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Bits of jazz and bits of soul, perfectly folded together with a raspy brilliance that really grabs our attention – a subtle depth of singing that almost takes us back to Nina Simone at times, but which also has some leaner 21s Century styles that are mighty nice too! Malia's vocals alone are plenty great – but the album's also got these great gentle instrumentations – bits of vibes, organ, guitar, and drums – used in simple ways that almost have a Brownswood Recordings sort of vibe – as if this record were a female equivalent to Jose James' great work for that label! Titles include loads of Nina Simone numbers – and tracks include "Four Women", "If You Go Away", "Don't Explain", "Baltimore", "Feeling Good", "Wild Is The Wind", and "Marriage Is For Old Folks".

Sweet funky jazz from pianist Gene Russell – one of the hippest albums he ever recorded! Russell's a pianist with a wonderfully fluid touch – used here to near perfection in a small combo date that really stands out from most of his other albums – just the kind of effort we'd have to expect at the time, given that Gene was the head of the Black Jazz label! The sound is acoustic, but has a definite sense of electricity to Russell's phrasing on the piano – a bit like work from Vince Guaraldi from the time, when he was shifting between acoustic and electric – as if the latter instrument held on and helped shape the acoustic sound. The rest of the group features Henry Franklin on bass, Steve Glover on drums, and Tony William on congas – and the groove is kind of a soulful extrapolation of a core piano trio vibe – 60s soul jazz taken to hipper 70s territory. Titles include a great cover of "Listen Here", plus "Black Orchid", "Hitting the Jug", "Making Bread", and a version of "Silver's Serenade".

The third album by Black Sabbath – the album that put the heavy in metal – one of the most influential rock albums of all time and a record that finds Sabbath at absolute peak perfection! This is the one that set the Sabbath style in stone, honing in the the heavy riffs, thundering drums and eerie mood perfectly. Includes the ultra classics "Sweet Leaf" and "Children Of The Grave", plus "After Forever", "Lord Of This World", "Solitude", "Into The Void" and the instrumentals "Embryo" and "Orchid".

Back to back gems from Martin Denny – two albums on a single CD! Taste Of Honey is a great later moment from Martin Denny – a set that gave him a big 60s hit in a sweet version of "Taste of Honey"! Denny approaches the tune with all the great mellow moods that Bobby Scott intended – none of the too-fast styles of Hirt, and instead the slow-moving rhythms that work perfectly for the blue undercurrents on the piano. Other tunes follow in a similarly nice blend – still a bit exotic, but almost showing more of a vibes/piano/percussion mix that seems to be borrowed from George Shearing or Cal Tjader – one that we approve of highly! Titles include "Route 66", "Exodus", "I'm In A Dancing Mood", "Black Orchid", "Take Five", and "Taste Of Honey". The second albums is a sweet follow up to Martin Denny's Taste Of Honey album – one that's got a great blend of piano, vibes, and percussion – all used in a way that's almost more jazz-like than some of Denny's earlier work! The formula works great to transform a host of 50s and 60s tunes – and titles include "Volare", "Cool", "Bijou", "Harlem Nocturne", "Satin Doll", "Anniversary Song", "Like Young", "Blue Carousel", and "Theme From The Manchurian Candidate".

Very high concept work from Stevie Wonder! The record is, in fact, about the "secret life of plants" – partially used as a soundtrack for a film of the same name, but also acting as kind of a storybook in itself! Stevie's exploring a wide range of plant life and plant themes on the set – often in a way that has his keyboards taking center stage in little symphonies of soul that unfold like the petals of a flower in the morning sun – and which stand out as quite different from some of his vocal work, marking him as a talented electronic musician in his own right. Many tracks do have lyrics, too – often with themes of growing, seeding, and other garden metaphors that are easily translated to the human experience. Titles include "Secret Life Of Plants", "Outside My Window", "A Seed's A Star", "Race Babbling", "Black Orchid", "Send One Your Love", "Tree", "Come Back As A Flower", and "Ai No Sono".

John, aka Johnny Frigo, who's best known to our set for the rare dynamite jazz dance sides he recorded later on, and to the jazz world at large for his work as a bassist, leads a small group on this rare, early full length for Mercury as as a leader on his first instrument – the violin! It's a pretty sweet set, and really not at all the token late 50s swing set you'd expect from the title, and owes as much or more to the bop scene at the time. Frigo's lead violin gives the tunes kind of a cinematic sweep – and he's accompanied by Dick Marx on piano, Ray Brown on bass, Norm Jeffries on drums and others. Tracks include "What A Difference A Day Made", "Polka Dots And Moon Beams", "Blue Orchids", "Moonlight In Vermont", "Is Love Good To Me" and more.