All Categories — All Formats




Items/page
CDs (8) new/usedLPs (5) new/usedAll (13)* Search:

Piano Negro

 

Sort by
Possible matches: 12
Possible matches1
CD, LP, Vinyl record album cover art
Duke EllingtonMy People ... CD
Contact/Boplicity (UK), 1963. New Copy ... $11.99
A great high-concept composition from Duke Ellington – one that rivals the earlier brilliance of his Liberian Suite! Like that one, vocals are a key part of this long-form work – a special performance done for the Century Of Negro Progress Exposition in Chicago in 1963 – with an all-star cast that includes Jimmy Jones both at the piano and conductor's stand; Joya Sherrill on vocals with the Irving Bunton Singers, Jimmy Grissom, Jimmy McPhail, and Lil Greenwood; Billy Strayhorn on celeste, Juan Amalbert on conga, and other familiar Ellingtonians in the larger group! The tunes have a mix of gospel and folk roots, turned towards more modern Ellington compositional modes – and almost all numbers feature vocals, including one with narration by Ellington himself. Titles include "Will You Be There", "Come Sunday", "David Danced", "Montage", "My Mother My Father", "My People", "The Blues Ain't", and "What Color Is Virtue". CD
Also available My People (Contact pressing) ... LP 1.99

Possible matches2
CD, LP, Vinyl record album cover art
Duke EllingtonMy People (Contact pressing) ... LP
Contact, 1963. Very Good Gatefold ... $1.99
A great high concept composition from Duke Ellington – one that rivals the earlier brilliance of his Liberian Suite! Like that one, vocals are a key part of this long-form work – a special performance done for the Century Of Negro Progress Exposition in Chicago in 1963 – with an all-star cast that includes Jimmy Jones both at the piano and conductor's stand; Joya Sherrill on vocals with the Irving Bunton Singers, Jimmy Grissom, Jimmy McPhail, and Lil Greenwood; Billy Strayhorn on celeste, Juan Amalbert on conga, and other familiar Ellingtonians in the larger group! The tunes have a mix of gospel and folk roots, turned towards more modern Ellington compositional modes – and almost all numbers feature vocals, including one with narration by Ellington himself. Titles include "Will You Be There", "Come Sunday", "David Danced", "Montage", "My Mother My Father", "My People", "The Blues Ain't", and "What Color Is Virtue". LP, Vinyl record album
(Original mono pressing. Cover has some smudges on back.)
Also available My People ... CD 11.99

Possible matches3
CD, LP, Vinyl record album cover art
Festa Do ChorinhoFesta Do Chorinho Vol 2 ... CD
Discobertas (Brazil), 2013. New Copy ... $10.99
A great revival of older choro modes – played in a style that's quite faithful to the original, and which is recorded in a spare, simple style that's mighty nice! The set's oddly missing notes on the musicians, but instrumentation includes lots of percussion on tamborim, sweet lyrical lines on flute, and plenty of lively interplay between acoustic guitar and bandolim – ringing out beautifully here on most of the tunes! Titles include "Alvorada", "Nao Me Toques", "Boemio", "Choro Negro", "Piano", "Flor Do Abacate", and "Dengoso". CD

Possible matches4
CD, LP, Vinyl record album cover art
Dom Um RomaoSpirit Of The Times ... LP
Muse, 1973. New Copy (reissue)... $9.99
An incredible set of Brazilian jazz – one of the few albums that percussionist Dom Um Romao recorded as a leader, and sublime all the way through! The record's got a wonderful blend of funky fusion and Brazilian percussion – and features a group from two continents that includes Sivuca on organ, Dom Salvador on electric piano, Joe Beck on guitar, Jerry Dodgion on alto sax, Lloyd McNeill on flute, and Mauricio Smith on tenor, soprano, and flute. Includes the percussion jammer "Shake (Ginga Gingou)", the modal groover "Wait on the Corner", and the lively scatting tune "The Angels" – but the whole album's great, and other tracks include "The Salvation Army", "Kitchen", and "Lamento Negro". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
Tamba TrioMiraculous Tamba Trio (Tempo/Tamba Trio/Avanco) ... CD
Philips/El (Brazil), 1962/1963/1964/1966. New Copy ... $13.99
Nearly 3 albums' worth of music from the legendary Tamba Trio – one of the grooviest groups in the 60s bossa years in Brazil! The trio are quite unique – in that they not only play upbeat bossa rhythms, but also harmonize along with their grooves – in a soaringly sublime quality that really electrifies the tunes! Most of their lyrics are jazzy and somewhat scatted – kind of an added layer of music on top of the core jamming of piano, bass, and drums – and the production on these key 60s sides really helps their sound hit just the right level – a heavenly sound that's occasionally augmented by added percussion, flute, or guitar. The CD is one of the best introductions to their work we've ever seen – as it features material from the 60s albums Tempo, Tamba Trio, and Avanco, plus the rare Brasil Saluda A Mexico single – a whopping 26 tracks in all, with titles that include "Reza", "Tamba", "Batida Diferente", "Influencia Do Jazz", "Nos E O Mar", "O Amor Que Acabou", "Tristeza De Nos Dois", "Negro", "Rio", "Yansa", "Moto Continuo", "Barumba", "Danielle", "Pregao", "Boranda", "Consolacion", and "Morte De Um Deus De Sal". CD

Possible matches6
CD, LP, Vinyl record album cover art
New Ray BarrettoCarnaval (Latino!/Pachanga With Barretto) ... LP
Fantasy, Early 60s/1973. Used 2LP Gatefold ... Temporarily Out Of Stock
2 of Ray Barretto's earliest albums, both recorded for the Riverside label at the start of his career! Latino has an approach to Latin jazz that's certainly informed by the charanga sound of the New York scene in the early 60s – but one that's also opened up a bit more to new ideas – bits of bossa nova, heavy percussion, and some odd instrumental twists that really make the album sparkle! There's some haunting violin work on one track, a bit of odd organ on another, and a very playful mix of flute, piano, and percussion throughout. The great Jose Combo Silva plays tenor on the date – and other players include Jose Canoura on flute, Alfredito Valdez on piano, and El Negro Vivar on trumpet. Ray's on congas, bongos, and timbales – and titles include "Sugar's Delight", "Carnaval", "Descarga La Moderna", "El Negro Y Ray", and "Cocinando Suave". Pachanga With Barretto is a very offbeat little set from Ray – a record that takes the standard pachanga groove of the time, and nicely turns it on its ear with a host of jazzy touches! Hector Rivera wrote all the tracks, and also did most of the arrangements – and the record's got a really playful feel that's far more than just straight Latin for the crowds at the club. Flute and violin are often used in slightly unusual ways – and they're mixed with harder lines on tenor from Frank Mercado and trumpet from El Negro Vivar. Other players include Ray Mantilla on timbales, Jose Canoura on flute, and Willie Rodriguez on percussion – and titles include "Oye Heck", "Pachanga Suavecito", "Pachanga Para Bailar", "Barretto En La Tumbadora", "Pachanga Oriental", and "Ponte Dura". LP, Vinyl record album
(Cover has some wear.)

Possible matches7
CD, LP, Vinyl record album cover art
New Tito Puente with AzuquitaCe Magnifique ... CD
Fania/Tico, 1980. Used ... Temporarily Out Of Stock
This one's got kind of a campy cover, but it's a surprisingly great little set – not the Parisian-styled record you might expect from the title and image, but a crackling set of New York salsa played by Tito Puente with vocals by Azuquita! The French touches are a reference to the fact that Azuquita was living in Paris at the time of the album – but the sound itself is classic later Puente, with a rock-solid horn section that features equal parts saxes, trumpets, and trombones – plus some piano by the great Sonny Bravo! Jose Madera conducted the orchestra and handled musical arrangements here – and titles include "Negro De Sociedad", "No Me Touche Pas", "Guaguanco Arsenio", "Azucar Pa Un Amargao", "Virgen De Regla", and "Africa Linda". CD
(Out of print, small piece of tape on cover.)

Possible matches8
CD, LP, Vinyl record album cover art
New Ralph RoblesRalph Robles ... CD
Alma, Late 60s. New Copy ... Temporarily Out Of Stock
Sock boogaloo! Although Ralphie Robles never cut that many records after the Latin Soul era, his late 60s sides for Fania are among some of our favorite, and they groove with a non-stop hard-edged vibe! This album's a winner all the way through – filled with tight short tracks, smoking instrumentation on sax and trumpet, and lots of great English lyrics handled with a very soulful approach! The band here features Ralphie on trumpet, Hector Rivera on piano, Jose "Piliche" Elisier on vocals, and some great sax work by Raymond Crevates. Groovers include "Mi Negro", "Banana Juana", "Val's Candy", "Jezebel", and "Come & Get It". CD includes material from the album Ralph Robles Was Here – plus bonus tracks "Mi Borinquen", "Los Habaneros", "El Rey", "Montuniando", and "Perro Tramposo". CD

Possible matches9
CD, LP, Vinyl record album cover art
New Dom Um RomaoDom Um Romao/Spirit Of The Times ... CD
Muse/Soul Brother (UK), 1972/1973. New Copy ... Temporarily Out Of Stock
A pair of amazing records from percussionist Dom Um Romao – back to back in a single set! The self-titled Dom Um Romao is an unbelievably fantastic album, and perhaps the greatest one that Dom Um Romao ever cut! Dom recorded this set in America with a blend of Brazilian and New York musicians – creating an incredible sound that's unlike anything else we can think of – a rich harmony of Brazilian roots and more creative 70s electric instrumentation – filled with complicated shades, tones, and colors! We'd place this record next to the best electric work by David Axelrod, the dopest funk on CTI, and a rare few other jazz funk albums from the 70s – and the whole thing's completely sublime all the way through! Players include Joao Donato on piano, Dom Salvador on Fender Rhodes, Lloyd McNeil on flute, Mauricio Smith on tenor and soprano sax, Sivuca on organ and guitar, and Joe Beck on electric guitar – and titles include the spare spacey groover "Dom's Tune", the lively dancer "Cinnamon Flower", the jazzy "Family Talk", a great version of "Ponteio", and a take on Sivuca's "Adeus Maria Fulo". Spirit Of The Times is an incredible set of Brazilian jazz – one of the few albums that percussionist Dom Um Romao recorded as a leader, and sublime all the way through! The record's got a wonderful blend of funky fusion and Brazilian percussion – and features a group from two continents that includes Sivuca on organ, Dom Salvador on electric piano, Joe Beck on guitar, Jerry Dodgion on alto sax, Lloyd McNeill on flute, and Mauricio Smith on tenor, soprano, and flute. Includes the percussion jammer "Shake (Ginga Gingou)", the modal groover "Wait on the Corner", and the lively scatting tune "The Angels" – but the whole album's great, and other tracks include "The Salvation Army", "Kitchen", and "Lamento Negro". CD

Possible matches10
CD, LP, Vinyl record album cover art
New Dom Um RomaoDom Um Romao/Spirit Of The Times ... CD
Muse/Soul Brother (UK), 1972/1973. Used ... Out Of Stock
A pair of amazing records from percussionist Dom Um Romao – back to back in a single set! The self-titled Dom Um Romao is an unbelievably fantastic album, and perhaps the greatest one that Dom Um Romao ever cut! Dom recorded this set in America with a blend of Brazilian and New York musicians – creating an incredible sound that's unlike anything else we can think of – a rich harmony of Brazilian roots and more creative 70s electric instrumentation – filled with complicated shades, tones, and colors! We'd place this record next to the best electric work by David Axelrod, the dopest funk on CTI, and a rare few other jazz funk albums from the 70s – and the whole thing's completely sublime all the way through! Players include Joao Donato on piano, Dom Salvador on Fender Rhodes, Lloyd McNeil on flute, Mauricio Smith on tenor and soprano sax, Sivuca on organ and guitar, and Joe Beck on electric guitar – and titles include the spare spacey groover "Dom's Tune", the lively dancer "Cinnamon Flower", the jazzy "Family Talk", a great version of "Ponteio", and a take on Sivuca's "Adeus Maria Fulo". Spirit Of The Times is an incredible set of Brazilian jazz – one of the few albums that percussionist Dom Um Romao recorded as a leader, and sublime all the way through! The record's got a wonderful blend of funky fusion and Brazilian percussion – and features a group from two continents that includes Sivuca on organ, Dom Salvador on electric piano, Joe Beck on guitar, Jerry Dodgion on alto sax, Lloyd McNeill on flute, and Mauricio Smith on tenor, soprano, and flute. Includes the percussion jammer "Shake (Ginga Gingou)", the modal groover "Wait on the Corner", and the lively scatting tune "The Angels" – but the whole album's great, and other tracks include "The Salvation Army", "Kitchen", and "Lamento Negro". CD

Possible matches11
CD, LP, Vinyl record album cover art
New VariousItalo House – A Personal Selection Of The Deeper Side Of Italian House Music –Compiled By Joey Negro – Part 2 ... LP
Z Records (UK), Late 80s/Early 90s. New Copy 2LPs Gatefold ... Out Of Stock
A killer collection of Italo House tracks – maybe the best we've ever seen to really get at the heart of the genre! Disco never died in Italy during the 80s – as evidence by the number of dance compilations from the decade with a boot-shaped image on the front – and Italian DJs really kept alive some of the warmer touches of the 70s club scene – which they then merged with the growing wave of house music at the end of the 80s – to craft a cool new groove that was all their own! These cuts are quite different than the harder house of the rest of the European scene – especially trashier acid house – and they also have a deeper sound than most mainstream American dance too – with the kind of deeper basslines and keyboard bits you'd find in the farther corners of the US underground, like cuts from the Nu Groove label, or artists like Fingers Inc. There's an understated feel to this music that we really love – a kind of cool, classy quality that's kept it fresh for years – and which makes this set a great discovery for those who never dug the scene before. Joey Negro put the whole thing together – with the kind of care of his other club collections – and titles on this second vinyl version include "Sexitivity (club)" by MCJ, "Desire (martini club mix)" by Aural, "Understand Me (dreams piano rmx)" by Carol Bailey, "Alpha Centauri (ext rmx)" by Arkanoid, "What You Need (orig)" by Soft House Company, "Yo Te Quiero (Detroit version)" by DJ Le Roy, "Kiss Me" by Love Quartet, "You Too (atmosphere version)" by Nexy Lanton, "House Of Calypso" by Key Tronics Ensemble, and "Deep Inside (soul trance mix Joey Negro edit)" by Shafty. LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
New Duke EllingtonMy People (Flying Dutchman) ... LP
Flying Dutchman, 1963. Used Gatefold ... Out Of Stock
A great high concept composition from Duke Ellington – one that rivals the earlier brilliance of his Liberian Suite! Like that one, vocals are a key part of this long-form work – a special performance done for the Century Of Negro Progress Exposition in Chicago in 1963 – with an all-star cast that includes Jimmy Jones both at the piano and conductor's stand; Joya Sherrill on vocals with the Irving Bunton Singers, Jimmy Grissom, Jimmy McPhail, and Lil Greenwood; Billy Strayhorn on celeste, Juan Amalbert on conga, and other familiar Ellingtonians in the larger group! The tunes have a mix of gospel and folk roots, turned towards more modern Ellington compositional modes – and almost all numbers feature vocals, including one with narration by Ellington himself. Titles include "Will You Be There", "Come Sunday", "David Danced", "Montage", "My Mother My Father", "My People", "The Blues Ain't", and "What Color Is Virtue". LP, Vinyl record album
 
Partial matches: 1
Partial matches13
CD, LP, Vinyl record album cover art
New VariousDiablos Del Ritmo – The Colombian Melting Pot 1960 to 1985 ... CD
Analog Africa (Germany), 1960s/1970s/Early 80s. Used 2 CDs ... Out Of Stock
One of the deepest digs we've ever seen into the rich array of grooves from Colombia – a double-length page that covers a much wider range of sounds than you might expect! Colombia's unusual amongst Latin American nations, in that it's got kind of a "crossroads" sort of role – a place where other South American sounds come into contact with music from North America, the Caribbean, and even Africa as well – resulting in some mighty heavy styles that are perfectly summed up on these 2CDs! The package is way more than just an armchair look at Colombia – and is heavy on the sorts of funk and offbeat grooves we've come to expect from the Analog Africa label – a key imprint in bringing the sounds of the globe to Anglo groove diggers like us. Rhythm is definitely at the core – as promised in the title – but the package also has plenty of great notes to help us understand the rich cultural history as well. Titles include "Calambre" by Conjunto Barbacoa, "Lumbalu" by Calixto Ochoa & Los Papaupas, "Schallcarri" by Grupo Abharca, "El Caterete" by Wganda Kenya, "Enyere Kumbara" by Julian Y Su Combo, "Wasamaye" by Wasamaye Rock Group, "Bajo El Troupillo Guajiro" by Sexteto Manaure, "Pegale A La Nalga" by Fuentes All Stars, "Juipiti" by Grupo Folclorico, "Shakalode" by Wganda Kenya, "Santana En Salsa" by Crecencio Camacho, "La Motilona" by Los Alegres Diablos, "Pajaro Madrugador" by Alfredo Gutierrez, "La Bulla" by Los Curramberos De Guayabal, "Busca La Careta" by Andres Landero, "La Cascada" by Pianonegro, "Eco En Stereo" by Sonora Dinamita, "La Veterana" by Peyo Torres, "Lluvia" by Sonora Tropical, and "Agoniza El Magadlena" by Ramiro Beltran. 32 tracks in all – and it comes in a great hardbound package with a 60-page booklet. CD
 
 
 



Top