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Amazing music from Mali – quite different than most other albums we've heard from that scene in the 70s – with wonderful reed work that really lives up to the "jazz" in the group's name! The sound is bold and righteous, but with an other-worldly vibe too – a really haunting quality that grabs us like some of the most evocative Ethiopian sounds of the 70s! At some level, there's definitely a Mali touch going on in the music – some very tripped-out elements in the production, and a way of wrapping things together with an undercurrent of melancholy. Yet there's also a really unique feel to the record too – a sense of complication that moves way beyond the obvious, while still managing to groove in the process – albeit with kind of a droning quality. Titles include "Wale", "Apolo", "Leli", "Teiduma", and "Dina Waliji".

Sublime sounds from the scene in 70s Mali – music that's an amazing hybrid of styles, and which has made this album a collector's treasure for years! There's echoes of familiar Mali modes in the music – especially in the group's use of blue notes – both in the guitar lines, and in the way the rhythms descend deeply – but there's other more exotic elements at play too – especially in the snakey reed lines, which are especially amazing – and almost feel like echoes of 70s Ethiopian music at times! The whole record's got a really unique quality – a blend of modern and traditional styles that's unlike anything else we've ever heard. Titles include "Siseni", "Yere Jabo", "Taasi Doni", "Nyeleni", "Malamini", and "Saajuru".

Sublime sounds from the scene in 70s Mali – music that's an amazing hybrid of styles, and which has made this album a collector's treasure for years! There's echoes of familiar Mali modes in the music – especially in the group's use of blue notes – both in the guitar lines, and in the way the rhythms descend deeply – but there's other more exotic elements at play too – especially in the snakey reed lines, which are especially amazing – and almost feel like echoes of 70s Ethiopian music at times! The whole record's got a really unique quality – a blend of modern and traditional styles that's unlike anything else we've ever heard. Titles include "Siseni", "Yere Jabo", "Taasi Doni", "Nyeleni", "Malamini", and "Saajuru".

Amazing music from Mali – quite different than most other albums we've heard from that scene in the 70s – with wonderful reed work that really lives up to the "jazz" in the group's name! The sound is bold and righteous, but with an other-worldly vibe too – a really haunting quality that grabs us like some of the most evocative Ethiopian sounds of the 70s! At some level, there's definitely a Mali touch going on in the music – some very tripped-out elements in the production, and a way of wrapping things together with an undercurrent of melancholy. Yet there's also a really unique feel to the record too – a sense of complication that moves way beyond the obvious, while still managing to groove in the process – albeit with kind of a droning quality. Titles include "Wale", "Apolo", "Leli", "Teiduma", and "Dina Waliji".

One of the greatest groups in Mali during the 70s – a legendary ensemble with a really other-worldly sound! Super Biton De Segou have a way of folding together their horns with their grooves that's really mindblowing – taking all the sharp edges and exotic flavors of the reeds, and having them step in line beautifully with the haunting rhythms of the tunes – often very elliptical and hypnotic, with a quality that's not unlike some of the Ethio grooves of the time – but definitely with the rootsier feel you'd expect in music from Mali! Vocals are every bit as well integrated as the horns – and titles include "So Karafe", "Siseni", "Malamini", "Nyangaran Foli", "Yere Jabo", "Alioune Sissoko", and "Taasi Doni".

Really amazing music from this very unique group – a Malian ensemble who mix together elements of Dogon roots with 70s electric touches! At the core, the sound here is very rootsy – lots of percussion and quick stringed instruments – played in cyclical rhythms that are extremely hypnotic. Yet there's also some weird production on the guitar and organ that space things out nicely – never too trippy, but with a slightly cosmic undercurrent that lifts the music up into space – giving things a slightly ethereal quality, even when grooving! Titles include "Kanaga", "Gambari", "Sory Bamba", "Sare Mabo", "N'Do N'Do", and "Kulukutu".