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An early stunner from Black Ivory – a great groover, done with kind of a bouncy lilting groove that has lots of bass, and a good mix with the group's harmony vocals! One of the funkiest from Fatback – "Goin' to See My Baby" is especially tough, and starts out with a massive breakbeat on the intro, then jumps into wicky-wacky basslines.

A unique account of the oft-told history of Chess Records by author Rich Cohen – focusing on the business acumen the the Chess Brothers, and the brazen approach that brought the music of juke joints to the mainstream. Cohen doesn't pull any punches when it comes to the exploitational side of the Chess story, telling the story of the Chess Brothers and the artists that changed music forever, with a focus on the facsinating and complicated business behind it. Hardcover, 220 pages.

Sublime 70s work from Darrow Fletcher – a singer we mostly know for his early soul singles in Chicago – but one who really hits his stride on these rare sessions from LA! The music was mostly recorded for Ray Charles' Crossover label – although a few singles also appeared on Atlantic too – and the work has Fletcher's wonderful sweet soul vocal approach coming into play with these warmly flowing grooves that are mighty nice – almost a west coast take on the style that Leroy Hutson was doing in Chicago on Curtom! In the setting, Fletcher's even more appealing than before – a mature singer with a hell of a balance between class and soul, poise and swing – more than enough to rival his hippest contemporaries. Production on most tracks was done by Joel Webster – who also recorded for Crossover – and titles include "The Rising Cost Of Love", "Honey Can I", "Try Something New", "Secret Weapon", "Let's Get Together", "It's No Mistake", "Election Day", "Improve", and "Wind Up Toys".

If you liked the first volume of this essential book, you'll love this revised edition – because it's almost 3 times bigger, and stuffed with great new features! The book's a lifetime labor of love for Freddy Fresh – an extensive discography that's got to be the most definitive book on early hip hop we've ever seen! The vintage of the titles listed in the book is 1979 to 1994 – and as Freddy says in the preface, there's a few records listed that may fall outside the rap genre or that time span, including some disco and electro numbers – but that's okay by us! The book's got tons of label scans – plus entries listed alphabetically by label and then in order by catalog number – and this exhaustive project reads like your dream want-list for years and years to come. Plus, in addition to the label and record listings, there's appendices with old school flyer scans, top picks from DJs and producers all over the globe, lists of resources for finding records and Freddy's own personal lists for records, including his "5 star" rated records, and songs and singles arranged by topic. An absolute must-have for any die hard fan of hip hop! Revised edition is 3 times bigger than the first one – 740 pages, with over 1500 new photos, and also features an updated section on bootlegs vs originals, New York City record store photos, info on overseas labels, an Ebay auction guide, a comprehensive cross-index, and lots more great bits.

A wonderful tribute to the Impulse Records label – one that's put together with as much graphic sensitivity as you'll find on the company's album covers of the 60s! The book is incredibly well researched – both from archival material and over 50 interviews with artists and producers associated with the label – and these writings are interspersed with a wealth of great images, including album covers, session photos, and vintage advertisements! There's also a full discography in the back, and a very helpful index – and at 338 pages, the book is a wealth of information. Hardcover, and a bargain at this price!

A really cool guide to an under-researched side of the record business – the decades of albums and singles issued for the younger market – served up in a book that's as colorful as the records themselves! The volume is partly a price guide, partly a discography – and it's printed on super-heavy paper, full color, with loads of images of these cool little records! Plus, the front section features a lot of specific details on labels and pressings – a great help, given how unusual some of these were – and how few of the records have survived the passage of time in good condition. Over 400 pages, softcover, and very heavy!

A tome to the legacy of Island Records – the pretty amazing journey of a record label that began with the goal of bringing reggae to the masses – and in it's heyday, grew to be home to some of the most creative artists in modern pop music of sprawlingly broad styles! From Bob Marley to U2, Roxy Music, Tom Waits, Elvis Costello, PJ Harvey, Tricky and so many more! Includes a preface by Chris Blackwell, and this book is quite beautifully illustrated. . .lots of full color photography, album art and more. 222 pages.

A 2CD set of Candi Staton – the complete Fame masters recorded by the female southern soul great and producer Rick Hall at the fabled Muscle Shoals studios – including a dozen previously unreleased tracks! It's one heartbreaking, soul stirring masterpiece after another on this set – some of best southern soul by anyone in this period, if you're asking us! Candi's voice brings grit and grace, sweetness and gruff truth. Includes the great late 60s/early 70s material plus some previously unreleased number cut before here mid 70s move to Warners – and that stuff is wonderful, too! 48 tracks in all: "Someone You Use", "Mr And Mrs Untrue", "Do Right Woman", "In The Ghetto", "Love Chain", "I'll Be Here", "Jolene", "It's Not Love", "Stand By Your Man", "For You", "Another Man's Woman, Another Woman's Man", "Where Were You", One More Hurt", "Do Right Woman" and many more.

A crucial look at the Chicago scene in the 1980s – and the first collection to really get at the roots of that city's legendary house music scene! Although later labels – like Trax or DJ International – became known as global forces for dance music in the 80s, the big wave of new sounds from the Windy City was really started by a much smaller company – the tiny Mitchbal label, and related Chicago Connection Records! This wonderful package really does a great job of bringing the Mitchbal contribution to light – with lavish notes, almost Numero-style, that fully detail the way the label mixed unique strands on the scene – British imports, new wave rhythms, and a younger generation of soul musicians still looking for an outlet in the post-disco years. These forces, and more, all came together to make the mighty sound of Mitchbal – featured here in a collection of the label's rare singles, some unreleased tracks, and other essential bits. 3CD package features a full bonus mix CD, plus a whopping 24 tracks that include "Fantasy (inst)" by Z Factor, "Shake Your Body" by Jeanette Thomas, "When I Hear The Music" by Mitchbal & The Housemasters, "The House Is On Fire" by Dezz & Grant, "Do Dat Stuff (dance mix)" by Mitchbal & Larry Williams, "I Am Music (inst)" by Libra Libra, "That's The Beat" by Risque Rhythm Team, "Fast Cars" by Z Factor, "More Than Just A Dance (backyard mix)" by Rique Rhythm Team, "I Got Broke Breakdancing (inst)" by MC Ghee, and "I Can't Forget" by Mr Lee.

A crucial look at the Chicago scene in the 1980s – and the first collection to really get at the roots of that city's legendary house music scene! Although later labels – like Trax or DJ International – became known as global forces for dance music in the 80s, the big wave of new sounds from the Windy City was really started by a much smaller company – the tiny Mitchbal label, and related Chicago Connection Records! This wonderful package really does a great job of bringing the Mitchbal contribution to light – with lavish notes, almost Numero-style, that fully detail the way the label mixed unique strands on the scene – British imports, new wave rhythms, and a younger generation of soul musicians still looking for an outlet in the post-disco years. These forces, and more, all came together to make the mighty sound of Mitchbal – featured here in a collection of the label's rare singles, some unreleased tracks, and other essential bits. 2LP package features some of the best club cuts – 8 tracks that include "Fantasy (inst)" by Z Factor, "The Jackin Zone" by Risque Rhythm Team, "Fast Cars" by Z Factor, "I Got Broke Breakdancing (inst)" by MC Ghee, "Shake Your Body" by Jeanette Thomas, "I Am The DJ (jazzy mix)" by Z Factor, "Do Dat Stuff (dance mix)" by Mitchbal & Larry Williams, and "I Like It (club)" by Libra Libra.

A rich tribute to one of the greatest indies of the south – especially back in the 50s – Jackson's mighty Ace Records – home to a rich array of R&B, early rockers, and rootsy music too – all served up here in a mightily overstuffed compilation! The set brings together a few unreleased tracks alongside Ace singles and other obscurities – a rich testament to the strength of the label back in the day – and their great ear for sounds from surrounding scenes as well – as the music here has plenty of echoes of Memphis and New Orleans too! The package is heavy on obscure gems – and titles include "Baby Say You Will" by Jesse Allen, "Hey Hey Baby Come Home" by Albert Scott, "Well I Never Get Tired" by Johnny Fairchild, "Educated Fool" by Huey Piano Smith, "Roll On Train" by Elton Anderson, "Doing The Rock & Roll" by Calvin Spears, "Classy Lassie" by Alvin Red Tyler & The Gyros, "I'm Packing Up" by Earl King, "Love's Like A River" by Charles Brown, "Roll Em Back" by Eddie Bo, and "Love Is My Business" by Bobby Woods. CD features 9 more bonus tracks from the original album – with titles that include "Shed So Many Tears" by Elton Anderson, "You Aim To Please" by Jimmy Clanton, "Sea Cruise" by Huey & Jerry, "Baby It's Love" by Johnny Angel, and "Rock" by Lee Dorsey.

A teeny-tiny Philly label, but a pretty great one too – home to just a handful of singles, but most of them the kind of rare soul sides that keep us digging over the years! The package features nearly ever key release on Lash – a mix of male soul numbers, group sides, and some sweet female numbers – all recorded over the space of a decade on the Philly scene – showing a great evolution over the years in style! All selections were originally produced by Howard Ravitsky, who owned the label, and definitely improved his chops along the way – and titles include "Get Goin" and "Tell Me" by Lee Johnson, "Here She Comes Now" by Sonny Fulton, "The Guy" by Fannie & The Varcells, "I'm Not The Only One" by Tommy White, "Don't Start That Again" by The Swans, "Inside O Me" by Honey & The Bees, "Treat Myself To A New Love" and "I'm Cuttin In" by The Inspirations, "I'm Happy Without You" by Anny Byers, "Got No Time" by Timmy Carr, "I Can Give You Love" by Benny Sigler, "Give Me What You're Givin Her" by Alfreda Brockington, and "He Brought Sunshine Into My Life" by Patty Hamilton. CD features 30 tracks in all, and full notes on the label.

Amazing grooves from a legendary pair of labels – the ultra-funky Perception and Today Records, home of some killer sounds from the New York scene at the start of the 70s! The labels had a great ear for up-and-coming soul – especially with some of the younger groups rising up at the time – and they also used their magic to refresh the sounds of some older artists, particularly jazz musicians, who took on an ultra-funky approach at Perception – one that's made their work for the label some of the most in-demand over the years! Drums are heavy, bass is nice and fuzzy, and many of the cuts have a righteous sound that really takes off from the most progressive soul, funk, and jazz of the late 60s – pushing hard with an even heavier 70s vibe. Titles include "Brother" by Adam Wade & Johnny Pate, "Too Sad To Tell" by Debbie Taylor, "Chitlins & Chuchifritos" by Joe Thomas, "Naturally Good" by Bartel, "You & I" by Black Ivory, "I Can't Get No Higher" by The Eight Minutes, "You Owe It To Yourself" by JJ Barnes, "Get Some Of This" by Madhouse, "Honey Buns" by Bobby Rydell, "Gingele" by Astrud Gilberto, "One Life" by The Albert, "Surrender" by Black Ivory, "Wishful Thinking" by JJ Barnes, "You've Just Been Bitten" by Bartel, "Every Brother Ain't A Brother" by Joe Thomas, "Submission" by Tyrone Washington, "Boogie" by Bartel, "Alligator" by Dizzy Gillespie, "Rock Steady" by Julius Brockington, "Find The One Who Loves You" by The Eight Minutes, "A Possibility" by Wanda Robinson, and "Heritage Hum" by James Moody.

8 stunning groovers from London's Bitasweet Records – part of the NuSoul underground led by IG Culture and Phil Asher, both of whom contribute work to the set, along with G Force, Afro Force, and New Sector Movements. Titles include "Thrill Seeker" by Dub Basement, "Locust" by 12 Bit Rephugeez, "Goza (dub)" by Afro Force, "Universal Music" by BB Boogie, "The Mind (the mind rub)" by Da One Away, "My History (raw dub)" by New Sector Movements, and "Pleasure Ride" by Blacktonez. Lots of material exclusive to the set, too!

Groovy psychedelic pop on Capitol – showing how strangely, yet appealingly pop could stretch out with the resources of Capitol Records at the disposal of groups, producers & arrangers at a fruitful and furiously creative time in pop music! It was a period when David Axelrod, Ken Mansfield and other pioneering production wizards were at Capitol, and the set is filled with rarities – a number of which have never been reissued before, and stuff that could (or should) have made superstars of some of these cats! Great stuff from groups like This Side Up, Tuneful Trolley, The Four Preps, Sidewalk Skipper Band, Moorpark Intersection, Carnival Connection and more. 26 tracks in all: "Book A Trip" by This Side Up", "Lady In Lace" by Stained Glass, "Cynthia At The Garden" by Sidewalk Skipper Band, "Mr Sun" by The Lettermen, "Yours Till Forever" by Griffin, "Don't Take The Night Away" by Pleasure and more.

Beautiful bossa from the vaults of Brazil's Elenco Records – warm, breezy treasures from the heart of the 60s with numbers by legendary singers and groups such as Edo Lobo, Quarteto Me Cy, Nara Leao, Baden Powell, MPB-4 and more! The independent Elenco label was founded in Rio in 1963 and aimed to bring the biggest names in bossa together under one roof. The label not only succeeded in that effort, but the artists brought out some of their best performances! Soul Jazz not only puts together essential material – compiled by Stuart Baker, who also contributes the exceptional sleeve notes – they manage to outdo themselves, which is honestly an incredible thing, considering that every compilation they put out is filled with treasures. The booklet features Baker's notes, some photos of the artists, and some original Elenco album cover art – the latter of which is nicely paid tribute to with Soul Jazz's own packaging for the set. 23 tracks in all: "Resolucao" by Edu Lobo w/Tamba Trio, "Consolocao" by Baden Powell, "O Canto De Ossanha" by Quarteto Em Cy, "Zanzibar" by Edu Lobo, "Maria Moita" by Nara Leo, "Enquanto A Tristesse Nao Vem" by Sergio Ricardo, "Negro" by Lucio Alves, "Sentinela" by MPB-4 and more.

Hip hop, street soul, and lots lots more – a really revolutionary selection of music from the legendary Celluloid Records – a label that was virtually a genre unto itself! Celluloid was a key force tying together the New York downtown scene at the start of the 80s, and the postcolonial music world of Paris – and as a result, they always operated with a culture-crossing style that few other companies of the time managed to hit – merging together sounds in really unlikely ways, and often coming up with fresh new styles in the process! The label's known for crate-diggers for its hip hop releases – and to world music fans for its electric Africa work – but they also were on the forefront of New York No Wave, avant jazz, and post-punk – and somehow found a way to integrate both young new talents, and older experimentalists who still had plenty to offer. This package finally does Celluloid justice – and goes way past the few simplistic comps of the label's work over the years – training the skilled Strut ear to the whole thing, and also serving up the full story of the label in the process. Titles include "I'm The One" by Material, "Day Tripper" by Shockabilly, "Tele Apres La Meteo" by Fredinand, "Disco Rough (long version)" by Mathematiques Modernes, "Electrique Sylvie (full length version)" by Modern Guy, "Mean Machine Chant/Mean Machine" by Last Poets, "Abele Dance ('85 rmx)" by Manu Dibango, "Change The Beat (French & English)" by Fab 5 Freddy, "The Escapades Of Futura 2000" by Futura 2000 with The Clash, and "Downing Street Rock" by Winston Edwards & Blackbeard. 26 tracks in all!

Heavy funk in a variety of cool colors – the first-ever collection of work from German sound library labels Golden Ring & Happy Records – and a real revelation to our ears! Grooves are plenty heavy throughout – lots of funky drums and burning basslines – with instrumentation that runs the gamut from choppy fusion to soundtrack-styled funk – often with lots of keyboards and guitar in the mix! The labels are almost a refuge for players who'd previously cut more famous funky work at the MPS label – artists who include Peter Thomas, Klaus Weiss, and Sigi Schwab, all of whom make some key appearances here – moving at the same great funky jazz pace they were hitting earlier in the 70s. Other artists are more obscure, but equally great – and the set's a true treasure trove of funky grooves you'll be hard-pressed to find elsewhere. Titles include "Present News" and "Jumping Balls" by Klaus Weiss, "Sound Colours A" by Peter Thomas, "Getting High" and "Get The Groove" by Sigi Schwab, "Mr Marco's Blues" and "Chicago Song" by Ralph Marco, "Open Up" and "Pick It Up" by Frank Mantis, "Late Train" and "Dark Alley" by Ken Aldin, and "Just Funky" by Klaus Weiss.

Cooler than ice – and cooler than just about any other label collection we've ever seen – a massive collection of work from the legendary Artic label, home to some of the best Philly grooves in the late 60s and early 70s! The package not only includes 6CDs, but also features 6 funky 45s as well – each of which features an unissued gem from the label – all wrapped up in a really well-done cover that comes with a 48 page booklet, and lots of vintage photos! There's never been a label overview like this one before – and the CDs feature every single issued by the company, both a and b-sides – a project that took the folks at Jamie many years to produce, but which has been well worth the wait. The music is wonderful throughout – great female soul, some soaring group tracks, and even a few funky nuggets too – way more than we ever knew that Arctic ever recorded. In addition to early efforts from later stars like Barbara Mason or Kenny Gamble, the set also features music by Honey & The Bees, The Ambassadors, The Combo Kings, The Rotations, Teddy & The Fingerpoppers, Three Strangers, Billy Floyd, Jack & Jill, The Temptones, Kenny Hamber, Herb Johnson, Winfield Parker, Lane Relations, Volcanos, Della Humphrey, Royal Five, and many others. The set's six 7" singles are amazing too – a dozen tracks that have never been heard before – including "He's Got To Love Me" and "Catch Him Love" by Barbara Mason, "I'm At My Best When I'm Down" and "The Rock" by The Combo Kings, "It Takes Two" and "Fat Daddy" by Kenny Gamble, "No Doubt About It" and "Lover Boy" by The Tiffanys, "Doctor Love" and "I Only Have Eyes For You" by The Ambassadors, and "I Love You Just The Same" and "Fallin Star" by Winfield Parker.

A killer collection of singles from the legendary Cotillion arm of Atlantic Records – all presented as individual 7" records with original labels, served up in a hip limited edition package! The work here would already be great as a CD compilation – but it's extra special when served up in this stunning format – like finding a pile of rare soul singles in the back of a rack in an overlooked record store – still in great shape, and ready to explode anew on your turntable! The music is very well-chosen – and includes cuts by some key artists who only worked briefly for Cotillion, and never cut a full album for the label – such as Baby Washington, Otis Clay, or Walter Jackson. Other artists are ones who really hit their height at Cotillion, but still remain relatively obscure – and the singles here easily represent some of their best work ever. All cuts are right from the hippest tail end of the 60s – and titles include "Do Right Woman" and "That Kind Of Lovin" by Otis Clay, "Keep On Striving" and "Come On Let Me Love You" by Moses Smith, "Night After Night" and "The Love That I Needed" by The Blendells, "The Love Of My Woman" and "I Wanna Go Home" by Darrell Banks, "I've Fallen In Love" and "You Are The Circus" by C & The Shells, "Any Way That You Want Me" and "Life Has Its Ups & Downs" by Walter Jackson, "I Gotta Get Back To Lovin You" and "LA/USA" by Hollywood Spectrum, "I Don't Know" and "I Can't Afford To Lose Him" by Baby Washington, "Don't Play That Song" and "People In Love" by Lou Johnson, and "Ain't No Sun" and "Murder IN The First Degree" by The Dynamics.

A very cool little record – almost the musical equivalent of pulp paperbacks and b-movie crime films – served up on a host of rare tracks from the 50s and early 60s! Crime is the dominant theme here – as you might guess from the title – but the great thing about the music is the way it's handled – often with a slight sense of humor that offers up a nice contrast to more serious crime-based pop culture of the time – reflecting the postwar fascination with the genre, but offering up its own vision of things as well! Instrumentation and production usually play a big part in the tunes – pretty crafty, with lots of cool twists and turns that make things as vivid as pre-code comic book or True Confessions magazine! Titles include "Cops & Robbers" by Boogaloo & His Gallant Crew, "Dick Tracy" by The Chants, "The Prisoner's Song" by Hylo Brown, "21 Days In Jail" by Magic Sam, "Mr Dillon" by The Delcardos, "Life To Go" by George Jones, "Bad Detective" by The Coasters, "Birmingham Jail" by Warren Storm, "Jail Bird" by Sonny Knight, "Prisoner's Plea" by Billy Boy, "Dragnet" by Ray Anthony, and "Have You Got The Gumption" by Scatman Crothers.

DJ Spinna takes on P&P Records – and the results are sublime! Spinna's one of the most soulful talents to ever hit the decks – an artist we can always rely on for his crucial ear for older sounds – a really unique sense of taste that always has Spinna picking some of the best cuts from rare records – and finding a way to put them together that turns us on all over again to great music! Given that P&P is a treasure trove of rare grooves, Spinna's got plenty to work with here – and manages to dig into the label with effortless ease – coming up with a wicked blend of funky soul, soulful funk, underground club, and even a bit of hip hop too! This CD version features a full mix of 24 tracks – 80 minutes of music that's tweaked and touched-up here and there with some work on the decks. Titles include "Take Me I'm Yours" by Mary Clark, "I'm Gonna Fool You" by Ella Hamilton, "Game Of Life" by Lavaba & E Mallison, "Big Foot Boogie" by Brisko The Kidd, "Did You Notice" by Louise Murray, "Dust To Dust" by Cloud One, "Determination" by Eddie Owen, "New York's Movin" by Ahzz, "Feel The Spirit" by Foster Jackson Group, "Got You Dancing" by Karisma, and lots lots more!

The Enjoy Records Story – but from the early days, when the label was a powerhouse outlet for R&B, blues, and early soul music – years before they also started cutting hip hop as well! The tracks here are all a great illustration of the keen ear of the imprint, and their strong focus on a few key acts who could really knock it out of the park – music that made Enjoy a key player at the start of the soul years of the 60s – even though some of its best artists went onto later fame at bigger labels. The collection is the best we've ever seen on Enjoy during these seminal years – and features a whopping 36 cuts that include "People Sure Act Funny" by Titus Turner, "Hoop & Holler" by Riff Ruffin, "I Believe To My Soul" by Louis Jones, "What Ya Gonna Do" by Noble Watts & June Bateman, "Get It" by Jay Dee Bryant, "Let's Do The Boston Monkey" by Les Cooper, "Don't Lie" by Sammy Taylor, "Sad Song" by The Channes, "Long Time No See" by Ronnie & The Manhattans, "Hot Potato" by The Rinky Dinks, "Ain't Nobody's Business" by Mary B, "It Hurts Me So" by Elmore James, "Soul Twist" by King Curtis, and "What Shall I Do" by Gladys Knight & The Pips.

Dancefloor treasures from Factory Records – avant disco classics and underground club tunes from the earlier year of the legendary label – compiled by Strut! Peter Saville of DJHistory.com assembled this great collection of 12-inch classics – with great tracks by Section 25, A Certain Ratio, The Durutti Column, Quando Quango, X-O-Dus, Marcell King and more. Incredible, ageless and fiercely creative dancefloor material from that creatively fertile post-punk disco era on through the mid 80s! Includes "Looking For A Hilltop (Megamix)" by Section 25, "Wild Party" by A Certain Ratio, "Puppeteer" by Blurt, "Time" by Minny Pops, "Dirty Disco" by Section 25, "For Belgian Friends" by The Durutti Column, "Reach For Love" by Marcel King, "Cool As Ice (Restructured By John "Jellybean" Benitez), "See Them A'Come" by X-O-Dus, "Smiling Monarchs" by Abecedarians and more. CD version has 24 tracks on 2CDs.

A great little discovery from the 60s – work from a teeny tiny Canadian label, but all of it pretty darn great! Not many groups recorded for the Gaeity Records label, but they all seem to be pretty well skilled at picking up on the best elements of 60s psyche pop and garage – all delivered here with a simple but effective groove that's almost a bridge between the LA and Chicago scenes of the mid 60s. CD features 24 tracks in all – broken into sections group by group – and titles include "World Of Dreams" and "Only In America" by The Plague, "Lies" and "Nature's Love" by Solid Reputation, "So Much In Love With You" and "My Time Is Comin" by The Checkerlads, "If You Can Dig It" and "Ode To A Cucumber, A Berry, & A Flower" by The Dewline, "Lexington Avenue" by Farmer John, "Yours Until Tomorrow" and "That's The Tune" by Flying Colours, "To Be Back Home" and "I Brought My Love With Me" by NRG/Merriday Park, and "Baby Get Out" and "Set Me Free" by Portland Street South.

A stellar batch of smoldering gospel soul and good word funk – long underappreciated material released in the early-to-mid 70s on the Truth & Gospel Truth labels, imprints of the mighty Stax Records! The sound is often early 70s Memphis soul & funk to the bone – a few strings bring some soaring moments, but the groove is nice and gritty – with the gospel coming from the heart & soul of the singers. The set features a couple of numbers from The Staple Singers released on Stax proper back in the day, plus lesser known and equally great numbers from Clarence Smith, The Marion Gaines Singers, The Rance Allen Group, The Sons Of Truth, Joshie Jo Armstead, Louise McCord and many more released on Truth & Gospel Truth in the first half of the 70s. Titles include "Son Of The Deacon" by The Sons Of Truth, "Sometimes I Feel Like A Motherless Child" by Clarence Smith, "(There's Gonna Be A) Showdown" by Rance Allen Group, "You Can't Stop Me Now" by The Marion Gaines Singers, "it Will Soon Be Over" by The Marion Gaines Singers, "Stumbling Blocks, Steppin' Stones (What Took Me So Long)" by Joshie Jo Armstead, "Brand New Day" and "Name The Missing Word" by The Staple Singers and more. 20 tracks in all.

A great collection of early 70s pop on the legendary Harvest Records label – and one that's got a decidedly ELO-oriented bent! The package features work by early ELO and related groups Wizzard and The Move, as well as solo work by Roy Wood – one of the key forces in the group with Jeff Lynne at the time. But way more than hits, the CD actually offers a good amount of rarities – unreleased versions of more famous tunes, including rare single or radio mixes! 14 tracks in all – including "Do Ya (7" version)" by The Move, "10538 Overture (US radio mono)" by ELO, "Ball Park Incident" by Wizzard, "Mr Radio (7" version)" by ELO, "Tonight (US radio edit)" by The Move, "King Henry VIII's Bullocks" by ELO, "Rock Down Low" by Roy Wood, "Dear Elaine" by Roy Wood, and "Showdown (ADT version)" by ELO.

One of the funkiest gospel collections you'll ever hope to own – and an amazing document of the criss-crossing styles going down at the legendary Jewel Records! Jewel didn't just record gospel, but handled a fair bit of soul, funk, blues, and jazz – all of which seems to bubble forth in these amazing recordings – tracks that easily represent some of the hippest, coolest gospel sides of the late 60s and early 70s – the kind of work we've dug for years in its ability to easily cross over to the secular scene, thanks to wicked grooves underneath the vocals! And the vocals are pretty darn great too – work by singers who could have been huge in the mainstream world, had they broken from the spiritual realm – really belting out with the best of the southern soul scene of the time. The package features a whopping 41 tracks in all – with tracks that "Don't Forget The Bridge" by Mighty Songs Of Glory, "There's A Creator" by Roscoe Robinson, "Trouble's Brewin" by The Meditation Singers, "Brotherly Love" by BP's Revolution, "I'm Trying To Be Your Friend" by Soul Stirrers, "Far Away From God" by Armstrong Brothers, "Golden Gate" by Traveling Echoes, "He's A Friend" by Dorothy Norwood, "Watch That Rogue" by Silver Gate Quartet, "You've Got To Serve Somebody" by Bill Moss, and "The Upper Way" by The Violinaires.

Funky soul from the west coast – and a motherlode of tracks that you've probably never heard! Inner City Records was a small time funk powerhouse – owned and run by organ player George Semper, who cut some mighty fine records on his own! The label's not to be confused with the New York-based jazz label Inner City – because this one was a much more down-n-dirty funky one – and cut some killer work in a deep deep mode, much of which was never issued before – and is making a long-overdue first appearance here! The tracks have some seriously fine jazzy work in them – snapping funk, with a hard and dirty edge, played by performers that include Charles Owens, Rodney Franklin, and James Gadson – all of whom would later go onto become superstars in their own right. A number of tracks have vocals, too – and titles include "Plastic Situation" by Ron & Candy, "In One Peace" by In One Peace, "Funkorgy" by Funkafreek, "Tenderness" by Funkhouse with Candy, "Thank U" by The R&B Classic Funk Band, "It's Insane" by In One Peace, "Spread The News" and "Hands Of Time" by Perfect Circle, "Sticky Boom Boom" by United Soul Association, and "Funktime" by Funkproof.

A treasure trove of rare funk – all hand-picked by Keb Darge and Kenny Dope, two names we trust more than most when it comes to rare funk! Most of these tracks are of 70s vintage, and a handful are presented here in new edits by Kenny – not remixes, and very much in the spirit of the original 45s – but re-presented in ways that bring up the funkiest bits from the bottom! The sound quality here is great – often much clearer than the original 45s – and the package is even better than the first set – a much-needed dose of the funky Kay Dee sound for the CD market. Titles include Kenny Dope mixes of "Save The Youth" by Mellow Madness, "I Wanna Be Loved By You" by Family Of Eve, "Puddin" by Belle Farms Estate, "Shed A Tear" by Rickey Calloway, "Keep Her Happy" by Phillip Wright, and "Masterpiece" by Clarence Reid – plus the cuts "Latin Freak" by 7 Miles Per Hour Band, "Lay It On Me" by Willie Johnson, "I'm Your Man" by Spade Brigade, "Super Strut" by Kashmere Stage Band, and "What It Takes To Live" by Chosen Few Band.

Spiritual soul and spoken word with instrumental inflections – a perfect illustration of the righteous sound of the Flying Dutchman label at the start of the 70s! The imprint was famously home to Gil Scott Heron, Lonnie Liston Smith, Leon Thomas, and other hip cats at the time – but also recorded a fair bit of work that was even more progressive and political – including key records from forces helping to carry the legacy of Civil Rights well into the 70s! This package offers up a perfect blend of those modes – great jazz tracks that carry the legacy of John Coltrane forth even further, and political records that were often more powerful than anything in the press at the time. Titles include "Sais" by Lonnie Liston Smith", "Nevertite" by The Esoteric Circle, "The Creator Has A Master Plan" by Louis Armstrong and Leon Thomas, "Lament For John Coltrane" by Bob Thiele Emergency, "Friends & Neighbors" by Ornette Coleman, "Sit Down" by Carl B Stokes with Oliver Nelson, "Echoes" by Leon Thomas, "The Giant Is Awakened"b y Horace Tapscot, "Gonna Get Some Right Now" by Chico Hamilton", and "We're Threatening The Oppressors" by Angela Davis.

A reverent snapshot of the spiritual & soul jazz emanating from the Mainstream label in the early 70s – a well curated set featuring great numbers by Frank Foster, Blue Mitchell, Hadley Caliman, Roy Haynes and other giants of the scene! The material comes from a time in Mainstream label history when it was essentially relaunched as a jazz label, following some the psyche era rock albums of the previous few years. Soulful jazz sounds from a spiritual realm as well as some in a jazz funk mode, and excellent material all the way! 12 great tracks in all: The sprawling opener "The Loud Minority" by Frank Foster, "Mi Hermano" by Blue Mitchell, "Up And Down" by Harold Land, "Watercress" by Hadley Caliman, "Kamili" by Buddy Terry, "Senyah" by Roy Haynes, "EW Beautiful People" by Frank Foster, "Little One" by Hadley Caliman and "Petits Machins" by Johnny Coles/

A profoundly funky Message – a smoking set of early 70s funky jazz & heavy soul from the Mainstream Records vaults – a diverse set of incredible recordings from the label that may be fairly sprawling in style, yet holds together thanks to shared funky urgency! It's filled with Bob Shad productions for his stellar Mainstream roster, which at the time included a host of far reaching jazz veterans, soulful chanteuses, and killer funky combos – including Afrique, Blue Mitchell, Sarah Vaughn, Alice Clark, Charles Kynard and many more! The session players reads like a heavyweight jazz title card itself, with Don Pullen, Stanley Clarke, George Cables, Joe Sample, Victor Feldman and more. The set features a very well chosen 18 tracks, with solid notes on each by Dean Rudand. Titles include "House Of Rising Funk" by Chubukos, "Soul Makossa" by Afrique, "The Message" by Blue Mitchell, "Funky Butt" by The Delegates", "Never Did I Stop Loving You" by Alice Clark, "I Want You Back" by Bobby Shad & The Bad Men, "Grits Ain't Groceries" by Maxine Weldon, "The Spirit" by Curtis Fuller", "Bacon Butt Fat" by Charles Williams and more.

Twenty years of music from this cruical Chicago label – one of the few Windy City imprints to continue to fly the flag of house music in the years since the early days of the 80s! When Cajmere first served up "Percolator" back in the early 90s, we were a bit unsure – almost thinking it was the end of Chicago house, with its frenzied rhythm and gimmicky vocal. Yet over the past two decades, we've come to realize that Cajmere and his Cajual imprint have come to be the saviors of the music that's made our city great – still keeping house music in its core, basic elements – without any of the too-commercial modes that seeped in at so many other corners! The Cajmere groove is always dead-on, straightforward, and plenty darn soulful – proof that great house music continues to flourish if you know where to look. 2CD set features a massive 22 long tracks – with cuts that include "Percolator (orig mix)" by Cajmere, "Brighter Days (Louie's Masters At Work mix)" by Cajmere with Dajae, "Feelin Kinda High (voc)" by Cajmere with Terence FM, "Beyond" by Glenn Underground, "Le Fusion" by Gemini, "Midnight (orig mix)" by Cajmere with Walter Philips, "U Got Me UP (Danny Tenaglia's club version)" by Dajae, "I Can't Take It" by Andre Harris, and "Say U Will (orig mix)" by Cajmere.

Twenty years of music from this cruical Chicago label – one of the few Windy City imprints to continue to fly the flag of house music in the years since the early days of the 80s! When Cajmere first served up "Percolator" back in the early 90s, we were a bit unsure – almost thinking it was the end of Chicago house, with its frenzied rhythm and gimmicky vocal. Yet over the past two decades, we've come to realize that Cajmere and his Cajual imprint have come to be the saviors of the music that's made our city great – still keeping house music in its core, basic elements – without any of the too-commercial modes that seeped in at so many other corners! The Cajmere groove is always dead-on, straightforward, and plenty darn soulful – proof that great house music continues to flourish if you know where to look. 2LP set features 9 tracks that include "Percolator (orig mix)" by Cajmere, "Brighter Days (Louie's Masters At Work mix)" by Cajmere with Dajae, "Feelin Kinda High (voc)" by Cajmere with Terence FM, "Beyond" by Glenn Underground, "Le Fusion" by Gemini, "Midnight (orig mix)" by Cajmere with Walter Philips, "U Got Me UP (Danny Tenaglia's club version)" by Dajae, "I Can't Take It" by Andre Harris, and "Say U Will (orig mix)" by Cajmere.

Way more than just "hits" – given that this hip box set features tracks from every single 12" released by the legendary P&P family of labels – a massive amount of underground dancefloor work from the late 70s and early 80s, and a set that gives new meaning to the word discography! If you know even just a bit of the P&P sound, you'll know you've got a revolutionary listening experience in store – music that goes way beyond conventional club and disco, with lots of weird little twists and turns – in both the instrumentation and production, which often use these cool little homemade spacey touches! Vocals are often right in synch with the offbeat grooves – and just about every cut on here is massively funky, too. Package features work by Cloud One, Milton Floyd, Sons Of Darkness, Jesse Gee, Scoopy, Rudy Stuart, Little Scotty, Henry Brooks, Fly Guy, Ahzz, Super Jay, Otis Turner, Sherod, The Destiny Orchestra, Bobby Mann, and many others – from singles that originally appeared on labels like Queen Constance, La Shawn, Land Of Hits, Golden Flamingo, Heavenly Star, Clarence, Destiny, Mr Brown, P&P, Sound Of New York, and others. 185 songs, on 15 CDs, packaged in cool slim sleeves in a tight box set – over 18 hours of music, and all of it great!

The most loving tribute to Philadelphia International that we've ever seen – a massive 10CD box set that also features a 60 page booklet, a full Philly International discography, and a huge amount of great tracks from the legendary label – over 12 hours of music in all! The track list is wonderful – put together by Ralph Tee, of Expansion Records fame – with a great ear for the full range of Philly sounds, not just the hits – which means that in addition to work by The O'Jays, Teddy Pendergrass, MFSB, and Harold Melvin & The Blue Notes – the set also features work by The Ebonys, Bobby Bennett, Robert Upchurch, Love Committee, Kaleidoscope, Monk Montgomery, Norman Harris, Frantique, The Dells, Silk, The Ethics, The Futures, Carolyn Crawford, and others! Great stuff all the way through – and a bargain at this price.

Soul awakening gospel that's stripped down souful and with profoundly soaring spirit – beautiful stuff recorded and issued by Waymon Jones, proprietor of Savannah, GA's Gusman Record Shop and issued as 45s & LPs on the Pitch and Gusman labels! This as exciting and vibrant a collection of rural southern gospel soul as we could have hoped for, with a couple early 60s recordings and a wealth of recordings through the 70s, by the Golden Stars Of Greenwood, SC, Southern Six of Springfield, SC, the Travelingaires, The True-Tone Singers, Mighty Revelaires, Sensational White Family Singers and more. The sprawling 3CD is organized by Pitch 45s, Gusman 45s and LP tracks from both imprints. 71 tracks on 3CDs! Includes "Jesus' Blood" by Golden Stars, "Fight On" by The True-Tone Singers, "Jesus Said He Loves Me" by Travelingaires, "All My Lifer" by The Phillip's Specials, "Christian Plea" by Southern Wonders, "Steal Away" by Mighty Revelaires, "He Said So" by Sensational White Family Singers and much more.

A great compilation of rare soul from the dual vaults of Nashville's SSS International and NYC's GSF Records – a north-meets-south collection of brilliant late 60s to mid 70s soul put together by Outta Sight UK! Both labels released a pretty diverse mix of soul styles – from gritty and funk tinged, to sweeter and more soaringly orchestrated – and the set includes incredible stuff from some of our all time favorite acts from the period overlooked by the mainstream, as well as stuff that's was heretofore unheard by our deep digging selves! 20 tracks in all: "Lonely For You Baby" by Sam Dees, "Help Is On The Way" by Van McCoy, "Baby You Got Me" by Clarence Murray, "Give Him Up" by The Whatnauts, "Love Me" by Lloyd Price, "My Hang Up Is You" by Skull Snaps, "I Got The Place If You've Got The Time" by Allison, "Do I (Love You Like You Like It)" by Jackie Ross, "I'm Your Pimp" by Skull Snaps, "Lonely Man" by Johnny Soul and more.

Way more than the greasy mess you'd expect from the title – and instead, one of the coolest collections we've heard in years! The set's something of a sampling of the sounds of Trunk Records – but actually features loads of selections that have never been on CD before, or issued by the label at all – presented in a really playful way that has sound library grooves sliding into jazzy vocals into spoken bits, obscure electronics, kids records, commercials, and more – the really great range of sounds we've come to love Trunk for over the years! We've been following the label with keen interest since their very first record – almost 20 years ago – and this cool compilation definitely lives up to all we've come to expect. 30 tracks in all – and titles include "Mute 4" by Basil Kirchin, "The Snake" by Maximillian, "Gurney Slade" by Max Harris, "Basic Hip' by Del Close & John Brent, "The Lost Souls Of Saturn" by Russ Garcia, "Bring Back The Cat" by Terry Thomas, "Temple Bells" by Frank Hunter, "Sports Activities" by Wisbey & Jonny Trunk, "The Foggy Dew" by Shirley Collins, and "Star Eyes" by Carole Crevelling.

Mighty recordings from the funk years of King Records – amazing grooves that follow the initial inspiration that James Brown gave to the label – but take things into wild new territory too! The late 60s & early 70s were kind of a strange and tumultuous time at the longtime Cincinnati operation – which was adapting to the changes in funk, soul and R&B music that James Brown almost single-handedly ushered in – at King and throughout the entire culture! What's most impressive here, beyond the exceptional quality of each song and performer, is the diversity – as the set's not all front-to-back JB-style funk – and also features some funked up bluesy soul, strains of gospel, the convincing move towards funk from veterans such as Hank Ballard & Bill Doggett – all topped off with righteous storytelling, sweet female soul leads, and some amazing grooves down at the bottom! Titles include "Getting Down (With Hoss)" by Kastle, "Love's Sweet Water" by Barbara Burton And The Messengers, "Baby Don't You Know" by The Brownettes, "Clay Tyson (Man On The Moon)" by Clay Tyson, "Cool Jerk" by The Coasters, "The Boo Boo Song" by King Coleman, "Unwind Yourself" by Hank Ballard, "Steal Away" by Leon Austin, "Peter Rabbit" by The Presidents, "Lookin For A Woman" by Robert Moore, "Push & Shove" by Willy Wiley, "Ball Of Fire" by Connie Austin, "Sad But True" by Elaine Armstrong, and "You Keep Me Hanging On" by Bonnie & Sheila.

The funkiest side of Stax Records – a treasure trove of funky nuggets, all hand-picked by RZA! As the title implies, these are some of the grooves that became the building blocks of the Wu-Tang sound – but even without that pedigree, these tracks are more than great enough on their own – a wonderful mix of album cuts and rare singles – some you'll recognize from famous hip hop samples, some you'll discover here for the first time ever! The triple-length package is overflowing with greatness – and titles include "I Could Never Be Happy" and "I Like It" by The Emotions, "I Forgot To Be Your Lover" by The Mad Lads and another "I Forgot To Be Your Lover" by William Bell, "Children Don't Get Weary" by Judy Clay, "All It Takes Is You & Me" by The Sweet Inspirations, "Poverty's Paradise" by 24 Carat Black, "I'll Play The Blues For You" by Albert King, "Why Marry" by The Sweet Inspirations, "Steal Away" by Johnnie Taylor, "Hang On Sloopy" by David Porter, "Ike's Mood 1" by Isaac Hayes, "In The Rain" by The Dramatics, "Don't Take My Kindness For Weakness" by The Soul Children, "Packed & Took My Mind" by Little Milton, "Sing A Simple Song" by Booker T & The MGs, "I'm Afraid The Masquerade Is Over" by David Porter, "LA Jazz Song" by Booker T & The MGs, "Walk On By" by Isaac Hayes, and "Keep The Faith" by Mel & Tim.

A sprawling compilation of the folk rock, Brit blues, jazzy songcraft, oddball comedic and otherwise boundlessly fresh music from the roster of Transatlantic Records in the 60s & 70s! It's a mix of the still revered and largely forgotten – and the quality is high on both sides of that spectrum! Includes numbers by Bert Jansch, The Dubliners, Ralph McTell, Gerry Rafferty, Pentangle, Gryphon, The Purple Gang, Alberto Y Los Trios Paranoias, Stefen Grossman and many more. 42 tracks on 2CDs: "Ye Jacobites By Name" by The Johnstons, "Wild Rover" by The Dubliners, "Streets Of London" by Ralph McTell, "Come Sing Me A Happy Song. . ." by Bert Jansch, "The Handsome Meadow Boy" by Dransfield, "Mother Nature's Son" by Gryphon, "Sign On The Dotted Line" by Gerry Rafferty, "Summertime Blues" by Mick Farren, "In Time" by Pentangle and many more.

A great collection of 60s & 70s singles, rarities, and previously unreleased gems from the vaults of Memphis's Ardent label – featuring a loads of soulful rock & fledgling power pop that's heavy on Big Star & related efforts – including many previously unreleased tracks! Disc one of this mammoth double disc set features 60s material that ranges from early decade r&b tinged tunes – to psychedelic rock experiments towards the end of the decade – all with roots in the rockin' soulful Memphis sounds! Includes cuts by The Ole Miss Downbeats, The Avengers, The Honey Jug, Chris Bell, Alex Chilton and many more! Disc two is in part a 70s Big Star-a-palooza, with classic singles, demos, alternate mixes and more – plus tracks by Cargoe, The Hot Dogs, The Scruffs and others! Disc one tunes include "Geraldine" by The Ole Miss Downbeats, "Batarang" by The Avengers, "Rocks" by Terry Manning, "In 1852 We" by The Honey Jug, "Halfway Down The Stairs" by Lawson & Four More, "Looking Down" by The 1st Century, "Everyday As We Grow Closer" (original mix) by Alex Chilton and much more. Disc 2 features 70s material including "In The Street", "When My Baby's Beside Me", "September Gurls", "I Got Kinda Lost" (demo) and more by Big Star, "Fell Alright" by Cargoe, "Downs" (demo) by Alex Chilton, "My Mind" by The Scruffs and more. 48 tracks on 2CDs!

R&B, gritty blues, and some killer tenor talents – a wicked collection of vintage masters from legendary indie United Records! Musically, the package is very much on a par with Ace/Kent collections of this type – the sort that might feature material from King or Modern/RPM Records from the same vintage – and our hat's off to Delmark for doing such a great job of bringing back these crucially overlooked sounds from Chicago! Titles include "Cool Leo" by Leo Parker", "Cut That Out (alt)" by Junior Wells, "Organ Grinder" by Jimmy Coe, "Walking Home" by JT Brown, "Let's Get High" by Morris Pejoe, "Crazy Walk" by Tab Smith, "In The Dark" by Grant Jones, "Nona" by Paul Bascomb, "Goodbye" by The Pastels, "Tiny's Boogie" by Tiny Grimes, "Sophisticated Lady (alt)" by Jimmy Forrest, and "Come In The Room" by Robert Anderson.

Incredible work from the Philly scene of the late 60s – material from the tiny Uplook Records label, a company that only had a small number of artists in its roster, but all of them were great! The collection is put together a bit differently than others on the Grapevine label – in that it structures the set in different "chapters", to present each Uplook artist discreetly – offering up both sides of their best singles for the label, in a way that allows you to focus on their talents more closely. The Uplook sound is one that works especially well for male vocalists – who represent most of the work here – and there's a definite upbeat Philly style going on here, a precursor to Gamble & Huff that's totally great. Titles include some especially great early work by Teddy Pendergrass – the titles "We Got Love", "Angel With Muddy Feet", and "Should I Go Or Should I Stay" – plus "I'll Come Running Back", "What A Lucky Guy I Am", and "Heartbreak Of Love" by The Delegates Of Soul; "Candy Baby", "Love Wheel Turning", "Lucky Guy", "Give A Man A Break", and "Finders Keepers" by Charles Mintz; "Gotta Tell Somebody" and "Hooked On You" by Tony Talent; and "Running Back (inst)" by The Uplook Orchestra. 21 tracks in all!

Great rockabilly sounds from a tiny Texas label – an imprint so small it only pressed up 300 copies of each of its singles – and never reissued them at all! This long-overdue package really digs deep into the Wolf-Tex label – to come up with a handful of gems that really illuminate the company's contribution to music at the start of the 60s – raw tunes that bring together the best elements of early rock, rough-edged country, and even a trace of Western swing at times. All tracks are pretty rare, and the set also features a few unissued numbers too – and titles include "How Much Do You Miss Me", "The Gospel Will Speak", and "Back To Old Wyoming" by Harold Montgomery; "Rock In My Arms" by Herman Stone, "Marguerite" by Ralph & Roy, "My Three Sorrows" by Col Ralph Red McKee, "Waves On The Bayou" by Ramblin Roy Cunningham, and lots more – including some songs by unknown artists, and even a bit of a radio show too!

An amazing little book, and one hell of a lifelong research project – a huge volume that documents deep details about the American underground of vanity, or "private" press records – obscure pieces of wax that were usually just pressed up by an artist for their own pleasure – but which have gone onto reach the status of legend over time! The format is a genre unto itself – even though the music style can vary widely – and the lavish book brings together a huge amount of rare covers and images, along with notes on the recordings – plus hundreds of reviews, an essay on the format, and even biographies of collectors and enthusiasts who've helped unearth this lost American treasure! Also comes with a download for dozens of tracks – and book is over 500 pages, in color, with a very heavy cover!

A well-done collection of grooves from the legendary CTI Records – home to some of the most important jazz funk of the 70s! The set does a good job of getting past the familiar hits from the label, and moves into territory that showed the complexity of the grooves being laid down – a depth that's sometimes overlooked, given the success of CTI. The nicely-priced set features 10 tracks in all – including "Hard To Face The Music" by Idris Muhammad, "September 13" by Deodato, "Canned Funk" by Joe Farrell, "Rock Steady" by Johnny Hammond, "I'm Not So Sure" by Milt Jackson, "Hurtin House" by Esther Phillips, "Sugar Free" by Hank Crawford, "Shoogie Wanna Boogie" by Dave Matthews, "I Remember Wes" by George Benson, and "Storm" by Stanley Turrentine.

Hip hop, street soul, and lots lots more – a really revolutionary selection of music from the legendary Celluloid Records – a label that was virtually a genre unto itself! Celluloid was a key force tying together the New York downtown scene at the start of the 80s, and the postcolonial music world of Paris – and as a result, they always operated with a culture-crossing style that few other companies of the time managed to hit – merging together sounds in really unlikely ways, and often coming up with fresh new styles in the process! The label's known for crate-diggers for its hip hop releases – and to world music fans for its electric Africa work – but they also were on the forefront of New York No Wave, avant jazz, and post-punk – and somehow found a way to integrate both young new talents, and older experimentalists who still had plenty to offer. This package finally does Celluloid justice – and goes way past the few simplistic comps of the label's work over the years – training the skilled Strut ear to the whole thing, and also serving up the full story of the label in the process. Titles include "I'm The One" by Material, "Day Tripper" by Shockabilly, "Tele Apres La Meteo" by Fredinand, "Disco Rough (long version)" by Mathematiques Modernes, "Electrique Sylvie (full length version)" by Modern Guy, "Mean Machine Chant/Mean Machine" by Last Poets, "Abele Dance ('85 rmx)" by Manu Dibango, "Change The Beat (French & English)" by Fab 5 Freddy, "The Escapades Of Futura 2000" by Futura 2000 with The Clash, and "Downing Street Rock" by Winston Edwards & Blackbeard.

An amazing look at an amazing label – the groundbreaking Dandelion Records, an early home to John Peel's much heralded talent for picking up on the best new music! The label only existed for a few short years, but left behind an amazing legacy of music – a blend of folk, rock, and other genres that are usually presented in a deeply personal, sometimes-leftfield sort of way. Peel gave full control of the music and its presentation to the artist – and as a result, most of the tunes here are quite free from cliche and conventional expectations you may have of music from the period. Perhaps the greatest Dandelion contribution was giving a space for up and coming singer/songwriters – and you'll hear plenty of them here alongside other artists who are both more traditional and more experimental. Titles include "To B Without A Hitch" by Bridget St John, "Sleeping Town" by Beau, "All For Tomorrow" by Medicine Head, "Harry Krishna" by Bill Oddie, "Almost Liverpool" by Mike Hart, "Ruby Baby" by Gene Vincent, "You Really Got Me" by Stackwaddy, "Carrie" by Clifford T Ward, "No Tree Will Grow" by Supersister, "Mood" by The Coxhill/Bedford Duo, "Cheat Me" by Kevin Coyne, "Strange Locomotion" by Siren, "King Dick II" by The Way We Live, and "Yamasuki" by The Yamasukis. An amazing package – 3CDs, 64 tracks, and a huge booklet of notes on the label and artists!

Not really a set of funky 45s – despite the title – but a good selection of instrumental numbers with a hard New Orleans groove. The style of most of this stuff predates the funk era by a few years, but Booker's touch on the organ is very tasty – and the cuts have a nice feel that's kind of like stuff on the Sue label from the same time. Unfortunately, many of the tracks seem to be mastered from vinyl (even though the whole set's on the up-and-up) – so you might think you're actually listening to a funky 45 – but the musical quality's strong enough to override that factor in most parts. Titles include "Tubby (parts 1 & 2)", "The Duck", "Big Nick", "Beale Street Popeye", "Kinda Happy", and "Smacksie".

Maybe the classiest Crosley turntable we've ever seen – a unit that has all the old school charm of a 60s portable player, but which also stands firmly in the 21st Century with a USB conversion feature too! In other words, you can use this sweet little baby as a portable – open it up, and play your records on the spot through the built-in speaker. But if you want, you can also connect it to your computer – to convert your vinyl into digital music files – either for playing on an iPod, or backing up your record archive! The package comes with a belt-drive turntable, diamond stylus, and plays speeds 33, 45, and 78 rpm – plus a USB connector, and software to convert music too.

A nicely priced record bag from one of our favorite record labels ever! The folks at Soul Jazz have come up with a great take on the DJ bag – going for one that looks like the classic flight bags that used to be given to customers by airlines in the 60s – nothing too fancy, nothing too durable, but a light little bag that's more than enough to tote around a small batch of items! It's almost like the Soul Jazz folks have taken a look at the ever-increasing size of the DJ bag over the years – as some now carry upwards of 100 records, with loads of extra pouches, pockets, and so many other parts you end up forgetting where you put everything. It's sort of like they said "hey, this has got to stop – let's just cook up a tiny bag that does what most people want!" The bag has a sleek stylish look, and holds around 20 to 30 records – all nicely squarebound, with yellow plastic piping, and a light little shoulder strap that can also condense down to a handle. Very nice!

Rare LA doo wop from the late 50s – sung by a great quartet that features a young Jesse Belvin! The Turks were one of a number of groups graced by vocalist Gaynel Hodge in the LA scene of the 50s – including the Hollywood Flames and an early version of The Platters. But the sides here are especially noteworthy because of Belvin's presence – a warming, calming influence that really creates a magical sort of sound – one that goes past the poppier doo wop of the time, and shows some of the increasing sophistication of the genre. The CD features material produced by Bumps Blackwell for the Keen label – and is unique in that it features some full tracks – "Okay", "It's You", and "Father Time" – plus other numbers as "session takes" – "It's You", "My Baby", and "Father Time" – in ways that show the development of the numbers over a variety of different performances of the tunes!

A great collection of modern soulful tunes – pulled together by the 2000 Black label, an imprint which takes its name from the famous Roy Ayers tune of the same name! Choosing Roy as a reference point would be a difficult thing to live up to for most other labels – but the 2000 Black posse do a damn good job of living up to Roy's legacy here, taking the positive spiritualism that infused his classic work, and using it to inform a whole new set of experiments in modern music. Roy's present on a remake of "2000 Black" done with MM Black, and the set is rounded out by 11 more like minded numbers: "Brand New Day" by Pavel Kostiuk, "Future Past" & "Space Junky" by Nubian Mindz, "Into The Now" by Seiji, "Terah" by Nu Era, "Sunnin" by Catalyst, "Groovesome" by Domu, "Nu Way" by Kuni, "Avenues" by Titonton, "Diamondstone" by Somatik and "The Mind" by Da One Way featuring Bembe Segue.

A mix of singles, album tracks, and unreleased stuff from Mike Alway's El Records.

Smooth and soulful club from the mighty Capitol Records – one of the few major labels to really understand a groove at the end of the 70s! The 2CD package is a wonderful tribute to the hipper soul coming out of Capitol at the time – a set that features some hits, some album tracks, and a fair bit of rarities that we've never seen on CD before – some lesser-known club cuts that sit beautifully here next to the bigger names in the collection. But big or small, the artists here are all pretty darn great – much more soul artists heading for the clubs in the late 70s than quickie disco acts just looking for a buck. The collection features 31 tracks in all – including a few non-Capitol cuts – with tracks that include "A Little Bit Of Love" by Gentle Persuasion, "Expressway To Your Heart" by Margo Thunder, "Sophisticated Lady" by Natalie Cole, "Windstorm" by Gloria Jones, "One Thing On My Mind" by Evie Sands, "Surrender" by Barrett Strong, "Do It Good" by Taste Of Honey, "I'm Back For More" by Tavares, "Save Your Love For Me" by Donna Washington, "Conscience" by Sun, "Party In Me" by Gene Dunlap, "Our Love Is Insane" by Desmond Child, "I'm Going Through Changes Now" by Brown Sugar, "Southern Girl (live)" by Maze, "Adventures In Paradise" by Minnie Riperton, "Man Up In The Sky" by Barrett Strong, "Positive Forces" by Tavares, "Sixty Thrills A Minute" by Mystic Merlin, "Street Corner" by Ashford & Simpson, "We All Need Love" by Troiano, "Annie Mae" by Natalie Cole, "Don't Tie Me Down" by Brown Sugar, and "Ooh Child" by Charles Jackson.

Funky disco sound is right – as P&P were one of the greatest club labels of the late 70s! The label was run by Peter Brown and Patrick Adams – both inventive producers who'd made their mark at other labels over the years, and who had an insane talent for cooking up unusual ways to put over a groove. They mixed together soul, funk, disco, and occasional touches of electronics to create a wild groove that was always fresh, and which pushed way past the simple club grooves of some of the contemporaries. Their work at P&P (and related imprints) was perhaps too groundbreaking to hit as big on the charts as other larger disco acts – but from the get-go, they'd always had a strong underground following, and are claimed as an enormous influence on both house music and modern dance alike. Work on the label's been cropping up on reissue singles for a number of years, but this is the first time anyone's done a proper job of putting together work from P&P – and given that the set's of British origin, you can bet that the quality and packaging are super-high, not to mention the selection! There's a total of 13 cuts in all – including "Flying High" and "Patty Duke" by Cloud One, "Johnson Jumpin" by Johnson Products, "Dance Freak" by Chain Reaction, "African Rock" by Licky, "Feel The Spirit" by Foster Jackson, "NY Applejack" by Scott Davis, "Got To Have Your Love" by Clyde Alexander, and "Get Down Boy" by Paper Doll.

A sprawling collection of classic Fania – featuring a pretty adventurous set of salsa, boogaloo, Afro-Latin, funkier numbers and all around incredible material put together by our friends at Strut Records – going beyond the classics! It features numbers by many of the most iconic names on Fania – Johnny Pacheco, Joe Bataan, Ray Barreto, Willie Colon, Bobby Valentin, Hector Lavoe and more – loosely chronicling the stylistic genesis at Fania during the time period, but compiled with an ear to the dancefloor rather than academia. A great set of classics on an uber-iconic label, put together by one of our favorite contemporary labels! 19 tracks on the 2LP version: "Dakar, Punto Final" by Johnny Pacheco, "Mercy Mercy Baby" by Ray Barretto, "Anacaona" by Cheo Feliciano, "Quimbara" by Celia Cruz & Johnny Pacheco, "Bomba Carambomba" by Sonora Poncena, "Pedro Navaja" by Willie Colon & Ruben Blades, "Cuando Despiertes" by Fania All Stars feat Celia Cruz and more.

Stunning stuff – and one of the few reissues we've ever seen to really do justice to this legendary New Orleans soul label! The Ric and Ron imprints were a key indie force in the development of Crescent City soul music – home to some of the better artists who didn't get scooped up by the bigger companies – still working for the hometown label to really serve up the real New Orleans vibe! This special package is put together by the joint forces of Rounder, Ace, and Numero – three labels that have already turned us onto a wealth of great music over the years – and it's a limited edition of 1500 copies, with a host of previously unreleased tracks – all pressed up as 10 funky 45s, in a sweet box with a booklet! Essential stuff for any fan of New Orleans soul – or 60s soul in general – with previously unissued tracks that include "Lena Come What May (demo)" by Al Johnson, "Found My Good Thing" and "Question Of Love" by Barbara Lynn, "I Won't Cry (audition)" and "Walking The Floor Over You" by Johnny Adams, "Blues Cha Cha" by Edgar Blanchard & The Gondoliers, "Goofer" by Paul Marvin", and "Nothing Withotu You", "Satisfied With Your Love", and "Ain't You Ashamed" by Eddie Bo.

Heartbreaking soul from King Records – a really great side of the label's output – but one that hardly ever gets its due, given the King reputation for blues and funk! The work here is wonderful, though – every bit on a par with the best ballad soul and tear-swept tunes from the east coast indie scene of the 60s – served up with lots of slow-moving instrumentation, deep harmony vocals, and production that really seems to increase the melancholy of the music! A few names here are ones you'd not normally associate with the style, and others are great discoveries from the rich catalog of King Records – a much-needed package that's filled with rare gems! Titles include "Have No Fear" by Ricky Lyons, "Why" by James Duncan, "I Need You" by The Snapshots, "Tell the Whole World" by June Sims, "Too Much For Me To Bear" by Barbara Burton & The Messengers, "Here Comes The Hurt" by Hank Ballard, "Buddy Boy" by Charles Spurling, "Your Love Was Good For Me" by Marva Whitney, "Fran" by Thomas Bailey, "My Pillow Stays Wet" by James Duncan & The Duncan Trio, "My New Love" by Lynn Davis, and "A City Called Loneliville" by Dee Dee, Joseph, & David.

A lost batch of soulful jazz from a massively overlooked source – the mighty Theresa Records, home to some really great recordings at the end of the 70s! Theresa was a tiny company formed in Oakland, CA at the end of the 70s – a spiritual heir to the sound of Impulse, Flying Dutchman, and other 70s powerhouse soul jazz labels – with a sound that was directly encapsulated in the label's own recordings of Pharoah Sanders at the time! After a few years of inactivity on the recording scene after his seminal sides for Impulse, Pharoah made a strong re-emergence on Theresa – working in a sweet style of soul jazz that was also picked up by some of the label's other strong artists. This excellent set was compiled in collaboration with Gilles Peterson – and features some of the hippest, most soulful tracks to come out on Theresa – work that takes off from the sound of Pharoah's earlier albums, into a whole new realm of expression! Titles include "Heart Is A Melody", "Rejoice", and "You've Got To Have Freedom" by Pharoah Sanders; "Samba" and "Pippin" by Ed Kelly; "Use Your Hands" and "Levels Of Consciousness" by Babatunde & Phenomena; and "Hip Funk" by Bishop Norman Williams & The One Mind Experience. 11 tracks in all!

Artists include Dirty Dozen Brass Band, Marcia Ball, James Booker, Irma Thomas, Jack Dupree, Johnny Adams, Professor Longhair, Eddie Bo and more.

A sweet collection of grooves from the legendary Salsoul label – easily one of the hippest imprints on the New York scene of the 70s! Salsoul's grooves go way beyond the usual disco – crafted with roots that go back to soul and salsa of the earlier part of the decade – and often mixed to perfection with a sound that holds up strongly, even on a crowded dancefloor! This package features ten of the best-remembered gems from the label – most in long mixes that echo their strong popularity as 12" single – titles that include "Doctor Love" by First Choice, "Runaway" by The Salsoul Orchestra with Loleatta Holloway, "Jingo" by Candido, "Dreamin" by Loleatta Holloway, "By The Way You Dance" by Bunny Sigler, "Love Is You" by Carol Williams, "Dance A Little Bit Closer" by Charo, "I Love New York" by Metropolis, and "Rio De Janeiro" by Gary Criss.

A bit of soul, a bit of blues, and a rock-solid sound that's outta sight all the way through! Clay Hammond is a hell of a southern soul singer – one with a range that's sometimes as great as Bobby Blue Bland, and a sweetness that almost echoes an earlier generation of Sam Cooke – while still taking things into some nice deeper soul territory too! The backings here are often nice and tight – never overly polished, but with a focus that really suits Clay's great vocals – and really sets him apart from some of the other singers of this nature at the time. CD features a whopping 25 tracks in all – and titles include "The Good Side Of My Girl", "Take Your Time", "My Jealous Girl", "I'll Make Up To You", "You Messed Up My Mind", "I Got A Letter This Morning", "Ain't That The Way", "Suzy Do It Better Than You", and "You Threw Out Your Lifeline".

A wonderful tribute to the Impulse Records label – one that's put together with as much graphic sensitivity as you'll find on the company's album covers of the 60s! The book is incredibly well researched – both from archival material and over 50 interviews with artists and producers associated with the label – and these writings are interspersed with a wealth of great images, including album covers, session photos, and vintage advertisements! There's also a full discography in the back, and a very helpful index – and at 338 pages, the book is a wealth of information. Hardcover, and a bargain at this price!

An amazing little book, and one hell of a lifelong research project – a huge volume that documents deep details about the American underground of vanity, or "private" press records – obscure pieces of wax that were usually just pressed up by an artist for their own pleasure – but which have gone onto reach the status of legend over time! The format is a genre unto itself – even though the music style can vary widely – and the lavish book brings together a huge amount of rare covers and images, along with notes on the recordings – plus hundreds of reviews, an essay on the format, and even biographies of collectors and enthusiasts who've helped unearth this lost American treasure! Also comes with a download for dozens of tracks, and a cool clear 7" single – and book is over 500 pages, in color, with a very heavy cover!

A great re-presentation of this classic look at Blue Note Records – one that brings together material from both the first and second volumes of cover art – all presented in a hardcover volume that's got the dimensions of a 10" LP! The heavy book features over 400 record cover images – presented in color, with notes on the details, and supported with some additional photos that further help connect and expand the visual sessions that went into the final album artwork. This new edition is 240 pages, hardcover, with brilliant color – and a special index that helps reference the covers by artists, too!

Amazing grooves from a legendary pair of labels – the ultra-funky Perception and Today Records, home of some killer sounds from the New York scene at the start of the 70s! The labels had a great ear for up-and-coming soul – especially with some of the younger groups rising up at the time – and they also used their magic to refresh the sounds of some older artists, particularly jazz musicians, who took on an ultra-funky approach at Perception – one that's made their work for the label some of the most in-demand over the years! Drums are heavy, bass is nice and fuzzy, and many of the cuts have a righteous sound that really takes off from the most progressive soul, funk, and jazz of the late 60s – pushing hard with an even heavier 70s vibe. Titles on this first part of the vinyl edition include "Brother" by Adam Wade & Johnny Pate, "Too Sad To Tell" by Debbie Taylor, "Chitlins & Chuchifritos" by Joe Thomas, "Naturally Good" by Bartel, "You & I" by Black Ivory, "I Can't Get No Higher" by The Eight Minutes, "You Owe It To Yourself" by JJ Barnes, "Get Some Of This" by Madhouse, "Honey Buns" by Bobby Rydell, "Gingele" by Astrud Gilberto, and "One Life" by The Albert.

Raw r&b, uptempo blues & hard soul from the vaults of Cobra Records – a Chicago label that really only operated from the mid-to-late 50s – but for a time rivaled Chess and helped form the seeds of some of the most incredible soul & blues for decades to come! Cobra and its subsidiary Artistic released really nice early sides by young Ike Turner, Betty Everett and Buddy Guy – plus work by comparative veterans of the time like Duke Reid and Harold Burrage – artists whose legacy would loom large in the years to come. Load of rollicking raw greatness – work that no doubt hugely helped influence loads of incredible Midwestern soul in the early 60s and onward! Titles include "This Is The End" and You Sure Can't Do" by Buddy Guy, "Roll Your Moneymaker" by Shakey Jake, "I'm Gonna Forget About You" and "You've Got To Lose" by Ike Turner's Kings Of Rhythm, "Something Else" and "The Duke Walks" by Duke Jenkins, "My Love" by Betty Everett, "Messed Up" by Harold Burrage, "I'll Just Keep Walkin'" by Lee Jackson, "Irma Lee" by Guitar Shorty and more!

A massive batch of goodies from the Japanese scene of the 60s – all packaged in a style that replicates all the original cover art and individual details! The set's like finding a box stacked away at the back of some ancient hipster's record collection – one that includes gems from the 60s that you'd never find otherwise – not even after a week's worth of digging in Tokyo record stores! The music's a mod blend of upbeat and groovy modes – lots of familiar 60s styles from the Anglo side of the spectrum, sometimes topped with Japanese lyrics – and all packaged here in these really cool, colorful 45 picture sleeves that are worth the price of admission alone! Despite the helpful English title of the box, most other text is Japanese – but we can tell you that the set features 10 singles in all – with tracks that include "Bazazz No 1" by The Cupieds, "Doyobi Ni Atsumare" by Ryunosuke Arima, "Shippo" by Machiko Soga, "Otomodachi De Itsumademo" by The Termites, "Boogaloo Down Ginza" by Runa Tamaki, "Koi No Tenshi" by The Playboy, and other groovy gems.

Classic Joy Division, New Order, The Durutti Column and Happy Mondays from the vaults of Factory Records! Includes "She's Lost Control" by Joy Division, "1963 (12" Remastered Version) by Joy Division, "Otis" by Durutti Column and "Loose Fit (12" Version)" by Happy Mondays.

Kenny Dope and Keb Darge together – an amazing team that's already resulted in some incredible records! Both Kenny and Keb are well-known for their record-hounding skills – and they've turned that energy towards the incredible Kay-Dee label – home to killer 45s both old and new, and fast becoming one of the best sources for all things deep and funky! This tasty little set brings together some of the best work unearthed by the pair – some of it in Kenny Dope edits that firmly respect the structure of the original tunes, but bring up the funkiest elements that might have been slightly buried in the original studio mix. CD features 15 titles, including "Spread Love" by Harris & Orr, "Got To Get Your Love" by Gary Davis, "Nervous Like Me" by The Dap Kings, "Tell Me" by Rickey Calloway & The Crack Mirrow Band, "Mr Hot Pants (aka Across The Track)" by The Believers, "Look At What You Can Get (Kenny Dope edit)" and "Bahama Soul Step (Kenny Dope edit)" by Funky Nassau, "I'm So In Love With You" by Wizdom, "Nervous (raw mix)" by New Mastersounds, and "Boogie With Your Baby (Kenny Dope edit)" by Willie J & Co.

A beautiful look at the groundbreaking Vanguard Records label – a key force in the sound of folk music in the 60s – and a hell of a great place for blues, jazz, and psych as well! The package really brings together the full scope of the Vanguard contribution to music at the time – and goes out of its way to select key tracks that are career-defining moments for some artists, and important early and offbeat appearances for others – these wonderful little gems that really show the freedom and opportunities that Vanguard offers for so many artists. The package features 83 tracks in all – wrapped up with a heavy book that runs through the music on a track-by-track basis – offering up plenty of history along the way! Titles include "Rock & Roll Music" by Circus Maximus, "North Country Blues" by Bob Dylan, "Easy Does It" by Sandy Bull, "Janis" by Country Joe & The Fish, "I'm So Glad" by Skip James, "Deep River Blues" by Doc Watson, "Walls Of Time" by Bill Monroe, "Many A Mile" by Patrick Sky, "Wish I Was A Punk" by Notes From The Underground, "Soldier Blue" by Buffy Saint Marie, "Rene's Theme" by Larry Coryelle, "Sold American" by Kinky Friedman, "Sail" by Oregon, "Mobile Line" by Jim Kweskin, "Dope Again" by Serpent Power, "Hello Stranger" by Mike Seeger, and "The Death Of Stephen Biko" by Tom Paxton.

Massive grooves from the legendary Sam Records – a late 70s disco powerhouse from the New York scene – and one of the tightest, most soulful labels on the market! This killer collection not only brings together the best of Sam from the glory days, it also offers up a wealth of edits and remixes that further enforce the funky sounds of the classics – including a number of contemporary edits that really bring out the hippest aspects of the tunes! Percussion breakdowns are extended, keyboard parts stretched out, and basslines are funkier than ever – on a 2CD set of tracks that include "We'll Make It (Volta Bureau edit)" by Mike & Brenda Sutton, "Bourgie Bourgie (Catz N Dogz rmx)" by John Davis & Monster Orchestra, "This Beat Is Mine (Soul Clap rmx)" by Vicky D, "Just How Sweet Is Your Love (Walker & Royce Touch)" by Rhyze, "Feel Alright (Bonar Broadberry edit)" by Komiko, "Stay With Me (Andy Ash edit)" by John Davis, "Let's Lovedance Tonight (Jacques Renault edit)" by Gary's Gang, Just Let Me Dance (Maxxi Soundsystem rmx)" by Scandla, "Up Jumped The Devil (6th Borough Project jumped up jam)" by John Davis, "Keep On Dancing (Todd Terje rmx)" by Gary's Gang, "Don't Stop (runaway rmx)" by KID, and "Let's Do It (Prince Language hands up edit)" by Convertion – plus a long continuous mix of tracks by Jacques Renault!

Patrick Adams picks the best of P&P Records – and the man definitely knows what he's doing – given that he was one of the "P's" in the label's name! The tunes here are heavy on those cool spaced-out grooves that Adams did so well – that wonderfully hip, and very underground style he used after an initial few years in more mainstream soul – the trademark imprint of P&P, and the reason why the label's tunes have gone onto influence so many others over the years! The grooves are all sublime – from quick-stepping moogy numbers, to mellower tracks that stretch out in this great sort of gentle funk – all tied together with a united production aesthetic and lots of shared sympathies between the artists. Titles include "Dance Dance Dance" by Marta Acuna, "Jump Jump Jump" by The Musicmakers, "God's Greatest Gift To Man Is Woman" by Margie Lomax, "God Save & Protect All The Children" by Margo Williams, "The Guardian Angel Is Watching Over Us" by Golden Flamingo Orchestra – and "Flying High", "Disco Juice", "Happy Music", and "Don't Let My Rainbow Pass Me By" by Cloud One.

A legendary set of sound library grooves – and actually one of the first to kick off the genre! The package brings together rare tracks from the small Italian Octopus label – not nearly as well-known as De Wolfe, KPM, or other sound library giants – but an equally great source of rare funky jazz cuts that were never issued to the public at the time – recorded as part of the huge wave of studio activity in Italy during the 60s and 70s! Given that the set was collected by Schema, you can bet that the tracks are right on the money – and titles include "Curly" by Stellio Subelli, "Sculturea Beat" by Angelo Baroncini, "Diacromeico" by Sandro Brugnolini, "Games" by Pasquale Castiglione, "First Black" by Mario Molino, "Maze" by Roberto Conrado, and "Verso L'Infinito" by Alessandro Alessondroni.

Another blistering treasure trove of Canadian reggae! You heard us right, this batch of deep and heavy roots comes all the way from Toronto, and though it may be geographically isolated from the Caribbean, the vibes are deeply rooted foundation rock, not unlike some of the other astoundingly great material the folks at Light In The Attic have reissued. Jerry Brown's Summer Records imprint churned out no small number of tremendous reggae cuts, as this excellent compilation documents, working with West Indian ex-pats, visiting luminaries and local talent, too! The tracks run the gamut from bright and crisp to murky smoked out but it's all unbelievably great and will open your eyes to a whole new scene in the same way that the refreshing Jamaica Toronto set did! 15 tracks in all, including "Love Makes The World Go Round", "Warrior" and "Jah Jah Live Forever" by Johnny Osbourne, "Sufferer" and "Awakening" by Earth, Roots & Water, "Run Them A Run" by Willi Williams, "Reach My Destiny" by Noel Ellis, "Dreadlock Lady" by Jerry Brown, "Come Together" by Bobby Gaynair and Earth, Roots & Water, and "Mankind" by Adrian Homer Miller and Earth, Roots & Water. Plus as a bonus, there's a DVD layer on the CD, with 20 minutes of excellent archival footage of Jerry Brown and his artists in the studio and at the dance!

A cool collection of grooves from the legendary TK Records label – and one that goes way past the obvious hits that topped the charts back in the 70s! The package is less the overall story of TK, than it is a great reminder that there's some really funky nuggets lurking deep in the label's mighty catalog – killer tunes that show that the Miami club sound of the late 70s was firmly rooted in funk and deep soul of the earlier part of the decade – at a level that still stayed pretty funky, even well into the disco generation! There's some great gems here – and titles include "Lady Fingers" by Tony Middleton, "Plato's Retreat" by Joe Thomas, "Funk Reaction" by Lonnie Smith, "Harlem Nocturne" by Wildflower, "Don't Turn Away" by Midnite Flite, "Star Cruiser" by Gregg Diamond, "Funk Machine" by Funk Machine, "Hey Sexy Dancer" by Rocky Mizell, "Dance To The Drummer's Beat" by Herman Kelly & Life, and "Do What You Wanna Do" by T Connection.