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Almost an historical artifact – London recordings by Fred Astaire from the 20s, with Gershwin actually backing him up on piano – and a few tracks feature dancing too! Also features songs from Gay Divorce and Flying Down To Rio.

A wonderful little album by Mel Torme – easily one of his best albums of the 50s, despite the tighter focus implied in the title! Although the set's a tribute to Fred Astaire. the album's got a very similar feel to Mel's classic album with Marty Paich's Dek-Tette for Bethlehem – arranged by Paich, and done in a similar style of small-orchestra jazz – with great lines and solos from key west coast players who include Herb Geller on alto, Bob Enevoldsen on trombone, Jack Montrose on tenor, and Don Fagerquist and Pete Candoli on trumpet. There's a smooth, warm brilliance to the album that's undeniable – and although many of the tunes are older ones from Fred Astaire movies from decades back, they're updated beautifully by Marty Paich's arrangements! Titles include "The Piccolino", "Nice Work If You Can Get It", "A Foggy Day", "They All Laughed", and "Let's Call The Whole Thing Off".

A wonderful little album by Mel Torme – easily one of his best albums of the 50s, despite the tighter focus implied in the title! Although the set's a tribute to Fred Astaire. the album's got a very similar feel to Mel's classic album with Marty Paich's Dek-Tette for Bethlehem – arranged by Paich, and done in a similar style of small-orchestra jazz – with great lines and solos from key west coast players who include Herb Geller on alto, Bob Enevoldsen on trombone, Jack Montrose on tenor, and Don Fagerquist and Pete Candoli on trumpet. There's a smooth, warm brilliance to the album that's undeniable – and although many of the tunes are older ones from Fred Astaire movies from decades back, they're updated beautifully by Marty Paich's arrangements! Titles include "The Piccolino", "Nice Work If You Can Get It", "A Foggy Day", "They All Laughed", and "Let's Call The Whole Thing Off".