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Search: Noah Howard

CDs (1) new/usedLPs (1) new/usedMagazines (1)All (3)

Exact matches: 1
Add to Cartsearch match 1.  
cover art  
Cadence — Vol 24, No 1 – January 1998 – Noah Howard & Ernst Reijseger ... Magazine
Downbeat, 1998. Very Good .... $0.99
(Small address label on back of magazine.)
 
Possible matches: 2
search match 2.  
cover art  
new Various — Freedom Jazz France – Spiritual Jazz From The Hexagon 1968 to 1986 ... CD
Heavenly Sweetness (France), Late 60s/1970s/1980s. New Copy Gatefold .... $16.99 Temporarily Out Of Stock
One of the hippest, deepest collections of European jazz we've ever heard – a really wonderful set that opens up a whole new side of the French scene of the 60s, 70s, and 80s – filled with music that we've never heard before! Unlike other sets of this nature, which focus on American players overseas – this one is filled with homegrown talent, often working in styles that echo the spiritual and modal sounds of the US underground of the post-Coltrane years – very rich in feeling and righteous in message – freely expressive, but never going too far out to lose their groove! We know some artists here, but not from these recordings – and others are pulled from the kind of totally obscure French albums you'd only find after years of digging around in Paris flea markets. Titles include "Colchiques" by Eddy Louiss, "Doorstep" by Octet De Dreux, "Notes So High" by Stella Levitt, "Ricardo" by Michel Roques, "La Musique D'Orphee" by Chene Noir, "Le Musichien" by Francois Tusques, "Creole Girl" by Noah Howard, "Israel Suite" by Rupture, and "Lido" by Les Prospections.

search match 3.  
cover art  
new Various — Freedom Jazz France – Spiritual Jazz From The Hexagon 1968 to 1986 ... LP
Heavenly Sweetness (France), Late 60s/1970s/1980s. New Copy 2LP Gatefold .... $22.99 Out Of Stock
One of the hippest, deepest collections of European jazz we've ever heard – a really wonderful set that opens up a whole new side of the French scene of the 60s, 70s, and 80s – filled with music that we've never heard before! Unlike other sets of this nature, which focus on American players overseas – this one is filled with homegrown talent, often working in styles that echo the spiritual and modal sounds of the US underground of the post-Coltrane years – very rich in feeling and righteous in message – freely expressive, but never going too far out to lose their groove! We know some artists here, but not from these recordings – and others are pulled from the kind of totally obscure French albums you'd only find after years of digging around in Paris flea markets. Titles include "Colchiques" by Eddy Louiss, "Doorstep" by Octet De Dreux, "Notes So High" by Stella Levitt, "Ricardo" by Michel Roques, "La Musique D'Orphee" by Chene Noir, "Le Musichien" by Francois Tusques, "Creole Girl" by Noah Howard, "Israel Suite" by Rupture, and "Lido" by Les Prospections.
 
 
 
 

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