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Search: Kim Jung Mi


Possible matches: 1
search match 1.  
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new Shin Joong Hyun & Others — Beautiful Rivers And Mountains – The Psychedelic Rock Sound Of South Korea's Shin Joong Hyun 1958 to 1974 ... LP
Light In The Attic, Late 50s/1960s/Early 70s. New Copy 2LP .... $22.99 Temporarily Out Of Stock
An amazing, career-spanning compilation of pioneering psych and earlier material, mixed with more traditional elements of Korean music by Shin Joong Hyun – including his own numbers, great songs with his combos over the years and tunes he wrote for others to sing – from the late 50s to the early 70s! The stylistic breadth is pretty wide, but what's so impressive is that he's not merely traipsing through genres to stay current – he's a real master, and the consistently great quality throughout is a real thing to behold. It's passionate and soulful as all get out, whether it's a spare bit of rock or folk, raw and rumbling psych folk or garage-y stormers. One of the best global psych comps we've seen in a while! Includes "Moon Watching", "J Blues '72" and "I've Got Nothing To Say" (credited to Shin Joong Hyun), "Please Don't Bother Me Anymore" by Golden Grapes, "The Sun" by Kim Jung Mi, "Tomorrow" by lee Jung Hwa, "Spring Rain" by Park In Soo, "Sunset" by Jang Hyun, "Why That Person" by Bunny Girls, "Beautiful Rivers And Mountains" by Shin Joong Hyun & The Men and more.
 
Partial matches: 1
search match 2.  
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new Various — Scattered Melodies – Korean Kayagum Sanjo From 78 RPM Records ... LP
Sublime Frequencies, 1920s/1930s/1950s. New Copy .... $19.99 Out Of Stock
Scattered Melodies spun from traditional Korean Kayagum Sanjo recordings – and the deepest vinyl excavation to date by Sublime Frequencies – the label's first compilation material culled from rare 78s! The music is mostly from the 20s & 30s, but it has at least one piece from the 50s - all spare, hypnotic string melodies and raw drum accompaniment! The titles refer to tempo and rhythmic patterns, as opposed to standing as subjective song titles, with the slowly plucked "Chinyangjo", the faster "Chungmori" and the even faster "Chungchungmori" alternately played by Kim Hae Sun, Jung Nam Hee, An Ki-Ok, Kim Chongi-Ki and Shim Sang-Gun, plus some additional/alternately-titled movements. It's a riveting look at a Korean folk tradition that we'd never had the pleasure of hearing before this – and another great reason to cherish the deep diggers at Sublime Frequencies – with a concise, yet informative set of notes. 13 performances in all – each as captivating as the one before!
 
 
 
 

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