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Peter Brotzmann Trio

 

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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Peter Brotzmann TrioMayday – 1966 ... CD
Corbett vs. Dempsey, 1966. New Copy ... $7.99
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on bass and Pierre Courbois on drums – both of whom seem to be doing everything they can to keep up with Brotzmann's intensity! The CD's more of an EP than a full-length set – running for almost 12 minutes, and featuring two songs – "Intensity" and "Variability". CD

Exact matches2
CD, LP, Vinyl record album cover art
New Peter Brotzmann TrioFor Adolphe Sax ... LP
FMP/Cien Fuegos (Austria), 1967. New Copy (reissue)... Out Of Stock
A landmark album of free jazz – Peter Brotzmann's first record, and a hard-driving set of material that blows away most avant jazz work from the US at the time! The album takes the energy of the ESP generation, and turns it up more than a few notches – as Brotzmann blows his head off on tenor and baritone, accompanied by Sven Ake Johansson on drums and Peter Kowald on bass. The title is a reference to the inventor of the saxophone – an instrument that Brotzmann pushes way to its limits here – at a level that Adolphe never would have expected! Titles include "For Adolphe Sax", "Sanity", and "Morning Glory". LP, Vinyl record album
 
Possible matches: 4
Possible matches3
CD, LP, Vinyl record album cover art
Peter Brotzmann/Friis Nielsen/UuskylaMedicina ... CD
Atavistic, 2004. Used ... Just Sold Out!
A recent recording from the trio of Peter Brotzmann, Friis Nielsen, and Peeter Uuskyla – done in a freewheeling style that really recalls the power of Brotzmann's classic work of the 70s. Brotzmann himself plays a nice range of horns that include tarogato and alto clarinet, in addition to his usual tenor, and a bit of alto – and Uuskyla's drumming is incredibly fierce, and full-on – really driving the session with a sense of urgency that's clearly heard in Brotzmann's horn. Titles include "Rocket Tango", "Justicia", "Bones & Beans", "Some Ghosts Step Out", and "Artemisia". CD
(Barcode has a cutout hole.)

Possible matches4
CD, LP, Vinyl record album cover art
Peter Brotzmann/Harry Miller/Louis MoholoOpened But Hardly Touched (180 gram pressing) ... LP
FMP/Cien Fuegos (Austria), 1980. New Copy 2LP Gatefold (reissue)... Just Sold Out!
One of the first great sessions from FMP Records in the 80s – and an album that really shows the creative growth at the label since its start! The music is played by a very hip trio – with Peter Brotzmann on e flat clarinet, tarogato, tenor, alto, and baritone – plus Harry Miller on bass and Louis Moholo on drums – both players from the British scene who really seem to help Brotzmann find this new sort of space in his music – an ear for more subtle sound textures and tones that's spun out beautifully over the course of the double-length record. We might well say that this record is as important to the later generation of FMP as Machine Gun was to the first – and regardless, it's still an essential treasure for any fan of Brotzmann, or free jazz in general. Titles include "Open But Hardly Touched", "Double Meaning", "Special Request For Malibu", and "Eine Kleine Nachmarie". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
New Peter Brotzmann/Harry Miller/Louis MoholoOpened But Hardly Touched (180 gram pressing) ... LP
FMP/Cien Fuegos (Austria), 1980. Used 2LP Gatefold (reissue)... Temporarily Out Of Stock
One of the first great sessions from FMP Records in the 80s – and an album that really shows the creative growth at the label since its start! The music is played by a very hip trio – with Peter Brotzmann on e flat clarinet, tarogato, tenor, alto, and baritone – plus Harry Miller on bass and Louis Moholo on drums – both players from the British scene who really seem to help Brotzmann find this new sort of space in his music – an ear for more subtle sound textures and tones that's spun out beautifully over the course of the double-length record. We might well say that this record is as important to the later generation of FMP as Machine Gun was to the first – and regardless, it's still an essential treasure for any fan of Brotzmann, or free jazz in general. Titles include "Open But Hardly Touched", "Double Meaning", "Special Request For Malibu", and "Eine Kleine Nachmarie". LP, Vinyl record album
Also available Opened But Hardly Touched (180 gram pressing) ... LP

Possible matches6
CD, LP, Vinyl record album cover art
New Full Blast (Peter Brotzmann)Black Hole ... CD
Atavistic, 2008. Used ... Out Of Stock
The frenzy fueled avant jazz heaviness of Peter Broetzmann – firing on all cylinders with his Full Blast trio – a measured exercise in intensity from a master! Full Blast was recorded in a couple of days in March of 08 – with Broetzmann on alto & tenor sax, plus clarinet, Marino Pliakas on electric bass, and Michael Wertmueller on the kit. Heavy duty blasts, with a some shorter numbers for fast catharsis – but a couple others that march on longer that are even more riveting. Intense stuff, but never totally overwhelming to the senses if you've been initiated to the Broetzmann style – and a pretty good entry point for adventurous sorts that are up for it! Titles include "Black Hole", "Suzy", "Ellis", "Alice", "Strings", "Atlas", "Protoneparcel", "Higgs", "Teilchencrash", "Large Hadron Collider" and "Quarks Up/Down". CD
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