A special version of this excellent series – with an album by each artist in the package! Side one features a killer album by the justly described Great JJ Jackson – and one that's been a darn tough one to find over the years! The leadoff cut is JJ's amazing single "But It's Alright", a slammin' soul track that always stops us dead whenever we hear it – which isn't often enough! The rest of the material is excellent too, and there are lots of nice tracks like "I Dig Girls", "Courage Ain't Strength", "Too Late", "Try Me", "Down But Not Out", Sho Nuff (Got A Good Thing Going", and "Four Walls". He's equally adept at uptempo soul and more ballad inflected tunes – great stuff all the way! Side two features Hypnotized by Linda Jones – one of the greatest female singers on the east coast scene at the end of the 60s – heard here on a classic Warner Brothers set that includes some of her best-remembered tracks! At some level, the set's a prequel to Linda's later recordings for the Stang/All Platinum label – as it features production and arrangements by the great George Kerr – who really has a way with slow-moving soul tunes, and the kind of sad-tinged tracks that Jones always did so well! Plus, his raw production really brings out some of the deeper soul qualities in Linda's voice – a mode that's quite a surprise at times, and presented here in a way that's far beyond any of the Aretha Franklin-styled cliches of other singers. Jones is a tremendously unique talent in female soul, and this album's her lasting legacy – a true treasure with cuts that include the hit "Hypnotized", plus loads of other nice ones like "Last Minute Miracle", "Give My Love A Try", "You Can't Take It", "What've I Done", and "I Can't Stand It". LP, Vinyl record album

A stone groover from the great JJ Jackson! 7-inch, Vinyl record

One of the greatest pop soul singles of all time! Even though we hear it lots of times on oldies stations, we still get a thrill from the great raw sound of "But It's Alright" – especially the great choppy guitar bit on the intro! Plus, this original Calla pressing of the track also features an amazing b-side – the hard storming "Boogaloo Baby", which is an incredible Northern Soul track with a groove that just won't quit! Pounding piano, great crowd sounds on the chorus, and a runaway groove that never stops! 7-inch, Vinyl record

A great little record – and one that's got quite a different groove than JJ Jackson's 60s material! Like a lot of records on the Perception label, this one's a nice messed-up funk record – with a lot of weird influences in the mix, and a cool sound that always feels like it's shaking itself apart! JJ does some singing, plays piano, and leads a group that includes organ, tenor, trumpet, and electric bass – working with a lot less tightness than some of his earlier bands – but in a great way that really opens up his sound for the 70s! Highlights include a weird long funk version of "Let The Sunshine In", plus "Indian Thing", "Help Me Get To My Grits", "Go Find Yourself A Woman", and a goofy cover of "Does Anybody Really Know What Time It Is?" LP, Vinyl record album

A great little record – and one that's got quite a different groove than JJ Jackson's 60s material! Like a lot of records on the Perception label, this one's a nice messed-up funk record – with a lot of weird influences in the mix, and a cool sound that always feels like it's shaking itself apart! JJ does some singing, plays piano, and leads a group that includes organ, tenor, trumpet, and electric bass – working with a lot less tightness than some of his earlier bands – but in a great way that really opens up his sound for the 70s! Highlights include a weird long funk version of "Let The Sunshine In", plus "Indian Thing", "Help Me Get To My Grits", "Go Find Yourself A Woman", and a goofy cover of "Does Anybody Really Know What Time It Is?" CD features bonus tracks – "The Carrot", "No Sad Songs", "The Lioness Has Shed Her Mane", and "I'm Going Through Changes". CD

Jackson, Johnson, Brown, and company – and a few more too – a nicely laidback sextet date from the later years of Pablo Records, done in the great mode that always made the label's work a 70s extension of the Verve Records ethos! Key players here, obviously, are Milt Jackson on vibes, JJ Johnson on trombone, and Ray Brown on bass – Brown also produced the set – and the group also features John Collins on guitar, Tom Rainer on piano, and Roy McCurdy on drums. Tracks are shorter and tighter than a jam session mode for three such heavy players – and titles include "Jaybone", "Lament", "Our Delight", "Bag's Groove", "Watch What Happens", and "The Jumpin Blues". LP, Vinyl record album

One of the best of the blacksploitation scores of the early 70s – a masterpiece of music that we rate every bit as high as Shaft or Superfly – maybe even higher! The music here is incredible – a surprising funky turn for JJ Johnson, who most folks know for his straighter jazz work – and like Marvin Gaye, Barry White, and others who were surprising the world with their ability to score music for a full film during the early 70s, JJ really knocks it out of the park with this one – coming up with a batch of tunes that are a wonderful mix of sophisticated scoring, creative instrumentation, and some damn funky grooves! The title cut features Joe Simon on vocals, and Millie Jackson sings on the cuts "Love Doctor" and "It Hurts So Good". The rest of the set is instrumental, and other cuts include an instrumental take on "Cleopatra Jones", plus "Go Chase Cleo", "Goin To The Chase", "Wrap Up", and "Airport Fight". LP, Vinyl record album

Milt Jackson and JJ Johnson – working here together on 1954 session cut in New York – but some of which features contributions from the famous French pianist Henri Renaud! At this point in their career, Jackson and Johnson had a very similar modern swing – and the record makes for a great matching of their talents – a bit like some of the earliest Blue Note work recorded under the leadership of either player. Johnson sits out on a few tracks, and Jackson plays a bit of piano in addition to vibes – on the tracks that don't feature Renaud – and other players include Al Cohn on tenor, Percy Heath on bass, and Charlie Smith on drums. Titles include "Jay Jay's Blues", "If I Had You", "Out Of Nowhere", and "Indiana". LP, Vinyl record album

With his sextet from 1947 with Conte Candoli on trumpet, Emmett Carls on tenor, Tony Aless on piano, Billy Bauer on guitar, and Mel Zelnick on drums; and with big band in 1950 with Howard McGhee, Al Porcino, and Don Ferrara on trumpet; JJ Johnson and Kai Winding on tronbone; Zoot Sims and Georgie Auld on tenor; Charlie Kennedy on alto; Gerry Mulligan on baritone; Tony Aless on piano; and Don Lamond on drums. LP, Vinyl record album

A wonderful pairing of these two modern boppers from the 50s – heard here on a set of rare Parisian recordings originally issued under the leadership of Henri Renaud! There's a really wonderful feel to the record – the sharp edges of Cohn and Renaud's original compositions, played with a great degree of soul by the soloists. Renaud plays piano on all tracks – and the first batch feature both Johnson's trombone and Cohn's tenor, alongside Gigi Gryce on baritone and Jerry Hurwitz on trumpet – on titles that include "Wallington Special", "Lisa", "Boo Wah", and "Something For Lili". Two more tracks – "Once In A While" and "The Things We Did Last Summer" – feature Cohn in a quartet with Renaud. And one more title – "If I Had You" – is presented in a ten minute long take, played by a group that features Johnson and Cohn with Renaud, plus Milt Jackson on vibes and Percy Heath on bass. CD

With John Coltrane, Milt Jackson, Kenny Burrell, JJ Johnson, Art Blakey, Joe Carroll, and others. LP, Vinyl record album

With selections by The Showmen, The O'Kaysions, Garnet Mimms & The Enchanters, The Tams, Leon Haywood, The Drifters, Willie Tee, The Astors, Brenton Wood, The Globetrotters, The Swingin' Medallions, The Dominoes, Darrell Banks, Arthur Alexander, Jackie Moore, Deon Jackson, Jackie Wilson, JJ Jackson, Bruce Channel, The Embers, Archie Bell & The Drells, and The Platters. LP, Vinyl record album

An amazing tribute to one of the best soul songwriters in the 70s – the mighty Phillip Mitchell, a key force in mixing together deep soul roots with more sophisticated styles for the time! Mitchell's got this mighty positive way of putting over a tune – lyrics that still hold onto the emotion of the past, yet also come through things with a forward-thinking style too – one that really helps get past obvious cliches, and which always seems to make a Mitchell-penned track stand out as the real gem on an album of 70s soul! Many of the artists here are from a southern soul background – no surprise, as Mitchell made most of his magic south of the Mason/Dixon line – and the set really brings together a great number of artists, and really shows the deep reach that Mitchell had at the time. Titles include "Hitch Hiking To Heartbreak Road" by Bobo Mr Soul, "Something New To Do" by Bobby Sheen, "Carry Me" by Ernie Shelby, "I Don't Do This" by Sidney Joe Qualls, "Free For All" by Mel & Tim, "Come Through Me" by Garland Green, "Here I Am Again" by Candi Staton, "You Made Me What I Am" by Erma Coffee, "Gonna Have A Murder On Your Hands" by JJ Williams, "Archie's In Love" by Archie Bell & The Drells, "Leftovers" by Millie Jackson, "How Can I Go On Without You" by Corey Blake, and "That's The Way I Wanna Live My Life" by Tommie Lee. CD

With Fats Navarro on trumpet, JJ Johnson on trombone, Milt Jackson on vibes, and Thelonious Monk on piano! LP, Vinyl record album

An amazing return to form for this legendary collection – filled with never-heard numbers, pulled from the 60s and 70s vaults of Motown Records! Even if you think you've got plenty of Motown in your collection already, you'll find plenty more here to love – totally fresh tracks by some of the label's biggest artists, plus some other gems by lesser-known stars – all of which have all the punch, power, and sparkle of classic Motown at its best! The 2CD set is brimming over with greatness – and we're honestly stunned that they can still come up with so many unreleased gems, even after three previous volumes in the collection. Titles include "Kidnapped" by The Blackberries, "Keep On Tryin" by The Fantastic Four, "My Baby Moves Me" by Brenda Holloway, "Your Kiss Kiss" by Marvin Gaye & Oma Heard, "Miss Lonely Heart" by The Vandellas, "You Gave Me Love To Live For" by Debbie Dean, "Head Over Heels In Love With You Baby" by The Spinners, "I'd Cry" by Chuck Jackson, "Twin Brother" by Eddie Holland, "Daddy Cool" by Oma Heard, "Three Time Loser" by Marvin Gaye, "The Girl I've Chosen To Be My Bride" by Joe Stubbs, "A Bird In The Hand" by Gladys Knight & The Pips, "Somebody's Waiting For Me" by The Contours, "Only A Lonely Man Would Know" by Ivy Joe Hunter, "The House That Jack Built" by JJ Barnes, "The Philly Dog" by Earl Van Dyke, and "Why Don't You Come Home" by Stevie Wonder. CD

Lots of classic early material – including "If I Were A Bell" recorded with John Coltrane on tenor and Red Garland on piano, "Conception" with Sonny Rollins on tenor and Jackie McLean on alto, "Bag's Groove" with Milt Jackson on vibes, "Solar" with Horace Silver on piano, and "Walkin" with JJ Johnson on trombone, Horace Silver on piano, and Lucky Thompson on tenor! LP, Vinyl record album

A monster record by Brother Jack McDuff, and one of his best-ever – in our humble opinion! At first glance, the album appears to be just a bunch of jazz covers of standards and pop tracks – like "Tobacco Road", "Shadow Of Your Smile", "This Bitter Earth", and "Teardrops From My Eyes" – but Jack's got some help from JJ Jackson on the arrangements, and the outwardly simple tracks are twisted into these amazing grooves that have Jack wailing away in strange choppy funky ways on the organ! The whole album must be heard to be believed, and the version of "Shadow Of Your Smile", which starts with a nice break, is worth the price of the album alone! Plus, the whole thing's packaged in a very groovy cover, too. LP, Vinyl record album

An amazing tribute to one of the best soul songwriters in the 70s – the mighty Phillip Mitchell, a key force in mixing together deep soul roots with more sophisticated styles for the time! Mitchell's got this mighty positive way of putting over a tune – lyrics that still hold onto the emotion of the past, yet also come through things with a forward-thinking style too – one that really helps get past obvious cliches, and which always seems to make a Mitchell-penned track stand out as the real gem on an album of 70s soul! Many of the artists here are from a southern soul background – no surprise, as Mitchell made most of his magic south of the Mason/Dixon line – and the set really brings together a great number of artists, and really shows the deep reach that Mitchell had at the time. Titles include "Hitch Hiking To Heartbreak Road" by Bobo Mr Soul, "Something New To Do" by Bobby Sheen, "Carry Me" by Ernie Shelby, "I Don't Do This" by Sidney Joe Qualls, "Free For All" by Mel & Tim, "Come Through Me" by Garland Green, "Here I Am Again" by Candi Staton, "You Made Me What I Am" by Erma Coffee, "Gonna Have A Murder On Your Hands" by JJ Williams, "Archie's In Love" by Archie Bell & The Drells, "Leftovers" by Millie Jackson, "How Can I Go On Without You" by Corey Blake, and "That's The Way I Wanna Live My Life" by Tommie Lee. CD

A sweet Atlantic soul groover from Brother Jack McDuff – and a set that has him tightening up his Hammond sound from his earlier years at Prestige Records! The tunes here are short and punched-up – almost instrumental soul numbers in their construction, but still filled with plenty of jazz – thanks to Jack's mad solos on organ, and some killer drums from Joe Dukes and Bernard Purdie! Other players include George Coleman on tenor, Cornell Dupree on guitar, and Buddy Lucas on baritone sax – and arrangements are by JJ Jackson and Jack himself. Titles include "Hotcha", "Down In the Valley", "Same Old Same Old", "No Tears", "What'd I Say", "Gonna Hang Me Up A Sign", and "Minha Saudade". LP, Vinyl record album

The roots of modern jazz never sounded this great before – and this is the first time ever that all the early bop recordings by Savoy have been properly brought together in one place! Savoy was one of the most important labels to record the early bop pioneers – and had a dedication to the music that begin in 1945, and moved well into the 50s – as the label captured some of the brightest young stars who'd go onto shape a generation! Almost all of this material was originally issued just as 78rpm singles – then later scattered and repackaged in a confusing way – although many tracks here also never made it into the LP or CD generation, either. The folks at Mosaic have worked incredible magic to correct that error – and have pulled together a stunning 10CD package that finally presents this amazing legacy of music in its proper form – complete with notes and session details that were never given in later years, too. There's way too much here to list in this space – but the set features dates recorded under the name of Dexter Gordon, Fats Navarro, Stan Getz, JJ Johnson, Sonny Stitt & Kenny Dorham's Bebop Boys, Allen Eager, Kai Winding, Ray Brown, Eddie Davis, Serge Chaloff, Kenny Hagood, Leo Parker, Tadd Dameron, Teddy Reig, Brew Moore, Milt Jackson, Kenny Clarke, and Gil Fuller – all with groups that are filled with equally hip and important musicians too. We love Mosaic all the time – but with a collection of 78rpm material, they really knock it out of the park – and do us, and the jazz history books, a mighty big favor! CD

A well-done package that celebrates the key contributions that Savoy Records made to the field of jazz on record – as the New Jersey company was one of the first to record the new wave of bebop in the late 40s, and quickly unleashed the music of Charlie Parker and his contemporaries on a host of famous 78rpm singles at the time! This set features many of those key 78 recordings, but focuses on their presentation in a series of 10" LP releases that Savoy did in the early 50s – vinyl packages that compiled the earlier shellac sides into a more durable format – and presented the key efforts that the label made in helping bebop get out of the clubs and onto the turntable! As with other Craft Records packages, the presentation is great – and really upgrades other reissues of the material with great sound, notes, and artwork that really live up to the contents within. 2CD set features new mastering of the material, alongside notes and photos – with classic material recorded under the leadership of Milt Jackson, Leo Parker, Stan Getz, Dexter Gordon, JJ Johnson, Charlie Parker, Kai Winding, Allen Eager, Budd Johnson, Fats Navarro, Eddie Lockjaw Davis, Roy Porter, and Serge Chaloff! CD

Hardly the kind of music you'd want to keep in the basement – as the set's overflowing with classic soul from the 60s – especially the kind of underground nuggets we love so much! If we had to pick a style, we might say that the collection's heavy on Northern Soul rompers from the American indie scene way beyond Detroit – but there's also lots of other tasty flavors on here too, including some special west coast numbers and early funk tracks that really give the whole thing a great sense of variety – while still keeping to the upbeat, lively rhythms that make the set so great! Every track's a winner – and although most of these tracks never charted at the time, most have gone onto win big fame through constant circulation between DJs and collectors over the past few decades. Titles include "Sock It To Em Soul Brother" by Bill Moss, "The Horse" by Cliff Nobles, "Sign On The Dotted Line" by Gene Latter, "Peaches N Cream" by The Ikettes, "Tramp" by Lowell Fulsom, "I'll Never Forget You" by Marke & Chris Jackson, "Take It Baby" by The Showmen, "Ooh Wee Baby I Love You" by Fred Jackson, "Giving Up" by The Ad Libs, "With This Ring" by The Platters, "One Eye Open" by Maskman & The Agents, "Baby Please Come Back Home" by JJ Barnes, "Gotta Give Her Love" by The Volumes, and "Believe In Me Baby (part 1)" by Jesse James & The Dynamic Four. CD

Wicked early work from Milt Jackson – a record that's got a lot more of an edge than some of his later work with the Modern Jazz Quartet – a near-perfect modernist bop sound that's every bit the best side of Blue Note in the early 50s! The groups here are really great – one a quintet that features Jackson's partners in the MJQ – John Lewis on piano, Percy Heath on bass, and Kenny Clarke on drums (who was in the first rendition of the quartet) – the group's also joined by Lou Donaldson on alto sax, who blows with this boppish edge that really deepens the sound! And the other quintet is even better – with Thelonious Monk on piano and Sahib Shihab on alto sax. Milt's vibes ring out in this boldly chromatic way – clearly a sense of discovery in process during the session – and titles include "Bag's Groove", "On The Scene", "Willow Weep For Me", "Criss Cross", "Eronel", "Tahiti", and "What's New". LP, Vinyl record album

Fantastic early work by John Coltrane – an album that shows that he was already reaching far, even in the 50s! The tracks on the set are quite long – quite speculative work that predates some of the searching experiments that Trane began in the 60s, with a nice undercurrent of spiritualism that's missing from some of his other work of the period. The work's played by a hip sextet co-led with trumpeter Wilbur Harden, and featuring Curtis Fuller on trombone, Tommy Flanagan on piano, Art Taylor on drums, and Ali Jackson on bass. Titles include the classic original reading of "Dial Africa", plus the super-extended "Gold Coast", and the nice "Oomba". LP, Vinyl record album

A great lost side from Savoy Jazz – not to be confused with Opus De Jazz Vol 1, the more famous album by Milt Jackson. Like that one, though, this set features a vibist in the lead – John Rae, a strong player who only recorded a few albums, most notably with Herbie Mann. The groove's a lot more modern than the earlier set – with Steve Kuhn on piano and Bobby Jaspar on flute helping out Rae on the solos. Titles include "Roll On Down", "By My Side", "Potlikker Blues", and "Ah Leu Cha". LP, Vinyl record album