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Jazz Crusaders

 

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Exact matches: 7
Exact matches1
CD, LP, Vinyl record album cover art
New Jazz CrusadersOld Socks New Shoes – New Socks Old Shoes ... LP
Chisa, 1970. Near Mint- Gatefold ... $6.99
Wickedly funky work from the Jazz Crusaders – a pivotal set that has them electrifying their groove a bit more from the 60s, yet still not hitting the smother sound of later years! The core soul jazz mode of the group's start is still nicely in place – hard-hitting grooves from Wayne Henderson on trombone, Wilton Felder on bass, Stix Hooper on drums, and Joe Sample on keyboards – really opening up in an electric mode that's warm, but never mellow – really giving the album a strongly righteous undercurrent. Added to the mix are guitars from Arthur Adams and Freddy Robinson – both of whom really open up the groove and underscore the funkier elements – and again, in ways that have a lot more edge than on later Crusaders dates. The whole thing's great, filled with hard groovy cuts – and titles include a great version of "Golden Slumbers", plus "Jazz", "Jackson", "Rainy Night In Georgia", "Time Has No Ending", "Hard Times", and "Funny Shuffle". LP, Vinyl record album
(Cover has a lightly creased corner.)

Exact matches2
CD, LP, Vinyl record album cover art
New Roy BurrowesJamaican Jazz Crusaders (Japanese paper sleeve edition) ... CD
JMA/Jazzhus Disk (Japan), 1969. New Copy ... Temporarily Out Of Stock
An amazing little record – not just for the music itself, which is inherently great – but also for its straight jazz presentation of players you might know in more of a reggae-based setting! The album's a smoking set of hardbop numbers, played with plenty of soul – by a combo billed as the Jamaican Jazz Crusaders – featuring Roy Bubbles Burrows on trumpet, Ernst Ranglin on guitar, Roland Alphonso on tenor, Aubrey Adams on piano, Harold Williams on bass, and Carl McLeod on drums. The format's a bit unusual, in that the album's bracketed by interviews and introductions from Jamaican jazz DJ Nevil Willoughby – but in the core are some great performances, with very inventive arrangements, especially in the way Ranglin's guitar is used – on titles that include "The Highest Mountain", "On Green Dolphin Street", "Split Kick", and "Round Midnight". CD

Exact matches3
CD, LP, Vinyl record album cover art
New Jazz CrusadersChile Con Soul ... LP
Pacific Jazz, Mid 60s. Used ... Temporarily Out Of Stock
One of the best 60s albums by the Crusaders – and a swinging Latin session to boot! The core group of The Jazz Crusaders is expanded with some funky flute from Hubert Laws, sweet organ licks from Clare Fischer, and lots of congas from Carlos Vidal – all of whom push the group past their usual (and excellent) soul jazz bag, into a realm of hard-grooving Latin numbers! The playing on the set is tremendous – as "in the pocket" as the group could be, but also a lot more hiply swinging and open to rhythmic changes. A total gem – with titles that include "Agua Dulce", "Tacos", "Soul Bourgeoisie", and "Latin Bit". LP, Vinyl record album
(Black label Liberty pressing with deep groove. Cover has some wear, aging, a few stains, duct tape on the spine and top seam, and some splitting and clear tape on the bottom seam.)

Exact matches4
CD, LP, Vinyl record album cover art
New Jazz CrusadersLive At The Lighthouse '66 ... LP
Pacific Jazz, 1966. Used Gatefold ... Temporarily Out Of Stock
One of the Jazz Crusaders' classic funky live sets from the 60's, recorded live at the Lighthouse, where there talents were slowly becoming the stuff of legend. Nice tight soul jazz stuff, with some excellent groovers that include an early version of "Scratch", plus "Blues Up Tight", "Miss It", and "Doin' That Thing". Longish tracks, with good drawn-out solos, and a totally heavy groove! LP, Vinyl record album
(One corner of the cover is slightly bumped, but this is a beautiful copy overall.)

Exact matches5
CD, LP, Vinyl record album cover art
New Jazz CrusadersPowerhouse ... LP
World Pacific, 1968. Used Gatefold ... Temporarily Out Of Stock
The title's no lie, because the Jazz Crusaders are certainly a powerhouse here – blowing with a tightness and soulful swing that few other groups could hope to match! The overall structure of the album is a bit more focused than some of their other sessions from the late 60s – in that the songs are shorter, and more in the mode of some of the group's earlier work – but they're also still colored with plenty of hipper late 60s touches, including lots of electric bass on the bottom, some great electric keys from Joe Sample, and a groove that's definitely on the more righteous side of the soul spectrum! Original tunes include "Upstairs", "Fire Water", "Sting Ray", and "Cookie Man" – and the record features great covers of "Promises, Promises", "Love Is Blue", and "Hey Jude". LP, Vinyl record album
(Cover has some wear.)

Exact matches6
CD, LP, Vinyl record album cover art
New Jazz CrusadersTalk That Talk ... LP
Pacific Jazz, Mid 60s. Used Gatefold ... Temporarily Out Of Stock
One of the coolest records the Jazz Crusaders ever cut! The album's got their usual hard soul jazz quintet sound augmented by a bigger band – strangely uncredited on the record, but giving the group a lofty sound that pushes them into a whole new sound! The core style is still the LA soul jazz that the group virtually pioneered – but the added instrumentation gives them a hard-swinging feel that makes the album feel like a lost gem on MPS. Cool tracks include the group's strident reading of Edu Lobo's "Arrasto", a tenor-heavy version of "Walkin My Cat Named Dog", and the great original track "Turkish Black", which has some excellent organ work by Joe Sample! LP, Vinyl record album
(Cover has a promo ink stamp.)

Exact matches7
CD, LP, Vinyl record album cover art
New Jazz CrusadersHeat Wave ... LP
Pacific Jazz, Mid 60s. Used ... Out Of Stock
Nothing fancy – but some great short little soul jazz numbers that show The Jazz Crusaders grooving at their early best! The tenor of Wilton Felder, trombone of Wayne Henderson, and piano of Joe Sample really carry the set – and the album's got some great originals that include "Purple Onion", "Stix March", "Some Samba", "Close Shave", and "Free Sample". Also includes a nice reading of John Barry's "Theme From The L Shaped Room" and Les McCann's "Sassy". LP, Vinyl record album
(Blue vinyl pressing! Cover has some wear, wrinkles in the gloss finish, and small splits on the top and bottom seams, with staining, some pen, and a couple of small edge rips on the back paste-on.)
 
Possible matches: 22
Possible matches8
CD, LP, Vinyl record album cover art
Ray BarrettoEye Of The Beholder/Can You Feel It ... CD
Atlantic/Expansion (UK), 1977/1978. New Copy ... $16.99
Two massive records from Ray Barretto – both from a time when he was really opening up his groove! Eye Of The Beholder is a really wonderful album from Barretto – more jazz fusion than his usual 70s salsa – but in a way that we really really love! The album's a crossover gem that has Ray working with Stix Hooper, Joe Sample, and Wilton Felder of The Crusaders – a trio who produced the record, and add in some of their instrumental help as well – which helps Ray find this bouncy, sometimes funky sort of groove – a sublime blend of LA fusion and New York Latin! There's still loads of great percussion from Barretto – but the set also has some wicked keyboards, guitar, and lots of jazzy inflections too. Titles include the killer cut "Here We Go Again" – a great midtempo number with a perfect steppers groove – plus the cuts "Tumbao Africano", "Leti", and "Expresso". Can You Feel It offers sweet sounds from the days when Fania Records was one of the greatest things going on the New York scene – and some of its key artists got a chance to work for other labels! This set's one of the best examples of that moment – as Ray Barretto steps out here in some sweet soulful territory for Atlantic Records – on an album that mixes his Latin roots with warmer soul backings that have the same sort of full, rich sound of the best Atlantic R&B of the time. Ray's conga is still part of the sound – especially on the funkier cuts – but the album's also got some strong soul vocals, too – sung by Prince Phillip Mitchell on one of the album's best cuts, and by Cissy Houston and Googie Coppola on a few others. Tracks include "Sting Ray", "Can You Feel It", "What Part Of Heaven Do You Come From", "Stargazer", and "Confrontation". CD

Possible matches9
CD, LP, Vinyl record album cover art
Randy CrawfordMiss Randy Crawford ... CD
Warner, 1977. Used ... $14.99
One of the hippest, tightest albums ever from Randy Crawford – a set that's got a great blend of jazz, funk, and soul – all with the kind of poise and polish she brought to her famous work with The Crusaders! Crawford's wonderful vocals are wrapped up perfectly in some cool combo backings which are then augmented by larger strings – a blend that's got a great sort of richness right from the start, but also that special late 70s LA style that never has things getting too soppy or commercial, even when tight. Randy's the perfect sort of singer to make a record like this come out right – and titles include "I Can't Get You Off My Mind", "Over My Head", "Single Woman Married Man", "Half Steppin", "This Man", and "At Last". CD
(Out of print.)

Possible matches10
CD, LP, Vinyl record album cover art
Randy CrawfordNow We May Begin ... CD
Warner (France), 1980. Used ... $11.99
A great little album cut by Randy during the height of her career! She'd just broken big with her vocals on "Street Life" by the Crusaders – and although that track's not on here, the Crusaders team of Wilton Felder, Stix Hooper, and Joe Sample produced the album, and have given it a very similar sound to that track. There's a few weak moments where Randy's singing in a mellower style that lets her voice wobble a bit too much – but the stronger tracks have a good jazz funk groove, and these include "Blue Flame", "Last Night At Danceland", and "My Heart Is Not As Young As It Used To Be". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
Randy Crawford, Flora Purim, Eddie Harris, et alSharky's Machine ... CD
Warner/Varese, 1981. New Copy ... $12.99 13.98
One of the coolest soundtracks ever for a Burt Reynolds film – and a hip mix of soul and jazz tracks that's gone onto become a classic over the years! The album's a compilation of sorts, but most of the material was recorded fresh for the film – and the different artists really work together here to forge some great backdrops for the action on the screen! Al Capps handled the larger charts, but most numbers really spotlight an individual artist – and highlights include Randy Crawford singing a new version of "Street Life" – different than the one with The Crusaders – Sarah Vaughan singing "Love Theme From Sharky's Machine", Peggy Lee vocals on "Let's Keep Dancing", and Julie London singing "My Funny Valentine" – as one of the first recordings after many years of retirement. Other great numbers include "Dope Bust" by Flora Purim & Buddy DeFranco, "Sharky's Theme" by Eddie Harris, "Before You" by Sarah Vaughan & Joe Williams, "8 To 5 I Lose" by Joe Williams, and the instrumental cuts "Sexercise" and "High Energy" by Doc Severinsen. CD

Possible matches12
CD, LP, Vinyl record album cover art
CrusadersPass The Plate ... CD
Chisa/Verve, 1971. New Copy ... $10.99 11.98
Great work from one of the funkiest periods in the career of the Jazz Crusaders – that point when they first dropped the "jazz" from their name, and started moving into groovier territory! The set's a bit electric, but never as much so as their later, bigger hits – just enough so that the basslines bump the tunes along strongly, and the keyboards start to sparkle in the mix too – but still leaving plenty of space for acoustic contributions on piano, trombone, and tenor. Arthur Adams joins the group for a bit of guitar, which is well-placed – and titles include the massive "Pass The Plate" medley, which runs for over 15 minutes – plus "Young Rabbits 71/72", "Goin' Down South", "Listen & You'll See", "Greasy Spoon", and "Treat Me Like Ya Treat Yaself". CD

Possible matches13
CD, LP, Vinyl record album cover art
DeodatoKnights Of Fantasy/Night Cruiser ... CD
Warner/Wounded Bird, 1979/1980. Used ... $24.99
2 beautiful later albums from Deodato – back to back on one CD! Knights Of Fantasy is smoth and jazzy – done in an LA late 70s style that's kind of like work by Joe Sample or The Crusaders, but a bit more R&B oriented, and with a deeper soul style overall! You can definitely hear Deodato's growing taste for modern soul here – especially on the seminal club jammer "Whistle Bump", which is a tight keyboard-driven groove, with some sweeping strings underneath wah wah guitar. The cut's the real standout on the album – although there's a few other nice moments, like "Space Dust" and "Lovely Lady", which has a great mellow Bob James-ish sound. Night Cruiser is a key record in Deodato's move from funky jazz in the 70s to modern soul in the 80s – and one that showcases the best of his talents in both genres! The approach here is more tightly arranged and produced than that of his earlier CTI sides – but in a mode that's still plenty nice to our ears – as Deodato's uncanny sense of rhythm and timing is still very firmly in place, making the set way way more than just a smooth jazz album – and pushing it strongly into the realm of soulful spacey fusion! There's some really great tracks on the set – like the amazing "Skatin", a sweet keyboard number that's a perfect roller skating jam (in case you couldn't guess from the title) – plus "Love Magic", "Uncle Funk", "East Side Strut", and "Night Cruiser". 11 tracks in all! CD
(Out of print, small amount of writing in pen inside booklet.)

Possible matches14
CD, LP, Vinyl record album cover art
Ronnie LawsFriends & Strangers/Flame ... CD
Blue Note/Jazz FM (UK), 1977/1978. New Copy ... $16.99
Two stone classics from Ronnie Laws – back to back on a single CD! Friends & Strangers is a stone classic from reedman Ronnie Laws – and an album that really helped set a whole new standard for funky fusion in the 70s! Laws works here with great Wayne Henderson production – which gives the album an even sharper sound than other Blue Note sets of this vintage – and that kind of tight blend of funk and jazz you'd find in the Crusaders, with a similar no-nonsense approach in the grooves! Henderson's got a great way of never being too smooth – and Laws responds with some wicked solos on tenor, soprano sax, and flute – soaring out over the course of the whole wonderful album. Titles include "Goodtime Ride", "Just Love", "Saturday Evening", "Friends & Strangers", "Nuthin Bout Nuthin", "New Day", and "Same Old Story". Flame features Ronnie Laws at the top of his early game – working in a tight mix of jazz and soul put together with some great help from Wayne Henderson's At Home Productions – very much in the hit style that team was putting out at the time! The work's surprisingly open and hip compared to efforts like this from a decade later – still smooth in production, but with lots of room for instrumental solos, and a groove that's still more heavy on fusion influences than anything else! Laws plays tenor, flute, and soprano sax – and other players include Larry Dunn on keyboards and Melvin Robinson on guitar – and a few cuts feature chorus vocals, by hip singers who include Eloise and Debra Laws, Diane Reeves, and Phillip Bailey. Titles include "All For You", "These Days", "Flame", "Living Love", "Joy", "Live Your Life Away", and "Love Is Here". CD

Possible matches15
CD, LP, Vinyl record album cover art
New Jeff LorberIt's A Fact ... CD
BMG/Wounded Bird, 1981. New Copy ... $10.99 11.98
Jeff Lorber shows his equal talents for jazz and soul on this one – working in a tight blend of keyboard and guitar electric funk – one that's perfect for the occasional vocal part! The core sound is fusion, but done in a way that works nicely off of the R&B-tinged experiments of the 70s – taking lessons learned from Donald Byrd, Herbie Hancock, and The Crusaders – in order to come up with a jazzy groove that's also pretty appealing to fans of modern soul! Vocals are from a hip trio of talents – Sylvia St James, Greg Walker, and Arnold McCuller – and titles include "Full Moon", "Tierra Verde", "Your Love Has Got Me", "Always There", "Delevans", and "The Magicians". CD

Possible matches16
CD, LP, Vinyl record album cover art
Joe SampleCarmel ... LP
ABC, 1979. Very Good+ ... $1.99
God, we love this record – and we're not ashamed to admit it! Sure, it sold a gazillion copies – and sure, for some folks it showed the true demise of the Crusaders ensemble. But for us, it's a masterpiece of smooth fusion, and a landmark album of easy jazz that spawned countless imitators that could never hope to match Sample's simple and elegant use of funky riffing and lyrical chords – coming in with just the right dash of darkness when the record's in danger of sounding too light. Most of the rest of the Crusaders had a hand in the record, and the set's got the smooth west coast sound you'd expect from the title. Tracks include "Carmel", "Cannery Row", "Sunrise", and "More Beautiful Each Day". LP, Vinyl record album
(Cover has some wear.)

Possible matches17
CD, LP, Vinyl record album cover art
South Central Avenue Municipal Blues BandSoul Of Bonnie & Clyde ... LP
Bluesway/ABC, Late 60s. Very Good ... $28.99
Forget the "blues" in the title – because this is funky jazz from LA! The record was one of many in the "Bonnie & Clyde" subgenre of the late 60s, released to cash in on either the fame of the movie or the single "Ballad Of Bonnie & Clyde" – and like so many of those records, this one has nothing to do at all with the movie. Instead, the "blues band" is a collection of great LA soul jazzers – like Joe Sample, Bobby Bryant, Wayne Henderson, Artie Butler, and Paul Humphrey – grooving away in a style that sounds like some of the excellent Jazz Crusaders side projects from the late 60s on World Pacific. The band's got a pretty full sound, and although some tracks are trying for an older jazz sound that gets a bit bluesy at times – there's also some killer funky numbers written by Artie Butler with that groovy funky sound that he brought to his best soundtrack and funk work at the time. Arthur Adams gets in plenty of mean guitar licks – and titles include "How's Your Clyde?", "Bowl Of Soul", "Soul Of Bonnie & Clyde", "Blues For Bonnie & Clyde", and "South Central Ave Municipal Blues Band". LP, Vinyl record album
(Side 1 has a mark that clicks a bit on the first track. Cover has some wear, a few stains, a small split on the top seam, and a cutout hole.)

Possible matches18
CD, LP, Vinyl record album cover art
Grover Washington JrParadise ... LP
Elektra, 1979. Near Mint- ... $1.99
One of those records you see so much it's easy to forget how great it is! Grover's a real genius with the sax on this record – taking a "less is more" cue from Stanley Turrentine's 70s work, and toning down his playing to an even tighter style than on the Kudu albums of earlier years, to a level of ultimate economy that really leaves us breathless. Sure, the record's not a raw bit of funkety funk – but we're just as enthralled at pure commercial genius as we are at unbridled underground talent, and this album's a masterpiece of pacing, playing, and presentation that shows Washington still steeped in the soul jazz roots from whence he came, brilliantly focused on reaching a larger audience through economical use of his genius. He hits a rarified level here that we'd only reserve for a small few – like Steely Dan or The Crusaders, both groups who teeter on the same brink, and make it work perfectly. Titles include "Asia's Theme", "Tell Me About It Now", "Feel It Comin", "Icey", and "The Answer In Your Eyes". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear.)

Possible matches19
CD, LP, Vinyl record album cover art
Ernie WattsChariots Of Fire ... CD
Qwest (Japan), 1981. New Copy ... $13.99
Don't let the title and cover put you off – because the album's neither a version of the Chariots Of Fire soundtrack, nor the kind of hokey effort you might expect! Instead, the record's one of a great line of soulful 80s fusion sets from Ernie Watts – a player with roots in spiritual jazz, and countless 70s sessions for famous artists – but one who really came into his own with records like this! The album's got a sweet mix of jazz and R&B – a vibe that Ernie learned from LA scenemates The Crusaders, but which he explores here in a variety of ways – from upbeat groovers to mellow ballads, all voiced at a very personal level on alto sax. The record features a sweet remake of "Valdez In The Country" – retooled for the 80s – plus two takes on "Chariots Of Fire", and the tracks "Abraham's Theme", "Five Circles", "Lady", and "Hold On". CD

Possible matches20
CD, LP, Vinyl record album cover art
CrusadersHollywood ... CD
MoWest/Universal (Japan), 1972. New Copy ... Around October 22, 2014
A great record that's really the beginning of The Crusaders' strong run of smooth funky jazz for the 70s. The album's got the group dropping the "jazz" from their name, but it's still a great bit of LA funky soul jazz – with electric keyboards from Joe Sample that are very much in a late 60s mode, plus guitar from David T Walker and Arthur Adams, and bass from Chuck Rainey, in addition to fine work by regulars like Stix Hooper, Wayne Henderson, and Wilton Felder. Tracks have a tight and uncomplicated funky approach, with a slightly smooth edge – and titles include "Do Yourself A Favor", "Try A Little Harder", "Cold Duck Eddie", "Way Back Home", and the Afro-funky groover "Alekesam"! CD

Possible matches21
CD, LP, Vinyl record album cover art
New Ray BarrettoEye Of The Beholder ... CD
Atlantic/Fania (Japan), 1977. New Copy ... Temporarily Out Of Stock
A really wonderful album from Ray Barretto – more jazz fusion than his usual 70s salsa – but in a way that we really really love! The album's a crossover gem that has Ray working with Stix Hooper, Joe Sample, and Wilton Felder of The Crusaders – a trio who produced the record, and add in some of their instrumental help as well – which helps Ray find this bouncy, sometimes funky sort of groove – a sublime blend of LA fusion and New York Latin! There's still loads of great percussion from Barretto – but the set also has some wicked keyboards, guitar, and lots of jazzy inflections too. Titles include the killer cut "Here We Go Again" – a great midtempo number with a perfect steppers groove – plus the cuts "Tumbao Africano", "Leti", and "Expresso". CD

Possible matches22
CD, LP, Vinyl record album cover art
New Randy Crawford & Joe SampleNo Regrets ... CD
PRA, 2009. Used ... Temporarily Out Of Stock
The second collaboration between singer Randy Crawford and keyboardist Joe Sample – at least since Randy's classic work with The Crusaders – and a set that's got a really warm vibe overall! Joe's playing acoustic piano throughout, and working with a trio that features Christian McBride on bass and Steve Gadd on drums – giving Randy some classic-styled support, and making for a really jazzy album overall! Tunes are a mix of familiar numbers, some with a touch of blues – and although there's a bit of guest instrumentation on assorted tracks, the whole album's got a relatively intimate, personal feel overall – kind of like a jazz vocal set, but with a deep dose of soul. Titles include "Me Myself & I", "Every Day I Have The Blues", "Respect Yourself", "Angel", "Starting All Over Again", "This Bitter Earth", "No Regrets", "Lead Me On", and "Just One Smile". CD

Possible matches23
CD, LP, Vinyl record album cover art
New Michael FranksSleeping Gypsy ... CD
Warner, 1977. Used ... Temporarily Out Of Stock
A really brilliant little record – one of those gems that you've probably passed by so many times because it's ubiquitous, but which never fails to please over the years! Forget any pre-conceived notions you might have about Michael Franks, because at this early point in his career the man is a genre unto himself – working in a unique blend of jazz, pop, and a bit of soul – always served up sparely and with a great deal of understatement, but still filled with plenty of personal spirit on the lyrics. Franks' voice is beautifully compressed into the rest of the instrumentation by Tommy LiPuma – in a style that still holds up wonderfully over the years, and which is set to Claus Ogerman arrangements that make plenty great use of keyboards from Joe Sample of The Crusaders! Tunes are all originals by Franks – and there's some especially great Brazilian touches on the numbers "Antonio's Song" and "Down In Brazil". Other titles include "The Lady Wants To Know", "I Really Hope It's You", "Chain Reaction", and "In The Eye Of The Storm". CD

Possible matches24
CD, LP, Vinyl record album cover art
New Duke LumumbaJungle Funk ... LP
Capitol, Late 60s. New Copy (reissue)... Temporarily Out Of Stock
Do yourself a favor, and buy this album – you won't be disappointed! The record is a gem all the way through – a really unique mixture of LA soul jazz and African rhythms, with a sound that's almost like Hugh Masekela sitting in with the Jazz Crusaders! Of course, there's a lot of Jazz Crusaders in the set – as Wilton Felder plays electric bass on the album, giving it a fantastic loping groove – but there's also plenty of unique albums on the record, especially its way of approaching the rhythms with a sly, syncopated groove that's immediately infectious! Duke's trumpet solos are great, and they're augmented by tenor work by Chester Washington and trombone by George Bohannon – all nicely grooving on the album's brilliant blend of jazzy tracks. Titles include "Jungle Funk", "Afrikaloo", "Akagruge", "Like It Is", "Mafam", and "Peace Brother". Somebody put this one on CD – and do us all a treat! LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
New Joe SampleCarmel ... CD
ABC/Blue Thumb, 1979. Used ... Temporarily Out Of Stock
God, we love this record – and we're not ashamed to admit it! Sure, it sold a gazillion copies – and sure, for some folks it showed the true demise of the Crusaders ensemble. But for us, it's a masterpiece of smooth fusion, and a landmark album of easy jazz that spawned countless imitators that could never hope to match Sample's simple and elegant use of funky riffing and lyrical chords – coming in with just the right dash of darkness when the record's in danger of sounding too light. Most of the rest of the Crusaders had a hand in the record, and the set's got the smooth west coast sound you'd expect from the title. Tracks include "Carmel", "Cannery Row", "Sunrise", and "More Beautiful Each Day". CD
Also available Carmel ... LP 1.99

Possible matches26
CD, LP, Vinyl record album cover art
New Poncho SanchezFreedom Sound ... CD
Concord, 1997. Used ... Temporarily Out Of Stock
A fine, late 90s set from conga champion Pancho Sanchez – a heavy Latin percussion album made especially nice by the special guests – original Jazz Crusaders Wilton Felder on tenor and Wayne Henderson on trombone! Tracks range from salsa numbers, to ismore straight jazz and blues based tunes. Titles include "MJ's Funk", "Freedom Sound", "Latin Bit", "Scratch", "Transdance", "Brown & Blue" and more! CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
New Randy CrawfordEverything Must Change/Miss Randy Crawford ... CD
Warner/Edsel (UK), 1976/1977. New Copy 2 CDs ... Out Of Stock
Two early gems from Randy Crawford – back to back in a single set! Everything Must Change is the sublime first album from Randy Crawford – a set that's got a very strong jazzy vibe throughout – and which really shows the great place from which Randy started! There's a careful and classy mix of jazz, soul, and modern R&B throughout – never overdone, but often filled out with just the right sort of larger charts to match that incredible range of Crawford – that singing style that few other artists could match! Arrangements are by William Eaton and Larry Carlton – both with lots of jazzy undercurrents – and titles include a killer live version of "Everything Must Change", plus the tracks "I Had To See You One More Time", "I've Never Been To Me", "I Let You Walk Away", "Something So Right", and "Don't Let Me Down". Miss Randy Crawford is one of the hippest, tightest albums ever from Randy Crawford – a set that's got a great blend of jazz, funk, and soul – all with the kind of poise and polish she brought to her famous work with The Crusaders! Crawford's wonderful vocals are wrapped up perfectly in some cool combo backings which are then augmented by larger strings – a blend that's got a great sort of richness right from the start, but also that special late 70s LA style that never has things getting too soppy or commercial, even when tight. Randy's the perfect sort of singer to make a record like this come out right – and titles include "I Can't Get You Off My Mind", "Over My Head", "Single Woman Married Man", "Half Steppin", "This Man", and "At Last". CD

Possible matches28
CD, LP, Vinyl record album cover art
New Randy CrawfordRaw Silk/Now We May Begin ... CD
Warner/Edsel (UK), 1979/1980. New Copy 2 CDs ... Out Of Stock
Two early classics from the great Randy Crawford! Raw Silk is a really wonderful little album from Randy – a lot jazzier than previous work, and done in a style that has Randy's vocals backed by small electric combo work on most cuts! Players on the set are a great batch of top-shelf fusion players – and include Don Grusin, William D Smith, Leon Pendarvis, and John Tropea – all playing in different combos from track to track, but keeping things nicely together to match Randy's increasingly soulful vocals. The sound's a real hint at the greatness Randy would hit with The Crusaders – but in a mellower mode – and titles include "Endlessly", "Declaration Of Love", "Blue Mood", "Love Is Like A Newborn Child", "Nobody", and "Just To Keep You Satisfied". Now We May Begin is a great album cut by Randy during the height of her career! She'd just broken big with her vocals on "Street Life" by the Crusaders – and although that track's not on here, the Crusaders team of Wilton Felder, Stix Hooper, and Joe Sample produced the album, and have given it a very similar sound to that track. There's a few weak moments where Randy's singing in a mellower style that lets her voice wobble a bit too much – but the stronger tracks have a good jazz funk groove, and these include "Blue Flame", "Last Night At Danceland", and "My Heart Is Not As Young As It Used To Be". CD

Possible matches29
CD, LP, Vinyl record album cover art
New Grand Daddy IURepresent (album, clean, acapella, inst)/We Got Da Gats (album, clean, inst) ... 12-inch
Cold Chillin, 1994. Used (pic cover)... Out Of Stock
Two cuts from Grand Daddy IU's second LP. The production still has that smooth Cold Chillin sound, using several Jazz Crusaders samples. The vocal style is a little more hardcore than the first LP, but he doesn't overdo it like a lot of other MC's from around that time. 12-inch, Vinyl record
 
Partial matches: 8
Partial matches30
CD, LP, Vinyl record album cover art
Randy CrawfordRaw Silk ... CD
Warner (France), 1979. Used ... $14.99
A really wonderful little album from Randy Crawford – a lot jazzier than previous work, and done in a style that has Randy's vocals backed by small electric combo work on most cuts! Players on the set are a great batch of top-shelf fusion players – and include Don Grusin, William D Smith, Leon Pendarvis, and John Tropea – all playing in different combos from track to track, but keeping things nicely together to match Randy's increasingly soulful vocals. The sound's a real hint at the greatness Randy would hit with The Crusaders – but in a mellower mode – and titles include "Endlessly", "Declaration Of Love", "Blue Mood", "Love Is Like A Newborn Child", "Nobody", and "Just To Keep You Satisfied". CD
(Out of print. Booklet has remnants of a small sticker.)

Partial matches31
CD, LP, Vinyl record album cover art
Herbie MannOur Mann Flute ... LP
Atlantic, 1966. Very Good ... $2.99
Very groovy work from Herbie Mann – as you might guess from the image on the cover! The set's got a mod sort of 60s feel – hinted at by the title's reference to the Our Man Flint spy movies of the time – and Herbie keeps things tight and soulful throughout – serving up smoking solos over jazzy backings from Jimmy Wisner, Arif Mardin, Oliver Nelson, and Richard Wess. There's definitely a touch of the Atlantic Records soul instrumental sound at times – but we mean that in a great way, with a strong focus on the rhythms as much as the solos. Titles include an early version of The Crusaders' "Scratch", plus "Happy Brass", "Good Lovin", "Our Man Flint", "Theme From Malamondo", "Monday Monday", and "Philly Dog". LP, Vinyl record album
(Pink & tan label pressing, with deep groove. Cover has light wear, some stains, fading on the spine and top seam, a small split on the bottom seam, and some light peeling along the bottom.)

Partial matches32
CD, LP, Vinyl record album cover art
New DeodatoKnights Of Fantasy ... CD
Warner (Japan), 1979. New Copy ... Temporarily Out Of Stock
Smooth jazzy work from Deodato – a record that takes off from his electric keyboard work of the early 70s, and shows his growing interest in modern soul and R&B a the time! Deodato's still a few years way from some of his famous soul production work, but he's already got a great ear for a groove – and works in a style that's tight, but never too slick – the best Joe Sample or Crusaders territory, but even more groove oriented too. You can definitely hear Deodato's growing taste for modern soul here – especially on the seminal club jammer "Whistle Bump", which is a tight keyboard-driven groove, with some sweeping strings underneath wah wah guitar. The cut's the real standout on the album – although there's a few other nice moments, like "Space Dust" and "Lovely Lady", which has a great mellow Bob James-ish sound. CD

Partial matches33
CD, LP, Vinyl record album cover art
New Wilton FelderWe All Have A Star/Inherit The Wind ... CD
ABC/Robinsongs (UK), 1978/1980. New Copy ... Out Of Stock
A pair of albums from saxophonist Wilton Felder – back to back on a single CD! We All Have A Star offers up solo sounds from Crusaders reedman Wilton Felder – a really great set that's very much in the best vibe of his larger group at the time – yet one that also offers up a stronger focus on Wilton's sublime solo work on tenor! The album's got plenty of Crusaders help on board – given that Stix Hooper and Joe Sample produced the set along with Wilton – and the vibe's a wonderful blend of electric backings, with especially great keyboard lines, and Felder's well-phrased saxophone lines over the top! A few cuts feature vocals – sung by Angela Bryant or Debbie Demoia Ross – and titles include "We All Have A Star", "I Know Who I Am", "The Cycles Of Time", "Why Believe", "Ride On", and "You & Me & Ecstasy". Inherit The Wind is one of the best Crusaders-related solo projects – a soulful bit of fusion from saxophonist Wilton Felder, co-produced with his fellow Crusaders! The album's got the best sunny finish of the group's late 70s albums – traces of Latin, funk, and soul bubbling through a warm jazzy mix – staying soulful all the way through, and coming up with a sound that's smooth, but never sleepy. The blueprint for a million other records – none of which ever sounded this good! Titles include "Insight", "LA Light", "Until The Morning Comes", "Someday We'll All Be Free", and "Inherit The Wind". CD

Partial matches34
CD, LP, Vinyl record album cover art
New Quincy JonesDude ... LP
A&M, 1981. Used ... Out Of Stock
Quincy just never stopped putting out classic soulful albums! This one, from the early 80s, features a smooth jazzy blend of tracks, with a strong nod to the kinds of souped-up studio sounds that were being used by groups like The Crusaders, but also with a lot of the kind of soulfulness that made earlier albums so great. Features vocals by Patti Austin, and includes winners like "Ai No Corrida", "The Dude", "Betcha Wouldn't Hurt Me", "Velas", and "One Hundred Ways". LP, Vinyl record album
(Includes the lyric sleeve. Cover has some light wear, a bent corner, and a peeled mark from sticker removal.)

Partial matches35
CD, LP, Vinyl record album cover art
New Randy CrawfordRich & Poor/Through The Eyes Of Love (with bonus track) ... CD
Warner/Edsel (UK), 1989/1992. New Copy 2 CDs ... Out Of Stock
Randy Crawford at the cusp of the 90s – served up here on two very big albums from the CD generation! On Rich & Poor, Randy Crawford's really pushing her range nicely – still very much in the jazzy soul mode that brought her big notice right from the start, but also working towards some warmer moments that helped the record cross over nicely too! Randy's range is always amazing – able to inflect feeling into songs, even where you might not expect it – which keeps things interesting, even when some of the tracks are clearly going for the charts. Titles include "Every Kind Of People", "This Is The Love", "Separate Lives", "Love Is", "Cigarette In The Rain", "Wrap U Up", and "All It Takes Is Love". Also features a bonus track – "Wrap U Up (edit)". Through The Eyes Of Love is filled with sweet grooves from Randy Crawford, and is a set that does a really nice job of bringing back some of the jazzier elements from her roots – some warm Crusaders-like inflections that bring Crawford right back to her best sort of style! Instrumentation is nicely laidback at points – still smooth, but maybe a bit more relaxed than some of Randy's late 80s efforts – showing that return to classic elements that was coming into a lot of mainstream soul at the time. The approach works better here with Crawford than it does with most of her contemporaries – some of whom were caught out in the open without any studio tricks to help them out. Titles include "It's Raining", "Who's Crying Now", "When Love Is New", "Diamonte", "Just A Touch", "Like The Sun Out of Nowhere", and "Hold On Be Strong". CD

Partial matches36
CD, LP, Vinyl record album cover art
New Randy CrawfordThrough The Eyes Of Love ... CD
Warner, 1992. Used ... Out Of Stock
Sweet grooves from Randy Crawford, and a set that does a really nice job of bringing back some of the jazzier elements from her roots – some warm Crusaders-like inflections that bring Crawford right back to her best sort of style! Instrumentation is nicely laidback at points – still smooth, but maybe a bit more relaxed than some of Randy's late 80s efforts – showing that return to classic elements that was coming into a lot of mainstream soul at the time. The approach works better here with Crawford than it does with most of her contemporaries – some of whom were caught out in the open without any studio tricks to help them out. Titles include "It's Raining", "Who's Crying Now", "When Love Is New", "Diamonte", "Just A Touch", "Like The Sun Out of Nowhere", and "Hold On Be Strong". CD
(Out of print.)

Partial matches37
CD, LP, Vinyl record album cover art
New Nancy WilsonKaleidoscope/I Know I Love Him ... CD
Capitol/Soulmusic.com (UK), 1971/1973. New Copy ... Out Of Stock
A pair of the wonderful albums from Nancy Wilson – Kaleidoscope and I Know I Love Him – from an early 70s period when Nancy was experimenting with a style that was a lot more sophisticated than that on some of her earlier pop hits! First is Kaleidoscope – a record that sounds a bit like a soul take on late Reprise Sinatra styles – with large arrangements by James Mack that expand the tracks into some little pop symphonies filled with a lot of emotion. However, Phil Wright also gets in a few arrangements – on the more stripped-down groovy soul covers like "If I Were Your Woman" and "Ain't No Sunshine". Other great tunes include "The Greatest Performance Of My Life", "Once In My Lifetime", "Middle Of the Road", and "I'll Get Along Somehow". I Know I Love Him is an excellent lost album from Nancy – and one of her most original! The record takes the sophisticated soul vocals of her late 60s albums on Capitol, and twists them with a hip LA jazzy style arranged by Don Sebesky, and performed by The Crusaders and Arthur Adams. Great stuff, and with the tracks "Easy Evil", "Can I", "I Heard You Singing Your Song", "I Know I Love Him", "Don't Misunderstand", and "We Can Make It Baby". CD
 
 
 



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