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Hard to go wrong with a set like this – because in our opinion, just about every track recorded by Fela is a "best" – which makes the collection a massive batch of goodness all the way through! Every track here is presented in its original extended version – a dozen massive slices of Afro Funk, which packaged together equal the equivalent of at least 5 or 6 separate albums by Fela – another factor that makes the collection a great one! The 2CD set is filled with gems that helped redefine the sound of funk, soul, and world music back in the 70s – titles that include "Monkey Banana", "Everything Scatter", "Expensive Sh*t", "Trouble Sleep Yanga Wake Am", "Underground System (part 2)", "Sorry Tears & Blood", "Colonial Mentality", "Yellow Fever", "He Miss Road", "Black Man's Cry", "Mr Follow Follow", and "Na Poi". Also features a bonus DVD – with Fela's 1984 performance at the Glastonbury Festival, and an interview too!

Amazing sounds from Fela – a previously-unreleased live show from the mid 80s – almost three times as long as a studio album, and appearing here for the first time ever! Given that there's very few live recordings of Fela at all, the album's quite a treasure – and is almost even more important, as it's one of the few from a time when Fela was hardly recording at all – yet clearly, from the concert performance, able to groove as strongly in the 80s as he could back in his heyday of 70s Afro Funk! Recording quality is a bit "live", but the album more than makes up for that fact with some very extended performances – tracks that usually spin out past the half hour mark, with even more jamming than on Fela's studio albums. Titles include "Beast Of No Nation", "Just Like That", "Confusion Break Bones", and "Teacher Don't Teach Me Nonsense".

A killer array of funky grooves from Fela Kuti – served up in a 6LP box set, with records chosen by Ginger Baker! Baker's a key choice to work on the set – given his famous recordings with Fela, heard here on the album's leadoff record – Fela & Ginger Baker Live! Next up is Roforofo Fight – an early full-length Fela LP, filled with 4 tight groovers that stand with his best work! "Go Slow" begins with this mad trumpet solo that you'll recognize from a famous sample, especially as it mixes in with keyboards; "Roforofo Fight" is a fast-time groover that has the drums working overtime to keep up with the political power of the cut. Confusion features a monster 26 minute track – and it begins with Sun Ra Arkestra-like washes of sound and spaciness, before leaping into a bass-heavy groove that provides a perfect platform for heavy jamming and vamping by the band. Alagbon Close is a lesser-known 70s session from Fela – but a great one too, and a record that captures the Africa 70 group at all their early raw best! Tracks are both very long – stretching for a side of the record apiece – and the title track "Alagbon Close" features some amazing keyboard lines on the intro, all tinny and thin – and done with this other-worldly almost Sun Ra-like quality! The other tune, "I Get No Eye For Back", also has some amazing electric piano too – but intertwined with some very strong horn work from the group! He Miss Road brings back Ginger Baker – who's producing the group, and gives them a sweet progressive vibe. Titles include "He Miss Road", "Monday Morning In Lagos", and "It's No Possible". Last up is the Na Poi album, with two long cuts cuts – "Na Poi" and "You No Go Die Unless"! Both have a freer feel than usual, with heavy percussion added into the usual mix of keyboards and sax solos. All records in original cover art, too!

Truly fantastic stuff – and one of the hardest Fela records to find! Lovingly reissued here with great sound, a great package, and some monster Afro funk throughout. The record features a guest appearance by Sandra Akanke Isidore on vocals, but most of the singing's still done by Fela, and the band features Tony Allen on drums, plus the usual suspects. "Upside Down" is a monster groover with great rumbling sound – and "Go Slow" is slightly mellower, but no less soulful and funky. Great stuff, and another one we can't believe we're seeing on wax again!

About as classic as you can get for 70s Fela – 2 albums that are overflowing with righteous politics, heavy rhythms, and super-extended grooves! The CD features the complete tracks from the albums Yellow Fever and Na Poi – both recorded in 1976, but compiled here with a bonus alternate take of "Na Poi" from 1975! The 15 minute tune "Yellow Fever" is a brutal attack on miscegenation, backed by a funky groove that makes the whole thing fall into place with an amazing riffing sound – and the cuts "Na Poi" and "You No Go Die Unless" both have a freer feel than usual, with heavy percussion added into the usual mix of keyboards and sax solos.

Hard to go wrong with a set like this – because in our opinion, just about every track recorded by Fela is a "best" – which makes the collection a massive batch of goodness all the way through! Every track here is presented in its original extended version – a dozen massive slices of Afro Funk, which packaged together equal the equivalent of at least 5 or 6 separate albums by Fela – another factor that makes the collection a great one! The 2CD set is filled with gems that helped redefine the sound of funk, soul, and world music back in the 70s – titles that include "Monkey Banana", "Everything Scatter", "Expensive Sh*t", "Trouble Sleep Yanga Wake Am", "Underground System (part 2)", "Sorry Tears & Blood", "Colonial Mentality", "Yellow Fever", "He Miss Road", "Black Man's Cry", "Mr Follow Follow", and "Na Poi".

A totally amazing little package – every single album recorded by Fela Kuti, served up in tiny LP-style sleeves, and brought together in one excellent box set – with a bonus movie as well! The collection features a total of 46 albums, most of which are paired up with crucial counterparts, as on some of the previous CD releases of the material. But this time around, there's way more than you might imagine in one place – classic records that include Afrodisiac, Confusion, Shakara, Fela's London Scene, He Miss Road, Kalakuta Show, Music Of Many Colors, Beasts Of No Nation, Army Arrangement, Coffin For Head Of State, Original Sufferhead, ITT, The Fela Singles, Roforofo Fight, Excuse O, Moise For Vendor Mouth, Why Black Man Dey Suffer, Na Poi, Authority Stealing, VIP, Fela With Ginger Baker Live, Underground System, Zombie, and lots lots more – a truly amazing run of music! Also features the bonus DVD – A Slice Of Fela.

A classic bit of Afro Funk – one that paired the growing groove of Fela with the focused sound of Ginger Baker – the ex-Cream drummer who'd been championing Fela's cause on the UK scene! The sound of the set is great – well on a par with Fela's best work of the time, and perhaps even a bit better – given the extra drive that Baker brings to the session. Tracks are all long, yet a bit more focused than usual – and titles include "Ye Ye De Smell", "Black Man's Cry", and "Let's Start".

Features a previously unreleased version of "Sorrow, Tears And Blood".

A wonderful tribute to Tony Allen's landmark Black Voices album – re-presented here with the full original record, plus a host of bonus cuts too! The core record is amazing – a set that really re-introduced Allen to the world, after falling into a bit of obscurity in the 80s years after he broke with Fela Kuti – the start of a rich new chapter in his career that's continued to burn strongly for the past decade or so! The album still holds up wonderfully – as Allen's still swinging hard, in a heavy afro funk groove that sounds a lot like his 70s work – with great electric keyboards, tight guitars, and some very nice flanged-out vocals. The drumming is nice and tight – but with a freer edge that mixes elements from the older work with a dubby spacey approach that recalls rhythms of groups like Can or Cymande! Titles include "Asiko", "Get Together", "Black Voices", "The Same Blood", and "Ariya Psyche (Juju mix)". CD also features 5 more tracks – titled Black Voices Revisited – including different versions of "Asiko" and "The Same Blood" – plus "Ariya", "Get Together (with Mudbone Cooper)", and "Black Voices (with Clip Payne)".

Amazing sounds from one of the best funky combos anywhere – ever! Antibalas have certainly risen to fame in the years since we first heard their Afro-styled grooves – working famously in the Fela musical, and reaching generations of ears with their own brilliant records. Yet throughout it all, they've always stayed true to their sound – and, if anything, are even sharper, tighter, and funkier than before – all extremely adept not only at playing their instruments, but at hitting the right sort of sound to cut through all the BS that was holding back funky Afro grooves for years! Part of that sound comes from superb Daptone production by Gabriel Roth – who really knows how to keep things lean and mean and full of energy. But the core credit really goes to the group – who never cease to amaze us here – and continually come up with fresh sounds on their keyboards and horns – and inventive rhythms to match! Titles include "Dirty Money", "The Rat Catcher", "Ari Degbe", "Ibeji", "Sare Kon Kon", and "Him Belly No Go Sweet".

The most outwardly political album to date from Antibalas – and quite possibly the funkiest one too! The set's got the group really grooving hard in their 70s Afro Funk-inspired vein – jamming at a level that would make Fela Kuti blush – working together with a fierce array of percussion, horns, keyboards, and guitars to jam up a groove that stretches back to the best days of the African-styled funk of the classic years. The whole thing's wonderful – every bit as essential for any fan of 70s Fela as it is for the current deep funk underground of which Antibalas are a part – and if you had any fear that their move to a semi-major label would hurt them, rest assured that they sound better than ever! Titles include "Big Man", "Obanla'e", "Elephant", "Sister", "Pay Back Africa", and "Who Is This America Dem Speak Of Today?" Also features the bonus track "Money Talks".

Not Afrobeat, but Astrobeat – a unique hybrid of older funk modes and contemporary cosmic touches – all served up beautifully by Ariya! The album definitely echoes older modes from the Ethiopian scene of the 70s – particularly the chugging rhythms and tightly vamping instrumentation that you might know from the work of Fela or Tony Allen – but there's also some more 21st Century elements on the keyboards, which have a crackling bit of electricity that goes beyond the usual electric piano used back in the day – and which really helps give the record a different feel. Don't get us wrong – because nothing here is too slick, overproduced, or remix-heavy – the music is definitely Afro Funk at the core, just inflected in some really sweet ways – and served up mostly instrumental, on cuts that include "Blood In The Water", "Turncoat", "Future Ancestors", "New Frontiers", "Towards Other Worlds", and "Old Ground".

Ginger Baker recorded late in the 80s – but still keeping up the Afro-styled grooves he forged with Fela during the decade before! The set's got Baker very much upfront on drums – but he's also working with a range of African percussionists who really help shape the rhythms – plus great work on guitar, trombone, and a range of saxes as well! Many tunes are very heavy on the groove – building things up before adding in more from the horns, or the occasional vocals – and the set features material recorded with two different groups, but both around the same stretch in 1987, with relatively similar lineups. Titles include "Brain Damage", "Sokoto", "Go Do", "Adoa", "Abyssinia", "Want Come Go", and "Ginger's Solo".

Officially sanctioned live material from Ginger Baker's archives – jamming hard in 1976 with his African Friends in Berlin – including Fela & Tony Allen! Baker lived and worked in Nigeria as far back as the early 70s, as famously documented in the classic Fela/Ginger Baker Live set from 1971 – and the friends found themselves together in Germany for this 1978 recording, with players including members of the Anikulapo Kuti family, Leke Benson, Nwokoma Ikem and others. Includes an epic 2 part jam, the 22 minute "Drum/Percussion Jam Part 1" and the 11 minute "Drum/Percussion Jam Part 2".

Officially sanctioned live material from Ginger Baker's archives – jamming hard in 1976 with his African Friends in Berlin – including Fela & Tony Allen! Baker lived and worked in Nigeria as far back as the early 70s, as famously documented in the classic Fela/Ginger Baker Live set from 1971 – and the friends found themselves together in Germany for this 1978 recording, with players including members of the Anikulapo Kuti family, Leke Benson, Nwokoma Ikem and others. Includes an epic 2 part jam, the 22 minute "Drum/Percussion Jam Part 1" and the 11 minute "Drum/Percussion Jam Part 2".

Out of the wreckage of Cream came some very hip grooves! Ginger Baker was the hippest of the group's 3 members – and although he's often credited by soul fans for his work with Fela, he should also get a hats off for his work with the group Air Force – essentially a 10-piece (which seems to have been expanded beyond even that number for this set) that came up with some of the most monstrous art funk jamming we've heard! At its base, the group's in the jazz rock mode – with players that include Brit jazz luminaries Phil Seamen, Harold McNair, and Graham Bond, plus rockers like Baker, Steve Winwood, Denny Laine, and Rick Grech. The tracks are all long groovers in a post-beat group mode – and the best tracks have a jamming sound that's pretty over the top! It's full of the propulsive, Afro-influenced bass and percussion, some wild, jazz funk flute and sax, plus amazing work on violin, guitar and occasional, ephemeral vocals. Awesome stuff – one of the best and most innovative live albums of the era! Titles include "Da Da Man", "Aiko Biaye", "Do What You Like", "Doin It", and "Don't Care". It's about time this thing arrived on CD!

Pretty amazing work from Nigeria! Segun Bucknor was an excellent vocalist with a style that was raspy and spiritual – much more other-worldly than a lot of his Afro Funk contemporaries, especially on the album's longer tracks, which have a spaced out groove that's really incredible. The groove here has bits of Fela-like jamming – but also more of a spacious jazzy groove, mixed with 70s rhythmic influences, and just the right touch of funk from time to time. Most of Segun's work has never been properly reissued before – and, as with all the Strut releases, this package is an over-stuffed batch of gems that will finally give him his due! The set includes notes on the music and Segun's story – and a wealth of great tracks that include "Sorrow Sorrow Sorrow", "Dye Dye", "Adanri Sogbasogba", "Son Of January 15th", "La La La (hard version)", "Smoke", "Who Say I Tire", and "You Killing Me".

A brilliant mix of Afro and deep funk styles – the kind of grooves you'd get if Fela Kuti hung out with The Meters in the late 60s! Budos Band recall the genius of 90s deep funk combo The Daktaris – and have a similar love of older African rhythms touched by a newer indie funk sound – a complexity in the group's well-arranged horn parts, but a simplicity to their rhythms that makes the album cook like some of our favorite classics from years back. Sax and trumpet lines are mixed nicely with heavy percussion and a fair bit of organ at the bottom – creating a murky groove that has a bit of New Orleans in the mix, but also has most of the instruments stepping along with the rhythm – in a very cool take on the Africa 70 sound. Tracks are all instrumental, and all incredible – and the record's one of the freshest we've heard from the deep funk underground in years – a second-generation set that gets way past simple copycat funk and into its own unique groove! Titles include "Budos Theme", "Ghost Walk", "King Charles", "Eastbound", "Across The Atlantic", "Up From The South", "TIBWF", and "Monkey See Monkey Do".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

Reputedly, this is an African funk band recorded recently by the folks at Desco Records – but as with a lot of their projects, we're not entirely sure whether or not to believe them, since they're always a bit too mysterious about the origins of their material, and this may just be some new grooves, cut by a funk band of non-African origin. Whatever the case, though, the record kicks butt, and is a very tight batch of funky instrumentals that have a classic sound that hints at Fela, Manu Dibango, and other Afro Funk artists of the 70's. There's lots of choppy guitar grooves, heavy percussion, and raw blaring sax solos. Very nice stuff, and every bit as great as the other stuff on Desco! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

The title track to Fanga's great Natural Juice album is served up here in a sweet extended version – one that spins out with all the skittish percussion, scratchy guitar, and snakey keyboards of a 70s Afro Funk number! The keyboard work is almost moogy at times, but never too thin – just nicely spooky – and the vocals are chanted strongly at the start, then drop out for plenty of long instrumental jamming! "I Didn't Know" is another great groove with a really Fela-like feel, and some especially nice horns – and the bonus beats on the single are both nice percussive breaks!

Here's a group who definitely live up to their name – a damn funky 70s act from Nigeria, with a tight, righteous groove that's completely outta sight! The Funkees have an approach that's a lot more compact than Fela, and a lot more soulful than some of their more tripped-out contemporaries – and they also had some recording experience in London, which possibly gave them an even hipper focus – like some of the great post-colonial combos that were brewing up sounds on the British scene of the 70s! This wonderful package brings together the best of the group's work – their rare early Nigerian 45s, and key cuts from the UK albums – all with the incredible Soundway ear for a groove – meaning that The Funkees sound pretty darn funky all the way through. Titles include "Mimbo", "Dancing Time", "Break Through", "303", "Life", "Ole", "Akpankoro", "Abraka", "Acid Rock", "Slipping Into Darkness", "Point Of No Return", and "Dancing In The Nude".

Here's a group who definitely live up to their name – a damn funky 70s act from Nigeria, with a tight, righteous groove that's completely outta sight! The Funkees have an approach that's a lot more compact than Fela, and a lot more soulful than some of their more tripped-out contemporaries – and they also had some recording experience in London, which possibly gave them an even hipper focus – like some of the great post-colonial combos that were brewing up sounds on the British scene of the 70s! This wonderful package brings together the best of the group's work – their rare early Nigerian 45s, and key cuts from the UK albums – all with the incredible Soundway ear for a groove – meaning that The Funkees sound pretty darn funky all the way through. Titles include "Mimbo", "Dancing Time", "Break Through", "303", "Life", "Ole", "Akpankoro", "Abraka", "Acid Rock", "Slipping Into Darkness", "Point Of No Return", and "Dancing In The Nude".

Turns out, it DOES run in the family – a great talent for Afro Funk grooves, with the same deeply soulful elements that made Fela Kuti's music so great back in the 70s! This smoker from Femi was recorded at the legendary Afrodisia studios in Lagos – with a nice degree of edge in the mix, which really helps preserve all the grit in the grooves you'd hear in classic Afro Funk from years back! There's none of the too-polished, too-contemporary sounds that might otherwise hurt the energy of the group on record – and instead, all the best bottom bits of the percussion, the snakeyness of the keyboards, and the raspiness of the horns comes through beautifully. Titles include "Dem Bobo", "Nobody Beg You", "E No Good", "No Blame Them", "Make We Remember", "Can't Buy Me", and "Bad Government".

Seun Anikulapo Kuti returns with another strorming set of neo classic Afro Funk in the great tradition of his father – once again fronting the incredible Egypt 80 group! It's remarkable stuff that finds Seun – the youngest son of Fela – standing up as a visionary talent. He's not only living up to an immense legacy, but moving forward with it in ways that will absolutely stand the test of time. The insistent rhythms and intense energy of the Egypt 80 group – led by Lekan Animashaun – are Afrobeat perfection, with Seun's forthright vocals out front of it. But their approach here is anything but a retread of family glories. The songs are urgent and fierce, and there are subtle modern florishes in the production – thanks in part, no doubt, to co-producer Brian Eno. Titles include "African Soldier", "You Can R Un", "Rise", "Slave Masters", "For Dem E Ye", "The Good Leaf" and "Giant Of Africa".

A wonderful full album from keyboardist Jessica Lauren – a London talent we've loved for years, and have watched mature deeply over the past few decades! Jessica's keyboards have graced a number of key recordings from the past 20 years or so on the British scene – but she's issued woefully few albums under her own name, which makes this jazzy session an even greater treat! Jessica plays acoustic piano and organ on the record – the latter of which still brings in some of the more electric modes we know from her roots – while the piano tones ring out with a beautifully earthy feel – alongside bass, drums, and a heck of a lot of percussion – more than enough to bring in plenty of Latin and other global elements to the music! Most tunes are instrumentals, but the set does feature guest vocals from Jocelyn Brown on the tracks "Happiness Train" and "I Believe". Instrumental cuts include "The Name Of Fela Will Always Stand For Freedom", "White Mountain", "Vaya Con Dios", "Dogtown", "Gangaman", and "Mel Benson".

Sweet South African soul from Hugh Masekela – a set that shows that Hugh's greatness certainly hasn't dimmed with time! There's a warm, captivating sound to the record that draws us in right away – a maturity to Masekela's approach – a depth that not only stretches back to his roots, but also seems to find a way to embrace other modes of South African music of the previous few decades too! Hugh plays plenty of his famous trumpet on the date, and also sings lead vocals on most titles – and tunes include "Fela", "Sossie", "Iph'Indlela", "Mfana", "Makoti", "Uyeyeni", "No Harvest", and "Scatter My Dada".

A really cool avant single that's unlike anything else! It's from Sierra Leone-born vocalist Sahr Ngaujah and collaborator Stuart Bogie of Antibalas – both of whom work in the Broadway production Fela! – but Sahr Ngaujah Vs Superhuman Happiness has in otherwordly approach that's more of a cosmic creation than you'd expect given their "day job". Tripped out avant dancefloor atmosphere that's also a great headphones listen. The Superhuman Happiness players bring bits of sax, trumpet guitar, bass, bongos and synth.

US issue of some of Sonny's African recordings from the early 80s. The groove here is afro-pop, with crisp guitars and a lighter beat than Fela's style of afrobeat, but with similar cascading horn parts. The production's a bit slicker too, with the vocals pushed way forward in the mix. Titles include "Tell Them", "Liberation", "Amen", "Olu Ebube", and "Tire Ni Oluwa".

A motherlode of music from the legendary Tunji Oyelana – a key figure in Nigerian music from the late 60s onward – with an influence that's almost as important as Fela's! Tunji's style is pretty darn funky, but different too – almost a pan-African sort of range that encompasses older styles from folklore, grooves from highlife, and the growing turn towards soul, funk, and rock that really sparked on the Nigerian scene once the 70s came around. This double-length package is a great illustration of this range – a wealth of wonderful songs, all graced by the rich vocals of Oyelana, and backed with hip grooves from The Benders – a very cool combo who really know how to change things up! Titles include "Ojo", "Which Way Africa", "To Whom It May Concern", "Jewele Jewele", "Ifa", "Fiya Jemi", "Osekere", "Aiye Nla", "Omonike", "Agba Lode (45 version)", "Aduke", and "Lenle".

They certainly got the title right on this one – because the groove is heavy heavy heavy, and the set is one of the funkiest African collections we've ever stocked! Geraldo Pino's often credited as the man who inspired part of the Fela sound of the 70s – and Pino was one of the first Africans to pick up the styles that James Brown was forging in the 60s, and recast them into a longer, more jamming mode that would eventually form the sound of Afro Funk. This set's the first collection we've ever seen of Pino's work – and it's a long-overdue set that adds a whole new chapter to the history of Afro Funk! Many tunes have skittish electric piano and organ riffing along with heavier percussion and guitar – in a way that creates a really unusual groove, and one that grabs our ears instantly! 12 tracks in all – including "Afro Soco Soul Live", "Let Them Talk", "Heavy Heavy Heavy", "Africans Must Unite", "Shake Hands", "Power To The People", "Let's Have A Party", "Right In The Centre", "On The Spot", and "Black Woman Experience".

A great new issue – and jam packed with the usual madness! The center of the magazine features a huge year 2000 calender – with Roctober legends like Serge Gainsbourg, Sugarpie De Santo, Gary Glitter, Fela, and The Zone Brothers. Plus, there's great features on Tim Maia, Sparks, Rock & Wrestling, Terry Jacks, Johnny Legend, and others. Also includes Ivan Brunetti's hilarious I Almost Drew Nancy, the super-silly Ratso Meets Cibo Matto – and James Porter's loving Tribute To Alvin Cash! 105 pages, and worth every penny!

Brilliant work from Jimi Tenor and his Kabu Kabu group – an incredibly righteous set that's easily the best we've heard so far from the soulful ensemble! In addition to the spiritual jazz vibe of before, the group's also picked up some influences from African soul and jazz too – not just standard Afro Funk, but also some Ethiopian and Egyptian elements too – folded into Tenor's music like some mad meeting between Sun Ra, Fela Kuti, and Mulatu! Jimi's at the lead, handling tenor, flute, and a host of weird instruments – and the ensemble is heavy on percussion and horns, including some great trumpet work from Jukka Eskola of the Five Corners Quintet. Despite the monochromatic cover image, the album's got a really rich sound – a deeply soulful, deeply spiritual vibe that's totally wonderful – served up on titles that include "Grind", "Mogadishu Ave", "Mega Roots", "Aligned Planets", "Mystery Spot", "Floating Orange", "Fast Legs", "Higher Styx", and "Magical World".

Brilliant work from two of the most dynamic artists of the past few decades – coming together here in a really boundary-pushing set of music! Tony Allen got his start with Fela, but has moved on to do some mindblowing work on his own in recent years – music that really moves far beyond the strict roots of Afro Funk – and Jimi Tenor was once known for colder dance-styled work, but has moved strongly into soul, funk, and spiritual jazz – a rich sound that deepens the feel of this session! The rhythms have some of the quality of Allen's recent work, but they're also pushed out a lot more by Tenor's complicated jazz leanings – really mixed up beautifully, and mixed with some righteous vocals from Allonymous, Mariamu Morris, and Jimi himself. Instrumentation is live, and features great drums from Tony – plus killer keyboards, guitar, trumpet, and percussion – on titles that include "Against The Wall", "Selfish Gene", "Path To Wisdom", "Mama England", "Cella's Walk", "Three Continents", "Got My Egusi", and "Darker Side Of Night".

The Africa Issue of Wax Poetics – with Fela on the front cover and Tony Allen on the back – plus pieces on The Rail Band, Orchestra Baobob, Orchestre Poly-Rhythmo, Soundway's Ghana Special and so much more! You know Wax Poetics is going to go deep, and Issue 39 doesn't disappoint – from the pivotal Afro funk & soul of the cover artists to the Cuban-influenced vibe of Senegal's Orchestra Baobob, the griot sounds of the Rail Band and well beyond – loaded with photographs we've never seen before (always a big draw to Wax Po) – Re:Discovery items on Mams & Hart, Buari's Disco Soccer and more, plus pieces on African vinyl collector Voodoo Frank, Shafiq of Sa-Ra, a Record Rundown of from African rhythms champion DJ Rich Medina and lots more!

A stellar batch of Afro funk and native groove from Lagos! Strains of western funk and soulful sounds work their way into the material – thanks again to Fela's mighty influence – but there's a lot more to it! Simmering along with the Afro funk and soul are some truly riveting native folk sounds – filtered through many of the modern influence that make the funk stuff so compelling – but providing a much more natively learned groove. It's a totally fresh perspectived – focused on the Lagos territory – but an incredible listen to anyone, anywhere, with a pair of ears! 15 tracks in all: "Eyi Yato/Elere Ni Wa" by Chief Commander Ebenezer Obey And His Inter-Reformers Band, "Joromi" by Sir Victor Uwaifo, "Sowambe" by Sagbeni Aragbada, "Professional Super Bantous" by Super Negro Bantopus, "Ole Obinrin" by Ambali Adedeji, "Da Wa Lohun" by Harbors Band, "Moonlight Highlife" by Dr Victor Olaiya and more!

A stellar batch of Afro funk and native groove from Lagos! Strains of western funk and soulful sounds work their way into the material – thanks again to Fela's mighty influence – but there's a lot more to it! Simmering along with the Afro funk and soul are some truly riveting native folk sounds – filtered through many of the modern influence that make the funk stuff so compelling – but providing a much more natively learned groove. It's a totally fresh perspectived – focused on the Lagos territory – but an incredible listen to anyone, anywhere, with a pair of ears! 15 tracks in all: "Eyi Yato/Elere Ni Wa" by Chief Commander Ebenezer Obey And His Inter-Reformers Band, "Joromi" by Sir Victor Uwaifo, "Sowambe" by Sagbeni Aragbada, "Professional Super Bantous" by Super Negro Bantopus, "Ole Obinrin" by Ambali Adedeji, "Da Wa Lohun" by Harbors Band, "Moonlight Highlife" by Dr Victor Olaiya and more!

A pretty good overview of the work that Celluloid Records was doing on the African front – featuring tracks from a variety of the label's best releases of the early 80s! The set list includes 4 tunes by Toure Kunda – "Emma", "Ne Nam 2", "Salya", and "Baounane" – an excellent group who've kind of gotten lost in time, plus others that include "Government Chicken Boy" by Fela, "Abele Dance" by Manu Dibango, and "Harima" by Mandingo with Herbie Hancock.

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. 2CD set features 26 tracks that include "Okwuke Na Nchekwube" by Celestine Ukwu & His Philosophers National, "Nekwaha Semi Colon" by The Semi Colon, "Osalobua Rekpama" by Sir Victor Owaifo & His Melody Maestros, "Onwu Ama Dike" by St Augustine & His Rovers Dance Band, "Feso Jaiye" by The Sahara All Stars Of Jos, "To Whom It May Concern" by Tunji Oyelana & The Benders, "Akula Owu Onyeara" by The Funkees, "Koma Mosi" by The Harbours Band, "Belema" by Opotopo, "Asiko Mi Ni" by Nigerian Police Force Band, "Alabeke" by Dan Satch & His Atomic 8 Dance Band, "Blak Sound" by Leo Fadaka & The Heroes, "Arraino" by Popular Cooper & His All Beats Band, "Ugali" by Tony Benson Sextet, "Akpaisong" by Etubom Rex Williams & His Nigerian Allstars, "Eguae Oba" by Osayomore Joseph & The Creative 7, "Torri Wowo" by Godwin Ezike & The Ambassadors, "Buroda Mase" by Bola Johnson & His Easy Life Top Beats, "I Want A Break Thru" by The Hykkers, and "Eguae Oba" by Osayomore Joseph & The Creative 7.

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. Vinyl part 1 features 12 tracks that include "Okwuke Na Nchekwube" by Celestine Ukwu & His Philosophers National, "Nekwaha Semi Colon" by The Semi Colon, "Osalobua Rekpama" by Sir Victor Owaifo & His Melody Maestros, "Onwu Ama Dike" by St Augustine & His Rovers Dance Band, "Feso Jaiye" by The Sahara All Stars Of Jos, "To Whom It May Concern" by Tunji Oyelana & The Benders, "Akula Owu Onyeara" by The Funkees, and "Koma Mosi" by The Harbours Band.

Essential work from the African scene of the 70s – a collection of tracks that goes way beyond the more familiar grooves of Fela Kuti and Manu Dibango! The set may well be the deepest so far we've heard from the always-amazing Soundway Records – a package that digs into a wealth of under-heard music from early 70s Nigeria, all of it beyond simple stylistic definitions and overplayed world music cliches! Many of the grooves here are wonderfully unique – odd fusions of styles that include highlife, jazz, soul, Afrobeat, and other regional influences – sifted and shaken together, and spilled out in the studio with a really fresh sort of feel. Rhythms are at the core of most numbers here, but even those are often unfamiliar – skittish, soulful, and often somewhat playful – and the other instrumentation on the tracks is great too, and often resonates with some of the odd sounds and tunings we love in work on the Ethiopiques series. Vinyl part 2 features 14 tracks that include "Belema" by Opotopo, "Asiko Mi Ni" by Nigerian Police Force Band, "Alabeke" by Dan Satch & His Atomic 8 Dance Band, "Blak Sound" by Leo Fadaka & The Heroes, "Arraino" by Popular Cooper & His All Beats Band, "Ugali" by Tony Benson Sextet, "Akpaisong" by Etubom Rex Williams & His Nigerian Allstars, "Eguae Oba" by Osayomore Joseph & The Creative 7, "Torri Wowo" by Godwin Ezike & The Ambassadors, "Buroda Mase" by Bola Johnson & His Easy Life Top Beats, "I Want A Break Thru" by The Hykkers, and "Eguae Oba" by Osayomore Joseph & The Creative 7.

Stunning Afro Funk grooves! Fela's legendary drummer, Tony Allen, leads the set on both of these rare albums – nicely packaged onto 2 individual CDs that are like tiny record sleeves, complete with all the original cover art and everything! The groove on the record is pure Fela – and Mr. Kuti helps out with production and playing on one of the 2 records in the set. The first album – No Accomodation – features Allen leading the Africa 70 group on 2 very long tracks – "African Message" and "No Accomodation For Lagos". The other album – No Discrimination – has shorter tracks (about 9 minutes long), with some very nice guitar work, and an even tighter groove than the other cuts. Titles include "Road Safety", "Love Is A Natural Thing", and "Ariya".

The first of the legendary Tony Allen albums – and it's got a killer groove that's very similar to some of the best Fela work of the early 70s! Fela and his group (Afrika 70) are still working with Tony here, and Fela lays down some tenor and piano solos – but make no mistake, it's Tony's show – and it's a great one. Allen's drums are right out front – and from the first note of the record, you know it's his own bag. Two long tracks – "Jealousy" and "Hustler" – make up the set, but that's plenty for us!

Amazing sounds from one of the best funky combos anywhere – ever! Antibalas have certainly risen to fame in the years since we first heard their Afro-styled grooves – working famously in the Fela musical, and reaching generations of ears with their own brilliant records. Yet throughout it all, they've always stayed true to their sound – and, if anything, are even sharper, tighter, and funkier than before – all extremely adept not only at playing their instruments, but at hitting the right sort of sound to cut through all the BS that was holding back funky Afro grooves for years! Part of that sound comes from superb Daptone production by Gabriel Roth – who really knows how to keep things lean and mean and full of energy. But the core credit really goes to the group – who never cease to amaze us here – and continually come up with fresh sounds on their keyboards and horns – and inventive rhythms to match! Titles include "Dirty Money", "The Rat Catcher", "Ari Degbe", "Ibeji", "Sare Kon Kon", and "Him Belly No Go Sweet".

The most outwardly political album to date from Antibalas – and quite possibly the funkiest one too! The set's got the group really grooving hard in their 70s Afro Funk-inspired vein – jamming at a level that would make Fela Kuti blush – working together with a fierce array of percussion, horns, keyboards, and guitars to jam up a groove that stretches back to the best days of the African-styled funk of the classic years. The whole thing's wonderful – every bit as essential for any fan of 70s Fela as it is for the current deep funk underground of which Antibalas are a part – and if you had any fear that their move to a semi-major label would hurt them, rest assured that they sound better than ever! Titles include "Big Man", "Obanla'e", "Elephant", "Sister", "Pay Back Africa", and "Who Is This America Dem Speak Of Today?"

A great album that Roy Ayers cut after his co-led record with Fela Kuti – and one with the same sort of hard-driving Afro-Funk grooves that you'd find in Fela's classic recordings! The songs are shorter than Fela's, and with more of Roy's usual smooth jazzy production style – but the overall influence is very much in the Afro-Funk vein, and the album's sort of a "part 2" to the Music Of Many Colors set that was cut a few years before. William Allen worked on the record with Roy – playing choppy Afro-Funk bass, and arranging and producing a lot of the material with Roy and Jaymz Bedford – and the record also features a host of extra percussion players, as well as some vocals by the lovely Sylvia Striplin. Includes the great groover "Africa, Center Of The World", plus "The River Niger", and a great remake of "Third Eye", which was on Everybody Loves The Sunshine, but is redone here with a heavier sound!

How this burningly bad set has remained under wraps for so long is beyond us, but thanks to the folks at Honest Jon's, it's been brought to the much needed light of day! An excellent set collecting work from throughout the career of Cedric Im Brooks, spanning a wide assortment of styles, but all with a deep spiritual approach that Brooks gathered from time spent in his youth in Philadelphia, where he fell under the influence of Sun Ra, almost joining the Arkestra before returning home to Jamaica. The set jumps from heavy, dark roots and Nyabhingi influenced reggae, including some nice dubbed out versions, to Jamaican jazz sides like his take on Horace Silver's classic "Song For My Father", to some tightly snapping disco influenced grooves and bouncing afrobeat rhythms that would make Fela proud! 19 tracks in all, including "Free Up Black Man", "Satta Massa Gana", "Jah Light It Right", "Lambs Bread Collie", "Salt Lane rock", "Rasta Lead On Version", "Sly Mongoose", "Africa", "Collie Version", "Rebirth" and "Sabebe".

An Afro Funk treasure from the 70s – a rare album recorded by Pax Nicholas, a singer and percussionist who was part of Fela's legendary Africa 70 band! The album's got a sound that definitely echoes that heritage, but with a groove that's pretty weird too – more stripped down than most of Fela's work, with a thin keyboard part that often pulsates under the horns, creating an offbeat, edgey vibe in the music! Nicholas' groove is almost like taking Fela, and putting it through an odd sort of filter – one that turns things slightly sideways, and brings a really fresh sound to more familiar Afro Funk modes – kind of with the same other-worldly feel we love in some Ethiopian work of the time. Tracks are all nice and long – and plenty jamming – and titles include "Na Teef Know De Road Of Teef", "Ataa Onukpa", "Na Six Feet", and "You".

A set of varied moods and settings – yet one that really does a wonderful job of fleshing out the Sun Ra aesthetic during these crucial years when Ra dubbed himself the "King Of The Sub Underground"! That humorous title is a reference to the fact that Ra and the Arkestra were still working with largely little mainstream exposure – despite the big growth of avant jazz at the time – and were instead working on beautiful recordings like these, often made without any thought of a larger market at all! The CD brings together material from albums originally issued with Sub-Underground in the title – also under other names as well, including Temple U – and the tracks represent the Arkestra really hitting some of their creative heights in a mix of live, studio, and rehearsal recordings. Titles include the brilliant "World Of Africa", recorded in 1968, but with a chunky groove and weird piano that almost feel like a precursor to Fela Kuti; the sublime "Love Is Always" and "Song Of Drums", recorded live with a spare group in a beautifully echoey setting; surprisingly great takes on "What's New" and "Autumn In New York", played by a small group with Ra on a slightly off-tune upright piano; the long "Cosmo Earth Fantasy" suite, with some very fierce sounds; and a nice live take on "Space Is The Place/We Roam The Cosmos", which jumps right into the groove at the start – with a pretty offbeat feel, and lots of cool vocal interplay!

Fantastic Afro funky! This set lovingly repackages 2 early albums by Tony Allen, best known to the world as the drummer in Fela's legendary Africa 70 group! Both records have a distinctly Fela-sounding groove – which isn't surprising, as they were produced by Fela, feature Fela, and have Allen playing with Fela's Africa 70 group. These tracks are even rarer than original Fela material, though – so it's super-great to have them on CD. Four long tracks – "Jealousy", "The Hustler", "Progress", and "Afro Disco Beat". As if your Fela collection wasn't big enough yet – it just got bigger, with 2 totally essential albums!

Another great funky single from the Truth & Soul camp – from the Afro-funky Bama & The Family & Asiko! "Feeling Good" is by Bama & The Family is a great little hybrid of the tried-and-true funky 45 style, with just a touch of Fela expansiveness. It's a groover, with long sax notes stretched over some lumbering funky drums, and some called vocal vamps. "Drums Of Asiko" by Asiko is quite appropriately named – nothing but percussion here, with clicking and thumping bongos and other slapped acoustic beats – making this one a bit more Africa-derived than the A-side!

A mix of contemporary club and Afrobeat – served up in a sweet limited edition single! "More Heavy" starts with a bouncing beat, but gets more Afro Funk as things move on – adding in percussion and horns with a nice 70s vibe – then mixing things up even more with some excellent vocal chorus bits too! "Dem Know" has a snapping snare-heavy groove that almost feels like a classic break – lifted and reworked – but then also moves into some excellent vocals that echo Fela's sort of righteousness!

There's plenty of Afro Funk combos working today, but these guys are one of the greatest – a totally hip French ensemble with a really amazing sound! Fanga has a groove that's really a cut above – a way of pulling together all the best elements of the 70s generation of Afro Funk, and sifting them out with a new sense of power – a boldness that grabs you right from the get-go, and which makes the album way more than just a simple copycat of Fela modes! The percussion is especially great – nicely gritty on the bottom, and played with a sharp sense of focus – and the keyboards also stand out too, with a haunting quality that spooks things up nicely and unsettles some of the best tunes. The group also have plenty of space in their egos for outside help from others – and the album features key guest work from Tony Allen and Segun Damisa. Titles include "Crache La Doleur", "Noble Tree", "Natural Juice (Ashanti mix)", "I Didn't Know", "Kononi", "Iba", "Bolli", and "Ni I Matoro".

Seun Anikulapo Kuti returns with another strorming set of neo classic Afro Funk in the great tradition of his father – once again fronting the incredible Egypt 80 group! It's remarkable stuff that finds Seun – the youngest son of Fela – standing up as a visionary talent. He's not only living up to an immense legacy, but moving forward with it in ways that will absolutely stand the test of time. The insistent rhythms and intense energy of the Egypt 80 group – led by Lekan Animashaun – are Afrobeat perfection, with Seun's forthright vocals out front of it. But their approach here is anything but a retread of family glories. The songs are urgent and fierce, and there are subtle modern florishes in the production – thanks in part, no doubt, to co-producer Brian Eno. Titles include "African Soldier", "You Can R Un", "Rise", "Slave Masters", "For Dem E Ye", "The Good Leaf" and "Giant Of Africa".

A motherlode of music from the legendary Tunji Oyelana – a key figure in Nigerian music from the late 60s onward – with an influence that's almost as important as Fela's! Tunji's style is pretty darn funky, but different too – almost a pan-African sort of range that encompasses older styles from folklore, grooves from highlife, and the growing turn towards soul, funk, and rock that really sparked on the Nigerian scene once the 70s came around. This double-length package is a great illustration of this range – a wealth of wonderful songs, all graced by the rich vocals of Oyelana, and backed with hip grooves from The Benders – a very cool combo who really know how to change things up! Titles include "Ojo", "Which Way Africa", "To Whom It May Concern", "Jewele Jewele", "Ifa", "Fiya Jemi", "Osekere", "Aiye Nla", "Omonike", "Agba Lode (45 version)", "Aduke", and "Lenle".

Whopping big issue of this, one of our favorite music mags of all time! This volume's an "update" issue, in which the Roctober staff and contributors write whole new articles on artists and subjects they've covered in past issues. There's plenty here to interest Dusty Groove fans – including work on Jerry Butler, Charles Wright & The 103 Street Watts Rhythm Band, Andre Williams, The Treniers, Sammy Davis Jr., and even Fela Kuti! 150 pages, with lots and lots of great writing!

A pretty darn nice album of mellow African soul – issued as part of Jive's Afrika series, way back in the early 80s, when American companies thought they could make a lot of money off of Afro Funk. Fortunately, they did make this one available – and it's a very nice batch of tracks that shows a different style than the average Fela album. The band have a smooth, tightly produced sound, with elements of spacey soul, and a style that's a bit like mid-period Earth Wind & Fire. Titles include "Idayimane", "Mantombi", "Isililo", "Beautiful Feeling", and "Ubuhekebakho".

Brilliant work from Jimi Tenor and his Kabu Kabu group – an incredibly righteous set that's easily the best we've heard so far from the soulful ensemble! In addition to the spiritual jazz vibe of before, the group's also picked up some influences from African soul and jazz too – not just standard Afro Funk, but also some Ethiopian and Egyptian elements too – folded into Tenor's music like some mad meeting between Sun Ra, Fela Kuti, and Mulatu! Jimi's at the lead, handling tenor, flute, and a host of weird instruments – and the ensemble is heavy on percussion and horns, including some great trumpet work from Jukka Eskola of the Five Corners Quintet. Despite the monochromatic cover image, the album's got a really rich sound – a deeply soulful, deeply spiritual vibe that's totally wonderful – served up on titles that include "Grind", "Mogadishu Ave", "Mega Roots", "Aligned Planets", "Mystery Spot", "Floating Orange", "Fast Legs", "Higher Styx", and "Magical World".

The issue's got a full 10 page feature on The Next Day – David Bowie's long-awaited album – and also features a bonus CD of other compelling contemporary music as well – with work from Billy Bragg, Edwyn Collins, Hiss Golden Messenger, Jim James, Low, and others! Plenty more great articles and features – as the issue includes bits on Kraftwerk, My Bloody Valentine, Wilko Johnson, Stephen Stills, Fela Kuti, The Yardbirds, and others – as well as 39 pages of reviews!

Frantically funky club from Lagos – an amazing collection of post-Fela work from the Nigerian scene, lots of it with the kind of uptempo grooves you'd expect from the "disco" in the title! Yet the sound here is hardly the type you'd find over at Studio 54 – as most cuts here still veer more strongly towards Afro Funk than glittery disco – lots of heavy percussion, bumping basslines, and rough production – the kind of gritty grooves that makes tracking down records like this so great! There's definitely a bit more tightness in the instrumentation than a few years before – but things are never slick or commercial – and the overall feel is almost like some of the Banda Black Rio or Uniao Black funk coming from Brazil at the same time. Titles include "Hang On" by Nana Love, "Boogie Trip" by Doris Ebong, "Bad City Girl" by Grotto, "Don't Put Me Down" by Pogo Ltd, "Everybody Get Down" by Asiko Rock Group, "Boogie Train" by Paradise Stars, "Take Life Easy" by Christy Essien, "Boredom Pain" by MFB, and "Rover Man" by Emma Dorgu.

Tony Allen steps out onto his own – moving away from the Afrika 70 group who accompanied him on his first three solo albums – nicely cooking here into a whole new groove! The tracks are a bit shorter than the side-long jams of previous records, but no less funky – as Tony somehow manages to pack all the great bits he learned while working with Fela into a tighter space – coming up with the nicely offbeat grooves we've always loved him for – in a large lineup that's heavy on guitars, keyboards, and percussion – with some nice trumpet and baritone sax as well! There's vocals on most tracks – but mostly in the sing-song chorus mode – and titles include the classic "Ariya", plus "Road Safety", "Love Is A Natural Thing", and "No Discrimination".

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current funk – and even years later, it's still one of the best examples of the sound – a razor-sharp session that helped set the stage for better-known Antibalas work to come! Percussion and guitar is super-heavy throughout – produced with that bare-bones Desco style, and handled in a way that makes you think the record might be some treasure from mid 70s Nigeria – a trick the label tried to pull when it was released! Cuts include a cover of Fela's "Upside Down", James Brown's "Give It Up Or Turn It Loose", and the originals "Super Afro-Beat", "Daktari Walk", "Voodoo Soul Stew", and "Quiet Man Is A Dead Man".

An obscure Nigerian groover – but a set with a massive groove to rival the best classics of the 70s scene in Lagos! The cover bills the record as "super-feelings led by Segun Okeji" – and we've gotta say, that's a great way to put it – because there's a soulful undercurrent to the record that definitely has Segun feeling the groove – blowing tenor with a heady sound, over tightly-paced tunes that get going right from the start – mixing in some other great horns, organ, and really massive percussion! Each track takes up a full side of the record – in true Fela format – and titles include "I Like Woman" and "Afro Super-Feelings In Disco".

A quartet of the most furiously grooving, dancefloor ready numbers from the African Music Today compilation on Truth & Soul – featuring modern African combos working in the tradition of Fela, Tony Allen, Mulatu and others! The 7" EP version features an Ethio jazz inspired Zafari, the heavy percussion grooves of Friends Of The Family, and a great on Original Brothers that takes inspiration from Mulatu and serves him proudly. Includes "Zafari" by King Masuru, "Percussive Movement" (Parts 1 & 2) by Friends Of The Family, and "Black Out" by The Original Brothers.