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Truly fantastic stuff – and one of the hardest Fela records to find! Lovingly reissued here with great sound, a great package, and some monster Afro funk throughout. The record features a guest appearance by Sandra Akanke Isidore on vocals, but most of the singing's still done by Fela, and the band features Tony Allen on drums, plus the usual suspects. "Upside Down" is a monster groover with great rumbling sound – and "Go Slow" is slightly mellower, but no less soulful and funky. Great stuff, and another one we can't believe we're seeing on wax again!

About as classic as you can get for 70s Fela – 2 albums that are overflowing with righteous politics, heavy rhythms, and super-extended grooves! The CD features the complete tracks from the albums Yellow Fever and Na Poi – both recorded in 1976, but compiled here with a bonus alternate take of "Na Poi" from 1975! The 15 minute tune "Yellow Fever" is a brutal attack on miscegenation, backed by a funky groove that makes the whole thing fall into place with an amazing riffing sound – and the cuts "Na Poi" and "You No Go Die Unless" both have a freer feel than usual, with heavy percussion added into the usual mix of keyboards and sax solos.

Features a previously unreleased version of "Sorrow, Tears And Blood".

A brilliant mix of Afro and deep funk styles – the kind of grooves you'd get if Fela Kuti hung out with The Meters in the late 60s! Budos Band recall the genius of 90s deep funk combo The Daktaris – and have a similar love of older African rhythms touched by a newer indie funk sound – a complexity in the group's well-arranged horn parts, but a simplicity to their rhythms that makes the album cook like some of our favorite classics from years back. Sax and trumpet lines are mixed nicely with heavy percussion and a fair bit of organ at the bottom – creating a murky groove that has a bit of New Orleans in the mix, but also has most of the instruments stepping along with the rhythm – in a very cool take on the Africa 70 sound. Tracks are all instrumental, and all incredible – and the record's one of the freshest we've heard from the deep funk underground in years – a second-generation set that gets way past simple copycat funk and into its own unique groove! Titles include "Budos Theme", "Ghost Walk", "King Charles", "Eastbound", "Across The Atlantic", "Up From The South", "TIBWF", and "Monkey See Monkey Do".

A killer array of funky grooves from Fela Kuti – served up in a 6LP box set, with records chosen by Ginger Baker! Baker's a key choice to work on the set – given his famous recordings with Fela, heard here on the album's leadoff record – Fela & Ginger Baker Live! Next up is Roforofo Fight – an early full-length Fela LP, filled with 4 tight groovers that stand with his best work! "Go Slow" begins with this mad trumpet solo that you'll recognize from a famous sample, especially as it mixes in with keyboards; "Roforofo Fight" is a fast-time groover that has the drums working overtime to keep up with the political power of the cut. Confusion features a monster 26 minute track – and it begins with Sun Ra Arkestra-like washes of sound and spaciness, before leaping into a bass-heavy groove that provides a perfect platform for heavy jamming and vamping by the band. Alagbon Close is a lesser-known 70s session from Fela – but a great one too, and a record that captures the Africa 70 group at all their early raw best! Tracks are both very long – stretching for a side of the record apiece – and the title track "Alagbon Close" features some amazing keyboard lines on the intro, all tinny and thin – and done with this other-worldly almost Sun Ra-like quality! The other tune, "I Get No Eye For Back", also has some amazing electric piano too – but intertwined with some very strong horn work from the group! He Miss Road brings back Ginger Baker – who's producing the group, and gives them a sweet progressive vibe. Titles include "He Miss Road", "Monday Morning In Lagos", and "It's No Possible". Last up is the Na Poi album, with two long cuts cuts – "Na Poi" and "You No Go Die Unless"! Both have a freer feel than usual, with heavy percussion added into the usual mix of keyboards and sax solos. All records in original cover art, too!

Stunning Afro Funk grooves! Fela's legendary drummer, Tony Allen, leads the set on both of these rare albums – nicely packaged onto 2 individual CDs that are like tiny record sleeves, complete with all the original cover art and everything! The groove on the record is pure Fela – and Mr. Kuti helps out with production and playing on one of the 2 records in the set. The first album – No Accomodation – features Allen leading the Africa 70 group on 2 very long tracks – "African Message" and "No Accomodation For Lagos". The other album – No Discrimination – has shorter tracks (about 9 minutes long), with some very nice guitar work, and an even tighter groove than the other cuts. Titles include "Road Safety", "Love Is A Natural Thing", and "Ariya".

An Afro Funk treasure from the 70s – a rare album recorded by Pax Nicholas, a singer and percussionist who was part of Fela's legendary Africa 70 band! The album's got a sound that definitely echoes that heritage, but with a groove that's pretty weird too – more stripped down than most of Fela's work, with a thin keyboard part that often pulsates under the horns, creating an offbeat, edgey vibe in the music! Nicholas' groove is almost like taking Fela, and putting it through an odd sort of filter – one that turns things slightly sideways, and brings a really fresh sound to more familiar Afro Funk modes – kind of with the same other-worldly feel we love in some Ethiopian work of the time. Tracks are all nice and long – and plenty jamming – and titles include "Na Teef Know De Road Of Teef", "Ataa Onukpa", "Na Six Feet", and "You".

Fantastic Afro funky! This set lovingly repackages 2 early albums by Tony Allen, best known to the world as the drummer in Fela's legendary Africa 70 group! Both records have a distinctly Fela-sounding groove – which isn't surprising, as they were produced by Fela, feature Fela, and have Allen playing with Fela's Africa 70 group. These tracks are even rarer than original Fela material, though – so it's super-great to have them on CD. Four long tracks – "Jealousy", "The Hustler", "Progress", and "Afro Disco Beat". As if your Fela collection wasn't big enough yet – it just got bigger, with 2 totally essential albums!

The most outwardly political album to date from Antibalas – and quite possibly the funkiest one too! The set's got the group really grooving hard in their 70s Afro Funk-inspired vein – jamming at a level that would make Fela Kuti blush – working together with a fierce array of percussion, horns, keyboards, and guitars to jam up a groove that stretches back to the best days of the African-styled funk of the classic years. The whole thing's wonderful – every bit as essential for any fan of 70s Fela as it is for the current deep funk underground of which Antibalas are a part – and if you had any fear that their move to a semi-major label would hurt them, rest assured that they sound better than ever! Titles include "Big Man", "Obanla'e", "Elephant", "Sister", "Pay Back Africa", and "Who Is This America Dem Speak Of Today?" Also features the bonus track "Money Talks".

Officially sanctioned live material from Ginger Baker's archives – jamming hard in 1976 with his African Friends in Berlin – including Fela & Tony Allen! Baker lived and worked in Nigeria as far back as the early 70s, as famously documented in the classic Fela/Ginger Baker Live set from 1971 – and the friends found themselves together in Germany for this 1978 recording, with players including members of the Anikulapo Kuti family, Leke Benson, Nwokoma Ikem and others. Includes an epic 2 part jam, the 22 minute "Drum/Percussion Jam Part 1" and the 11 minute "Drum/Percussion Jam Part 2".

Officially sanctioned live material from Ginger Baker's archives – jamming hard in 1976 with his African Friends in Berlin – including Fela & Tony Allen! Baker lived and worked in Nigeria as far back as the early 70s, as famously documented in the classic Fela/Ginger Baker Live set from 1971 – and the friends found themselves together in Germany for this 1978 recording, with players including members of the Anikulapo Kuti family, Leke Benson, Nwokoma Ikem and others. Includes an epic 2 part jam, the 22 minute "Drum/Percussion Jam Part 1" and the 11 minute "Drum/Percussion Jam Part 2".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

Reputedly, this is an African funk band recorded recently by the folks at Desco Records – but as with a lot of their projects, we're not entirely sure whether or not to believe them, since they're always a bit too mysterious about the origins of their material, and this may just be some new grooves, cut by a funk band of non-African origin. Whatever the case, though, the record kicks butt, and is a very tight batch of funky instrumentals that have a classic sound that hints at Fela, Manu Dibango, and other Afro Funk artists of the 70's. There's lots of choppy guitar grooves, heavy percussion, and raw blaring sax solos. Very nice stuff, and every bit as great as the other stuff on Desco! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

Turns out, it DOES run in the family – a great talent for Afro Funk grooves, with the same deeply soulful elements that made Fela Kuti's music so great back in the 70s! This smoker from Femi was recorded at the legendary Afrodisia studios in Lagos – with a nice degree of edge in the mix, which really helps preserve all the grit in the grooves you'd hear in classic Afro Funk from years back! There's none of the too-polished, too-contemporary sounds that might otherwise hurt the energy of the group on record – and instead, all the best bottom bits of the percussion, the snakeyness of the keyboards, and the raspiness of the horns comes through beautifully. Titles include "Dem Bobo", "Nobody Beg You", "E No Good", "No Blame Them", "Make We Remember", "Can't Buy Me", and "Bad Government".

A motherlode of music from the legendary Tunji Oyelana – a key figure in Nigerian music from the late 60s onward – with an influence that's almost as important as Fela's! Tunji's style is pretty darn funky, but different too – almost a pan-African sort of range that encompasses older styles from folklore, grooves from highlife, and the growing turn towards soul, funk, and rock that really sparked on the Nigerian scene once the 70s came around. This double-length package is a great illustration of this range – a wealth of wonderful songs, all graced by the rich vocals of Oyelana, and backed with hip grooves from The Benders – a very cool combo who really know how to change things up! Titles include "Ojo", "Which Way Africa", "To Whom It May Concern", "Jewele Jewele", "Ifa", "Fiya Jemi", "Osekere", "Aiye Nla", "Omonike", "Agba Lode (45 version)", "Aduke", and "Lenle".

They certainly got the title right on this one – because the groove is heavy heavy heavy, and the set is one of the funkiest African collections we've ever stocked! Geraldo Pino's often credited as the man who inspired part of the Fela sound of the 70s – and Pino was one of the first Africans to pick up the styles that James Brown was forging in the 60s, and recast them into a longer, more jamming mode that would eventually form the sound of Afro Funk. This set's the first collection we've ever seen of Pino's work – and it's a long-overdue set that adds a whole new chapter to the history of Afro Funk! Many tunes have skittish electric piano and organ riffing along with heavier percussion and guitar – in a way that creates a really unusual groove, and one that grabs our ears instantly! 12 tracks in all – including "Afro Soco Soul Live", "Let Them Talk", "Heavy Heavy Heavy", "Africans Must Unite", "Shake Hands", "Power To The People", "Let's Have A Party", "Right In The Centre", "On The Spot", and "Black Woman Experience".

Brilliant work from Jimi Tenor and his Kabu Kabu group – an incredibly righteous set that's easily the best we've heard so far from the soulful ensemble! In addition to the spiritual jazz vibe of before, the group's also picked up some influences from African soul and jazz too – not just standard Afro Funk, but also some Ethiopian and Egyptian elements too – folded into Tenor's music like some mad meeting between Sun Ra, Fela Kuti, and Mulatu! Jimi's at the lead, handling tenor, flute, and a host of weird instruments – and the ensemble is heavy on percussion and horns, including some great trumpet work from Jukka Eskola of the Five Corners Quintet. Despite the monochromatic cover image, the album's got a really rich sound – a deeply soulful, deeply spiritual vibe that's totally wonderful – served up on titles that include "Grind", "Mogadishu Ave", "Mega Roots", "Aligned Planets", "Mystery Spot", "Floating Orange", "Fast Legs", "Higher Styx", and "Magical World".

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. 2CD set features 26 tracks that include "Okwuke Na Nchekwube" by Celestine Ukwu & His Philosophers National, "Nekwaha Semi Colon" by The Semi Colon, "Osalobua Rekpama" by Sir Victor Owaifo & His Melody Maestros, "Onwu Ama Dike" by St Augustine & His Rovers Dance Band, "Feso Jaiye" by The Sahara All Stars Of Jos, "To Whom It May Concern" by Tunji Oyelana & The Benders, "Akula Owu Onyeara" by The Funkees, "Koma Mosi" by The Harbours Band, "Belema" by Opotopo, "Asiko Mi Ni" by Nigerian Police Force Band, "Alabeke" by Dan Satch & His Atomic 8 Dance Band, "Blak Sound" by Leo Fadaka & The Heroes, "Arraino" by Popular Cooper & His All Beats Band, "Ugali" by Tony Benson Sextet, "Akpaisong" by Etubom Rex Williams & His Nigerian Allstars, "Eguae Oba" by Osayomore Joseph & The Creative 7, "Torri Wowo" by Godwin Ezike & The Ambassadors, "Buroda Mase" by Bola Johnson & His Easy Life Top Beats, "I Want A Break Thru" by The Hykkers, and "Eguae Oba" by Osayomore Joseph & The Creative 7.

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. Vinyl part 1 features 12 tracks that include "Okwuke Na Nchekwube" by Celestine Ukwu & His Philosophers National, "Nekwaha Semi Colon" by The Semi Colon, "Osalobua Rekpama" by Sir Victor Owaifo & His Melody Maestros, "Onwu Ama Dike" by St Augustine & His Rovers Dance Band, "Feso Jaiye" by The Sahara All Stars Of Jos, "To Whom It May Concern" by Tunji Oyelana & The Benders, "Akula Owu Onyeara" by The Funkees, and "Koma Mosi" by The Harbours Band.

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. Vinyl part 2 features 14 tracks that include "Belema" by Opotopo, "Asiko Mi Ni" by Nigerian Police Force Band, "Alabeke" by Dan Satch & His Atomic 8 Dance Band, "Blak Sound" by Leo Fadaka & The Heroes, "Arraino" by Popular Cooper & His All Beats Band, "Ugali" by Tony Benson Sextet, "Akpaisong" by Etubom Rex Williams & His Nigerian Allstars, "Eguae Oba" by Osayomore Joseph & The Creative 7, "Torri Wowo" by Godwin Ezike & The Ambassadors, "Buroda Mase" by Bola Johnson & His Easy Life Top Beats, "I Want A Break Thru" by The Hykkers, and "Eguae Oba" by Osayomore Joseph & The Creative 7.

The most outwardly political album to date from Antibalas – and quite possibly the funkiest one too! The set's got the group really grooving hard in their 70s Afro Funk-inspired vein – jamming at a level that would make Fela Kuti blush – working together with a fierce array of percussion, horns, keyboards, and guitars to jam up a groove that stretches back to the best days of the African-styled funk of the classic years. The whole thing's wonderful – every bit as essential for any fan of 70s Fela as it is for the current deep funk underground of which Antibalas are a part – and if you had any fear that their move to a semi-major label would hurt them, rest assured that they sound better than ever! Titles include "Big Man", "Obanla'e", "Elephant", "Sister", "Pay Back Africa", and "Who Is This America Dem Speak Of Today?"

How this burningly bad set has remained under wraps for so long is beyond us, but thanks to the folks at Honest Jon's, it's been brought to the much needed light of day! An excellent set collecting work from throughout the career of Cedric Im Brooks, spanning a wide assortment of styles, but all with a deep spiritual approach that Brooks gathered from time spent in his youth in Philadelphia, where he fell under the influence of Sun Ra, almost joining the Arkestra before returning home to Jamaica. The set jumps from heavy, dark roots and Nyabhingi influenced reggae, including some nice dubbed out versions, to Jamaican jazz sides like his take on Horace Silver's classic "Song For My Father", to some tightly snapping disco influenced grooves and bouncing afrobeat rhythms that would make Fela proud! 19 tracks in all, including "Free Up Black Man", "Satta Massa Gana", "Jah Light It Right", "Lambs Bread Collie", "Salt Lane rock", "Rasta Lead On Version", "Sly Mongoose", "Africa", "Collie Version", "Rebirth" and "Sabebe".

A set of varied moods and settings – yet one that really does a wonderful job of fleshing out the Sun Ra aesthetic during these crucial years when Ra dubbed himself the "King Of The Sub Underground"! That humorous title is a reference to the fact that Ra and the Arkestra were still working with largely little mainstream exposure – despite the big growth of avant jazz at the time – and were instead working on beautiful recordings like these, often made without any thought of a larger market at all! The CD brings together material from albums originally issued with Sub-Underground in the title – also under other names as well, including Temple U – and the tracks represent the Arkestra really hitting some of their creative heights in a mix of live, studio, and rehearsal recordings. Titles include the brilliant "World Of Africa", recorded in 1968, but with a chunky groove and weird piano that almost feel like a precursor to Fela Kuti; the sublime "Love Is Always" and "Song Of Drums", recorded live with a spare group in a beautifully echoey setting; surprisingly great takes on "What's New" and "Autumn In New York", played by a small group with Ra on a slightly off-tune upright piano; the long "Cosmo Earth Fantasy" suite, with some very fierce sounds; and a nice live take on "Space Is The Place/We Roam The Cosmos", which jumps right into the groove at the start – with a pretty offbeat feel, and lots of cool vocal interplay!

A motherlode of music from the legendary Tunji Oyelana – a key figure in Nigerian music from the late 60s onward – with an influence that's almost as important as Fela's! Tunji's style is pretty darn funky, but different too – almost a pan-African sort of range that encompasses older styles from folklore, grooves from highlife, and the growing turn towards soul, funk, and rock that really sparked on the Nigerian scene once the 70s came around. This double-length package is a great illustration of this range – a wealth of wonderful songs, all graced by the rich vocals of Oyelana, and backed with hip grooves from The Benders – a very cool combo who really know how to change things up! Titles include "Ojo", "Which Way Africa", "To Whom It May Concern", "Jewele Jewele", "Ifa", "Fiya Jemi", "Osekere", "Aiye Nla", "Omonike", "Agba Lode (45 version)", "Aduke", and "Lenle".

Brilliant work from Jimi Tenor and his Kabu Kabu group – an incredibly righteous set that's easily the best we've heard so far from the soulful ensemble! In addition to the spiritual jazz vibe of before, the group's also picked up some influences from African soul and jazz too – not just standard Afro Funk, but also some Ethiopian and Egyptian elements too – folded into Tenor's music like some mad meeting between Sun Ra, Fela Kuti, and Mulatu! Jimi's at the lead, handling tenor, flute, and a host of weird instruments – and the ensemble is heavy on percussion and horns, including some great trumpet work from Jukka Eskola of the Five Corners Quintet. Despite the monochromatic cover image, the album's got a really rich sound – a deeply soulful, deeply spiritual vibe that's totally wonderful – served up on titles that include "Grind", "Mogadishu Ave", "Mega Roots", "Aligned Planets", "Mystery Spot", "Floating Orange", "Fast Legs", "Higher Styx", and "Magical World".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".