... 12-inch, Vinyl record

A couple of dynamite little tracks of new wave-y funk from the Scroggins' sisters, with a snapping, spare messed-up groove! 12-inch, Vinyl record

Unusual production work by Afrika Islam. Half instrumentals and half vocals by Emanon. Guest appearances by Melle Mel and Bronx-Style Bob on the 10 minute studio version and 5 minute live version of "Susie". Other cuts include "Emanon's Groove", "Lady L Meets Emanon", and "No Name Disco." Cover drawing and lettering by Keith Haring! LP, Vinyl record album

A wild cool album made by the once obscure, now legenday group! The ESG album was the group's long, long, long awaited return to the format after is filled with wild percussion tracks, occasional crazy vocals, and a sound that influenced abstract beatmakers, leftfield dancefloor gurus, and post rock acts alike! After ESG's early 80s classic, business and label dramas made it difficult for them to work as a steady concern, but this 1991 album with some classic 12" tracks and later material helped cement their reputation. CD

... LP, Vinyl record album

... 12-inch, Vinyl record

A massive tribute to the long career of Dennis Bovell – the British artist who first rose up in the late 70s group Matumbi, then went on to share his production talents with a host of other artists in the decades that followed! This double-length set brings together a career-spanning set of tracks that all were handled by Bovell – a first half that features his own recordings under a number of groups, and a second half that features Bovell production and studio work with a range of other artists too – including some rare and unissued material, in a package put together by Dennis himself! Titles include the Bovell cuts "Run Rasta Run" with African Stone, "Come With Me" as Dennis Curtis, "The Grunwick Affair" and "Za Lon" with 4th Street Orchestra, "Blood Ah Go Run/Blood Dem (12" mix)" by Matumbi, and cuts "Brain Damage", "Chief Inspector", "Dub Master", "Silly Dub", "Caught You In A Lie", "After Tonight (acoustic version)", "Raindrops", "Eye Water", and "Pow Wow" – all issued under Bovell's name. The second half features titles that include "African Queen" by Errol Campbell, "Africa Is Our Land" by Joshua Moses, "Take Five" by Young Lions, "Portrait Of You" by Gladwin Wright, "Hooked On You" by Delroy Wilson, "Cry" by Angelique, "A Little Way Different/Differentah (12" mix)" by Errol Dunkley with Julio Finn, "Silly Games" by Janet Kay, "Get Up Stand Up" by I Roy, and "Positive Vibrations" by Pebbles. CD

A dark little groover from the later days of disco – key crossover work from Cory Daye, and a great bridge between a number of different club camps at the time! There's clearly a mainstream diva influence going on here, but the overall quality of the music is a lot more complicated and hipper – with some of the jazzier and retro-tropical flourishes of the Ze Records scene, plus a bit of moodier electrics on the great hit "Green Light" – a chanting, catchy number that crossed over big. Other titles include "Single Again", "Be Bop Betty", "Pow Wow", "Keep The Ball Rollin", and "Rainy Day Boy". LP, Vinyl record album

Includes the songs "Smiles", "Shady Lady", "That Old Black Magic", "Oh! Miss Jaxson", "Things Ain't What They Used To Be", "The Moose", "Pow-Wow", "The Great Lie", "Drop Me Off In Harlem", "Gulf Coast Blues", "Skyliner", "Into Each Life Some Rain Must Fall", "You Always Hurt The One You Love", "West End Blues", "Desert Sands", "E Bob O Le Bob", "Andy's Boogie", "Dark Bayou", "Zanesville Zohio ZZZ", and "Lonesome As The Night Is Long". CD

A killer album of vibes and organ from Johnny Lytle – just a trio session, but one that packs the punch of a full group! As with other early gems from Johnny, the players include Peppy Hinant on drums and Milt Harris on organ, and they're also augmented by some guest work by Milt Hinton. The album includes a number of Lytle classics – great modal numbers like "Big John Grady" and "Lela" – plus tracks that include "Pow Wow", "Got That Feelin", and "The Soulful One". LP, Vinyl record album

Remarkably strong stuff from Lou Reed in the early 80s – even if it's somewhat overlooked in his canon! As he was often doing in the period, it's fairly straight-forward rock & roll – which may have been something of a sly rebellion at a time when many of his late 60s and 70s peers were tripping over themselves to modernize and dive headlong into drum machines and synths. No skews towards timelessness, and with Robert Quine playing guitar, it's pretty great! Includes "Legendary Hearts", "Don't Talk To Me About Work", "Pow Wow", "Betrayed"m "Rooftop Garden", "Home Of The Brave" and more. CD

Wow! We can never get enough of Eddie Harris. Despite all of the silly situations he's ended up in over the years, an album like In Sound still stands as a beautiful testament to all of the raw power in Eddie's playing. His tone is perfect, and totally unique – and he plays here with Cedar Walton on piano, Ron Carter on bass, Billy Higgins on drums, and the great Ray Codrington on trumpet, who also played with the JFK Quintet. No tricks here, just incredibly solid jazz playing, on tracks like Eddie's famous "Freedom Jazz Dance", plus "Born To Be Blue" and "Cryin' Blues". Mean Greens is another example of classic 60s soul jazz material by Eddie – and proof that the move to Atlantic was a good one! As usual with Eddie's 60s sessions, the players are very hip – and feature an amalgamation of younger and lesser-known talents like Melvin Jackson, Ray Codrington, and Sonny Philips. Cedar Walton also plays some lovely piano on the record, giving a few tracks a bit more of a lyrical touch than usual – and Eddie responds to this nicely in his solos. Includes an early take of "Listen Here", with Eddie on electric piano, next to Sonny Philips' organ. Also with "Goin' Home", "Blues In the Basement", and "Mean Greens". CD

Lovely later work from Moondog – a set of simple instrumental tunes that almost has the same naive charm as his initial recordings in the 50s! There's definitely a bit of avant classical going on at times – use of violin, viola, and oboe – but other instrumentation is spare and often somewhat percussive – recalling the minimal, elliptical rhythms that Moondog first set on fire while living on the streets of New York during the postwar years. There's a bit of vocalization on the record, and some keyboards too – and many of the tunes have a poetic feel that really fits their titles – tunes that include "Cosmic Meditation", "Fujiyama", "Bird Of Paradise", "Marimba Mondo 1 – The Rain Forest", "Suite Equestria", and "Wind River Powwow". CD