All Categories — LPs  

Titles include "Talking Of The End", "Cosmic Boy", "Adam & Eve", and "Here Till Here Is There".

Instrumental versions of tracks from First Born – including "A Murder Of Memories", "Big Shots", "Liquid Sovereignty", "Music Music", "Read Wiped In Blue", "Void (Internal Theory)", "Void (External Theory)", "On This I Stand", "Before And After", "The Dive" parts 1 & 2, and more.

Soaring piano work from the great Paul Smith – a player who's working here with a much more vibrant sound than on some of his Capitol sides of the 50s! Smith's got a much harder approach to the keys than during his "liquid sounds" years – one that's possibly a bit influenced by some of Oscar Peterson's most successful trio sides for Verve in the early 60s, but which still retains most of Smith's sense of lyricism and flowing energy. The trio features Wilfred Middlebrooks on bass and Frank Capp on drums – and titles include "Fly Me To The Moon", "That's All", "How About You", "Laura", "What Kind Of Fool Am I", "Satin Doll", and "I Left My Heart In San Francisco".

A rare set from pianist Paul Smith – recorded after his classic 50s work on Capitol, and with a much more open-ended feel! The set features work written for the musical Saratoga – but Smith and his trio perform the tunes with a really fluid (liquid?) sort of approach – one that really relies heavily on Paul's lyrical work on the keys, but which gets some nice support from Jack Sperling on drums and Rolly Bundock on bass. Titles include "Petticoat High", "Saratoga", "Love Held Lightly", "The Man In My Life", "Dog Eat Dog", and "You For Me".

A key album in the Isley Brothers "extended funk" mode of the 70s – a style in which the group approached nearly every tune by adding in a "part 2" in order to stretch out the groove! The style here is bass-heavy funk, but less of the sort that other groups were using at the time – because the Isleys still bring in plenty of soul to the mix, and resist popping the bass too much so that they still have plenty of space for the slinky vocals that always make their work so great. Most of the titles on the album have this extended approach, and titles include "I Wanna Be With You (parts 1 & 2)", "Liquid Love (parts 1 & 2)", "Winner Takes All", "Love Comes & Goes (parts 1 & 2)", "Let's Fall In Love (parts 1 & 2)", "Let Me In Your Life (parts 1 & 2)", "Life In The City (parts 1 & 2)", "Go For What You Know", and "Mind Over Matter (parts 1 & 2)".

Double vinyl collection with 14 tracks of the best of the RZA productions from 1993-95, reminding us just how dope RZA and the rest of the Wu-Tang were back then. Each side starts out with spoken Wu-history lesson from RZA. Includes RZA "Wu-Wear" (non-lp track), GZA "Liquid Swords", Method Man "Method Man", "Bring The Pain", "All I Need", Raekwon "Incarcerated Scarfaces", "Ice Cream", Ghostface "Winter Warz", "All I Got Is You", Ol Dirty Bastard "Shimmy Shimmy Ya", "Brooklyn Zoo", Wu-Tang Clan "Ain't Nuthing Ta F' With", "Protect Ya Neck", "C.R.E.A.M."

Tracks include "Wonderful World, Beautiful People", "Viet Nam", "Time Will Tell", "I'm Gonna Use What I Got To Get What I Need", "Sitting In Limbo", "Many Rivers To Cross", "Wild World", "Come Into My Life", and "My Ancestors" by Jimmy Cliff; "Pied Piper", "Save Me", "One Woman", and "Cousin Of Mine" by Bob & Marcia; "Black & White", "Moon River", and "I've Been Trying" by Greyhound; "Smoke Gets In Your Eyes", "Unchained Melody", "You'll Never Walk Alone", and "Here Today, Gone Tommorrow" by Blue Haze; "Liquidator" by The Harry J All Stars; and "La La Always Stay" by Glen & Dave.