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Ornette Coleman

 

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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
Ornette ColemanChange Of The Century ... LP
Atlantic, 1959. New Copy (reissue)... $9.99
Essential stuff! This is one of Ornette Coleman's greatest albums – and it was recorded during a period when he just couldn't miss! The group features Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins on drums – working here with a lively dancing sound on the kit, one that works perfectly for Ornette's jaunty compositions. The chopped-up modal groove is in full effect here – making the record a treasure trove of angular, highly rhythmic numbers that are easily some of Coleman's best-remembered tunes! Titles include the classics "Ramblin" and "Una Muy Bonita" – performed in original early versions – plus "Free", "The Face Of The Bass", "Bird Food", and "Change Of The Century". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
New Ornette ColemanNew York Is Now! (75th anniversary edition) ... LP
Blue Note, Late 60s. New Copy (reissue)... $16.99 19.99
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Ornette ColemanTomorrow Is The Question! ... LP
Contemporary/OJC, 1959. New Copy (reissue)... Early January, 2015
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on Ornette's Atlantic albums – but even so, it's still incredibly fresh, and well worth seeking out – especially as an example of the sharper edges that were bursting forth from the once-cool west coast scene! Coleman's on alto sax and Don Cherry is on trumpet – but they're not joined by their more familiar associates, and are instead working with a more conventional rhythm team that includes either Percy Heath or Red Mitchell on bass, and Shelly Manne on drums – all clearly trying to make a bit of sense of Ornette's approach here, but in a way that also creates a great sense of tension on the record! Tracks are shortish, with great solos by Ornette and Cherry – and titles include "Tomorrow Is The Question", "Endless", "Rejoicing", "Lorraine", "Turnaround", "Tears Inside", and "Giggin". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
New Ornette ColemanShape Of Jazz To Come (180 gram pressing) ... LP
Atlantic, 1959. New Copy (reissue)... Out Of Stock
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic pulse, with drums, bass, trumpet, and alto sax incredibly intertwined! Ornette's really got an edge on his instrument – cutting even more deeply here than the clipped, punctuated cornet work of Don Cherry – and the rhythm team of Charlie Haden and Billy Higgins are simply amazing – not just keeping up with the energy of Ornette, but also really helping facilitate it as well! Titles include the haunting "Lonely Woman", plus "Peace", "Chronology", and "Focus on Sanity". LP, Vinyl record album
(Incredible reissue! This one's got a Japanese-style heavy cover, beautifully-cut vinyl, and a level of packaging that's amazing!)
Also available Shape Of Jazz To Come ... CD 2.99

Exact matches5
CD, LP, Vinyl record album cover art
New Ornette ColemanOrnette Coleman Trio At The Golden Circle Vol 1 (75th Anniversary Edition) ... LP
Blue Note, 1965. New Copy (reissue)... Out Of Stock
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David Izenzon on bass and Charles Moffett on drums. Tracks are long and unbridled – with less of the rhythmic changes that you'd hear in work by the classic quartet, and more of a full-on fierce soloing mode. Titles include "Faces & Places", "Dee Dee", and "Dawn". LP, Vinyl record album
 
Possible matches: 5
Possible matches6
CD, LP, Vinyl record album cover art
Don CherryDon Cherry Live In Stockholm ... LP
Caprice (Sweden), 1968/1971. New Copy 2LP Gatefold ... $18.99 19.99
Never heard music from Don Cherry's important time in Sweden – two different live recordings that explode with righteous power right from the very first note! Cherry really took off musically during his time in Sweden – exploring rich new ideas that had never come up in his music with Ornette Coleman, nor on his own American sides as well – really organic improvisations that blended together elements of the American underground with the new European free jazz, and some deeper ethnic touches as well! The first set of work here really showcases that mixture – as it features live material from 1968 with very freewheeling work by Cherry on pocket trumpet, flutes, and piano – plus Maffy Falay on trumpet and flutes, Bernt Rosengren and Tommy Koverhult on tenor and flute, Torbjorn Hulcrantz on bass, and Leif Wennerstrom on drums. The first part of the work is more all-out improv, but the second brings in some Turkish folk melodies supplied by Falay, which makes for some nice exotic elements. These are continued on "Another Dome Session", recorded in 1971 – material that has more of the Organic Music Society mix of collaborative acoustic elements, often with strongly spiritual currents. Cherry plays pocket trumpet, flutes, and piano again – and is joined by Maffy Falay on trumpet and flute, Tommy Koverhult on flute, and Okay Temiz on drums and percussion. Great package, with lots of music and notes on this time in Cherry's life! LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Don CherryMu First Part (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $12.99
Don Cherry really breaks out here on his classic Mu sessions from France – using the new freedoms of post-68 Paris to explore themes at a level that would set the tone for generations to come! The album's very spare, and very improvised – with Cherry on pocket trumpet, piano, and wooden flute – plus a bit of percussion too – alongside drummer Ed Blackwell, who's equally unbridled – showing a huge evolution since the time both he and Don spent in the group of Ornette Coleman! There's a few echoes of the global elements that Cherry would later embrace more strongly in the 70s – but the core energy here is mostly improvised jazz, handled at a level that really makes a lot better use of the freedom than some of Don's contemporaries. First part of the sessions feature the tracks "Total Vibration", "Sun Of The East", "Brilliant Action", and "Terrestrial Beings". LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
Don CherryMu Second Part ... LP
BYG/Actuel, 1969. New Copy (reissue)... $9.99
Don Cherry really breaks out here on his classic Mu sessions from France – using the new freedoms of post-68 Paris to explore themes at a level that would set the tone for generations to come! The album's very spare, and very improvised – with Cherry on pocket trumpet, piano, and wooden flute – plus a bit of percussion too – alongside drummer Ed Blackwell, who's equally unbridled – showing a huge evolution since the time both he and Don spent in the group of Ornette Coleman! There's a few echoes of the global elements that Cherry would later embrace more strongly in the 70s – but the core energy here is mostly improvised jazz, handled at a level that really makes a lot better use of the freedom than some of Don's contemporaries. Titles on this second part include "Bamboo Night", "The Mysticism Of My Sound", "Psycho Drama", "Smiling Faces Going Places", "Teo Teo Can", and "Dollar Brand/Spontaneous Composing/Exert Man On The Moon". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
New Joe HarriottFree Form (180 gram pressing with bonus CD) ... LP
Jazzland/Doxy (Germany), 1961. New Copy LP & CD (reissue)... $26.99
Essential! This is the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of tracks that prove that Harriott was advancing the jazz avant garde in England as much as players like Ornette Coleman and Cecil Taylor were advancing it in America. Despite the "free form" of the title, the tracks are more "new thing" – somewhat structured, with a rhythmic approach that's still a little straight, but solos that go nice and outside. Joe's overall conception is a beautiful mix of angular thinking with freely expressed soulful emotion – and the record's one that ranks up there with the 10 most groundbreaking of the 60s! The group's about as fantastic as you could ever expect from England at the time – with Shake Keane on trumpet, Pat Smythe on piano, Coleridge Goode on bass, and Phil Seamen on drums – and titles include "Formation", "Coda", "Abstract", "Straight Lines", and "Impression". LP, Vinyl record album
(LP comes with bonus CD version of the full album.)

Possible matches10
CD, LP, Vinyl record album cover art
Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... Just Sold Out!
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album
 
 
 



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