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Laurindo Almeida & Bud Shank

 

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Laurindo AlmeidaLaurindo Almeida Quartet Featuring Bud Shank ... LP
Pacific Jazz, 1955. Very Good ... $19.99
A landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vien, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "Nono", "Noctambulism", "Tocata", and "Carinoso". Full LP that reissues the original 10" sets. LP, Vinyl record album
(Black label World Pacific pressing in a red cover. Cover has a split top seam.)
 
Possible matches: 5
Possible matches2
CD, LP, Vinyl record album cover art
Steve AllenCool Quiet Bossa Nova ... LP
Dot, 1967. Very Good+ ... $5.99
Steve Allen's not a name we'd usually associate with bossa nova, but he does a surprisingly great job on this sweet little set – thanks to help from a small combo of west coast players! The album's still in the jazz mode of some of Allen's other albums for Dot, but the rhythms are bossa all the way through – and performed with cool instrumentation that includes organ by Mike Melvoin, alto and flute by Bud Shank and Bill Perkins, guitar by Jim Pisano and Laurindo Almeida, and both piano and melodica from Steve! It's hard to believe Allen playing the latter instrument, but he does a pretty great job with it – and creates some weirdly moody sounds that make for a very unique take on the bossa. All tunes are original compositions by Steve – and titles include "Go", "The Final Curtain", "Theme From A Man Called Dagger", "You May Have Been Loved Before", "The Morning Light", "You Don't Need Me", and "Smooth Bossa Nova". LP, Vinyl record album
(Cover has half split seams, some wear, a crease on one corner, and a piece of clear tape on the bottom seam.)

Possible matches3
CD, LP, Vinyl record album cover art
Stan Getz & Laurindo AlmeidaStan Getz With Laurindo Almeida ... CD
Verve/MGM (Germany), 1963. Used ... $6.99
One of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Very nice! CD also includes the bonus track "Corcovado" – unreleased for years! CD

Possible matches4
CD, LP, Vinyl record album cover art
New Bud ShankBossa Nova Years ... CD
Ubatuqui (Spain), Early 60s. Used 2CD ... Temporarily Out Of Stock
Seminal work from the man credited with the invention of bossa nova! Way back in the early 50s, Bud Shank cut some albums for Pacific Jazz in LA with guitarist Laurindo Almeida. These records mixed together Shank's flute and sax with lively guitar stylings by Almeida – and in many accounts, the recordings are quoted as being a seminal influence on the bossa scene in late 50s Brazil. No surprise, then, that when bossa broke in the US, Pacific Jazz took Shank back in the studio to cut more side in the same style – which is what you'll get on this excellent 2CD set! The work here ranges from 1962 to 1965 – and it features Shank playing in a number of groups: one with Clare Fisher piano, Larry Bunker vibes, and Milt Holland percussion; one with Fisher on piano and organ, Bunker on vibes, and Joe Pass on guitar; one with Joao Donato on piano and Rosinha De Valenca on guitar; and one with De Valenca on guitar and Sergio Mendes on piano. The 2CD set features 28 tracks in all – all pure stripped-down bossa jazz at its finest. Shank's a hell of a reed player – and the format gives him one of the best platforms to blow of his career. Titles include "Sambou Sambou", "Elizete", "Um Abraco No Bonfa", "Gostoso", "Joao", "Serenidade", "Silk Stop", "Sausalito", "Illusao", "Caminho De Casa", "Otem A Note", "Wistful Samba", "O Barquinho", and "Samba Guapo". CD

Possible matches5
CD, LP, Vinyl record album cover art
New Laurindo AlmeidaViva Bossa Nova! ... CD
Capitol (Japan), 1962. New Copy ... Out Of Stock
A sweet little album from Laurindo Almeida and his "Bossa Nova All Stars" – not a group of Brazilian musicians, and instead a hip set of LA players who really help make the set sparkle! There's a bit more jazz here than on some of Laurindo's other Capitol records of the time – a great 60s update to the groove he first forged in the 50s with Bud Shank – featuring even more swinging rhythms, inventive instrumentation, and a slightly larger group with players who include Jimmy Rowles on organ, Howard Roberts on guitar, Bob Cooper on tenor, Don Fagerquist on trumpet, Justin Gordon on flute, and Shelly Manne, Chico Guerrero, and Milt Holland on percussion! The use of organ is especially nice – a warm wave of sound on top of some great bossa rhythms – and titles include "Naked City Theme", "Teach Me Tonight", "Desafinado", "Mr Lucky", "Theme From Route 66", and "One Note Samba". CD

Possible matches6
CD, LP, Vinyl record album cover art
New Henry ManciniBig Latin Band Of Henry Mancini/Latin Sound Of Henry Mancini ... CD
RCA/Vocalion (UK), 1965/1968. New Copy ... Out Of Stock
2 great albums of Latiny tunes from Henry Mancini! The Big Latin Band Of Henry Mancini features a very hip lineup of west coast jazzmen – including Bud Shank and Tom Scott on reeds, Buddy Childers and Pete Candoli on trumpets, Ray Brown on acoustic bass, Max Bennett on fender bass, Larry Bunker on percussion, and Shelly Manne on drums. The rhythms have a great mix of Latin influences and Mancini magic, the kind of grooves you'd hear on his 60s soundtracks at the time, and the vibe is nice and relaxed. It's a bit more upbeat than bossa, but not as all-out as other RCA Latin sessions – thanks to Mancini's nice sense of warmth and space in the arrangements. Titles include some pretty darn cool takes on "Mission Impossible", "Fistful Of Dollars", "Magnificent Seven", "Touch Of Evil", and "Springtime For Hitler", from the film The Producers. Other titles include "Patricia", "Zacatecas", and "Las Cruces". The Latin Sound record is a gem from a few years earlier – with some great arrangements by Mancini! The album's less a straight Latin date than it is a new approach to the grooves Henry was laying down on his 60s soundtracks – a mix of bossa and cha cha-inspired themes that sparkle wonderfully with warm jazzy touches from a host of LA players who include Dick Nash on trombone, Harry Klee on flute, Ted Nash on alto and tenor, Jimmy Rowles on piano, Laurindo Almeida on guitar, and Gene Garf on organ – all working beautifully under Mancini's direction, with a sound that's both tight and relaxed at the same time! Lots of tracks have some nice groovy organ, which gives the arrangements a cool lively sound – and titles include "Preciosa", "Baia", "Carnavalito", "Quiet Nights Of Quiet Stars", "Tico Tico", and the nice "Senor Peter Gunn", a Latin remake of Mancini's big hit! CD
 
 
 



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