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Far Out

 

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
New Fred KatzFolk Songs For Far Out Folk ... LP
Warner, 1958. Very Good+ ... $9.99
A lost chapter in the career of cellist Fred Katz – an album recorded after his small combo work with Chico Hamilton, and sort of a larger group take on the whimsical sound of the classic Hamilton Quintet! The tracks are all older folk tunes, adapted by Katz to fit a chamber jazz mode – and featuring shifting instrumentation from track to track, in order to fit the African, American, or Jewish origins of the tunes. Although the concept may sound a bit gimmicky, the record's actually pretty darn great from a jazz perspective – and is one of the few to show the real depth of Katz as a leader! Players include Billy Bean on guitar, Gene Estes on vibes, Jack Costanzo on percussion, Pete Candoli on trumpet, and Paul Horn on flute and alto – all great talents for this sort of work, especially Horn, whose reed lines help keep things lively. Titles include "Mate'ka", "Chili'lo", "Mathni-ki", "Old Paint", "Foggy Foggy Dew", and "Rav's Nigun". LP, Vinyl record album
(Original pressing. Cover has some edge wear and a crease on one corner.)
 
Close matches: 3
Close matches2
CD, LP, Vinyl record album cover art
New Eric Burdon & WarBlack Man's Burdon ... LP
Far Out/MGM, 1971. Used 2LP Gatefold ... Temporarily Out Of Stock
Some pretty great grooves from War, and a record that captures the band at a raw early stage, when they were first fusing their unique blend of Latin soul. Titles include "Bare Back Ride", "Sun/Moon", "Pretty Colors", "Gun", "Nuts, Seeds, & Life", and "Spirit". LP, Vinyl record album
(Cover has light wear & a small spot of price sticker residue.)

Close matches3
CD, LP, Vinyl record album cover art
New VariousMisturada 3 (Azymuth Woodland Warrior Remix Project) ... LP
Far Out (UK), 1999. Used 2LP ... Temporarily Out Of Stock
Killer modern mixes of tracks from Azymuth's great Woodland Warrior album! Like the other titles in this series, this one takes a core of basic Brazilian jazz tracks – then gives them a modern production twist, with help from remixers like Jazzanova, 4 Hero, Roc Hunter, Yellow Productions, Flytronix, and others! The original album's a killer, and the remixes open it up even more by giving the tracks a cool abstract junglist quality that emphasizes their darker sides. Azymuth's always been a forward-thinking combo, and it's great to hear their work taken to the next level on tracks like "Amazon Adventure", "Laranjeiras", "Chameleon", and "The Quest"! LP, Vinyl record album
(Cover has a few creases.)

Close matches4
CD, LP, Vinyl record album cover art
New Friends From RioFriends From Rio 2014 ... LP
Far Out (UK), 2014. Used ... Out Of Stock
One of the best records in years from the mighty Far Out label – and a set that really takes the imprint back to its roots! The name of the record echoes the first Friends From Rio session that launched Far Out almost two decades ago – and like that classic, this one's a collaborative effort between a range of Brazilian and British talents – served up in a style that bridges the gap between older bossa and more contemporary modes! The music is perfect from the ground up – not a cheesy bossa remix project, but a true blend of all the best elements, served up in a rich new style. The project gets key Incognito-style help from Daniel "Venom" Maunick, and a real Azymuth pedigree from Alex Malheiros – and the whole thing features a great range of different singers, including Hyldon, Robertinho Silva, Aleh Ferreira, Ivan Matheus, Denise Pinaud, Sabrina Malheiros, and Carlos Dafe – each wrapped up in a sweet blend of Fender Rhodes, organ, riffing guitar, and sweet jazzy horns. Titles include "So Resta A Porta Se Abrir", "Mas Que Nada", "Garota", "Casino Bangu", "Batucada Bidu", and "Mulher Malagueta". LP, Vinyl record album
(Cover has a razor slice on the spine.)
 
Possible matches: 53
Possible matches5
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny StittPrime Cuts (Boss Tenors & Boss Tenors In Orbit) ... LP
Verve, 1961/1962. Very Good 2LP Gatefold ... $3.99
A nice little 2-fer collecting two great meetings of two greats! Jug and Stitt go head to head on Boss Tenors, a classic album of tracks that perfectly captures the joy and fury of their live performances from years before! The record was cut in Chicago with a very hard rhythm section that includes John Houston on piano, Charles Williams on bass, and George Brown on drums – and it's way heavier than the usual Verve "meeting of the masters" session, and feels more like a record that should have been issued on Prestige or Argo. Both players are impeccable, and the solos stretch out for a long long very live time. Titles include "Blues Up & Down", "The One Before This", and "Counter Clockwise" – but these guys even groove amazingly on standards like "Autumn Leaves" and "No Greater Love". Boss Tenors In Orbit was a follow up one year later, an obscure little session with the pair once again recreating the energy of their live shows – as they stretch out nicely on very long tracks that have spare backing by the Don Patterson trio! The cuts are mostly standard stuff – "John Brown's Body", "Walkin", "Long Ago And Far Away" – but the twin-tenor sound is great, and Patterson's free organ lines riff away nicely! LP, Vinyl record album
(Cover has a cut corner and some light stains.)

Possible matches6
CD, LP, Vinyl record album cover art
Anthony BraxtonIn The Tradition Vol 1 (Inner City) ... LP
Steeplechase/Inner City, 1976. Near Mint- ... $14.99
Wonderful work from Anthony Braxton – an album that has him playing straight ahead jazz – but at a time when he was also making some of his most complex recordings of the 70s! The approach here is sublime – as Braxton's reputation has ears already anticipating some far-out playing, but then marvel at his restraint – his care for keeping alto and bass clarinet work inside a straight jazz tradition, yet always hinting at the modern inflections he can bring to his music! Tunes are almost all jazz standards, blown beautifully – with a tone that's crisp, cool, and very inviting – surprisingly soulful, and never cold at all – matched well with the rhythm trio of Tete Montoliu on piano, Niels Henning Orsted Pedersen on bass, and Albert Tootie Heath on drums. Titles include "Goodbye Porkpie Hat", "Ornithology", and "Marshmallow". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Tim BuckleyLorca ... LP
Elektra, 1970. Very Good+ ... $14.99
Far-thinking genius from Tim Buckley – and one of his most experimental albums ever! Lorca really takes off from the sound of earlier albums – pushing the jazz side of the spectrum even more, and stretching out on longer tracks that have his vocals riffing a lot more than usual. Backing is relatively spare – with some nice use of pipe organ and electric piano – and Tim himself is playing 12-string guitar on the sessions. Tunes are all long, and feature some really haunting, echoey vocals. Titles include "Lorca", "I Had A Talk With My Woman", "Anonymous Proposition", and "Driftin". A bizarre but brilliant effort! LP, Vinyl record album
(Green butterfly label pressing.)

Possible matches8
CD, LP, Vinyl record album cover art
Jaki ByardOut Front! ... LP
Prestige, 1965. Very Good ... $24.99
One of the greatest records ever from pianist Jaki Byard – a razor-sharp set that features some tremendous work from tenorist Booker Ervin and trumpeter Richard Williams! Byard starts out the set in trio formation for the first two numbers – echoing the great qualities of his earlier albums for New Jazz/Prestige – and then Ervin and Williams slide in on the following two tracks – really expanding the sound with a nice sense of added fire. Both players are a perfect fit for Byard – schooled in a Mingus modernist sensibility that has them really pushing the edges, but never going too far out or getting too free. A few numbers have almost a gutbuckety sense of soul – one that stretches back over previous eras of jazz expression – and titles include "Searchlight", "European Episode", "Out Front", "Two Different Worlds", and "When Sunny Gets Blue" – a track that has Byard on alto and piano, recorded a few years before. LP, Vinyl record album
(Blue label pressing. Cover has a peeled off gloss finish, a small split on the top seam, and some wear and an edge rip on the back paste-on.)

Possible matches9
CD, LP, Vinyl record album cover art
Jaki Byard (with Roland Kirk)Jaki Byard Experience ... LP
Prestige, 1968. Very Good ... $23.99
An amazing (and often forgotten!) quartet session that brings together the enigmatic pianist Jaki Byard and the mind-blowing multi-reed player Roland Kirk! Kirk and Byard had played together previously – most notably on some of Kirk's Mercury recordings – and they fit together perfectly in this mad session of off-kilter jazz that takes off beautifully from the very first note! Rhythm is by the crack team of Alan Dawson on drums and Richard Davis on bass – a pair who can open up creatively when needed, but also return the record to a soulful swing when it's getting too far out. The whole thing's great – and titles include "Parisian Thoroughfare", "Evidence", "Memories Of You", and "Hazy Eve". LP, Vinyl record album
(Green label pressing.)

Possible matches10
CD, LP, Vinyl record album cover art
June ChristyGone For the Day ... LP
Capitol, 1957. Very Good ... $4.99
That's "gone" – as in the way June Christy really sends us – vocals that take us to a place that few other 50s singers could ever hope to reach! June's work here is a masterpiece of melancholic understatement – far less overblown than some of her pop contemporaries, but also filled with feeling in a way that's different from some of the other icy singers of the time. A big part of the album's strength lies with arranger Pete Rugolo – who gives June here some of the same dark corners and modern elements you'd find in her classic Something Cool album – which really hits the right sort of emotion for Christy. Titles include "When The Sun Comes Out", "It's So Peaceful In the Country", "When You Awake", "Lazy Mood", and "Interlude". LP, Vinyl record album
(UK pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
New CrampsDate With Elvis ... LP
Big Beat (UK), 1986. Very Good ... $16.99
One of the best full lengths by The Cramps! By the time A Date With Elvis came out in the mid 80s, The Cramps had pretty much perfected their wild mix of ghoulish innuendo and truly devoted roots rock/garage revivalism. The sex club and monster movie imagery was for show, but their love of rootsy rumbles was no joke! The record is dedicated to the memory of Ricky Nelson and the dedication is not ironic. Great, ghoulish Cramps at their mid-decade peak. Oh, and by the way. . .Elvis couldn't have handled a date with Ivy. She'd have wrecked that boy. Includes "How Far Can I Go?", "The Hot Pearl Snatch", "People Ain't No Good", "What's Inside A Girl?", "Can Your Pussy Do The Dog?", "Kizmiaz", "Aloha From Hell", "Cornfed Dames" and more. LP, Vinyl record album
(French pressing on New Rose, including the printed inner sleeve.)

Possible matches12
CD, LP, Vinyl record album cover art
Booker ErvinIn Between ... LP
Blue Note, 1968. Very Good+ ... $29.99
One of the last records that Booker Ervin ever recorded, and one of the best! There's a depth of tone and conception here that goes far beyond even Ervin's already-great albums for Prestige – a mix of modernism and soulful expression that really points the way towards jazz expression in the 70s – although sadly, Booker was to leave the planet before getting a chance to stretch out in that era. All 6 tracks on the album are originals – and they sparkle with the imagination found on some of the most top-shelf Blue Notes of the time – work by Lee Morgan, Hank Mobley, or Wayne Shorter – played by a group that includes the amazing Richard Williams on trumpet (almost worth the price of the record alone), Bobby Few on piano, Lenny McBrowne on drums, and the little-known Cevera Jefferies on bass. Loads of dark edges, searing solos, and plenty of free flights into the sky – on titles that include "The In Between", "Tyra", "The Muse", "Mour", "Sweet Pea", and "Largo". LP, Vinyl record album
(Liberty pressing. Cover has light wear.)

Possible matches13
CD, LP, Vinyl record album cover art
New Aretha FranklinWho's Zoomin Who? ... LP
Arista, 1985. Sealed ... $0.99
A huge hit for Aretha Franklin – and a record that brought her famous vocals to a whole new generation of listeners! The sound is definitely different than before – a change from both the deep soul of Atlantic years, and the initial classy approach of her time at Arista – and working with lots of help from Narada Michael Walden, Aretha gets an 80s groove that turns out to be a perfect platform for her sound – one that lets her vocals really take off, while still getting plenty of great hooks as well – all in a mode that somehow sounds far less commercial than we remember at the time. Includes the massive hits "Freeway Of Love" and "Who's Zoomin Who" – plus "Ain't Nobody Every Loved You", "Push", "Integrity", "Sisters Are Doin It For Themselves", and "Sweet Bitter Love". LP, Vinyl record album
(Cover has a cutout notch.)
Also available Who's Zoomin Who? ... CD 6.99

Possible matches14
CD, LP, Vinyl record album cover art
Ron Geesin & Rogers WatersMusic From The Body ... LP
Harvest (UK), 1970. Very Good+ ... $24.99
An incredibly tripped-out record – of the sort we're stunned was ever recorded for a major! The work's a side project of Roger Waters from Pink Floyd, done in collaboration with Ron Geesin for a film directed by Roy Battersby – and it's a shifting landscape of short experimental tracks, easily drifting back and forth between off-kilter instrumental numbers to sing-songy vocal ones that are far madder than Syd Barrett's work ever was. There's some nice folksy touches that sit by the tripped-out guitar work – and overall, the album's relatively introspective, especially for the setting, with less of the guitar-churning sound than you'd expect from Floyd at this point! Titles include "Body Transport", "Embryonic Womb Walk", "Give Birth To A Smile", "Chain Of Life", "Dance Of The Red Corpuscles", "Our Song", and "Bridge Passage For Three Plastic Teeth". LP, Vinyl record album
(Great UK pressing – green Harvest label with EMI logo. Cover has light wear.)

Possible matches15
CD, LP, Vinyl record album cover art
James IngramIt's Real ... LP
Warner, 1989. Near Mint- ... $0.49
Great vocals and modern production – a mix of James Ingram's older roots in soul music, and some of the more contemporary soul modes coming down at the end of the 80s! Ingram's got a power in his voice that just won't quit – soaring out wonderfully and warmly, even when the rhythms are stark and electric – never buried too far in the mix, like some of his contemporaries on the scene. The album's split into two sides – "It's Real Hard" and "It's Real Soft" – the former of which is mostly upbeat, pop-soul material, the latter more ballads and key quiet storm tracks. Titles include "Call On Me", "It's Real", "So Fine", "Love Come Down", "Baby Be Mine", "Love 1 Day At A Time", "Someday We'll All Be Free", and "A Natural Man". LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
Linda JonesHypnotized ... LP
Loma, Late 60s. Very Good ... $29.99
One of the greatest female singers on the east coast scene at the end of the 60s – heard here on a classic Warner Brothers set that includes some of her best-remembered tracks! At some level, the set's a prequel to Linda's later recordings for the Stang/All Platinum label – as it features production and arrangements by the great George Kerr – who really has a way with slow-moving soul tunes, and the kind of sad-tinged tracks that Jones always did so well! Plus, his raw production really brings out some of the deeper soul qualities in Linda's voice – a mode that's quite a surprise at times, and presented here in a way that's far beyond any of the Aretha Franklin-styled cliches of other singers. Jones is a tremendously unique talent in female soul, and this album's her lasting legacy – a true treasure with cuts that include the hit "Hypnotized", plus loads of other nice ones like "Last Minute Miracle", "Give My Love A Try", "You Can't Take It", "What've I Done", and "I Can't Stand It". LP, Vinyl record album
(Cover has some wear, a cutout grommet, seam splitting, a bit of flaking along the edges, some small stains, and some tape on the seams.)

Possible matches17
CD, LP, Vinyl record album cover art
Barney KesselOn Fire ... LP
Emerald, Late 60s. Very Good- ... $29.99
Rare and groovy work by Barney Kessel – originally recorded for a strange subsidiary of Phil Spector's record label! The album's quite different than some of Kessel's other albums of the earlier years – recorded live with a gritty feel that's really nice – a bit more edge on the strings of the guitar, and a rumbling tone that's a far cry from his lighter work for Contemporary in the 50s. Kessel still retains much of his ability to produce a bell-like tone on the guitar – but he rings out with a tremendous amount of force – spurred on by the crackling club rhythm section of Jerry Scheff on bass and Frank Capp on drums. Titles include 2 great originals – "Slow Burn" and "Sweet Baby" – plus an excellent version of "Recado Bossa Nova", and the tunes "The Shadow Of Your Smile", "Just In Time", and "One Mint Julep". LP, Vinyl record album
(Cover has some wear and seam splitting.)

Possible matches18
CD, LP, Vinyl record album cover art
John KlemmerFinesse ... LP
Elektra, 1983. Very Good+ ... $3.99
A smooth set from reedman John Klemmer, but a pretty darn soulful one too – and a great illustration of the way that Klemmer could still hold onto his roots a lot more strongly than some of his contemporaries! The backings are gentle and fusiony – often with some great keyboard work from Russell Ferrante – and Klemmer soars out wonderfully in the lead – with a depth of tone and creativity of solos that goes far beyond anything that might have been needed for the date – a real "something extra" that shows that John's still got all the deep elements of his Impulse years in place. Tracks include "Finesse", "Man & Woman", "Sometimes", "Heart", "Sun, Moon And The Stars", and "Beloved". LP, Vinyl record album
(Cover has some wear & light splash stains.)

Possible matches19
CD, LP, Vinyl record album cover art
Rene & AngelaStreet Called Desire ... LP
Capitol, 1985. Near Mint- ... $4.99
A bit late in the game for Rene & Angela, though they're still pumping out some classic 80s groove numbers, with Angela Winbush's flair for great songs. There's a few numbers here that are moving a bit too far into the commercial radio slow jam territory for our tastes, but there's a couple of nice sleepers too. Includes "Save Your Love (For #1)", "I'll Be Good", "No How-No Way", "You Don't Have To Cry", "Street Called Desire", "Your Smile", 'Who's Foolin' Who" and "Drive My Love". LP, Vinyl record album
(Includes the lyric sleeve.)

Possible matches20
CD, LP, Vinyl record album cover art
Mavis RiversSimple Life ... LP
Capitol, 1960. Very Good+ ... $7.99
Mavis Rivers' vocals are accompanied by Dick Reynolds and his band for this collection of songs about "the simple life". The band consists of vibes, guitars and a rhythm section and the tracks include "Walkin By The River", "Early Autumn", "A Tree In The Meadow", "Far Away Places", "Home", "Spring Is Here", "Get Out & Get Under The Moon", "Try A Little Tenderness", and "It's A Great Feeling". LP, Vinyl record album
(Rainbow label pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
New Jimmy SmithHobo Flats ... LP
Verve, 1963. Near Mint- Gatefold ... $8.99
A mighty pairing of Jimmy Smith and Oliver Nelson – one that has the heavy Hammond of Smith set up in some sparkling jazz backdrops from Nelson! The sound here has some bluesy undercurrents, as you might guess from the title – but Oliver's charts keep things hip throughout, and ensure that the record stays far from any 60s cliches in the music – and always keeps one ear out for the sharper edges that always makes Nelson's arrangements a great match for Smith. The horns are full at times, but Jimmy's organ bursts right out over the top – gliding along a great groove with a really inherent sense of rhythm. Titles include a shimmering bossa take on "Meditation", plus "Hobo Flats", "Walk Right In", "I Can't Stop Loving You", and "The Preacher". LP, Vinyl record album
(Cover has some light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
Johnny Hammond SmithThat Good Feelin' ... LP
New Jazz, 1959. Very Good- ... $39.99
Good feelings and plenty of soul – some very early work as a leader from Hammond hero Johnny Smith! The set's got Johnny using the organ with lots of stops out – that full, wide range of the instrument that initially knocked so many folks for a loop when it first came into jazz – then really took strong formation in the hands of a player like this! The groove's a bit like a Jimmy Smith record for Blue Note, but a lot grittier too – with some occasional elements of R&B mixed in with the more far-reaching jazz sensibilities. The group features Thornel Schwartz on guitar, who'd played famously with Jimmy Smith – plus George Tucker on bass and Leo Stevens on drums. Titles include the originals "Puddin" and "That Good Feelin" – plus "My Funny Valentine", "I'll Remember April", and "Billie's Bounce". LP, Vinyl record album
(Original New Jazz pressing, with RVG stamp. Vinyl has some marks that click. Cover has some edge wear, initials in marker on the front, and some wear and light stains on the back.)

Possible matches23
CD, LP, Vinyl record album cover art
Bennie WallaceSweeping Through The City ... LP
Enja (Germany), 1984. Sealed ... $7.99
A unique record from Bennie Wallace – one recorded with both a jazz group and gospel backing – all held together beautifully by the tenor in the lead! The album's got a surprising degree of charm – and works with far less of the gimmicky feel that you might expect – largely because the core energy comes from the combo, which also features Ray Anderson on trombone and John Scofield on guitar – moving with a full, angular energy that seems to set Wallace on fire. The gospel group comes in on two of the album's tracks – never too overwhelming, and almost in ways that seem to flesh out the musical "story" begun by the musicians. Titles include "Eight Page Bible", "Trouble & Woe", "Some Might Think We Are Dancing", "The Bread Man", and "Sweeping Through The City". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches24
CD, LP, Vinyl record album cover art
New Bobbi HumphreyFancy Dancer ... LP
Blue Note, 1975. Near Mint- ... Just Sold Out!
Sublime genius from funky flute player Bobbi Humphrey – a record we'd rank right up there with her classic Blacks & Blues set – and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout – a heady mix of Bobbi's flute, Larry's keyboards, and some additional work from Jerry Peters, Skip Scarborough, and other 70s funky jazz legends – all coming together in a large lineup that works together with an amazingly tight and stripped-down groove – a sound that seems to flow effortlessly from the breeze, but which was the long result of careful work in the studio by Larry Mizell and his brother Fonce, who also helped on arrangements. Humphrey is in excellent form – blowing with a tone that's hard, crisp, and very soulful – and the spacey keyboards and gentle grooves lift her flute way out into the cosmos, yet never push things too far! Every cut's a winner – and titles include "You Make Me Feel So Good", "Please Set Me At Ease", "Uno Esta", "The Trip", "Fancy Dancer", and "Mestizo Eyes". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches25
CD, LP, Vinyl record album cover art
New Phyllis HymanPhyllis Hyman ... LP
Buddah, 1977. Very Good ... Just Sold Out!
Far and away our favorite album by Phyllis Hyman – her first, and with lots of the same smooth jazzy soul touches you'd find in her work with Norman Connors! Phyllis is still as sophisticated as she is on later albums, but there's a bit freer style to the record – and Phyllis breaks a bit from her normally restrained classy sound, into one that opens up a bit more emotionally – really soaring out here in a way that's quite different than later hits, with a vibrancy that still makes this album our favorite Hyman effort after all these years. Arrangements are by Onaje Allen Gumbs and Jerry Peters – and the album features the sublime jazzy groover "Children Of The World", which would sound great next to any Roy Ayers cut of the time! Other tracks include "Loving You Losing You", "One Thing On My Mind", "No One Can Love You More" and "Beautiful Man Of Mine". LP, Vinyl record album
(Cover has some wear, with some marker in one corner. Label has some marker.)

Possible matches26
CD, LP, Vinyl record album cover art
John KlemmerAnd We Were Lovers ... LP
Cadet, 1968. Very Good+ ... Just Sold Out!
An amazing record – and one that we passed up for years and years, but which is now one of our all-time favorites! The album's hard to describe accurately – or at least accurately enough to give it the credit it needs – but it was recorded during the classic days of the late Cadet Studios, with production by Richard Evans, and a swirling set of jazzy backgrounds that bring out some of the best solo work that John Klemmer ever did! One side of the record has string backing by Dick LaPalm, but that backing's not sleepy – and instead has a hip swinging soulful sound that reminds us of the best Eddie Harris work in a similar mode. Klemmer's tone is similar to Harris' at the time – a bit soul jazz, with touches of funk at times, but also far-reaching, with an ability to stretch into great modal moments. Side two of the album features a quartet with Harris' bass player Melvin Jackson, plus Jodie Christian on piano and James Slaughter on drums. Titles include "Touch Of The Moment", "Look To The Sky", "Chi Cha", "Dreams", and "Christopher's Clock". LP, Vinyl record album
(Orange label pressing.)

Possible matches27
CD, LP, Vinyl record album cover art
New Art Ensemble Of ChicagoFull Force ... LP
ECM, 1980. Used ... Temporarily Out Of Stock
One of the few ECM sides recorded by the Art Ensemble Of Chicago – easily some of the hippest work the label issued at the time, and a key way for the avant collective to get a bit of large audience exposure! The sound is still very much in the best AEC style here – and if anything, ECM's sensitivity to sound has allowed the group to explore some of the farther reaches of their sonic sensibilities – those contemplative moments that could sometimes be lost in the hands of other producers, captured beautifully here in a range of instruments far too many to mention! Some of the bolder tracks have Lester Bowie's trumpet right out front – almost hinting at his own solo association with the label – and titles include "Care Free", "Magg Zelma", "Full Force", and "Old Time Southside Street Dance". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
New Art Blakey & Buddy DeFrancoBag Of Blues (aka Blues Bag) ... LP
Vee Jay, 1964. Used ... Temporarily Out Of Stock
A real lost treasure – and an incredible session that offers a real meeting of minds that's far more than you'd expect from the simple cover and title! The set is a later one for Vee Jay, and it brings together half of the Jazz Messengers with a batch of west coast players – in a groove that wonderfully mixes together different traditions and rhythms in jazz – and which steps out with a sound that's far more than the sum of its parts! Art Blakey, Lee Morgan, and Curtis Fuller join a group headed by Buddy De Franco, and featuring Victor Feldman on piano and vibes, plus Victor Sproles on bass and Freddie Hill on trumpet. The sound of the group is quite unusual – and a lot lighter than you'd guess – giving Buddy plenty of room to solo in a breezy style that's grown tremendously since his 50s recordings – pushed along by some heavier soul from Art and the group. Titles include "Rain Dance", "Blues Bag", "Twelve Tone Blues", "Kush", and "Cousin Mary". LP, Vinyl record album
(70s pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
New Dave BrubeckTime Further Out ... LP
Columbia, 1961. Used ... Temporarily Out Of Stock
Like Dave Brubeck's legendary Time Out set? Try this one – a great record that takes off from the concept of the first, but which goes in some very fresh new directions – using the same great group with Paul Desmond on alto, Eugene Wright on bass, and Joe Morello on drums! Dave's still working out some nutty time signatures here – but apart from the science, the thing that really makes the record cook is Desmond's alto – icy, edgey, floating, and always a treat – almost even more amazing in the space of some of these offbeat numbers. Titles include "Maori Blues", "Far More Drums", "Bluetee", "Far More Blue", and "It's A Raggy Waltz". LP, Vinyl record album
(70s pressing.)
Also available Time Further Out (with bonus tracks) ... CD 5.99

Possible matches30
CD, LP, Vinyl record album cover art
New Norman ConnorsDance Of Magic (Cobblestone pressing) ... LP
Cobblestone, 1972. Used ... Temporarily Out Of Stock
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown and Archie Shepp. For this initial set, Norman's in incredible company – working with players that include Herbie Hancock on both electric and acoustic keys, plus Eddie Henderson on trumpet, Gary Bartz and Carlos Garnett on saxes, Stanley Clarke on bass, and Billy Hart and Airto on percussion – plus a chorus of vocalists on the album's mighty title cut! Tracks are all long, spiritual, and freely exploratory – but never in a style that goes too far outside, or that forgets the joy and love that can spring forth in a forward-thinking session like this one! Titles include "Dance Of Magic", "Give The Drummer Some", "Morning Change", and "Blue". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches31
CD, LP, Vinyl record album cover art
New Gil Evans OrchestraInto The Hot ... LP
Impulse, 1961. Used ... Temporarily Out Of Stock
The harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! LP, Vinyl record album
(80s pressing in a non-gatefold cover, with a promo stamp.)

Possible matches32
CD, LP, Vinyl record album cover art
New Faith Hope & CharityFaith Hope & Charity (RCA) ... LP
RCA, 1975. Used ... Temporarily Out Of Stock
Sweet 70s soul from Faith Hope & Charity – a trio who had recorded previously, but who really burst out here at the start of the disco years with some strong studio help from the great Van McCoy! The style of the record isn't really disco, but isn't far off either – as McCoy mixes lively rhythms and soaring strings with the vocal interplay of the trio – who come off much more as a well-formed soul group than some of the other trios of the generation – who were often just doing chorus vocals for the grooves! Singer Brenda Hillard really soars at times – with a lead that sets fire to the tracks nicely – and titles include the classic "Find a Way", plus "Just One Look", "Disco Dan", "Rescue Me", "Little Bit Of Love", "Don't Go Looking For Love", and "To Each His Own". LP, Vinyl record album
(Cover has a cutout notch, ring & edge wear, and some splitting on the spine and top seam.)

Possible matches33
CD, LP, Vinyl record album cover art
New Fripp & EnoNo Pussyfooting ... LP
EG, 1973. Used ... Temporarily Out Of Stock
The first appearance of the Frippertronics delay line built by Fripp and Eno out of a couple of tape decks. Somehow even though this is nearly pure process music, it manages to sound far from dated, cliched or boring – ambient bliss meets only slightly noodly prog guitar in a hall of mirrors. 2 long tracks – "The Heaveanly Music Corporation" and "Swastika Girls" – both sidelong numbers coming in at around 20 minutes. LP, Vinyl record album
(US pressing on Antilles. Cover has a partially unglued bottom seam.)

Possible matches34
CD, LP, Vinyl record album cover art
New Wendell HarrisonDreams Of A Love Supreme ... LP
Wenha, 1980. Used ... Temporarily Out Of Stock
Pretty great stuff – even though Wendall Harrison has strayed far from the Tribe Records sound of his earlier years! The record takes the spiritual post-Coltrane jazz of Harrison's earlier days, and infuses it with a smooth fusion approach that's clearly an attempt to reach a wider audience with a soulful message. And although the record shouldn't work (as most of Harrison's later ones don't!), it's actually pretty darn compelling, and has a dark edge that keeps it interesting throughout! Hard to describe, but imagine Larry Mizell producing some of the more off-beat albums on Strata East, and you might be close. Tracks include "Where Am I", "Sea Minor Blues", "Take Time Out", and "Dreams Of A Love Supreme". LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
New Bob JamesExplosions ... LP
ESP, 1965. Used ... Temporarily Out Of Stock
Early work by Bob James – recorded way before he became one of the funky talents of the 70s, when he was a budding young modernist on the New York scene, with clear influences from the work of Paul Bley. This set is a trio recording – and it features James playing with Barre Phillips on bass and Robert Pozar on drums. Phillips' work is especially amazing, as he gets sounds out of the bass that are just incredible – working the whole instrument into wild tones and sounds that far surpass conventional work on the strings. The whole session's amazingly dark – and it makes us love James' funky work even more to know that he started out this way! Titles include "Explosions", "An On", "Wolfman", and "Peasant Boy". LP, Vinyl record album
(Red label mono pressing, with "ear". Vinyl is great, but has some light marks from the old paper sleeve.)

Possible matches36
CD, LP, Vinyl record album cover art
New Kool & The GangLive At PJ's ... LP
De-Lite, 1971. Used Gatefold ... Temporarily Out Of Stock
One of the greatest Kool & The Gang albums ever – a monster live session that almost blows away their studio classics! The groove here is far more freewheeling and complex than some of their singles from the 70s – longer, tripped-out tunes with a definite undercurrent of jazz amidst the funk – loads of wicked horn bits from Ronnie Bell and Dennis Thomas that complicate things up nicely, while still staying soulfully in the groove. There's no vocals at all on the record – which further enforces the Kool Jazz sound of the set – and the album's even harder-hitting than their previous Sex Machine live album, so much so, the PJ's club had to close its doors shortly after the Gang's performance! Titles include the all-time killer sample cut "Duji" – plus "NT", "Ronnie's Groove", "Ricksonata", "Lucky For Me", "Sombrero Sam", and a medley of "Ike's Groove/You've Lost That Lovin Feeling". LP, Vinyl record album
(Original pressing! Cover has wear, splitting and marker.)

Possible matches37
CD, LP, Vinyl record album cover art
New Last Electro-Acoustic Space Jazz Ensemble (Madlib)Miles Away – The Last Electro-Acoustic Space Jazz & Percussion Ensemble ... LP
Stones Throw, 2010. Used 2LP Gatefold ... Temporarily Out Of Stock
A mad mix of spaced out jazz funk from Madlib – working here in a style closer to his benchmark Yesterday's New Quintet mode of forward looking band-based grooves – but also taking it even further and into deeper realms! The Last Electro-Acoustic Space Jazz & Percussion Ensemble finds 'Lib & co paying homage to a universe of late 60s & 70s soul jazz and fusion funk influences, as well as some more modern practitioners – with tracks dedicated to Horace Tapscott, Phil Ranelin, Roy Ayers and others – some covers and others composed by Madlib. Madlib is a character whose ambition knows no bounds, and also one of the rare modern masters whose productivity is to be cherished – as busy as he is, we're never disappointed with the output – rather than spreading himself too thin, he brings a range of material that rolls from dust funk & hip hop grit to far out funk jazz percussion gems like this one! Madlib presides over a cast of players (be they living-breathing folks or Madlib alter egos) that lay down loads of drums & percussion, piano, Moog, Rhodes, guitars, bass, sitar, vibes and more. Titles include "Derf (For Derf Reklaw)", "One For The Monica Lingas Band", "Waltz For Woody (For Woody Shaw)", "Tones For Larry Young", "Black Renaissance (For Harry Whitkaker)", "Mystic Voyage (For Roy Ayers)", "The Trane & The Pharoah (For John Coltrane & Pharoah Sanders)" and more. LP, Vinyl record album

Possible matches38
CD, LP, Vinyl record album cover art
New Henry ManciniCombo! ... LP
RCA, 1961. Used ... Temporarily Out Of Stock
A combo session with more than enough excitement to warrant the exclamation point in the title – one of Henry Mancini's jazziest records ever, and a date that's filled with some great west coast players! The sound here is a hip extrapolation of the Mancini groove heard on crime jazz soundtracks like Peter Gunn and Mr Lucky – but it's taken to slightly leaner territory here, with a nice focus on the solo talents of the group members. There's still 11 players in the group – so the combo isn't exactly small – but the spacious Mancini arrangements allow each player to step out nicely with a voice of their own. The lineup includes Pete Candoli on trumpet, Dick Nash on trombone, Ted Nash on alto and flute, Art Pepper on clarinet, Ronny Lang on baritone, Bob Bain on guitar, and Larry Bunker on vibes – and Johnny Williams plays both piano and harpsichord, the latter of which sounds plenty darn groovy! Titles include Cy Coleman's wonderful "Playboy's Theme", plus "Castle Rock", "Everybody Blow", "Far East Blues", "Powdered Wig", and "Moanin". LP, Vinyl record album
(Original mono pressing. Cover has a small "original Peter Gunn sound" sticker.)

Possible matches39
CD, LP, Vinyl record album cover art
New Curtis MayfieldBack To The World ... LP
Curtom, 1973. Used Gatefold ... Temporarily Out Of Stock
Pure genius from Curtis Mayfield – and a record that's got all the righteousness and political power you might guess from the cover! The album burns with a sense of empowerment that's every bit the best strength of Curtom in the 70s – a sublime blend of heavy soul, funky undercurrents, and far-reaching arrangements that still always manage to groove! And Curtis' vocals are great too – echoing out with a newfound presence that far surpasses the raspy quality of his early work with The Impressions. Arrangements are by Rich Tufo, production is by Mayfield, and titles include "Future Song" (aka "Future Shock"), "Keep on Trippin", "Can't Say Nothin", "Back To The The World", and "Right On For The Darkness". LP, Vinyl record album
(Cover has ring & edge wear, with mostly split seams and some peeling on the back.)
Also available
Back To The World ... CD 13.99
Back To The World ... CD 6.99

Possible matches40
CD, LP, Vinyl record album cover art
New Jack McDuffMoon Rappin' ... LP
Blue Note, 1969. Used Gatefold ... Temporarily Out Of Stock
An incredible record – the kind of album that no fan of funky jazz should be without! This album is far and away one of the greatest ever cut by Brother Jack McDuff – and it's a baroquely complicated batch of funky jazz cuts that's still light years ahead of any other record! The tracks are much longer than you'll find on Jack's other work – and the group plays these lines that are laidback and trippy, yet which still have a tremendous amount of funk in them. Guitar sets the tone, spacing out over the drums of the great Joe Dukes; electric bass rumbles at all the low, dark spots; flute and tenor sax cut some sharp edges in the void; and the organ of Brother Jack comes in over the top, and soars with cosmic lines of sound! The album includes the monster cut "Oblighetto", sampled by Tribe Called Quest years back – plus other amazing groovers, like "Flat Backin", "Moon Rappin", and "Loose Foot". LP, Vinyl record album
(Liberty/UA pressing. Cover has a cut corner and some wear.)

Possible matches41
CD, LP, Vinyl record album cover art
New Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. Used ... Temporarily Out Of Stock
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
(70s Barnaby pressing. Cover has some wear.)
Also available Charles Mingus Presents Charles Mingus ... LP 9.99

Possible matches42
CD, LP, Vinyl record album cover art
New Rudy Ray MooreEat Out More Often ... LP
Kent, Early 70s. Used ... Temporarily Out Of Stock
Classic stuff – Rudy's first album, and a fitting launch to his famous career of party records and live club performances! The cover's got Rudy in front of a nude black model, laying back on the couch, and encouraging him to do the thing that's implied by the title – but the record itself is far more creative than just a bit of nasty words and sexy references. Rudy's at the top of his game here, bad rapping over a bit of music in a landmark effort that set the stage for countless other party records to come – but which is still presented here in one of its strongest examples. The set kicks off with an extended take on "Dolemite", with other tracks that include the funky groover "You Could Be Ugly Too", plus "Pimpin Sam", "So Glad I Could Come", and "Ballad Of A Boy & Girl". LP, Vinyl record album
(In the "censored" cover – with a "rated XX" bar over the naughty bits! Cover has some light stains along the opening and a small split on the top seam.)

Possible matches43
CD, LP, Vinyl record album cover art
New Van MorrisonHis Band & Street Choir ... LP
Warner, 1970. Used Gatefold ... Temporarily Out Of Stock
One of the great albums from Van Morrison during that incredible peak period – and a record that stands out as a less emotionally fraught effort after the heavy mood of Astral Weeks and the super far-reaching Moondance albums. Here Van concentrates a bit more on his love of R&B, but still with some soaring touches. Titles include the unshakable classic "Domino", plus "Crazy Face", "I've Been Working", "Blue Money", "Virgo Clowns", "Gypsy Queen", "Street Choir" and more. LP, Vinyl record album
(Burbank pressing.)

Possible matches44
CD, LP, Vinyl record album cover art
New Charlie ParkerApril In Paris – Charlie Parker With Strings (Genius Of Charlie Parker #2) ... LP
Verve, Early 50s. Used ... Temporarily Out Of Stock
The genius of Bird and strings is hard to describe – an edgey aproach that really goes far past most other "jazz with strings" projects, not a ballad-driven one, but a tensely strained one that brings out some of Parker's best soloing, almost in a moody soundtrack-type way. The tracks are a lot freer and less bop-driven than some of Bird's normal work, and it's incredible to hear him soloing with such complexity – even more proof of the genius he clearly exhibited in relation to his contemporaries. Titles include "Just Friends", "Easy To Love", "East Of The Sun", "They Can't Take That Away From Me", "April In Paris", and "Summertime". LP, Vinyl record album
(70s pressing.)

Possible matches45
CD, LP, Vinyl record album cover art
New Charlie ParkerCharlie Parker With Strings – Bird On Verve Vol 3 ... LP
Verve, Early 50s. Used ... Temporarily Out Of Stock
The genius of Bird and strings is hard to describe – an edgey approach that really goes far past most other "jazz with strings" projects, not a ballad-driven one, but a tensely strained one that brings out some of Parker's best soloing, almost in a moody soundtrack-type way. The tracks are a lot freer and less bop-driven than some of Bird's normal work, and it's incredible to hear him soloing with such complexity – even more proof of the genius he clearly exhibited in relation to his contemporaries. This mid 80s collection features some of Bird's best work in the strings format – arranged by Joe Lipman, and featuring the tunes "Dancing In The Dark", "Laura", "East Of The Sun", "I'll Remember April", and "Easy To Love". The album also features two takes of "Relaxin With Lee", cut with a group that includes Dizzy, Monk, and Buddy Rich. LP, Vinyl record album
(French 80s pressing – in great shape!)

Possible matches46
CD, LP, Vinyl record album cover art
New Houston PersonSoul Dance! ... LP
Prestige, 1969. Used ... Temporarily Out Of Stock
A great little session from tenorist Houston Person – and one that's almost worth it alone for the organ on the set! This time around, the Hammond chair is filled by Billy Gardner – the organist who'd played with both Lou Donaldson and George Braith on previous dates – and who turns in some equally wonderful work here too! Billy's got a sound that's wide-open, and often rhythmically pulsing in ways that remind us a bit of Larry Young before he got too far out – a groove that's usually got a slightly modal undercurrent, in ways that change things up nicely for Person. Houston's tenor is still great too – nicely biting, with that best raw early sound – and the rest of the group features a young Ivan Boogaloo Joe Jones on guitar, plus Frankie Jones on drums. Titles include "Soul Dance", "Snake Eyes", "Blue Seven", "Groovin and A-Groovin", and "Teardrops From My Eyes". LP, Vinyl record album

Possible matches47
CD, LP, Vinyl record album cover art
New Sun RaPathways To Unknown Worlds ... LP
ABC, 1974. Used ... Temporarily Out Of Stock
Although this LP was originally recorded for Saturn in 1973, it was made almost immediately available to a larger audience on Impulse the next year. Ra plays space electronic keyboards, and the group goes far out on the three long tracks on the recording: "Pathways to Unknown Worlds", "Extension Out", and "Cosmo-Media". Remixed with better sound than the original, and nicely repackaged in a gatefold cover. LP, Vinyl record album
(Cover has some wear.)

Possible matches48
CD, LP, Vinyl record album cover art
New Biff RoseThorn In Mrs Rose's Side ... LP
Tetragrammaton, 1968. Used ... Temporarily Out Of Stock
Tremendous work from Biff Rose – a near-lost singer-songwriter from the late 60s, barely remembered as the author of "Fill Your Heart" from David Bowie's Hunky Dory album – but an incredible talent that we'd rank right up there with Van Dyke Parks or early Randy Newman for sheer American brilliance! As in the work of Parks, there's a quality here that's completely unique – informed by the freedoms of the folk generation, but tuned with older-styled arrangements that while full, still manage to convey a sense of person and presence – as in some of the best early recordings of Leonard Cohen. And like Cohen, Rose has a really poetically-styled approach to his lyrics – far beyond the sardonic eye of folkies, or the indulgence of hippies – and infused with a sense of hope that crackles out of the tunes along with his own crackly vocals. Vocally, we'd almost link Rose to Bob Dorough for a sheer "oh what the hell I'm just gonna sing this" approach – and like Dorough, there's no silliness at all – but real sincerity where we'd never expect it, in a way that leaves us breathless. The set features arrangements by Rose, Arthur Wright, Kirby Johnson, and Nick Woods – on titles that include "Mama's Boy", "Angel Tension", "Molly", "The Stars", "It's Happening", "Buzz The Fuzz", and "The Man". LP, Vinyl record album
(Original Tetragrammaton pressing.)

Possible matches49
CD, LP, Vinyl record album cover art
New Marlena ShawMarlena ... LP
Blue Note, 1973. Used ... Temporarily Out Of Stock
A great lost treasure, and one of Marlena Shaw's most obscure albums – a really compelling batch of sophisticated vocal tracks with arrangements by Wade Marcus! The instrumentation is wonderful – with lots of soulful guitar and organ licks amidst the larger orchestrations, giving the set a down-home feeling in the right places, usually underneath some of Marlena's more intimate vocals – and the style is a great bridge from her Cadet sound of the 60s into the more sophisticated years of the 70s. Marlena sings a lot of soundtrack and easy material – including "Somewhere", "What Are You Doing For The Rest Of Your Life", "You Must Believe In Spring", and "So Far Away" – but she mixes these cuts with good doses of soul material – like "Save the Children", "Wipe Away the Evil", and "Runnin Out of Fools" – into a killer batch of tracks that stands with the best of some of Marlena's Cadet work! LP, Vinyl record album
(70s pressing. Cover has light wear and bumped corners.)

Possible matches50
CD, LP, Vinyl record album cover art
New Jimmy SmithRoot Down ... LP
Verve, 1972. Used ... Temporarily Out Of Stock
Once an overlooked late Verve album, now a solid classic – and easily one of the funkiest albums ever from organist Jimmy Smith! The groove here is far different than the more familiar Jimmy Smith Verve sessions of the 60s – and the tracks open up in a really extended mode – vamping and jamming with a definite influence from funk, as Jimmy and the combo explore some of the hippest corners of their sound! Players include Paul Humphrey on drums, Wilton Felder on bass, and Arthur Adams on guitar – plus a bit of harmonica from Steve Williams – and there's almost lessons learned here from some of the Latin funk going on in the LA scene of the time. The set was recorded live, and features the great title cut – "Root Down" – a long drawn out groover with a slow funk feel that was made famous by a Beastie Boys sample years back – and other great cuts include "Slow Down Sagg", "Sagg Shootin His Arrow", and "Let's Stay Together". LP, Vinyl record album

Possible matches51
CD, LP, Vinyl record album cover art
New Johnny WilliamsCheckmate – Original TV Soundtrack ... LP
Columbia, Early 60s. Used ... Temporarily Out Of Stock
One of the greatest crime jazz TV soundtracks ever – a searing batch of tracks from the pen of Johnny Williams! The work on the set is possibly more famously known from the Shelly Manne album of small combo performances – but this original soundtrack is possibly even more exciting, as Williams uses some great twists and turns in the larger orchestrations – creating really evocative moody passages, yet still sticking to a jazzy approach overall. There's some soaring tunes that groove in a nicely compressed way – moving much more into a 60s mode, and leaving the cliches of 50s crime jazz behind – and overall, we've gotta say that this one may be Williams' finest soundtrack moment ever! Packaged with a very cool cover image, and featuring tracks that include "The Black Knight", "Fireside Eyes", "The King Swings", "Shy Youth", "Far Out Place", and "Cyanide Touch". LP, Vinyl record album
(Sealed 60s pressing!)

Possible matches52
CD, LP, Vinyl record album cover art
New Afro Latin SoultetWild! ... LP
Tower, Late 60s. Used ... Out Of Stock
Madly romping Latin from this obscure group led by pianist Phil Moore III – a combo who effortlessly groove through a blend of boogaloo, Latin jazz, and plenty of percussion-heavy exotica – all in a style that's very much their own! There's a loose and free feel here that's far different than most of the other pop Latin combos of the time – a style that's even quite different from the New York scene of the time, and which rings out more with tones from the hipper groups of the LA soul jazz underground of the mid 60s – such as the Harold Johnson Sextet. Instrumentation includes alto, flute, trumpet, and plenty of heavy percussion and piano – on titles that include "Afro Soul", "Afro Freakout", "Afro Breed", "So There You Are", "The Sheik", and "Montuno". LP, Vinyl record album
(Cover has a small cutout hole.)

Possible matches53
CD, LP, Vinyl record album cover art
New George BensonIn Your Eyes ... LP
Warner, 1983. Used ... Out Of Stock
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more than his great guitar work – but hearing George here, it's clear that his soul work could easily outshine his guitar, especially when set up in a package like this! Atlantic soul maestro Arif Mardin produced, and as with his Chaka Khan productions for Warner at the time, he gives Benson a clean, clear modern style that's certainly pop, but also a lot less cluttered and clunky than modes used with other artists at the time. George is mostly on the vocal tip for the set, and Kashif helps out on one track – no surprise, given that Kashif was soon to walk down the path that Benson had started with his first few vocal albums in the 70s. Titles include "Love Will Come Again", "Use Me", "Late At Night", "In Search Of A Dream", "Lady Love Me", "In Your Eyes", and "Never Too Far To Fall". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches54
CD, LP, Vinyl record album cover art
New BrickGood High ... LP
Bang, 1976. Used ... Out Of Stock
A killer debut from Brick – the start of a massive run at the end of the 70s, a time when the group was easily one of the biggest acts to come out of the up-and-coming Atlanta scene! Like some other Atlanta acts of the time, Brick had a way of fusing older funky soul on a tighter modern groove – coming up with a sound that was nice and lean – perfect for these key transitional years of funk – with influences that were felt for years, in places as far away as the west coast! Case in point is the album's classic "Dazz" – one of those cuts that never gets old – nestled nicely in a lineup that also includes "Music Matic", "Here We Come", "Good High", "Brick City", and "Sister Twister". LP, Vinyl record album
(Cover has some wear, a cut corner, and some marker on the front. Label has some marker.)
Also available Good High ... LP 9.99

Possible matches55
CD, LP, Vinyl record album cover art
New Herbie HancockInventions & Dimensions (Applause pressing) ... LP
Blue Note/Applause, 1963. Used ... Out Of Stock
A really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". LP, Vinyl record album

Possible matches56
CD, LP, Vinyl record album cover art
New Richard WilliamsNew Horn In Town ... LP
Candid, Early 60s. Used ... Out Of Stock
A brilliant session of modernist hardbop – one of the few records ever cut as a leader by trumpeter Richard Williams! Williams was a key part of the Charles Mingus group for a few years – and his soulful approach ranks with Ted Curson as some of the most compelling underground trumpet work of the early 60s. The set features Williams in a great group – with Leo Wright on alto, Reggie Workman on bass, Richard Wyands on piano, and Bobby Thomas on drums – and they're playing material that isn't too far out, but which does have significantly modern tendencies. Williams solos are fantastic, and the album is proof that he was one of the 60s great under-recognized talents! Titles include "Ferris Wheel", "Blues In A Quandry", "Raucous Notes", and "Renita's Bounce". LP, Vinyl record album
(Barnaby reissue. Cover has a cut corner.)

Possible matches57
CD, LP, Vinyl record album cover art
New Stan GetzFocus ... LP
Verve, 1961. Used Gatefold ... Out Of Stock
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and arranged by the great Eddie Sauter, with whom Stan worked on the Mickey One soundtrack. The album's a surprisingly refreshing one, and shows yet another complex side of Getz's endlessly compelling career. Titles include "Pan", "Her", "Night Rider", and "Once Upon A Time". LP, Vinyl record album
(Vinyl has light oxidation, but plays fine. Cover is great.)
 
Partial matches: 66
Partial matches58
CD, LP, Vinyl record album cover art
Manny AlbamJazz Greats Of Our Time Vol 1 ... LP
Coral, 1957. Very Good ... $4.99
A great large group project from arranger Manny Albam – one that teams him up with "jazz greats" of the east coast scene, in a really hard-swinging set of tracks that showcase some wonderful solo work! Manny's working here with a set of players who are well-chosen for their ability to work strongly in an ensemble, yet also break out with strong solo work when the moment comes – and the lineup includes Gerry Mulligan, Al Cohn, Zoot Sims, Phil Woods, Bob Brookmeyer, and Art Farmer – with rhythm by the trio of Hank Jones, Milt Hinton, and Osie Johnson. The tracks are long, with more room for soloing than usual on this sort of album – and nearly all of them are originals by Manny. Titles include "Minor Matters", "Blues From Neither Coast", and "Latined Fracture". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has some wear, partially split top and bottom seams, and some light stains.)

Partial matches59
CD, LP, Vinyl record album cover art
New Mose AllisonOl' Devil Mose (Autumn Song & Ramblin' With Mose) ... LP
Prestige, Late 50s. Very Good 2LP Gatefold ... $5.99
Two later album's from Allison's stay at Prestige, Ramblin' With Mose and Autumn Song – before he moved over to Atlantic to go on to greater success – collected in one package. Unlike his later, more well-known sets, this is mostly instrumental, but there are a couple of nice vocal tracks, with the roots to his bluesy hipster approach in evidence: "I Got A Right To Cry", "Eyesight To The Blind", "That's All Right" and "Do Nothing Till You Here From Me". The remaining piano trio sides have a great rollicking almost boogie feel to them, with Addison Farmer and Ronnie Free rounding out the group, and include "Old Devil Moon", "Stranger In Paradise", "Kissin' Bug", "Ramble", "Old Man John", "Ingenue", "Promenade", "It's Crazy", "Strange", "Autumn Song" and "Groovin High". LP, Vinyl record album

Partial matches60
CD, LP, Vinyl record album cover art
Horacee ArnoldTribe ... LP
Columbia, 1973. Very Good+ ... $7.99
A very soulful batch of fusion tracks from drummer Horacee Arnold – here leading a group that includes reed talents Billy Harper and Joe Farrell, percussionist Ralph McDonald, guitarist Ralph Towner, and Dave Friedman on vibes and percussion. Tracks are long and spiralling, with a spiritual approach that goes quite out at times, but which also returns to a modal groove at others. Thanks to great playing by Harper and Farrell, the album's got a lot more soul than some others of the type at the time. Tracks include "The Actor", "Professor Moriarty", "Orchards of Engedi", "Tribe", and "Banyan Dance". LP, Vinyl record album
(Cover has some marker on back.)

Partial matches61
CD, LP, Vinyl record album cover art
Beastie BoysCheck Your Head ... LP
Grand Royal, 1992. Very Good+ 2LP Gatefold ... $39.99
If Paul's Boutique was the Beasties' psychedelic hip hop Sgt Peppers, then Check Your Head is their White Album – a raw, stylistically sprawling, yet always connected batch of live instrumentation – backing rhymes that range from stream of consciousness to expertly written. Check Your Head is also their first outing without the guidance of outside producers, though the trio did bring in a host of regular collaborators like Money Mark and Mario Caldato Jr, who work as well with the Boys as ever. It's stunning how far The Beastie Boys grew creatively over their first few albums, and this point is pretty close to perfection! Titles include "Jimmy James", "Pass The Mic", "Gratitude", "Finger Lickin' Good", "So Whatcha Want", "Time For Livin'", "Something's Got To Give", "Groove Holmes" and "Professor Booty". LP, Vinyl record album
(Original pressing. Cover has a cutout hole.)
Also available Check Your Head ... CD 2.99

Partial matches62
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New George BensonGood King Bad ... LP
CTI, 1975. Very Good Gatefold ... $1.99
Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of the best of the CTI/Kudu generation – including Ronnie Foster and Bobby Lyle on keyboards, Joe Farrell on flute, Fred Wesley on trombone, Eric Gale on rhythm guitar, Dave Friedman on vibes, and Steve Gadd on drums – who manages to kick in a nicely funky undercurrent, even on some of the mellower numbers. George's guitar is filled with warmly chromatic hues – gliding away nicely on titles that include the slow funky "Em", plus "Siberian Workout", "Shell Of A Man", "Hold On I'm Coming", "One Rock Don't Make No Boulder", and "Theme From Good King Bad". LP, Vinyl record album

Partial matches63
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Ray BryantHere's Ray Bryant ... LP
Pablo, 1976. Very Good+ ... $4.99
A simple trio album, but a really great one – the kind that almost re-ignites Ray Bryant's career, which is a hard thing to do, given how many records he's already got under his belt! But somehow, there's really something fresh going on here – an array of sounds and modes that goes far beyond his earlier sides for Columbie, Sue, and even Atlantic – and although Bryant was heard on the latter label only a few short years before this outing, the style here is something different altogether. There's almost a timeless approach here – but not in a hokey way – one that's still firmly grounded in the rhythmic impulses of Ray's soul jazz years, but which also easily traverses a piano jazz territory of many more eras – almost in the way of Jaki Byard, but without as much of a gimmick. Rhythm is by George Duvivier on bass and Grady Tate on drums, and we've never heard Ray sound so great in such a setting. Titles include "Prayer Song", "Lil Darlin", "Girl Talk", "Good Morning Heartache", and "Manteca". LP, Vinyl record album

Partial matches64
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Kenny CoxIntroducing Kenny Cox & the Contemporary Jazz Quartet ... LP
Blue Note, 1969. Very Good ... $19.99
An overlooked late 60s treasure on Blue Note – one of the few new groups to work on the label at the time, and an up-and-coming modern combo from Detroit! The album's quite unique for a number of reasons – not just because the group was a little-known new signing to the label, but also because the work is quite far-reaching at times – some of the most free-thinking jazz recorded for Blue Note during the time, with a sense of boldness that almost stretches back to Jackie McLean's first few records of the new thing years, or a sense of lyrical invention that's a bit like Wayne Shorter when he made a shift towards the outside. Some numbers are awash in fast colors and changes, while others are a bit more in the pocket, with echoes of soul jazz – but the whole thing's incredibly fresh and free, a wonderful little record that only gets better and better over the years! The group features pianist Kenny Cox as the leader, plus Charles Moore on trumpet, Leon Henderson on tenor, Ron Brooks on bass, and Danny Spencer on drums. Titles include "Mystique", "You", "Trance Dance", "Eclipse", and "Number Four". LP, Vinyl record album
(Liberty stereo pressing. Cover has some wear and a sticker in one corner.)

Partial matches65
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Crazy World Of Arthur BrownCrazy World Of Arthur Brown ... LP
Track, 1968. Very Good- ... $11.99
A wild, far reaching psychedelic rock kaleidoscope from Arthur Brown and his Crazy World! The sounds range from wailing organs and heavy drum backed bigness, to more of a tightly grooving r&b garage influenced trip as the core backdrop – with vocals ranging from falsetto freakouts to rambling speak singing craziness and bursts of brass. Nothing's predictable from one passage to the next, but the group sets a heady groove before it all gets freaky, and they find it again before insanity sets in. Titles include "Prelude-Nightmare", "Fire", "Come & Buy", "Spontaneous Apple Creation", "Child Of My Kingdom", "I Put A Spell On You" and more. LP, Vinyl record album
(Black label pressing. Cover has wear and a small name in pen on both sides.)

Partial matches66
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New DriftersI'll Take You Where The Music's Playing ... LP
Atlantic, 1965. Very Good ... $9.99
The Drifters' last full album for Atlantic Records – and a rock-solid set that may well be one of their best for the label in the 60s! The album's heavy on those lightly loping tunes that the group virtually invented a few years before – that slightly-sweetened approach to soul that became known as the uptown sound and which still had The Drifters as one of its key proponents at the time of this set. Production is by the great Bert Berns, who really knows how to balance all elements perfectly – and many of the lead vocals are by Johnny Moore, whose crackling vocals bring in a nice sense of feeling, even when the tunes are pretty darn catchy. But possibly the best thing about the record is the songs – as they're mostly pretty fresh tracks that move past some of the overplayed Drifters hits – but which still resonate with similar themes about live and life in the big city. Titles include "I'll Take You Where The Music's Playing", "I've Got Sand In My Shoes", "At The Club", "He's Just A Playboy", "Follow Me", "Far From The Maddening Crowd", and "Come On Over To My Place". LP, Vinyl record album
(Red & purple label pressing. Cover has light wear, a cutout hole, and some stains on the back.)

Partial matches67
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Ronnie DysonOne Man Band ... LP
Columbia, 1973. Very Good ... $4.99
Ronnie Dyson's standout set from the start of his career – a beautiful batch of Philly soul tunes that get some key help from the team of Thom Bell and Linda Creed! Bell produced and arranged part of the set – with other help coming from Stan Vincent and Billy Jackson – all of whom really get the right idea for Ronnie's amazing voice – and really help him find a way of stepping past his previous career on the stage! Some of the best cuts that mix of fragile and groovy that was really working at the time for harmony groups like The Delfonics or The Stylistics – a mode that takes Dyson far past his work in Hair, to a mode that has him almost doing better on his own than any other contemporaries from the show. The set features the sublime cuts "One Man Band", "Just Don't Want To Be Lonely", "I Think I'll Tell Her", "When You Get Right Down To It", "Give In To Love", "Girl Don't Come", "Love Of A Woman", and "Point Of No Return". LP, Vinyl record album
(NOTE: half of cover has staining & waviness.)

Partial matches68
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Gil Evans/Gary McFarlandDedication Series IX – The Great Arrangers (Out Of The Cool/Profiles) ... LP
Impulse, 1960/1966. Sealed 2LP Gatefold ... $4.99
A great 2LP set – with two classic albums on Impulse! First is Gil Evans' Out Of The Cool – a pivotal session for Gil – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Next is Gary McFarland's Profiles – a great little jazz record by Gary – very different than his groovy/easy albums on Verve, and with a dark sound that shows his strength as a composer and arranger. The group features McFarland in the lead on vibes, plus reed work by Phil Woods, Zoot Sims, and Richie Kamuca, and lots of rhythm backing by the likes of Richard Davis, Gabor Szabo, Sam Brown, and others. Willis Conover does a bit of narration, and tracks include "Sage Hands", "Milo's Other Samba", "Winter Colors", and "Bygones & Boogie". LP, Vinyl record album
(Cover has a cutout mark.)

Partial matches69
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New Art Farmer/Benny GolsonMeet The Jazztet ... LP
Argo, 1960. Very Good ... $9.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! LP, Vinyl record album
(Gray label Argo pressing.)

Partial matches70
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Joe FarrellPenny Arcade ... LP
CTI, 1973. Near Mint- Gatefold ... $24.99
Killer CTI work from Joe Farrell – with grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". LP, Vinyl record album

Partial matches71
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Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Very Good+ ... $7.99
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing.)

Partial matches72
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New Donny HathawayExtension Of A Man ... LP
Atco, 1973. Very Good Gatefold ... $11.99
Perhaps Donny Hathaway's greatest album from the 70s, and certainly the one with the most amazing arrangements! The record was Donny's last studio session, and it's got him working at a level that's far advanced from even his groundbreaking earlier work – using complicated rhythms and sophisticated string passages – but also throwing in some killer jazzy bits that make for some of his funkiest work ever! The liner notes have Donny showing off his musical training in evaluations of the song structures, but the music alone should be enough to convince you this one is great! Includes "The Slums", a funky rollicking tune that is sort of a follow-up to "The Ghetto"; "Valdez In The Country", a totally catchy instrumental with loads of electric piano, and a very Bob James-esque sound; the jaunty "Flying Easy"; and the spiritual soul cuts "Someday We'll All be Free" and "I Love The Lord, He Heard My Cry (parts 1 & 2)". LP, Vinyl record album
(Cover has a cutout notch.)
Also available Extension Of A Man ... CD 8.99

Partial matches73
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New Quincy JonesMellow Madness ... LP
A&M, 1973. Very Good ... $2.99
A really great, oft-overlooked album from the best period of Quincy Jones! This album is quite possibly Quincy's most farthest-reaching – as he works in an array of styles that really shows his growing genius in the studio – not just jazz and soundtrack modes, but more soul-based ones, handled with work from a great array of guest stars who really expand the sound. There's loads of nice bits – like a version of "My Cherie Amour", done with vocals by Leon Ware and Minnie Riperton; a new take on "Bluesette", redone with Toots Thielemans; and the original "Beautiful Black Girl", which features rapping by The Watts Prophets! Other tracks include "Paranoid", "Cry Baby", "Tryin To Find Out About You", and "Listen (What It Is)". LP, Vinyl record album
(Cover has light wear.)

Partial matches74
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King Pleasure/Annie RossKing Pleasure Sings/Annie Ross Sings ... LP
Prestige, Early 50s. Very Good+ ... $3.99
A classic bit of vocalese, featuring a split LP of tracks by the great King Pleasure, plus some early stuff by Annie Ross (of Lambert, Hendricks, & Ross fame). The tracks on the LP include Ross' early interpretations of Wardell Gray's classics "Twisted" and "Farmer's Market", and the King Pleasure set includes classics like "Red Top", "This Is Always", "Sometimes I'm Happy", and his great duet with Jon Hendricks, "Don't Get Scared". A landmark LP of jazz vocal sides, and one that no fan of vocalese should be without. LP, Vinyl record album
(Blue label pressing in the orange cover.)

Partial matches75
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Charlie MarianoJazz Portrait Of Charlie Mariano ... LP
Regina, 1963. Good ... $9.99
A beautiful little record that's one of the toughest to find by Charlie Mariano, and which represents a rare "with orchestra" session that was put together by a young Don Sebesky! The backing's got all the moody overtones that show up in Sebesky's best arranging, and the group includes Jim Hall, Bob Brookmeyer, Jaki Byard, and other accomplished modernists – all working together to create beautiful backdrops of color and tone. Mariano's alto is the centerpiece, though, and he plays with a range of sophisticated emotions that don't always show up on his other records. Far from being a snoozy "with strings" session, the record has a lively ever-changing groove that sounds more like a classic jazz soundtrack than a straight studio session. The whole thing's a real treat, and titles include "Pretty Little Nieda", "To Taiho", "The Wind", and "The Shout". LP, Vinyl record album
(Gold label pressing, with deep groove. Cover has wear, staining, and split top and bottom seams.)

Partial matches76
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Gary McFarlandAmerica The Beautiful ... LP
Skye, 1968. Sealed Gatefold ... $9.99
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" with very telling subtitles that include "On This Site Shall Be Erected", "80 Miles An Hour Through Beer Can Country", "Suburbia: Two Poodles And A Plastic Jesus", and our personal favorite, "Due To A Lack Of Interest, Tomorrow Has Been Cancelled". Gary's really wearing his politics on his sleeve here – picturing a late 60s America that's without hope, without revolution, and clearly in danger of falling prey to its own plasticization. The whole thing's a wonderful antidote to the "revolution is coming" side of the 60s that is more popularly pushed – and Gary was one of the few musicians at the time with an eye that was clear enough to see that in the 60s, you could sing "The Times Are A-Changing" – but in reality, the corporations were a-growing! Musically, the album features a larger group of jazz players working in a full, rich style that has lots of soundtrack touches. There's a real Axelrod-like feel to the set – with string passages one minute, funky rhythms the next – and some breakout jazz soloing that really colors the tunes nicely! Players include Jerome Richardson, Eric Gale, Bernard Purdie, and Chuck Rainey – and Gary's mostly doing the conducting on the set. LP, Vinyl record album
(Sealed original pressing!)

Partial matches77
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Gary McFarlandSoft Samba Strings ... LP
Verve, 1964. Very Good+ Gatefold ... $7.99
The mellower side of Gary McFarland – a further exploration of the sound first laid forth in Gary's Soft Samba albums – handled here with some added string backings that let the tunes float, shimmer, and listen with an undeniable magic! The core sound is Gary's take on the bossa nova – light jazz played on vibes and piano, often augmented by the McFarland trademark of wordless vocals that kind of whistle along with the tune. Added to this are some sweeping strings conducted by Jack Parnell – never sleepy, but used to flesh out the arrangements of the tunes with a wider kind of sound! Titles include "These Are The Things I Love", "Theme From 13", "Once We Loved", "Our Love", and "I Know The Meaning". LP, Vinyl record album

Partial matches78
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Gary McFarland & Clark TerryTijuana Jazz ... LP
Impulse, Mid 60s. Very Good+ Gatefold ... $29.99
A very groooooovy set! This one has Gary working with his "& Co" ensemble – including here the 2 guitars of Barry Galbraith and Toots Thielemans, the fender bass of Bob Brookmeyer, and the trumpet work of Clark Terry and Joe Newman. The groove is jazzy Mexican – kind of a way hipper take on the Tijuana sound than Herb Albert could ever hope for – and with Gary on organ, vibes, and marimba, the core groove is really great all the way through. Very hip stuff – and with tracks that include "Fantastic, That's You", "South Of The Border", "Tijuana", "Mary Jane", "Granny's Samba", "Soul Bird", and "Ira Schwartz's Golden Dream". LP, Vinyl record album
(White label promo. Cover has a bubble in the gloss, near the spine.)

Partial matches79
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Gary McFarland & Co.Does The Sun Really Shine On The Moon? ... LP
Skye, 1968. Very Good Gatefold ... $4.99
A wonderful album from the great Gary McFarland – and completely sublime all the way through! The record's part jazz, part easy, and all McFarland, with a cool compressed breezy vibe that's just about impossible to describe accurately. Gary's vibes are wonderfully set in a small combo with reeds by Jerome Richardson, bass by Richard Davis, organ by Warren Bernhardt, and guitar by Sam Brown. The group play haunting, almost-invisible versions of 60s pop tunes, like "God Only Knows", "Here, There & Everywhere", and "O Morro" – plus a jaunty McFarland original called "Flea Market". LP, Vinyl record album
(Original Skye pressing in a glossy gatefold cover. Cover has a promo sticker.)

Partial matches80
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New Charles MingusMingus Revisited (aka Pre-Bird) ... LP
Limelight, 1960. Very Good Gatefold ... $9.99
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of musical ideas that run from Charles' own highly political expressions of the Civil Rights era to some of his landmark explorations of Duke Ellington! As always, the individual players in the group are given a strong voice in the proceedings – and the record bristles with energy from solos by Ted Curson, Eric Dolphy, Booker Ervin, Jimmy Knepper, Yusef Lateef, and a young Joe Farrell – as well as vocal performances by Lorraine Cousins, who sings on the classic "Weird Nightmare" and the haunting "Eclipse". A tremendous record throughout – filled with life, imagination, and boundless creativity – with titles that include "Mingus Fingus no. 2", "Weird Nightmare", "Eclipse", "Bemoanable Lady", "Half Mast Inhibition", and "Prayer for Passive Resistance". LP, Vinyl record album
(Gatefold pressing. Cover has a split top seam, some discoloration from age, and an album review taped to the booklet in the gatefold.)

Partial matches81
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James MoodyComin' On Strong ... LP
Argo, 1963. Very Good- ... $7.99
A prime Argo gem from James Moody – and key proof that when he wanted to, he could be one of the hippest cats working in 60s jazz! The approach here is subtle, but amazing – a blend of hardbop with some of the more modern ideas that were coming up in the post-bop generation from the team of Moody and Dizzy Gillespie. The rhythms are quite complicated at times – very fresh and vibrant, but without any of the easy gimmicks that other 60s artists would fall into – like vamping soul jazz or borrowed bossa lines. Instead, working in a combo with a young Kenny Barron, Moody concentrates on fresh timings and complicated changes – modes that push his own work on alto, tenor, and flute far from expected territory – and which also features Barron on piano and organ, George Eskridge on guitar, Chris White on bass, and Rudy Collins on drums. Tracks include "Zanzibar", "Dizzy", "Ole", "Sonnymoon For Two", and a nice version of "Fly Me To The Moon". LP, Vinyl record album
(Brown label Argo pressing. Cover has a center split on the bottom seam and some wear, with two promo stamps and some stains on the back.)

Partial matches82
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Phineas NewbornWhile My Lady Sleeps ... LP
RCA, 1957. Very Good ... $4.99
A rare "with orchestra" outing from pianist Phineas Newborn – one that has his gentle keys out front of larger backings by Dennis Farnon – all cast in the kind of dreamy mode you might expect from the title! Yet while the whole thing's certainly got a late night feel, Newborn's piano work is still quite strongly up in the mix – never smothered in strings, and instead often stepping along with the same force as some of his trio outings – but often set free from more rhythmic modes, in a way that makes for some of Phineas' most sophisticated stylings on RCA. Titles include "Lazy Mood", "Bali Hai", "If I Should Lose You", "Black Is The Color Of My True Love's Hair", and "While My Lady Sleeps". LP, Vinyl record album
(Original pressing. Side 1 has a mark that clicks on track one. Cover has light wear, some light stains, and partially split top and bottom seams.)

Partial matches83
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New O'JaysLove & More ... LP
Philadelphia International, 1984. Very Good ... $1.99
Far from the 70s years for the group, but they're still going strong – thanks to some excellent harmony work that really shines through, no matter what the setting! The record's still very much a Gamble/Huff effort – as the pair wrote a number of the songs on the set, handled some arrangements, and even a lot of the production. The standout track is the smooth classic "Summer Fling", a perfect example of Philly modern at its best – and other titles include "I Really Need You Now", "I'm The Kind Of Man", "Let Me Show You", and "Give My Love To The Ladies". LP, Vinyl record album
(Includes the lyric sleeve.)

Partial matches84
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Jim PepperPepper's Pow Wow ... LP
Embryo, 1971. Very Good+ Gatefold ... $19.99
A strangely beautiful little record – the standout career effort from tenorist Jim Pepper – a Native American player who draws heavily here on his heritage! Although Pepper plays sax on most numbers, he also sings a fair bit too – in kind of a raspy style that alternates from slightly soulful to somewhat chanting – all in a uniquely haunting way that's unlike anything else we can think of! There's a definite jazz core to the record – guitar from Larry Coryell, piano from Tom Grant, and drums from Billy Cobham and Spider Rice – but the sound is often far from standard, given the vocals and Native American influences. Titles include the sublime "Witchitai-To" – Pepper's lasting legacy in music – plus "Newlyweds Song", "Nommie Nommie", "Senecas", "Yon A Ho", "Slow War Dance", and "Drums". LP, Vinyl record album
(Original die-cut cover.)

Partial matches85
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PleasureGet To The Feeling ... LP
Fantasy, 1978. Very Good+ ... $13.99
Wonderfully tight work from Pleasure – a record that definitely lives up to the lean, clean image on the cover – as it's got the group honing their funky skills even more strongly than before! Wayne Henderson's at the helm, finding the group hit this razor-sharp groove that comes through right from the start – really refining their already-great sound into some of the tightest jazz funk on record at the time! Every track is a gem – and the set's got funky killers, mellow steppers, and plenty more – as you'll hear on the cuts "Celebrate The Good Things", "Foxy Lady", "Get To The Feeling", "Ladies Night Out", "No Matter What", and "Farewell Goodbye". LP, Vinyl record album
(Includes heavy inner sleeve. Cover has a promo stamp.)
Also available Get To The Feeling ... CD 11.99

Partial matches86
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Richard PryorWho Me? I'm Not Him ... LP
Laff, 1977. Near Mint- ... $1.99
Excellent work from Richard Pryor's early years – a record done in the usual "party" style of the Laff label, but with a freewheeling and hip approach to the material that finds its humor in far more than just blue topics and sexual double-entendres! Pryor is frenetic and energetic throughout, running through topics that include "Passin Gas", "Colored Folks", "War", "Army", "Git A Little", "Birth Control Pill", "Negro Judge", and "Slippin In Poo Poo" – all before a live audience. LP, Vinyl record album
(Cover has a lgiht stain on the opening.)

Partial matches87
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Public Image Ltd.Public Image – First Issue ... LP
Virgin (UK), 1978. Very Good+ ... $19.99
The bracing debut of Public Image Itd! First Issue is seriously one of the most stunning post punk albums of its time – and we think it's light years ahead of the Sex Pistols in terms of boundless creativity and originality. Given that the Pistols disintegrated mere months before First Issue was issued, this album is all the more amazing for how hugely different Public Image is – different from Lydon's own earlier revolutionary punk act and different from absolutely everything else on the late 70s landscape. The dissonant, driving post punk guitars and sneering vocals are recognizable, sure, but the dubby textures and more angular touches are so far outside the box and so hugely influential that it's hard to fathom myriad underground rock acts existing without it. Vital! Titles include "Theme", "Religion", "Religion II", "Annalisa", "Public Image", "Low Life", "Attack" and "Fodderstompf". LP, Vinyl record album
(UK pressing, with heavy inner sleeve too!)
Also available Public Image – First Issue (180 gram vinyl – with bonus download) ... LP 22.99

Partial matches88
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Fenton RobinsonSomebody Loan Me A Dime (2nd pressing) ... LP
Alligator, 1974. Near Mint- ... $14.99
One of the better albums on the Alligator Records label from Chicago – a set by Fenton Robinson that's not far different from his earlier work on the 77/Sound Stage Seven label! There's a feel here that's pretty great – slightly southern in inflection, and not as Chicago-cliched as other Alligator work. Mighty Joe Young joins Fenton on rhythm guitar – and titles include "I've Changed", "Country Girl", "Gotta Wake Up", "Texas Flood", "Checking On My Woman", and "Somebody Loan Me A Dime". LP, Vinyl record album

Partial matches89
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Smokey RobinsonBlame It On Love & All The Great Hits ... LP
Tamla, 1983. Sealed ... $1.99
A very mellow overview of Smokey's later solo work – the post-Quiet Storm period, when he was easily slipping from classic soul into adult contemporary territory – and really crossing over big at the time! And while we could probably say that most of this stuff is far watered down from the original Motown inspiration, the work's also got a certain sort of gentle "adult" love song charm. Titles include 3 new tracks exclusive to the album – "Just Like You", "Don't Play Another Love Song", and "Just A Touch Away" – plus "Cruisin", "Blame It On Love", "Baby Come Close", "Tell Me Tomorrow", and "Being With You". LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches90
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Howard RumseyHoward Rumsey's Lighthouse All Stars Vol 6 ... LP
Contemporary, 1955. Very Good- ... $18.99
Another standout set from Howard Rumsey's Lighthouse All Stars – the kind of group who should have been a gimmicky way to promote his nightclub, but who actually managed to cut some of the best LA records of the time! The lineup here features Rumsey on bass, Bud Shank on alto, Bob Cooper on tenor, Conte Candoli on trumpet, Claude Williamson on piano, Stan Levey on drums, and either Frank Rosolino or Stu Williamson on trombone – depending on the track – and as before, there's a great focus on the solo talents of each member, so that even in this larger group setting, each number features a strong contribution by a particular player. Arrangements are great, and titles include "Who's Sleepy", "Isn't It Romantic", "Mad At The World", "Long Ago & Far Away", "Sad Sack", and "Dickie's Dream". LP, Vinyl record album
(Yellow label Contemporary/Lighthouse pressing with deep groove. Cover has some wear, a very small center split on the spine, and a couple of light stains on the back.)

Partial matches91
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George RussellNew York New York & Jazz In The Space Age ... LP
Decca/MCA, Late 50s. Very Good+ 2LP Gatefold ... $9.99
A 70s issue of 2 seminal sides from George Russell, originally recorded in the 50s. The first, New York New York is a wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York City, performed with an all-star cast that includes John Coltrane, Art Farmer, Bill Evans, Phil Woods, Benny Golson, Max Roach, and Hal McKusick – all working together to paint tones on the tunes that George has crafted to set up his scene of New York in the 50s. Most importantly, though, Jon Hendricks acts as the narrator of the album – talking and scatting in hipster mode, laying out a bit of beat rapportage about the Big Apple, all done in a very cool 50s style that's a bit different from his own vocal work. Titles include "Manhattan", "Big City Blues", "Manhattan-Rico", and "A Helluva Town". And don't let the title of the second, Jazz In The Space Age, mislead you into thinking it's a record of bachelor pad musi. The set's one of Russell's finest recordings of the 50s, and it features some wonderful work in odd tones and scales, executed by another awesome cast of players, including Bill Evans, Paul Bley, Hal McKusick, Bob Brookmeyer, and David Young. An essential chapter in Russell's career, and nice to have in any form. Titles include "Chromatic Universe (parts 1, 2, & 3)", "Dimensions", "Waltz From Outer Space", and "The Lydiot". LP, Vinyl record album
(Cover has light wear.)

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Akira Sakata/Jeff Parker/Nate McBride/John HerndonIn A Babble (2 X 12 inch EPs) ... LP
Presspop (Japan), 2011. Near Mint- 2LP ... $16.99
A pretty great little set that pairs the talents of Japanese avant garde vocalist, alto sax and clarinet explorer Akira Sakata with guitarist Jeff Parker (who can play anything with anybody, the man is incredible), Parker's fellow Tortoise member, drummer and stylistic chameleon John Herndon and bassist Nate McBride – live at the Umbrella Jazz Festival at Chicago's beloved Hideout! This limited edition vinyl document of the occasion looks and sounds great – with a cover illustration by Herndon and it was hand-pressed at Dexterity Press. LP1 includes "Free Radical Sign (One)", "Free Radical Sign (Two)" (each 13+ minutes), "Illusion From The Far East" and "In A Babble" (each closer to 20 minutes). LP, Vinyl record album
(Cover has light wear.)

Partial matches93
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Moacir SantosSaudade ... LP
Blue Note, 1974. Very Good+ ... $19.99
One of the rare Blue Note gems from Brazilian arranger/composer Moacir Santos – an album of incredible warmth and charm, with a sound that's hardly been duplicated again! Santos is usually best known for his early bossa arrangements in the 60s, but here he's working in the US – hitting a sweet LA groove that mixes his earlier Brazilian styles with breezy touches from 70s jazz – done in a great mix of acoustic and electric instrumentation that sparkles tremendously throughout! The rhythms alone are worth the price of admission – complicated, compelling, but always grooving straight ahead – far different than both the usual sound of Brazilian jazz and Blue Note at the time, and a unique hybrid that's certainly one of Santos' finest moments on record. A few tracks feature vocals as well, done in a nicely reserved mode that fits in perfectly with the instrumentation of the tunes – and titles include a wonderful version of the song "Kathy", recorded previously as an instrumental by Horace Silver – plus "Off & On", "Amphibious", "Early Morning Love", "Suk Cha", "The City Of LA", and "Haply-Happy". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches94
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Don SebeskyGiant Box ... LP
CTI, 1973. Very Good+ 2LP ... $6.99
One of the most ambitious albums on CTI – a very large project in which Don Sebesky seems to work with just about everyone else who recorded for the label! The Giant Box title is apt – as the record originally came packaged in a cardboard box – room enough to hold the 2 records that comprised it, all the long tunes on the set, and the huge array of cast who helped out on the project. Players include Sebesky on organ, piano, and electric piano – plus Baws, Joe Farrell, Paul Desmond, and many others. There's some sweet vocal backgrounds on the set – by Jackie & Roy, Lani Groves, and Tasha Thomas – and titles include "Vocalise", "Semi Tough", "Firebird/Birds Of Fire", "Free As A Bird", and "Song To A Seagul". Great stuff – with bits of funk, jazz, and ambitious arrangements – all filtered into the cool CTI sound! LP, Vinyl record album
(Original pressing, including the book.)

Partial matches95
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Frank Sinatra & JobimFrancis Albert Sinatra & Antonio Carlos Jobim ... LP
Reprise, 1967. Very Good- ... $5.99
A beautiful little album that shows a whole new side of Sinatra! Frank's a bit late on the bossa game – but the record's a wonderfully gentle batch of bossa nova tunes, performed with musical and occasional vocal accompaniment by Jobim, and larger orchestral backings by Claus Ogerman. Far more than a gimmicky fake bossa album – this is a wonderful set of tracks that show that Sinatra could still hit a gentle ballad without going as over the top as he did on some of his other Reprise work. Jobim's talent is very respected – and the record is a true blending of musical styles, in a way that does justice to both artists equally. Titles include "Change Partners", "Dindi", "Meditation", "How Insensitive", and "I Concentrate On You". LP, Vinyl record album
(Original stereo pressing. Vinyl is clean overall, but looks a bit foggy and with some light surface noise. Cover has a bent corner and a bit of aging.)

Partial matches96
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Gabor SzaboGypsy '66 ... LP
Impulse, 1966. Very Good- Gatefold ... $24.99
One of Gabor Szabo's best records – a hip small combo session, featuring backup by Gary McFarland, Sadao Watanabe, Richard Davis, and Willie Rodriguez – an odd kind of lineup, but one that goes well with the offbeat grooves of the set! The overall sound has lots of touches of the McFarland Latinized rhythms of the time – but also stretches out with some of those great snakey guitar solos from Szabo – not nearly as extended or trippy here on other albums of the time, but in a really great way that makes for some tight, hip, mod little tracks! The set's one of Gabor's best from the 60s – and titles include "Flea Market", "Walk On By", "Gypsy Jam", "Gypsy '66", and "The Echo Of Love". The whole thing's kind of a compressed take on the sound of Gabor's Spellbinder album – if you know that one! LP, Vinyl record album
(Orange & black label mono pressing. Side 2 has marks that click on tracks two and three. Cover has light wear, some small stains, a cutout hole, and some pen inside the gatefold. Labels have some pen.)

Partial matches97
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Cal TjaderAlong Comes Cal ... LP
Verve, Late 60s. Near Mint- ... $14.99
Great stuff – and very very groovy! Cal cut this record for Verve during the height of his swinging 60s Latin years – and he's working here with arranger Chico O'Farrill, who at the time, was perfectly suited for Cal's short, jaunty approach to a groove! The album's filled with nice tracks that bounce along – a bit of bass at the bottom, and plenty of strong vibes and piano. Titles include "Trick or Treat", "Similau", and "Green Peppers", plus his take on "Along Comes Mary" is every bit as groovy as the original by The Association! LP, Vinyl record album
(Cover has a cutout hole.)

Partial matches98
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Ruby TurnerWomen Hold Up Half Of The Sky ... LP
Jive, 1985. Near Mint- ... $1.99
Sleek modern soul from Ruby Turner – her tightly grooving Women Hold Up Half The Sky – a mid 80s set that's very much of the era, but with songs that are far more timelessly structured than many pop soul efforts of the era! Ruby's vocals lovely and wonderful here, on a mix of ballads and more midtempo R&B. It's a mix of synthy and smooth soul, and it holds up very well! Titles include "If You're Ready (Come Go With Me)" with Jonathan Butler, "In My Life (It's Better To Be In Love)", "Hurting Inside", "He's Mine", "Still On My Mind", "Only Women Bleed" (yep, a soul take on the Alice Cooper hit!), "Hurting Inside" and more. LP, Vinyl record album
(Cover has a cutout notch and tape on the spine.)

Partial matches99
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Sarah VaughanMagic Of Sarah Vaughan ... LP
Mercury, Early 60s. Very Good ... $2.99
Plenty of magic here – a record with a different sound than some of Sarah Vaughan's earlier work – but one that's still pretty great! The backings here bring in plenty of strings, and a bit of voices – going for a full feel that's a bit like some of the country soul albums of the period – although Sarah herself is far from country, and nicely poised throughout. A number of the tunes are standards, but they have a different sort of feel in this setting – and Vaughan's vocals float nicely over the top, tying the whole thing together on tunes that include "That Old Black Magic", "Carefree", "Separate Ways", "Mary Contrary", "I've Got The World On A String", "Love Is A Random Thing", and "Sweet Affection". LP, Vinyl record album
(Black label pressing, with deep groove. Cover has some edge wear, a sticker on the front, and some surface wear on the back.)

Partial matches100
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Nancy WilsonLife, Love & Harmony ... LP
Capitol, 1979. Very Good ... $3.99
A killer from Nancy – very different than most of her earlier work, and proof that she was still growing as an artist on Capitol! The record's arranged and produced by Larry Farrow – who gives the session a jazz funk feel that brings Nancy into a whole mode, a smooth modern one that's kind a perfect fit for the rich character of her vocals – a much-needed update of the classy sound of her late 60s work, in territory that still shows that Wilson can hit this sort of groove better than anyone else! The standout cut is the massive "Sunshine" –a sparkling jazzy groover with a monster hook and some wonderful stepping arrangements – and other tracks include "You're The One Wrapped Up In The Comfort Of Your Love", "Heaven", "Here's To Us", and "Life, Love, & Harmony". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some wear.)
 
 
 



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