Beautiful solo work from Anthony Braxton – recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" – one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton – but things really go out on side two, which features the originals "GN6/K/7" – using multi-tracked piano in a very cool, very experimental way! CD
Michel Portal —
Alors!! ... CD Futura (France), 1970. New Copy ...
Out Of Stock
A landmark French avant session from the start of the 70s – and one of the most bracingly brilliant albums ever recorded by saxophonist Michel Portal! Portal's paired here with British reedman John Surman – and the duo play some amazingly complex lines on the date – very freewheeling, but not entirely without structure – as Portal handles alto sax and bass clarinet, and Surman blows soprano, baritone, and bass clarinet as well. Other group members include Barre Phillips on bass, Stu Martin on drums, and Jean-Pierre Drouet on percussion – and the use of two percussion players, without piano, makes for a very unique quality to the record. Titles include "Oo Bam Ba Deep", "Ca Boom?", "Undercurrent", "Yes, Oh Yes, You Wonderful Sun Kissed Maiden", and "Y En A Marre". CD
The rhymes by the Infinity Rappers are only on the latter half of the "cut" version – but we dig the very electro production that quotes "Tubular Bells", some nice vocoder effects and a little scratching from D St – the "uncut" version is the instrumetnal. Back cover art by Futura 2000. 12-inch, Vinyl record