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An incredible little record with a sound that's unlike anything else we've ever heard before – a set that mixes jazzy inflections on vibes, organ, guitar, percussion, and flute – the last of which is played here by a young Hermeto Pascoal! The set was done after Pascoal's work in Quarteto Novo but before some of his more complicated jazz albums of the 70s – and it's got a style that mixes his own love of playful rhythms and complicated shadings with a lighter, freer approach to the music – one that's almost in line with some of the EMI/Odeon work of the time, but which comes off with a slightly different feel. The drums get quite funky at times, and the mix of instruments reminds us a fair bit of the legendary Aquarians album on Uni from the US – but with an influence that's more bossa-driven, in comparison to the Latin modes of that set. At times, there's a lightly dancing beauty to the record that's almost in soundtrack mode – but tunes are more focused overall, and clearly aware of their own instrumental power. Titles include "Gamboa", "Rhodosando", "Cancao Latina", "Summer Hill", "Pavane", "Chaye", "Gosto De Ser Como Sou", "Casa Forte", and "O Passaro".

A bossa nova take on The Beatles – served up with plenty of great keyboard work from the legendary Manfredo Fest! Fest is well know to bossa fans for his killer combo sides of the 60s – and although this album's a much more obscure effort, it follows in a very similar vein – instrumental and strongly jazz-based, with piano or organ as the main solo instrument, soaring over the top of some tightly crackling rhythms! The tunes are all Lennon/McCartney compositions – played with lots of inventive touches that really take them from their roots, and open them up as new groovers filled with keyboard improvisation. Titles include "All My Loving", "Help", "Can't Buy Me Love", "Michelle", "Hard Day's Night", and "Ticket To Ride".