an ultra-hip male group from Chicago – a quartet of singers with the range and depth of The Temptations or Dells at their best, supported by a small combo of very lively instrumentalists who bring a really funky edge to their music – that sort of self-contained sound than you might find more in the hinterlands of the 60s soul scene than at Chess. But there's also plenty of key Chess touches too – including production by Dells maestro Bobby Miller, who also penned all the tunes for the record, giving the group some wonderful material to work with. Richard Evans handled most of the arrangements, but Charles Stepney also did a few too – and titles include "Man's Worst Enemy", "Girl I'm Coming Home", "Falling In Love Too Hard", "Lite Y'All Up", "Lie #2", "Little Girl", "Ho-Hum World", "He Didn't Leave Me A Name", "Garbage Man", and "The Soil I Tilled For You" – which has an amazing break! CD

Possible matches13
CD, LP, Vinyl record album cover art
New Shirley ScottSuperstition ... CD
Cadet/Soul Brother (UK), 1973. New Copy ... Temporarily Out Of Stock
One of the coolest, grooviest albums ever from Hammond giant Shirley Scott – a set that's got a fair bit of funk in the mix, and a really rich array of inventive lines on the keyboards too! The tracks are longer than usual, and really step past the more familiar Shirley Scott modes of the 60s – opening up into more righteous 70s territory in the company of Chess/Cadet Records – with arrangements from Richard Evans that are as sophisticated as they are funky! Evans plays bass on the record – in a combo that also features both Jimmy Ponder and David Spinozza on guitar, Jimmy Owens and Art Hoyle on trumpets, and Grady Tate on drums. The album features some great drum breaks on Shirley's versions of "Superstition" and "Lady Madonna", and includes a totally great cover of "People Make The World Go Round", the killer originals "Hanky's Panky" and "Liberation Song", and a sweet take on "Last Tango In Paris". CD

Possible matches14
CD, LP, Vinyl record album cover art
New Sylvia St JamesMagic/Echoes & Images ... CD
Elektra/Expansion (UK), 1980/1981. New Copy ... Temporarily Out Of Stock
Two great albums from singer Sylvia St James – back to back on a single CD! Magic is a stunning solo set from Sylvia St James – previously known as a singer in the great group Side Effect – but an even better act on her own! Sylvia gets lots of great help here from the jazz fusion side of the spectrum – including drummer Lenny White, plus keyboardists Don Blackman and Larry Dunn – the latter from Earth Wine & Fire, the former a soulful powerhouse in his own right! Both Dunn and White produced the record, and the latter gives it the vibe of some of his Twennynine albums – a great blend of jazz and modern soul that really works perfectly for Sylvia's vocals – and which recalls some of her previous work with Wayne Henderson. Titles include "Can't Make You Mine", "Let Love Groove Me", "So I Say To You", "Magic Minstrel", "Motherland", "Black Diamond", and "Ghetto Lament". Echoes & Images is an album that's got a richer soul feel than some of Sylvia St James' previous work – and a record that really has the singer coming into her own, with a setting that's out to rival the bigger mainstream soul divas of the time! Richard Evans and McKinley Jackson handle the arrangements – and bring all their rich experience in modern soul to play – creating these full charts that push Sylvia's vocals forward strongly, yet still with lots of hip touches that avoid some of the more commercial chart soul cliches of the time. The arrangements have really kept the record fresh over the years – as has the lesser-known status of St James' as a singer – and titles include "Prime Time", "Behind My Back", "If You Let Me Love You", "The Bottom Line", and "Eastern Man". CD

Possible matches15
CD, LP, Vinyl record album cover art
New Terry CallierI Just Can't Help Myself ... CD
Cadet (Japan), 1974. New Copy ... Out Of Stock
One of the best albums that Terry Callier ever recorded – and a masterpiece of the baroque soul crossover style that was going down at the Chess/Cadet label at the time! Terry's own folksy singing and playing would be more than enough to make this record great – but it's given an amazing edge by Richard Evans and Charles Stepney, who create these floating pillows of sound and washes of jazzy colors that fit Terry's moods perfectly, and really expand the emotional intensity of the songs. At the time of this release, the Chess empire was falling apart – but the forces that be put a great last push into the record, and Terry's backed by superb work from Chicago studio giants like Phil Upchurch, Don Myrick, Art Hoyle, Bobby Christian, Cleveland Eaton, Louis Satterfield, and Evans and Stepney themselves! Every track is a wonder, and titles include "Alley-Wind Song" , "Can't Catch the Trane", "Bowlin' Green", and "Until Tomorrow". CD

Possible matches16
CD, LP, Vinyl record album cover art
New Bill Evans with George RussellLiving Time ... CD
Columbia (Japan), 1972. New Copy ... Out Of Stock
One of the most compelling Bill Evans albums of the 70s – a set that has him teaming up with arranger George Russell in a unique 8 part "Living Time" suite – on which Evans plays both acoustic piano and Fender Rhodes! The sound is complex, with distinct modern tones – more in the spirit of his Symbiosis album for MPS, which would be a very good partner to this one – although Russell's vision is even more farther-reaching, and the set list here includes work by Richard Williams on trumpet, Webster Lewis on additional keyboards, and Jimmy Giuffre, Sam Rivers, and Joe Henderson on reeds! Russell composed and conducted the whole session – and this unique paring makes for a very memorable record, and one that sounds unlike any of Bill's other work. CD
(Blue Spec CD2.)

Possible matches17
CD, LP, Vinyl record album cover art
New Herbie MannHerbie Mann String Album ... CD
Atlantic (Japan), 1967. New Copy ... Out Of Stock
Don't be put off by the title – this is a great album! Sure, there's "string" in the title – and on the record – but they're arranged by Arif Mardin and Torrie Zito with a soulful, slightly funky, very hip sound that reminds us a lot of work by Richard Evans and the Soulful Strings! In fact, Herbie's soloing on the tracks remind us a lot of some of the Soulful Strings' best tracks – which were usually driven by the jazzy flute of Lennie Druss. A lot more than you'd expect – and with great titles that include "Flight Of The Bluebird", "To Sir With Love", "Hold Back Just A Little", "Sports Car", "It Was A Very Good Year", and "Yesterday's Kisses". CD

Possible matches18
CD, LP, Vinyl record album cover art
New Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. Used ... Out Of Stock
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD
(Out of print.)
Also available For Those Who Love/We're The Winners ... CD 15.99

Possible matches19
CD, LP, Vinyl record album cover art
New Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. New Copy 2CD ... Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD

Possible matches20
CD, LP, Vinyl record album cover art
New James MoodySax & Flute Man (Japanese paper sleeve edition) ... CD
Paula/P-Vine (Japan), 1973. New Copy ... Out Of Stock
A sweet set of electric funk from James Moody – and a great little record to match the grooves he was laying down at the Perception label in the early 70s – with a very unique sound! Moody's working here alongside some sweet work on electric piano by either Jodie Christian or Tennyson Stephens – and with some sly and soulful arrangements by Chicago soul maestro Richard Evans, who also plays bass on the record and gives it a style that's almost an extension of the later Cadet kind of groove. The album features an excellent funky instrumental version of " First Thing I Do In the Morning", originally a funky vocal 45 by Chicago singer Joyce Williams – and other cuts include "Trilby", "Don't Let Me Be Lonely", "World Is A Ghetto", "Good Sense Humor Man", and "Country City Country". CD
Also available Sax & Flute Man ... LP 9.99

Possible matches21
CD, LP, Vinyl record album cover art
New VariousAtlantic Sound Of Burt Bacharach ... CD
Atlantic (Japan), 1960s. New Copy 2CD ... Out Of Stock
A tremendous tribute to the music of Burt Bacharach – but one that's almost completely comprised of soul and jazz songs recorded for Atlantic Records in the 60s! Hard to believe that Burt and Atlantic had so much in common – but as you'll hear in this massive 45 track set, Bacharach tunes worked surprisingly well for the label's soul singers – including both those working on the scene down south, and those closer to the Brill Building in New York! CD one features Atlantic Ladies – a whole host of female soul – and side two features Atlantic Men & Jazz – with a few instrumental cuts thrown in next to the male singers. Titles include "Please Stay" by the Drifters, "Any Day Now" by Carla Thomas, "April Fools" by Aretha Franklin, "Please Stay" by Lulu, "Let The Music Play" by Leslie Uggams, "Alfie" by Sweet Inspirations, "In The Land Of Make Believe" by Leslie Uggams, "The Look Of Love" by Carmen McRae, "I Say A Little Prayer" by Sergio Mendes, "This Guy's In Love With You" by Roy Ayers, "Please Stay" by The Persuaders, "Close To You" by Richard Evans, "Anyone Who Had A Heart" by Nino Tempo, "They Don't Give Medals To Yesterday's Heroes" by Ben E King, "Any Day Now" by Percy Sledge, "Walk On By" by Arif Mardin, and "Raindrops Keep Falling On My Head" by The Young Holt Unlimited. CD

Possible matches22
CD, LP, Vinyl record album cover art
New Pastor TL BarrettLike A Ship (Without A Sail) ... CD
Light In The Attic, 1971. New Copy ... Out Of Stock
A soul record we'd put up there with some of our favorite ones that the city of Chicago produced in the early 70s – and it's literally a soul record – a beautiful gospel set by Pastor TL Barrett & The Youth For Christ Choir, of Mt. Zion Baptist Church, on the city's south side! There's genuine spirit and passion in this record to make it an exceptional gospel record, but it's the deep secular soul production touches and instrumentation that makes this one of the true, uh, holy grails of Chicago soul. The album was cut at the affordable Sound Market Studio, but behind the soaring, spirited lead and chorus vocal arrangements are players supervised by Chess Records sax player and arranger Gene Barge – with legendary players Richard Evans and Phil Upchurch in on the recordings. Raw drums, grooving organ, and incredible bass lines lay the foundation, but it's the voices that really shine on this completely wonderful, totally essential set! Includes "Like A Ship", "Wonderful", "It's Me O Lord", "Ever Since", "Nobody Knows", "Joyful Noice", "Medley...Dr. Watts Hymn & The Disciples Prayer" and "Blessed Quietness". CD
 
Partial matches: 1
Partial matches23
CD, LP, Vinyl record album cover art
Javon JacksonExpressions ... CD
Smoke Sessions, 2014. New Copy ... $11.99 15.99
One of the best Javon Jackson albums we've heard in years – a great live session that really gets back to basics, and reminds what a hell of a soloist Jackson is on tenor! The group's got a sharp, soulful feel right from the start – thanks to wonderful piano from Orrin Evans, who manages to bring all these creative touches to the music, but all without ever losing his swing – a swing that's driven strongly by Corcoran Holt on bass and McClenty Hunter on drums. Jackson's tenor is the real star of the show, but clearly gets great inspiration from the creative phrasing of Evans – and the pair soar together wonderfully on tunes that include "Richards RAP", "Lelia", "88 Strong", "Think On Me", "TJ", "Mr Taylor", and a great version of Wayne Shorter's "One By One". CD
 
 
 



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