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Smoking soul from the mighty Lee Fields – and a set that really has him getting back to his roots, as well! The record's billed as a follow-up to the previous My World – but it's got a style that's much more deep soul, much more southern-tinged than that great record – a beautiful indication of Lee's rich legacy in soul music – which stretches back decades, with rare releases on small indie labels! Yet the sound here is much stronger than Fields ever got back in the day – thanks to help from The Expressions, and some sublime Truth & Soul production – a combination that really has the record feeling as if it were recorded for Atlantic at Muscle Shoals at the end of the 60s. Lee's vocals really rise to the setting, and may well be some of his best in years – and that's saying a hell of a lot, given how great he always is! A stone home run throughout – with titles that include "Faithful Man", "Wish You Were Here", "Moonlight Mile", "Walk On Thru That Door", "Still Hanging On", "You're The Kind Of Girl", and "I Still Got It".

The instrumentals for the smoking soul set by the mighty Lee Fields! The record's billed as a follow-up to the previous My World – but it's got a style that's much more deep soul, much more southern-tinged than that great record – a beautiful indication of Lee's rich legacy in soul music – which stretches back decades, with rare releases on small indie labels! Yet the sound here is much stronger than Fields ever got back in the day – thanks to help from The Expressions, and some sublime Truth & Soul production – a combination that really has the record feeling as if it were recorded for Atlantic at Muscle Shoals at the end of the 60s. A stone home run throughout – with titles that include "Faithful Man", "Wish You Were Here", "Moonlight Mile", "Walk On Thru That Door", "Still Hanging On", "You're The Kind Of Girl", and "I Still Got It".

Early early work from Lee Fields – a set originally issued at the end of the 70s, but with a raw funky power that's much more like music from a decade before! The set was a real anomaly at the time, and was passed over for years – but through the decades, it's earned Lee legendary status as one of the few cats who were keeping things hard and funky when the rest of the country was going disco – a reputation that's definitely held up strongly by the gritty tracks in the set! There's a strong echo of southern soul in the music – again the feel of something from years before – and the raw production only seems to make the whole thing sound even better – with an edge that's even different than Fields' better-known work of recent years. The album was done for the tiny Angle 3 label – a company so small that it opted for one of the "stock" images that was given the album by the pressing plant, which gave the album a very unspectacular cover – corrected on this deluxe reissue by the great cover image here. This reissue also features loads of bonus tracks too – other rare Lee Fields singles from over the years – making the package a true testament to his pre-revival genius! Album tracks include "Everybody Gonna Give Their Thing Away (parts 1 & 2)", "Flim Flam", "Wanna Dance", "She's A Lovemaker", "Mighty Mighty Love", and "Let's Talk It Over". Bonus tracks include "Fought For Survival", "Funky Screw", "The Bull Is Coming", "Take Me Back", "You Been Cutting Out On Me", and "Bewildered".

Tight!! Lee Fields, one of the great criminally under appreciated funky geniuses of the 70s is back with another pounding, raw funk classic that still finds the man at the peak of his powers, decades after he first made mark on the funk landscape! This is Lee's first full length effort for Soul Fire, a label that we all know goes to painstaking lengths to carefully carry the torch lit by the People Records scene in the 70s into the future, and it's great to see a titan like Lee do amazing work for a great label that does it purely for the love! Lee is absolutely on fire on all 10 of these tracks, with a Godfather like delivery that knocks us out of our chairs every time, whether it's that fiery funk howl that we love so much, or a smooth, soulful glide on the occasional ballad. He's backed up by a bona fide funky orchestra at Soul Fire Studios that includes TONS of hot drums, propulsive percussion, and some driving conga work that steers things into an afro funk groove on several of the tunes. The group MVP, other than Lee himself, could be multi instrumentalist Leon Michels, whose work on flute, keys, tenor and baritone sax, as well guitar and bass not only helps keep the classic 70s feel going, but keeps things crackling at breakneck speed. This isn't newfangled funk revival, this is the real deal from one of the originators – a 33-minute funk maelstrom that will knock you right out of your chair, and have you restarting it the second it ends! Includes "Problems", "The Right Thing", "Rapping With Lee", "I Don't Know Where I'm Going", and "Honey Dove". Oh, if only all of our heroes remained this vital!

One of the best new soul records we've heard in years – a tremendous accomplishment for the mighty Lee Fields, and a set that's quite different than any of his other work! We've always loved Lee's funk and deep soul sides, but this album's something new altogether – almost done in the hard-edge, downtempo mode of the east coast harmony scene of the late 60s and early 70s – like some of the best group soul work coming out of New Jersey or Philly, with some super-dope production and instrumentation that's really amazing! The grooves follow strongly in the same laidback style as recent El Michels work – no surprise, given the El Michels connection to the music – with beats that are hard, but slow – and instrumentation that's funky, but in a mellow sort of way. Lee's vocals are as deep as ever – very much trained in the James Brown tradition, but turned here towards a really unique groove that makes us completely reevaluate his talents – an amazing achievement not just for Fields, but also for the whole Truth & Soul/El Michels crew! An instant classic – with tracks that include "My World", "Ladies", "Expressions Theme", "Honey Dove", "Money I$ King", "Love Comes & Goes", "Do You Love Me", and "Last Ride".

One of the funkiest records we've heard from Lee Fields in years – and most of his records are already pretty darn funky! This one's got a very different approach than some of Lee's recent deep funk sides – a more electric, 70s-styled slow funk groove – one that begins with great slow-stepping drums that burn with a nice southern soul undercurrent – topped off by warm keyboards and horn bits, all grooving at a laidback groove that's really outta site! "Honey Dove" is also incredible – and begins with a super-dope guitar bit that just snakes out at a really slow, slinky pace – setting things up for the mellow funky drums, and Lee's total soul vocal part!

Smoking soul from the mighty Lee Fields – and a set that really has him getting back to his roots, as well! The record's billed as a follow-up to the previous My World – but it's got a style that's much more deep soul, much more southern-tinged than that great record – a beautiful indication of Lee's rich legacy in soul music – which stretches back decades, with rare releases on small indie labels! Yet the sound here is much stronger than Fields ever got back in the day – thanks to help from The Expressions, and some sublime Truth & Soul production – a combination that really has the record feeling as if it were recorded for Atlantic at Muscle Shoals at the end of the 60s. Lee's vocals really rise to the setting, and may well be some of his best in years – and that's saying a hell of a lot, given how great he always is! A stone home run throughout – with titles that include "Faithful Man", "Wish You Were Here", "Moonlight Mile", "Walk On Thru That Door", "Still Hanging On", "You're The Kind Of Girl", and "I Still Got It".

Early early work from Lee Fields – a set originally issued at the end of the 70s, but with a raw funky power that's much more like music from a decade before! The set was a real anomaly at the time, and was passed over for years – but through the decades, it's earned Lee legendary status as one of the few cats who were keeping things hard and funky when the rest of the country was going disco – a reputation that's definitely held up strongly by the gritty tracks in the set! There's a strong echo of southern soul in the music – again the feel of something from years before – and the raw production only seems to make the whole thing sound even better – with an edge that's even different than Fields' better-known work of recent years. The album was done for the tiny Angle 3 label – a company so small that it opted for one of the "stock" images that was given the album by the pressing plant, which gave the album a very unspectacular cover – corrected on this deluxe reissue by the great cover image here. This reissue also features loads of bonus tracks too – other rare Lee Fields singles from over the years – making the package a true testament to his pre-revival genius! Album tracks include "Everybody Gonna Give Their Thing Away (parts 1 & 2)", "Flim Flam", "Wanna Dance", "She's A Lovemaker", "Mighty Mighty Love", and "Let's Talk It Over". Bonus tracks include "Fought For Survival", "Funky Screw", "The Bull Is Coming", "Take Me Back", "You Been Cutting Out On Me", and "Bewildered".

The title track to the sublime late career treasure by Lee Fields and his Expressions – which happens to be one of the greatest songs he's ever recorded, in our opinion – plus a vital, stripped-down version on the flip! "Faithful Man" packs in just about everything we love most about Lee's Truth & Soul recordings into about a 4 minute package. It's got a perfect, southern soul-tinged funky arrangement with killer horns, backing up Lee's achingly soulful lead vocals and female backup. Speaking of vocals – the flipside is stripped to the barest of essentials – little more than chugging guitar groove and acoustic bass – with vocal accompaniment by classic doo-wop group The Del-Larks. Amazing!

Killer instrumentals from the My World album by Lee Fields – a set that features none of Lee's vocals at all – just some great slow funk grooves by The Expressions! The vibe here is wonderful – even without Fields on deck – and in a way, leaving the vocals off unlocks a whole new side of the album's brilliance – showing the kind of roots the group hits with their music. The Expressions features the mighty Leon Michels on sax, bass, guitar, and keyboards – and overall, there's plenty of El Michels' elements in the music – slow, snakey rhythms – a slight dash of southern funk – and a great way of staying mellow and laidback, yet still funky and soulful too! Titles include "Money Is King", "My World Is Empty", "Love Comes & Goes", "Do You Love Me", "These Moments", and "Ladies".

One of the greatest tunes we've ever heard from Lee Fields – a super-mellow bit of funk that's more like Marvin Gaye than some of his previous James Brown-styled tunes! The track's got a great laidback groove – vibes, snapping drums, and just a bit of strings – all couched perfectly with a gently funky undercurrent – almost like a cut from a lost 70s soundtrack. Lee's vocals are still as soulful as ever – sweet, but with a slight rasp that keeps things real, and which underscores the hip lyrics of the tune. "Love Comes & Goes" is great too – almost a New Jersey harmony track from the early 70s – very slow, but funky nonetheless!

Early early work from Lee Fields – a set originally issued at the end of the 70s, but with a raw funky power that's much more like music from a decade before! The set was a real anomaly at the time, and was passed over for years – but through the decades, it's earned Lee legendary status as one of the few cats who were keeping things hard and funky when the rest of the country was going disco – a reputation that's definitely held up strongly by the gritty tracks in the set! There's a strong echo of southern soul in the music – again the feel of something from years before – and the raw production only seems to make the whole thing sound even better – with an edge that's even different than Fields' better-known work of recent years. The album was done for the tiny Angle 3 label – a company so small that it opted for one of the "stock" images that was given the album by the pressing plant, which gave the album a very unspectacular cover – corrected on this deluxe reissue by the great cover image here. This reissue also features loads of bonus tracks too – other rare Lee Fields singles from over the years – making the package a true testament to his pre-revival genius! Album tracks include "Everybody Gonna Give Their Thing Away (parts 1 & 2)", "Flim Flam", "Wanna Dance", "She's A Lovemaker", "Mighty Mighty Love", and "Let's Talk It Over". Bonus tracks include "Fought For Survival", "Funky Screw", "The Bull Is Coming", "Take Me Back", "You Been Cutting Out On Me", and "Bewildered".

Tight!! Lee Fields, one of the great criminally under appreciated funky geniuses of the 70s is back with another pounding, raw funk classic that still finds the man at the peak of his powers, decades after he first made mark on the funk landscape! This is Lee's first full length effort for Soul Fire, a label that we all know goes to painstaking lengths to carefully carry the torch lit by the People Records scene in the 70s into the future, and it's great to see a titan like Lee do amazing work for a great label that does it purely for the love! Lee is absolutely on fire on all 10 of these tracks, with a Godfather like delivery that knocks us out of our chairs every time, whether it's that fiery funk howl that we love so much, or a smooth, soulful glide on the occasional ballad. He's backed up by a bona fide funky orchestra at Soul Fire Studios that includes TONS of hot drums, propulsive percussion, and some driving conga work that steers things into an afro funk groove on several of the tunes. The group MVP, other than Lee himself, could be multi instrumentalist Leon Michels, whose work on flute, keys, tenor and baritone sax, as well guitar and bass not only helps keep the classic 70s feel going, but keeps things crackling at breakneck speed. This isn't newfangled funk revival, this is the real deal from one of the originators – a 33-minute funk maelstrom that will knock you right out of your chair, and have you restarting it the second it ends! Includes "Problems", "The Right Thing", "Rapping With Lee", "I Don't Know Where I'm Going", and "Honey Dove". Oh, if only all of our heroes remained this vital!

The first taste of the Faithful Man album from Lee Fields & The Expressions – a living oracle of deep soul and at the very peak of skills in 2012 – seriously, the man and the band are completely incredible here! "You're The Kind Of Girl" gives us what we need from Lee – achingly soulful vocals dripping with experience and emotion and with a classic groove – but the Lee and band up the ante with some of the richest Truth & Soul production we've heard to date! There's some laidback psych soul touches in the guitar, some strings soar over the chorus, the horns have a unique style and keys are just as sweet. "It's All Over But The Crying" isn't a weepy as you might think, with Lee singing the tale of emotional demise. Later high points in a legendary life in soul!

One of the best new soul records we've heard in years – a tremendous accomplishment for the mighty Lee Fields, and a set that's quite different than any of his other work! We've always loved Lee's funk and deep soul sides, but this album's something new altogether – almost done in the hard-edge, downtempo mode of the east coast harmony scene of the late 60s and early 70s – like some of the best group soul work coming out of New Jersey or Philly, with some super-dope production and instrumentation that's really amazing! The grooves follow strongly in the same laidback style as recent El Michels work – no surprise, given the El Michels connection to the music – with beats that are hard, but slow – and instrumentation that's funky, but in a mellow sort of way. Lee's vocals are as deep as ever – very much trained in the James Brown tradition, but turned here towards a really unique groove that makes us completely reevaluate his talents – an amazing achievement not just for Fields, but also for the whole Truth & Soul/El Michels crew! An instant classic – with tracks that include "My World", "Ladies", "Expressions Theme", "Honey Dove", "Money I$ King", "Love Comes & Goes", "Do You Love Me", and "Last Ride".

A great second single from UK singer Liam Bailey – and 2 great songs produced masterfully by Leon Michels and Jeff Silverman for Truth & Soul! "Please Love Me" yearns as sweetly as you'd expect from the title, with some falsetto vocals by Liam over some fairly tight drums and an insistent rhythm – sweetened nicely by some easygoing strings – a bit in the mode of their contemporaneous productions for Lee Fields. The flip has a great stripped down vibe of echoey guitar, drums and and a bit of organ. Great stuff!

A great lost album from James Brown – and totally funky! The record's got a super-hip cover that shows James standing in a blue room with three fine foxy ladies, and the words "I Can't Stand Myself When You Touch Me" are emblazoned across the top – and the whole thing's as super funky as it looks! The record features many obscure King singles from the mid and late 60s, great little tunes that we always enjoy on funky 45s, and which are sewn together into one of the rawer James Brown LPs from the decade. James and the band are playing Vox instruments – as you can tell by the shameless ad on the back cover – and the record has a garagey funk sound that reminds us of the best Desco work by artists like Lee Fields & Joseph Henry. A prize in any funk collection – and with the cuts "The Soul Of JB", "I Can't Stand Myself When You Touch Me (parts 1 & 2)", "Get It Together (parts 1 & 2)", "Funky Soul #1", "Why Did You Take Your Love From Me", and "Baby Baby Baby Baby". Also features the funky hit "There Was A Time" – always a treat!

An amazing full length collection of work from Rickey Calloway – an artist we've really only known from individual singles, but one who packs a hell of a punch in the space of this rock-solid CD! Rickey's groove is right out of the James Brown camp of the glory days – tight tight tight instrumentation, filled with lots of riffing grooves that are right on the beat – topped with Rickey's amazing vocals, which feel like they're lifted from some obscure funky 45s from back in the day! Production is nice and raw on most numbers and there's a few mellower deep soul tracks which help round out the sound wonderfully – giving the set the full scope you might normally expect to hear from Lee Fields. The packaging on this one's a bit slim, but the music's totally great – and the set features 16 killer cuts that include "Tell Me", "Lose It", "Shed A Tear", "Groove Master", "Get The Groove", "That's The Way", "Paying My Dues", "Get It Right", "A Letter", "I'm In Love", and "The Feeling".

The long-anticipated second album from Sharon Jones & The Dap Kings is a stunner – undoubtedly stronger than the group's fantastic debut – and a record that not only transcends the late model funk revival genre, but stands on footing as solid as the best hard funky soul of the late 60s and early 70s! If you're expecting a rehash of the heavy funk jams that burned on the Dap Dippin' album you won't be disappointed, but get ready for a deep, natural (hence the title) soulfulness that not only caught us off guard, but really forms the big, hard-beating heart of the album. The frothing, frenetic funk is as tight as ever, and in spots just as furious, but the attention to songcraft this time out is just as searing and indelible. The eight piece Dap Kings continue to be the best band in the land – with El Michels on baritone sax, Neal Sugarman on tenor, Homer Steinweiss on drums, not-so-secret weapon Bosco Mann on bass, vibes and piano. Guest appearances include fellow Daptone powerhouse vocalist Lee Fields on the the duet "Stranded In Your Love", and strings courtesy of the Bushwick Philharmonic, but make no mistake, this is the band's album. Amazing stuff from in indispensable group – an album that'll keep spinning in our circles for as many years as the great albums by the gritty soul forefathers do! Tracks include "How Do I Let A Good Man Down?", "Natural Born Lover", "My Man Is A Mean Man", a soulful reading of Woodie Guthrie's "This Land Is Your Land", "Your Thing Is A Drag", "Fish In A Dish" and "All Over Again".

One of the last great funk albums from King Records! People Are Together was cut in the early 70s, but it's done with a crackling sharp sound that's very much in the mode of the best late 60s James Brown albums for the label! Mickey Murray is from Augusta, GA – James Brown's hometown – and his approach is similar to James' at times, but it's also got more of a southern funk groove too – a bit like the great combination you'll hear in Lee Fields' music, which is a perfect fit for the album's raw, rootsy production! The record includes a great funky cut called "The Buzzard", plus other nice ones like "Explosive Population", "People Are Together", "Going Back To Alabama", "Fat Gal", and "I Wanna See My Baby".

One of the last great funk albums from King Records – a set recorded in the early 70s, but done with a crackling sharp sound that's like the best late 60s James Brown albums for the label! Mickey Murray is from Augusta, GA – James Brown's hometown – and his approach is similar to James' at times, but it's also got more of a southern funk groove too – a bit like the great combination you'll hear in Lee Fields' music, which is a perfect fit for the album's raw, rootsy production! The record includes a great funky cut called "The Buzzard", plus other nice ones like "Explosive Population", "People Are Together", "Going Back To Alabama", "Fat Gal", and "I Wanna See My Baby".

A killer compilation of Daptone Gold – a funky and soulful collection that's a perfect snapshot of the sounds coming out of Daptone's House Of Soul recording studios in the aughties! The Daptone sound spins from a tight community of players with the deepest love and respect for the classic, be it funky instrumentals, gritty raw soul, with bits of Afrobeat and more. Daptone Gold includes some standard bearing label classics, rarities and previously unreleased tracks – incredible stuff from Binky Griptite, The Budos Band, Sharon Jones & The Dap-Kings, Lee Fields, Menahan Streetband, Naomi Shelton & The Gospel Queens and Antibalas. 23 tracks in all: a funky introduction and more from Binky Griptite, "Could Have Been" by Lee Fields, "Che Che Cole Makosa" by Antibalas feat Mayra Vega, "Nervous Like Me" by the Dap-Kings, "I Need You To Hold My Hand" Cynthia Langston & The Gospel Queens, "Stranded In Your Love" by Sharon Jones & Lee Fields and more. Incredible stuff, and a totally essential overview if this your first Daptone Purchase or fiftieth!

Some of the best funky singles of recent years released on one CD! The Soul Fire label is probably the most dedicated flag waver around for the classic funk sound – producing limited edition funky 45s by classic artists and newbies working in a classic mode – artists like Sugarman Three, Lee Fields, and Detroit Sex Machines. Many of the singles are now out of print on vinyl forever – and they are collected here, and on Grazing In The Trash Volume 1, with both the a & b sides! Titles include "Don't Think. . .Do" and "Get Up In Your Hot Pants" by Bama & The Family, "Soul Dig Part 1" and "Soul Dig Part 2" by Soul Diggers, "Solid Funk" and "Funky Moon" by Sugarman Three, "Soul Dynamite" and "Ain't It Funky Now" by Lee Fields & The Explorers, "Funky Crawl" and "Rap It Together" by Detroit Sex Machines, "Get Down" and "Moon Mission" by Joseph Henry & The Soul Command, and "In The Raw" and "The Bastard" by Whitefield Brothers.

Rare gems from the funky 45 underground of the late 60s and early 70s – and maybe the most smoking volume in this all-great series so far! The sound is hard and heavy right from the start – very much in the best mode of the funky 45 reissues we've been hearing from Tramp in recent years – right up there with the deepest funk you'd get from labels like Ace/Kent or Jazzman on their best compilations! And although other volumes have all been great, there's a special sort of magic this time around – an edge that really shows the evolution of Tramp's ear for picking a groove – and deep notes that also show their growing knowledge of the most obscure cuts from back in the day. We can guarantee there's plenty here you don't already have in your record collection – and titles include "Funky Screw" by Lee Fields, "Soul Chicken" by Bobby Allen & The Exceptions, "Ease It On In" by Sunrize, "Deepest Sympathy" by Theodis Ealey, "Tend To Your Business (parts 1 & 2)" by Wildfire, "Pat's Rubber Band" by Alley Pat, "Puttin It On Your Mind" by Jimmy Ellis, "Nobody Loves Me Like My Baby" by Jimmy Gilford, "99/44 100 Pure Love" by Al Reed, and "Monkey In A Sack" by Lil Buck & The Top Cats.

Rare gems from the funky 45 underground of the late 60s and early 70s – and maybe the most smoking volume in this all-great series so far! The sound is hard and heavy right from the start – very much in the best mode of the funky 45 reissues we've been hearing from Tramp in recent years – right up there with the deepest funk you'd get from labels like Ace/Kent or Jazzman on their best compilations! And although other volumes have all been great, there's a special sort of magic this time around – an edge that really shows the evolution of Tramp's ear for picking a groove – and deep notes that also show their growing knowledge of the most obscure cuts from back in the day. We can guarantee there's plenty here you don't already have in your record collection – and titles include "Funky Screw" by Lee Fields, "Soul Chicken" by Bobby Allen & The Exceptions, "Ease It On In" by Sunrize, "Deepest Sympathy" by Theodis Ealey, "Tend To Your Business (parts 1 & 2)" by Wildfire, "Pat's Rubber Band" by Alley Pat, "Puttin It On Your Mind" by Jimmy Ellis, "Nobody Loves Me Like My Baby" by Jimmy Gilford, "99/44 100 Pure Love" by Al Reed, and "Monkey In A Sack" by Lil Buck & The Top Cats.

A killer set of funky raw soul from the early 70s Norfolk, VA scene – literally Raw Soul – as the excellent group is at the heart and soul of all the material in the set! It features tracks credited to Raw Soul plus singers & groups Lanis Guess, Shirley Johnson, Sir Guy, Josephine Jones, Lee Fields, Page One and others – all heavy burners from the Virginia scene. The tunes are raw, soulful and tightly funky – with the guitar, bass and drums of Barry Saunders, Maurice Glass and Grover Elliot nicely raw and gritty throughout and the excellent sax work of Dorsey Brockington all over the set. It ranges from hard and heavy funk to less frenetic, stilly nicely gritty southern soul. Totally excellent – here's hoping more compilations are coming down the road! Titles include "How You Gonna Do It", "Leave My Beat Alone" and "The Gig" by Raw Soul, "That Beat's Got The Devil In It" by Lenis Guess, "Feels So Good" by Shirley Johnson, "Candy Man" by Josephine Jones, "Wrong Crowd" by Prince George", "Thank Goodness Gotta Good Woman" by Page One and more. CD has 4 bonus tracks: "Conflict" by The Symbolics, "Superman" (alternate vocal take) by Bargara Stant, "We're Gonna Make Love" by Lee Fields and "The Dance Of Love" by 35th Street Gang.

A killer set of funky raw soul from the early 70s Norfolk, VA scene – literally Raw Soul – as the excellent group is at the heart and soul of all the material in the set! It features tracks credited to Raw Soul plus singers & groups Lanis Guess, Shirley Johnson, Sir Guy, Josephine Jones, Lee Fields, Page One and others – all heavy burners from the Virginia scene. The tunes are raw, soulful and tightly funky – with the guitar, bass and drums of Barry Saunders, Maurice Glass and Grover Elliot nicely gritty throughout and the excellent sax work of Dorsey Brockington all over the set. It ranges from hard and heavy funk to less frenetic southern soul. Totally excellent – here's hoping more compilations are coming down the road! Titles include "How You Gonna Do It", "Leave My Beat Alone" and "The Gig" by Raw Soul, "That Beat's Got The Devil In It" by Lenis Guess, "Feels So Good" by Shirley Johnson, "Candy Man" by Josephine Jones, "Wrong Crowd" by Prince George", "Thank Goodness Gotta Good Woman" by Page One and more.

One of the last great funk albums from King Records – a set recorded in the early 70s, but done with a crackling sharp sound that's like the best late 60s James Brown albums for the label! Mickey Murray is from Augusta, GA – James Brown's hometown – and his approach is similar to James' at times, but it's also got more of a southern funk groove too – a bit like the great combination you'll hear in Lee Fields' music, which is a perfect fit for the album's raw, rootsy production! The record includes a great funky cut called "The Buzzard", plus other nice ones like "Explosive Population", "People Are Together", "Going Back To Alabama", "Fat Gal", and "I Wanna See My Baby".

The greatest album to date from Sugarman 3 – one of the funkiest combos of the past 50 years! The group's organ/sax sound has never sounded so great – and it's pumped up even further here from some added guest instrumentation, including drums from Bernard Purdie, plus vocals on a number of cuts from deep funk legends Lee Fields, Charles Bradley, and Naomi Davis. The whole thing's as funky as funky can be – the kind of a record that would be selling for $300 if it came out in the 70s, and which is even nicer to have at a low everyday price! Titles include "Shot Down", "Modern Jive", "Funky So & So", "Take It As It Come", "Pure Cane", "Promised Land", "Country Girl", "La Culebra", "Down To It", "Honey Wagon", and "Bosco's Blues".

Cinematic soul rooted in the rawer organ, drums and horns vibes that resonated deeply in records from north to south in the 70s – done with a lean, tight and head nodding groove no doubt informed by Aloe Blacc's own roots in hip hop – on his best album yet and one of best raw soul styled albums ever to come from our friends at Stones Throw! Good Things is a giant leap ahead of Shine Through, Aloe's previous full length on the label. We loved that record for its gritty, unique approach to funky soul, but, Good Things reaches for the heights of Aloe's heroes from Donny Hathaway to Marvin Gaye – and comes closer than we could have imagined! It's produced by the Truth & Soul team, with a timeless funk & soul vibe comparable to their work with the great Lee Fields. We have a feeling we'll still be listening to this album 10-15-20 years from now. Essential! Titles include the underground breakout "I Need A Dollar", an incredible cover of The Velvet Underground's "Femme Fatale" (we must have dropped the needle on that 50 times in the first couple days we had it), "Green Lights", "Miss Fortune", "Good Things", "Loving You Is Killing Me", "Mama Hold My Hand", "Hey Brother" and more.

Two tasty funky numbers on a limited reissue 45! Billy Garner's "Brand New Girl" is a non-stop groover – with a hard James Brown/Lee Fields vocal style, and compin' and chompin' guitar underneath! Next is a break you can't live without – served up on the amazing intro to Billy Garner's classic "I Got Some"! The tune's one that you'll recognize from a few famous samples, but to our ears it sounds best here in the original – a badass funky soul tune with all elements right, tight, and outta site!

One of the best new funk albums we've heard in years – and one that really does an amazing job of putting equal emphasis on intrumentation and deep soul vocals! Slim Moore comes across like some lost singer from the early 70s funky 45 generation – gritty and upfront, with a quality that's instantly infectious – almost like Syl Johnson during his Twinight years! Then the Mar-Kays play with this depth that's equally wonderful – mixing funky licks with more complicated soul touches – some of the vibes we've been getting from the Daptone scene in recent years – slower grooves mixed with faster ones, touches of hip instrumentation, like vibes – all wrapped up in a production style that really recalls the best days of indie soul. The whole thing's wonderful – a record we'd put right up there with Lee Fields' My World, or the Charles Bradley full-length – and a set we'll be digging for years! Titles include "How Long", "Cityscape", "Slim's Theme", "Reachin Higher", "Mar-Kays Theme", "Cool Breeze", and Help Me Now".

One of the best new funk albums we've heard in years – and one that really does an amazing job of putting equal emphasis on intrumentation and deep soul vocals! Slim Moore comes across like some lost singer from the early 70s funky 45 generation – gritty and upfront, with a quality that's instantly infectious – almost like Syl Johnson during his Twinight years! Then the Mar-Kays play with this depth that's equally wonderful – mixing funky licks with more complicated soul touches – some of the vibes we've been getting from the Daptone scene in recent years – slower grooves mixed with faster ones, touches of hip instrumentation, like vibes – all wrapped up in a production style that really recalls the best days of indie soul. The whole thing's wonderful – a record we'd put right up there with Lee Fields' My World, or the Charles Bradley full-length – and a set we'll be digging for years! Titles include "How Long", "Cityscape", "Slim's Theme", "Reachin Higher", "Mar-Kays Theme", "Cool Breeze", and Help Me Now".

Cinematic soul rooted in the rawer organ, drums and horns vibes that resonated deeply in records from north to south in the 70s – done with a lean, tight and head nodding groove no doubt informed by Aloe Blacc's own roots in hip hop – on his best album yet and one of best raw soul styled albums ever to come from our friends at Stones Throw! Good Things is a giant leap ahead of Shine Through, Aloe's previous full length on the label. We loved that record for its gritty, unique approach to funky soul, but, Good Things reaches for the heights of Aloe's heroes from Donny Hathaway to Marvin Gaye – and comes closer than we could have imagined! It's produced by the Truth & Soul team, with a timeless funk & soul vibe comparable to their work with the great Lee Fields. We have a feeling we'll still be listening to this album 10-15-20 years from now. Essential! Titles include the underground breakout "I Need A Dollar", an incredible cover of The Velvet Underground's "Femme Fatale" (we must have dropped the needle on that 50 times in the first couple days we had it), "Green Lights", "Miss Fortune", "Good Things", "Loving You Is Killing Me", "Mama Hold My Hand", "Hey Brother" and more.

Super-heavy funk from late great Desco Records scene! The Mighty Imperials were one of the best funky 45 groups to record for mighty deep funk Desco label – and their first album never properly saw the light of day, thanks to some pressing and distribution messups before the demise of the company. Now, the whole thing's finally out officially – a funky treasure that sounds like a lost 70s gem, and which has almost as much mystique, given the status of the original record! The core combo features organ, drums, bass, and super-heavy guitar – and the album also features them recording with some additional vocal help from Joseph Henry! Henry sings in a mode that's very similar to Lee Fields' work with the deep funk scene – and his vocals are on a number of tracks on the album – leaving the rest as groovy funky instrumentals with a nice heavy late 60s sock-boogaloo sound! Includes covers of "Never Found A Girl" and "Cold Sweat" – plus originals "Soul Buster pt 1", "Chico's Barnyard", "Kick The Blanket", "Thunder Chicken", and "Joseph's Popcorn".

A great little entry into a genre that got way too overdone and way too cluttered by the end of the 80s – but which was surprisingly fresh at the time of this initial release! The set pays tribute to the late Thelonious Monk, but does so by moving way past his modern jazz roots – and allowing for participation by a variety of artists in a number of different fields. Hal Willner masterminded the set, and does a great job of making unlike artists work well next to each other – really expanding on famous numbers by Monk, but never getting too goofy overall. Titles include "Functional" by Randy Weston, "Four In One" by Todd Rundgren & Gary Windo, "Thelonious" by Bruce Fowler, "Criss Cross" by Shockabilly, "In Walked Budd" by Terry Adams & Roswell Rudd, "Evidence" by Steve Lacy & Elvin Jones, "Ba-Lu-Bolivar-Ba-Lues-Are" by Was Not Was, "Ask Me Now" by Steve Lacy & Charlie Rouse, "Monk's Mood" by Sharon Freeman, "Round Midnight" by Joe Jackson, and "Friday The Thirteen" by Bobby McFerrin and Bob Dorough. There's plenty of other great Lacy work on the set too – and even if you're put off by the presence of non-jazzers on the set, the album's worth it alone for the Lacy tracks!