All Categories — All Formats  

A landmark album from Johnnie Taylor – a set that not only gave his career a giant boost, but which also helped shift southern soul into hip new territory in the late 70s! The music's a great change from Taylor's previous work at Stax – and the set features warm production from Don Davis that brings a new level of smoothness to Johnnie's music – a quality that unlocks the soulful undercurrent always lurking in his bluesier work, and which pulls him out of the indie soul ghetto to the modern soul mainstream. The album features the massive "Disco Lady" – a record that's probably still paying Johnnie's bills today – and a cut that's much more groovy soul than you might guess from the title. Other tracks are great too – and include "Running Out Of Lies", "I'm Gonna Keep On Loving You", "Pick Up the Pieces", and "Somebody's Gettin It".

A great little album of modern soul, cut by Johnnie Taylor years after his early raw Stax recordings, and about half a decade after his hit with "Disco Lady". The record's a surprising treat, and has Johnnie singing with smooth slick arrangements, in a warm mellow style, given a nice edge by the bluesy roots in his vocals. Gene Page handled the arrangements, and there's some great mellow steppers – like "What About My Love", "I'm So Proud", and "Don't Wait". Also features a few slap-bass tracks like "I Need A Freak" and "Just Ain't Good Enough" – but stick with the mellow stuff.

One of the coolest covers of Johnnie Taylor's early years on Stax Records – and some pretty great music to match! The album's got a wicked funky blues groove – with production by Don Davis that hangs nicely on both the hard edges and mellower moments – really showing Taylor's development as a singer on Stax. Titles include the classic "Jody's Got Your Girl & Gone", which started a slew of "answer songs" – plus "I Don't Wanna Lose You (parts 1 & 2)", "Party Life", "Fool Like Me", and "I Am Somebody (parts 1 & 2)".

A massive double header – two great albums back to back! Rated Extraordinaire is our favorite album ever from Johnnie Taylor – an incredible set from the late 70s that really has Taylor reinventing his sound – and coming across as a great talent for a mellow groove! The album has a wonderful smooth soul vibe all the way through – and starts with the classic "Your Love Is Rated X", a sweet little stepper with a hook that's totally great, and a groove that goes on and on and on – one of those cuts we can hear for years, and it still never gets old! Don Davis produced the whole thing – in a way that balances the raspy roots of Taylor's vocals with the tighter changes going on in late 70s soul – a balance that he was always good at, but possibly never served up this well again. In addition to "Your Love Is Rated X", other titles include "And I Panicked", "Did He Make Love To You", "Love Is Better In The AM", "It Ain't What You Do", "Here I Go", and "Stop Giving People Hard Luck Stories". Ever Ready is a sweet set from Johnnie Taylor's late 70s run on Columbia Records – and a set with a definite groove for the dancefloors! The album' was recorded in Detroit, and features some sparkling production from Don Davis – very much in that Detroit-into-disco mode that Davis was pushing strongly at the time – in a way that was smooth overall, but still let the singers keep all the edge and personality in their vocals! Arrangements are by Rudy Robinson, in collaboration with a number of others – and titles include "Hey Mister Melody Maker", "Ever Ready", "Keep On Dancing", "Give Me My Baby", "Soul Fillet", "I Love To Make Love When It's Raining", and "Bittersweet Love".

Sweet, smooth, and bluesy – perhaps not as hard as some of Johnnie's earlier Stax work, but with an increasing sophistication that really shows his development as a soul singer. The record's a good bridge into Johnnie's modern soul work at Columbia – and it's got arrangements by Wade Marcus and Johnny Allen that fit hand in glove with Taylor's rich voice. Titles include "It's September", "I've Been Born Again", "Just One Moment", "It Don't Pay To Get Up In The Morning", and "Try Me Tonight".

Johnnie Taylor's first album for Stax – and a tremendous little set that easily stands as one of his greatest records ever! Sure, we love Johnnie in all his incarnations – but there's a special sort of something here – a rawness and earnestness – that makes the whole thing shine right from the start – a crispy sort of Memphis vibe that has the Stax Records team really hitting their stride. The set's filled with great tunes from the team of Isaac Hayes and David Porter – including "I Got To Love Somebody's Baby", "Toe Hold", "Outside Love", "Little Bluebird", and "I Had A Dream" – and also features great versions of "Watermelon Man", "Ain't That Loving You", and "Where Can A Man Go From Here".

Titles include "Seconds Of Your Love", "What About My Love", "I'm So Proud", "Hey For The Winner", "Shoot For The Stars", and "Just Ain't Good Enough".

Classic Stax stuff from Johnnie, with great arrangements that mix blues and soul, and which offer a perfect backing to his soulful voice. Al Jackson produced the session, and the track list includes "Where There's Smoke There's Fire", "That Bone", "That's Where It's At", and "You Can't Keep A Good Man Down".

Smoother Johnnie Taylor than in earlier years – gearing up for the shift to Columbia a few years later, with backings recorded in both Detroit and Muscle Shoals. Johnnie's vocals are still fantastic – and the album sports the great hit "Cheaper To Keep Her" – but that's not the only highpoint of this terrific set! The gritty, emotional vocals is Johnnie's voice has the right level of rawness to them – he may be more immaculately tailored and silky, but he's still reaching a true soul depth throughout! Other tracks include "We're Getting Careless With Our Love", "Starting All Over Again", "Talk To Me", "I Can Read Between The Lines", and "One Thing Wrong With My Baby".

A landmark album from Johnnie Taylor – a set that not only gave his career a giant boost, but which also helped shift southern soul into hip new territory in the late 70s! The music's a great change from Taylor's previous work at Stax – and the set features warm production from Don Davis that brings a new level of smoothness to Johnnie's music – a quality that unlocks the soulful undercurrent always lurking in his bluesier work, and which pulls him out of the indie soul ghetto to the modern soul mainstream. The album features the massive "Disco Lady" – a record that's probably still paying Johnnie's bills today – and a cut that's much more groovy soul than you might guess from the title. Other tracks are great too – and include "Running Out Of Lies", "I'm Gonna Keep On Loving You", "Pick Up the Pieces", and "Somebody's Gettin It". CD includes bonus tracks "Disco Lady" (Extended Disco Version With Johnnie's Rap) & "Somebody's Getting' It" (JT's Instrumental Groove).

A sweet set from Johnnie Taylor's late 70s run on Columbia Records – and a set with a definite groove for the dancefloors! The album' was recorded in Detroit, and features some sparkling production from Don Davis – very much in that Detroit-into-disco mode that Davis was pushing strongly at the time – in a way that was smooth overall, but still let the singers keep all the edge and personality in their vocals! Arrangements are by Rudy Robinson, in collaboration with a number of others – and titles include "Hey Mister Melody Maker", "Ever Ready", "Keep On Dancing", "Give Me My Baby", "Soul Fillet", "I Love To Make Love When It's Raining", and "Bittersweet Love".

A lost southern soul gem – cut at the end of the 70s, in that rare blend of southern and modern styles that few performers could really carry off well! Frederick Knight produced the album, and it really steps off of his own mellow work of earlier years – taking things even further, thanks to a really wonderful presentation on the vocals by CL, sounding here like the best 70s work by Johnnie Taylor or Tyrone Davis! The album's got a really special feel – and if it was cut for a smaller label, it probably would have gone onto become a rare groove treasure – instead of a slightly-overlooked record on Cotillion. The whole thing's great – and titles include "Our Love Will Last", "I've Got To Make It On My Own", "I Wanna Get Down", "If I Had Loved You More", "Love Don't Feel Like Love No More", and "Let's Do Something Different Tonight".

A lost southern soul gem – cut at the end of the 70s, in that rare blend of southern and modern styles that few performers could really carry off well! Frederick Knight produced the album, and it really steps off of his own mellow work of earlier years – taking things even further, thanks to a really wonderful presentation on the vocals by CL, sounding here like the best 70s work by Johnnie Taylor or Tyrone Davis! The album's got a really special feel – and if it was cut for a smaller label, it probably would have gone onto become a rare groove treasure – instead of a slightly-overlooked record on Cotillion. The whole thing's great – and titles include "Our Love Will Last", "I've Got To Make It On My Own", "I Wanna Get Down", "If I Had Loved You More", "Love Don't Feel Like Love No More", and "Let's Do Something Different Tonight".

A late 70s gem from Tyrone's years on Columbia Records – one that shows both sides of his talents for the label! The set starts out with an extended clubby groover called "Get On Up (Disco)" – a bumping sort of number that's clearly trying to push him into Johnnie Taylor territory, and which comes off surprisingly well. But even better are the rest of the tracks on the set – which update Tyrone's older Brunswick sound with a smoother, more sophisticated sort of style – still recorded in Chicago, and with some southern soul traces – but usually done in a warmer midtempo groove, with excellent lead vocals and great backing from The Haywood Sisters. Titles include "It's You It's You", "Bunky", "All I Ever Need", "I Can't Go On This Way", and "Can't Help But Say".

A brilliant collection of work from this overlooked Chicago soul singer – a set that brings together his whole 1974 album for Dakar, plus bonus singles from his late 70s years at Chi-Sound Records! First up is the sublime I Enjoy Loving You – one of a rare few albums cut by Sidney Joe Qualls – a fantastic 70s soul talent who's probably better known for his work behind the scenes, and as a songwriter, than he is as a voice on his own. The session is produced with a style that kind of mixes Brunswick Chicago soul with rootsier southern elements – stepping proud in the 70s territory of Johnnie Taylor or Tyrone Davis, but sounding way way better here, and with a much more independent vibe. Plus, the album boasts some incredible material – original tunes written by the likes of Sam Dees, Clifford Davis, George Davis, and others. Titles include "Shut Your Mouth", "Run To Me", "I Enjoy Loving You", "Please Help Me", "Can't Get Enough of Your Love", and "The Next Time I Fall in Love". CD then features 5 more bonus tracks from his 1979 studio work with Carl Davis' Chi-Sound label – tracks that include "I'll Run To Your Side", "Let The Woman Know", "So Sexy", "Good Ol Funky Music", and the classic "I Don't Do This To Every Girl I Meet".

A classic set from 1969 – issued as a special project by Stax in their first year after parting with Atlantic, almost as a message to that label that they were more than capable of handling things on their own! The double-length set brings together the label's best male and female artists, each in duets that largely only ever appeared on this LP. Other soul labels – like Vee Jay or Motown – had had good luck with the male/female duet sound, but the quality of Stax's singers puts them right up there with the top of the genre – as singers like William Bell, Mavis Staples, Carla Thomas, Johnnie Taylor, and Eddie Floyd all seeem to work perfectly together. Titles include "All I Have To Do Is Dream" and "I Need You A Woman" by William Bell & Carla Thomas, "Love's Sweet Sensation" and "I Thank You" by William Bell & Mavis Staples, "Ain't That Good" and "Piece Of My Heart" by Eddie Floyd & Mavis Staples, "It's Unbelievable (How You Control My Soul)" and "I'm Trying" by Pervis Staples & Carla Thomas, "It's Our Time" and "Don't Make Me A Storyteller" by Eddie Floyd & Carla Thomas, and "Soul-a-Lujah", sung by the whole group. 22 tracks in all.

The hit sounds of Stax in the post-Atlantic years, and a great compilation featuring a good mix of soul singles from the label's still-strong output! Includes the funky funky "Son Of Shaft" by The Bar Kays, plus "The Look Of Love" by Isaac Hayes, "The Breakdown" by Rufus Thomas, "I Don't Wanna Lose You" by Johnnie Taylor, "I'll Take You There" by The Staple Singers, "Starting All Over Again" by Mel & Tim, and "Whatcha See Is Whatcha Get" by The Dramatics.

Some of the hippest Detroit soul of the 60s – a wealth of wonderful recordings done by legendary producer Don Davis! In the 70s, Don would make some huge marks in the mainstream with groups like The Dramatics, Dells, and others – but these sides represent the initial flowering of the Davis' genius in the Motor City – a magnificent melding of that scene's tightness with some rootsier, harder-edged vocals that really send the tunes home! We'd be hard-pressed to think of a better start to dig into the Detroit scene past Motown – and in addition to rare singles, the set also features some unissued tracks too. Titles include "Somebody Needs You" by Darrell Banks, "Love On A Lease Plan" by Johnnie Taylor, "Girl Crazy" by Sharon Soul, "A Love That Never Grows Cold" by Jackey Beavers, "I'm The One Who Loves You" by Melvin Davis, "Headache In My Heart" by Debonaires, "I Need You Like A Baby" by Andrea Henry, "Who's Kissing You Tonite" by Herman Lewis, "Has It Happened To You Yet" by Edwin Starr, "That's Why I Love You" by The Professionals, "Deeper In Love" by Robert Ward, "Friday Night" by Steve Mancha, and "When You Lose The One You Love" by Buddy Smith.

The RZA-curated Iron Fists Chronicles! This limited volume in the Man With The Iron Fists soundtrack series is a 2CD compilation of classic Stax deep soul – and it's not only the material that inspired the score for RZA's directorial debut – it's also the funky soul bedrock for his most legendary Wu Tang productions! It's got classics and relative rarities alike by The Dramatics, The Emotions, Soul Children, Mad Lads, Sweet Inspirations, Isaac Hayes, Mel & Tim, Booker T & The MGs, Johnnie Taylor, William Bell and many more! You know RZA isn't compromising or messing around when he's including Isaac Hayes' 15+ minute "Joy" in the set list – and the whole thing is great – really a top-shelf compilation from the Stax vaults! Nearly 2 1/2 hours of music on 2CDs! Includes "I Forgot To Be Your Lover" by The Mad Lads, "I Could Never Be Happy" by The Emotions, "All It Takes Is You And Me" by Sweet Inspirations, "Move Over" by Soul Children, "Steal Away" by Johnny Taylor, "Keep The Faith" by Mel & Tim, "Sing A Simple Song" and "LA Jazz Song" by Booker T & The MGs, "Poverty's Paradise" by 24-Carat Black and more.

The funkiest side of Stax Records – a treasure trove of funky nuggets, all hand-picked by RZA! As the title implies, these are some of the grooves that became the building blocks of the Wu-Tang sound – but even without that pedigree, these tracks are more than great enough on their own – a wonderful mix of album cuts and rare singles – some you'll recognize from famous hip hop samples, some you'll discover here for the first time ever! The triple-length package is overflowing with greatness – and titles include "I Could Never Be Happy" and "I Like It" by The Emotions, "I Forgot To Be Your Lover" by The Mad Lads and another "I Forgot To Be Your Lover" by William Bell, "Children Don't Get Weary" by Judy Clay, "All It Takes Is You & Me" by The Sweet Inspirations, "Poverty's Paradise" by 24 Carat Black, "I'll Play The Blues For You" by Albert King, "Why Marry" by The Sweet Inspirations, "Steal Away" by Johnnie Taylor, "Hang On Sloopy" by David Porter, "Ike's Mood 1" by Isaac Hayes, "In The Rain" by The Dramatics, "Don't Take My Kindness For Weakness" by The Soul Children, "Packed & Took My Mind" by Little Milton, "Sing A Simple Song" by Booker T & The MGs, "I'm Afraid The Masquerade Is Over" by David Porter, "LA Jazz Song" by Booker T & The MGs, "Walk On By" by Isaac Hayes, and "Keep The Faith" by Mel & Tim.

Modern southern soul from CL Blast – a singer who took his music into great new territory during the time covered on this set! CL was a vocalist with roots in much bluesier modes, but at the end of the 70s, working with producer Frederick Knight, he really hit his stride in hipper, more contemporary styles – using an approach that was a bit like the updated Johnnie Taylor sound over at Columbia, but still somewhat more southern overall! There's a mix of Miami and Malaco vibes going on here – the tightness of the former but without the too-contemporary styles of the latter – and although Knight's production (plus a bit of help from Sam Dees) really sets the tone of the tunes, it's Blast's vocals that send the whole thing home. CD features 20 tracks in all, plus great notes on the music – with titles that include "Don't Fight The Feelin", "Beautiful Lover", "I Wanna Get Down", "50/50 Love", "Boomerang Love", "Let Me Entertain You", "Drown In My Own Tears", "I've Got To Make It On My Own", "If I Had Loved You More", "Share You Love With Me", and "Lay Another Log On The Fire".

A great set from Bobby Womack's late 70s years at Columbia Records – one of our favorite records of this chapter in his career! Bobby's move to Columbia in the late 70s did a heck of a lot of good things to his music! At the label, he forged a strong mellow soul sound that still incorporated a lot of his roots and his strengths, but which was also a lot more forward-looking, and which helped Womack escape from some of the cliches of his later UA albums. In a way, his shift was similar to that of Johnnie Taylor at the label, and it's no surprise that the great Don Davis was at the helm – producing the record with a great blend of modern and deep soul modes. There's plenty of great guests, too, like Candi Staton, David Ruffin, and The Horny Horns – all of whom really help enrich the sound. Titles include "Trust Your Heart", "It's Party Time", "When Love Begins, Friendship Ends", "Caught Up In The Middle", "Never Let Nothing Get The Best Of You", and "Wind It Up". CD features 4 bonus tracks – "Wind It Up (single)", "Trust Your Heart (single)", "When Love Begins Friendship Ends (single)", and "Trust Your Heart (12" ext mix)".

The funkiest side of Stax Records – a treasure trove of funky nuggets, all hand-picked by RZA! As the title implies, these are some of the grooves that became the building blocks of the Wu-Tang sound – but even without that pedigree, these tracks are more than great enough on their own – a wonderful mix of album cuts and rare singles – some you'll recognize from famous hip hop samples, some you'll discover here for the first time ever! The triple-length package is overflowing with greatness – and titles include "I Could Never Be Happy" and "I Like It" by The Emotions, "I Forgot To Be Your Lover" by The Mad Lads and another "I Forgot To Be Your Lover" by William Bell, "Children Don't Get Weary" by Judy Clay, "All It Takes Is You & Me" by The Sweet Inspirations, "Poverty's Paradise" by 24 Carat Black, "I'll Play The Blues For You" by Albert King, "Why Marry" by The Sweet Inspirations, "Steal Away" by Johnnie Taylor, "Hang On Sloopy" by David Porter, "Ike's Mood 1" by Isaac Hayes, "In The Rain" by The Dramatics, "Don't Take My Kindness For Weakness" by The Soul Children, "Packed & Took My Mind" by Little Milton, "Sing A Simple Song" by Booker T & The MGs, "I'm Afraid The Masquerade Is Over" by David Porter, "LA Jazz Song" by Booker T & The MGs, "Walk On By" by Isaac Hayes, and "Keep The Faith" by Mel & Tim.