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Duke Pearson

 

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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonNow Hear This ... LP
Blue Note, 1968. Very Good+ Gatefold ... $9.99
Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most other 60s iterations of big band jazz – as Pearson's got a way of making all instruments come together on the rhythms, then exploding with subtle colors and soulful tones – yet all at a level that's never forced or gimmicky at all. It helps that he's got a tremendous lineup of players here – both Lew Tabackin and Frank Foster on tenor (the latter of whom does some arranging for the record) – plus Pepper Adams on baritone, Marvin Stamm and Randy Brecker on trumpets, Garnett Brown and Jimmy Cleveland on trombones, Jerry Dodgion and Al Gibbons on alto, and the rhythm team of Bob Cranshaw on bass and Mickey Roker on drums. Duke plays superb piano with a really sophisticated touch, but it's really his strength as an arranger that makes the whole thing come together beautifully. Andy Bey sings on a version of "I'm Tired Cryin Over You" – and other titles include "Amanda", "Tones For Joan's Bones", "Dad Digs Mom", "Disapproachment", and "Make It Good". LP, Vinyl record album
(Liberty pressing. Cover has a cut corner and a small center split on the bottom seam.)

Exact matches2
CD, LP, Vinyl record album cover art
Duke PearsonMerry Ole Soul ... CD
Blue Note (Japan), 1969. New Copy ... Around October 22, 2014
One of the strangest albums ever recorded for Blue Note – and one of the coolest, too! Duke Pearson recorded this set in 1969 – during the middle of his last productive period of activity, at a time when he was doing some tremendous genre-crossing jazz that really broke from his earlier styles. The set's got Duke on acoustic piano and celeste – backed by a rhythm section that includes Bob Cranshaw on bass and Mickey Roker on drums, plus Airto on percussion! The sound's more open, more free than you'd expect for a Christmas album – extremely soulful overall, in a mode that makes for some great readings of "Sleigh Ride", "Wassail Song", "Go Tell It On The Mountain", "Jingle Bells", and "Little Drummer Boy". CD

Exact matches3
CD, LP, Vinyl record album cover art
Duke PearsonPhantom ... CD
Blue Note (Japan), 1969. New Copy ... Around November 29, 2014
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". CD

Exact matches4
CD, LP, Vinyl record album cover art
Duke PearsonNow Hear This ... CD
Blue Note (Japan), 1968. New Copy ... Just Sold Out!
Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most other 60s iterations of big band jazz – as Pearson's got a way of making all instruments come together on the rhythms, then exploding with subtle colors and soulful tones – yet all at a level that's never forced or gimmicky at all. It helps that he's got a tremendous lineup of players here – both Lew Tabackin and Frank Foster on tenor (the latter of whom does some arranging for the record) – plus Pepper Adams on baritone, Marvin Stamm and Randy Brecker on trumpets, Garnett Brown and Jimmy Cleveland on trombones, Jerry Dodgion and Al Gibbons on alto, and the rhythm team of Bob Cranshaw on bass and Mickey Roker on drums. Duke plays superb piano with a really sophisticated touch, but it's really his strength as an arranger that makes the whole thing come together beautifully. Andy Bey sings on a version of "I'm Tired Cryin Over You" – and other titles include "Amanda", "Tones For Joan's Bones", "Dad Digs Mom", "Disapproachment", and "Make It Good". CD
(SHMCD.)

Exact matches5
CD, LP, Vinyl record album cover art
New Duke PearsonBaltimore 1969 ... CD
Uptown, 1969. New Copy ... Temporarily Out Of Stock
A much-needed recording of the late 60s big band of pianist Duke Pearson – an amazing ensemble who only recorded just a bit for Blue Note – and who really shine here in this rare concert performance! The set was recorded as part of the legendary late 60s run of concerts for Baltimore's Left Bank Jazz Society – but it's got an approach that's a lot tighter and more focused than some of those mostly-freewheeling dates – thanks to some really sharp charts from Duke, who was by this time turning out to be one of the 60s most creative jazz arrangers! There's a sense of vibrancy to the music that's really tremendous – not the flashy flourishes of other big bands on the American scene, but a deep understanding of tone and color – mixed with a sense of rhythm that really brings plenty of soul to the set too. The lineup's filled with great players whose solos make the whole thing sparkle – including Donald Byrd and Burt Collins on trumpets, Julian Priester and Eddie Bert on trombone, Jerry Dodgion on alto and flute, Frank Foster and Lew Tabackin on tneor, and Pepper Adams on baritone sax. Pearson's piano is a key part of the sound – nestled wonderfully in the crack rhythm team of Bob Cranshaw on bass and Mickey Roker on drums – and titles include "Ready When You Are CB", "Eldorado", "New Girl", "Tones For Joan's Bones", "Straight Up & Down", and "Night Song". CD

Exact matches6
CD, LP, Vinyl record album cover art
New Duke PearsonDedication! ... CD
Prestige/OJC, 1961. Used ... Temporarily Out Of Stock
A rare pre-Blue Note gem from pianist Duke Pearson – originally recorded in 1961 for the short-lived Jazzline label! The set appears here in a short-lived 1969 incarnation from Prestige – issued, no doubt, to cash in on Pearson's growing fame at Blue Note – and the record's a good fit for the label, as it's got a tight, right, and in-the-pocket soul jazz energy that's really great! Pearson's leading a group that includes Freddie Hubbard on trumpet, Pepper Adams on baritone, and the lesser-known Willie Wilson on trombone – a great player, but one who was mostly a friend of Pearson, and only ever made this one appearance on record! Tracks have a lively well-crafted sound – mixing modern and soul jazz idioms nicely – and titles include "Lex", "Blues For Alvina", "Apothegm", and "Minor Mishap". CD
(Collectors Choice 50 series, European pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
New Duke PearsonIt Could Only Happen With You ... CD
Blue Note (Japan), 1970. New Copy ... Temporarily Out Of Stock
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". CD

Exact matches8
CD, LP, Vinyl record album cover art
New Duke PearsonPrairie Dog ... CD
Atlantic (Japan), 1966. New Copy ... Temporarily Out Of Stock
Dark genius from Duke Pearson – quite possibly one of his hippest records ever, and an album that's filled with surprising twists and turns! At one level, the set seems to be a simple batch of soul jazz tunes – in the mode of Pearson's mid-60s classics on Blue Note – but at another, it opens up into unusual phrasings, timings, shades, and tones – all of which are years ahead of their time, and serve to keep the album full of complexity throughout! Many tracks groove here – but in a very subtle way that often moves a bit towards modal jazz. And the players on the set shade things in unconventionally – sometimes using understatement and space as their strongest tools – clearly directed by Pearson's budding talents as an arranger. Players include James Spaulding on flute and alto sax, Harold Vick on soprano sax, Johnny Coles on trumpet, George Coleman on tenor, and Gene Bertoncini on guitar – and Pearson himself plays a bit of celeste in addition to his regular piano. Titles include a great version of Joe Henderson's "Soulin", plus Ron Carter's "Little Waltz", and Pearson's own "The Fakir", one of the best tracks he ever wrote! Other titles include "Hush A Bye", "Prairie Dog", and "Angel Eyes". CD

Exact matches9
CD, LP, Vinyl record album cover art
New Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. New Copy (reissue)... Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
New Duke PearsonWahoo! (180 gram pressing) ... LP
Blue Note/Heavenly Sweetness (France), 1964. New Copy (reissue)... Out Of Stock
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". LP, Vinyl record album
 
Possible matches: 40
Possible matches11
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... LP
Riverside, 1959. Good ... $12.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album
(Small blue label Bill Grauer pressing with microphone logo and deep groove. Cover has light wear and a small center split in the spine.)

Possible matches12
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny StittTogether Again For The Last Time ... LP
Prestige, 1976. Near Mint- ... $5.99
1973 recording that would become the last that Jug and Stitt did before Jug's untimely death in the mid 70's. Duke Pearson produced it (even though it wasn't for Blue Note), and the group includes Junior Mance on piano, Sam Jones on bass, and either Mickey Roker or Ajaramu on drums. Tracks include "One For Amos", "The Window Pain", "Saxification", and "I'll Close My Eyes". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
Randy BreckerScore ... LP
Solid State, Late 60s. Near Mint- Gatefold ... $24.99
A very cool early Randy Brecker album – recorded years before he was working in tighter, R&B-inflected styles – and was instead an up-and-coming player with a surprisingly sharp edge! The set's produced by Duke Pearson, and has a groovy sound that's similar to Blue Note dates of the late 60s – jazz at the core, but a willingness to bring in some other pre-fusion elements – most notably the electric piano of Hal Galper, which sounds great next to drums from Bernard Purdie and bass from Eddie Gomez! Brother Michael plays tenor, and Galper wrote a lot of the tracks – with that good groovy electric funk sound that he did so well at this time. Titles include "The Vamp", "The Weasel Goes Out To Lunch", "Pipe Dream", "The Marble Sea", and "Bangalore". LP, Vinyl record album
(Cover has some wear.)

Possible matches14
CD, LP, Vinyl record album cover art
New Donald ByrdCat Walk (RVG remaster edition) ... CD
Blue Note, 1961. Used ... $4.99
Classic soul jazz material from trumpeter Donald Byrd – one of his most sinister (and most rare) albums for Blue Note! The group's a quintet, with frequent bandmate Pepper Adams on baritone, Duke Pearson on piano, and Philly Joe Jones on drums – all grooving with some of the tightness heard on other Adams/Byrd dates, but also a warmer, more open-ended approach to the music, especially on the solos! The tracks slink along with a dark little groove – and although Pearson's piano is often sweetly lyrical, it also has a nice hard sound that works well with the sharp-edged horn lines of Byrd and Adams. The album's very much in the vein of the pair's work on the Warwick label during the same time – and with excellent compositions that include "Say You're Mine", "Duke's Mixture", "The Cat Walk", and "Hello Bright Sunflower". CD
(BMG music club pressing.)

Possible matches15
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Possible matches16
CD, LP, Vinyl record album cover art
Donald ByrdKofi (180 gram vinyl) ... LP
Blue Note/Heavenly Sweetness (France), 1969/1970. New Copy (reissue)... $26.99
A fantastic set of tracks that was recorded at the cusp of the 70s, but which wasn't (for some strange reason) released until many years later! Donald Byrd's playing here with two different larger groups, and the music is a perfect bridge between his spacey late 60s attempts to mimic Miles Davis, and his tighter early 70s jazz funk work with Larry Mizell. The instrumentation's a bit different than usual, and includes a warm frontline of Frank Foster on tenor, Lew Tabackin on flute and tenor, and William Campbell on trombone – all working with these charts that are full and flowing – really strong, soulful elements that get some further great touches from Duke Pearson on Fender Rhodes! Rhythms echo some of Pearson's own great music of the time, with lots of Brazilian undercurrents – no surprise, given that Duke produced the record – and titles include "Kofi", "Fufu", "Perpetual Love", and "Elmina". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Donald ByrdThank You For FUML (Funkin Up My Life) ... CD
Elektra/Wounded Bird, 1978. New Copy ... $10.99 11.98
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars! There are lotes nice moments that are a bit more restrained than the comparably full-on funk approach – and these have a spacey fusiony soul quality that reminds us of similar work that Byrd was doing with The Blackbyrds at the time. One of the best cuts is "Your Life Is My Ecstasy", which has some great bubbling Moog behind it, which creates a sound that you've heard sampled famously by Tribe Called Quest. Other nice ones are "Loving You", which features vocals by Jim Gilstrap, and a remake of Duke Pearson's "Cristo Redentor", a big hit for Don in the 60s, which is redone here in an excellent slow funk mode that feels like Bob James' work on CTI. Others include "Have You Heard The News", "In Love With Love" and "Close Your Eyes And Look Within". CD
Also available Thank You For FUML (Funkin Up My Life) ... LP 3.99

Possible matches18
CD, LP, Vinyl record album cover art
Donald ByrdThank You For FUML (Funkin Up My Life) ... LP
Elektra, 1978. Very Good+ ... $3.99
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars! There are lotes nice moments that are a bit more restrained than the comparably full-on funk approach – and these have a spacey fusiony soul quality that reminds us of similar work that Byrd was doing with The Blackbyrds at the time. One of the best cuts is "Your Life Is My Ecstasy", which has some great bubbling Moog behind it, which creates a sound that you've heard sampled famously by Tribe Called Quest. Other nice ones are "Loving You", which features vocals by Jim Gilstrap, and a remake of Duke Pearson's "Cristo Redentor", a big hit for Don in the 60s, which is redone here in an excellent slow funk mode that feels like Bob James' work on CTI. Others include "Have You Heard The News", "In Love With Love" and "Close Your Eyes And Look Within". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cutout notch.)
Also available Thank You For FUML (Funkin Up My Life) ... CD 10.99

Possible matches19
CD, LP, Vinyl record album cover art
Michael DeaseRelentless ... CD
Posi tone, 2014. New Copy Gatefold ... $11.99 16.99
A stunning large ensemble set from trombonist Michael Dease – the first we've ever heard from him in this format, and a record that brings us back to some of the most inventive bigger bands of the late 60s – such as groups by Duke Pearson, or the team of Thad Jones & Mel Lewis! No surprise, Dease starts out with a great version of Pearson's "Is That So" for the record – really grabbing us right away with his deft intepretation of the soulful classic, which is presented in newly shimmering tones by his own arrangement. Michael then continues to wow us with his work on all other tracks as well – a mix of his own compositions, and a few newly-remade classics – featuring solo work from Greg Gisbert on trumpet, Todd Bashore on alto, Diego Rivera on tenor, Miki Hayama on piano, Etienne Charles on trumpet, Sharel Cassity on tenor, Wycliffe Gordon on trombone, and the leader's own instrument on a few key solo moments as well. Titles include "Is That So", "Force", "Relentless", "The Takeover", "Little Lucas", and "Roppongi". CD

Possible matches20
CD, LP, Vinyl record album cover art
George DukePrimal George Duke ... LP
MPS (Germany), 1966. Near Mint- ... $9.99
Quite possibly the earliest record to ever feature pianist George Duke as a leader – and a set that's very different than his better-known work of the 70s! At first glance, the album appears to be a straight jazz outing, with Duke on acoustic piano – yet as we've come to expect from George, there's also a really unique twist – a sense of sound that's already reaching out way beyond the obvious, in soulful styles that really make the record a smoker! The quartet features some unique bass trumpet work from David Simmons – whose instrument has the depth of a trombone, but the pointedness of a trumpet – a great combination with the well-crafted basslines from John Heard, and the snappingly syncopated drumming of George Walker – who really makes the record cook with his rhythms – bringing in some great stepping styles that keep things swinging throughout! The arrangements are handled by Duke, who's clearly got a great ear for a groove even at this early age – bringing some 60s soul jazz magic to cuts that include a groovy cover of Duke Pearson's "Jeannine", plus "Days Of Wine & Roses", "Secret Love", "The Second Time Around", and "The Night Has A Thousand Eyes". LP, Vinyl record album
(70s Dutch pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
Jazz IncorporatedLive At Smalls ... CD
Smalls Live, 2010. New Copy ... $11.99 15.99
The trumpet of Jeremy Pelt really makes this album sparkle – blown with a mixture of lyrical tones and sharper edges, and getting great support from a lineup that features Anthony Wonsey on piano, Dezron Douglas on bass, and Louis Hayes on drums! The solo horn in the lead also gives the record a definite trumpet focus in its execution, and choice of tunes – which include excellent numbers like Art Farmer's "Punsu", Dizzy Gillespie's "Woody N You", and Duke Pearson's sublime "Is That So" – offered up here in homage to Lee Morgan's wonderful reading of the track on his Rajah album. Pelt also contributed the original "Shout" – alongside Wonsey's "Hey Jimmy" – and like most albums in this great series, the tracks are quite long – with loads of room for solo space! CD

Possible matches22
CD, LP, Vinyl record album cover art
Blue MitchellHeads Up! ... LP
Blue Note, Late 60s. Very Good- ... $11.99
One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau". LP, Vinyl record album
(Liberty pressing. Cover has wear, thick colored tape on the seams, and some stains and pen scribbles on the back.)

Possible matches23
CD, LP, Vinyl record album cover art
Wayne ShorterOdyssey Of Iska ... CD
Blue Note (Japan), 1970. New Copy ... $19.99
A very unusual album for Wayne Shorter – recorded right around that 1970 point when Duke Pearson was exploring formats for Blue Note artists that included larger, often electric arrangements, pointing the way towards some of the later 70s soul jazz work on labels like Kudu or CTI! This set, produced by Pearson, features Shorter as the main soloist on tenor and soprano sax – in a very hip group that includes Dave Friedman on vibes, Gene Bertoncini on guitar, Ron Carter and Cecil McBee on bass, and both Billy Hart and Alphonse Mouzon on drums. Tracks are long and complicated, with searching soulful arrangements that are part post-Miles fusion, part early 70s indie soul jazz – but balanced nicely without any sense of overindulgence at all. Shorter's soprano work is very nice, and much more angular than his playing on tenor – and titles include "Wind", "Joy", "Storm", and "Calm". CD
(SHMCD.)

Possible matches24
CD, LP, Vinyl record album cover art
Stanley TurrentineLook Of Love ... CD
Blue Note (Japan), 1968. New Copy ... $18.99
Stanley Turrentine's a hell of a soloist in a large ensemble setting – and there's possibly no better place to hear that talent at work than on this classic 60s date for Blue Note! The format's a bit different than other Turrentine records of the time – no small group romping, nor larger band soul jazz – and instead this laidback and classy mode that's handled with a heck of a lot of soul by arrangers Thad Jones and Duke Pearson – with this sophisticated vibe that almost points the way towards some of Stan's ballad work of the 70s. Strings are balanced nicely with jazz inflections from players who include Hank Jones, Roland Hanna, and Duke Pearson on piano – plus Kenny Burrell on guitar, Benny Powell on trombone, and both Snooky Young and Jimmy Nottingham on flugelhorn. Titles include "The Look Of Love", "Emily", "I'm Always Drunk In San Francisco", "MacArthur Park", "Blues For Stan", "This Guy's In Love With You", and "Here There & Everywhere". CD
(SHMCD.)

Possible matches25
CD, LP, Vinyl record album cover art
VariousBossa Nova Happiness ... CD
Universal (Japan), 1960s. New Copy 2CD ... $24.99
Plenty to be happy about here – a sweet set of classic bossa tracks from the 60s, and one of the first to equally mix gems from the vaults of both Universal and EMI Records! The recent merger of the musical giants means that Blue Note tracks sit next to Verve numbers from the US, and older Brazilian recordings on labels like Odeon or Elenco – more than enough music to make a mighty great selection of music! The set also features a few numbers of more recent vintage – and titles include "The Dolphin" by Bill Evans, "Latona" by Big John Patton, "Sambou Sambou" by Doris Monteiro, "Monsieur Binot" by Joyce, "Soul Bossa Nova" by Quincy Jones, "Chup Chup I Got Away" by Marcos Valle, "We & The Sea" by Tamba 4, "Dindi" by Sylvia Telles, "Summer Samba" by Walter Wanderley, "Upa Nequinho" by Duke Pearson, "Wave" by Ron Carter, and "Inutil Paisagem" by Milton Banana Trio. CD

Possible matches26
CD, LP, Vinyl record album cover art
VariousRighteousness ... CD
Blue Note (UK), Late 60s/Early 70s. New Copy 2CD ... $9.99
The headier sound of Blue Note Records – served up in a batch of tracks that focus on that late 60s period when the label started to open up into a much more righteous groove! The styles here are very much in step with the most progressive cultural movements in the US at the time – and traditional soul jazz and hardbop modes are broken down and recast with a new sense of positive energy and spirituality – all served up in styles that Blue Note hardly would have recorded a few short years before! Most of these tracks are instrumental – done in grooves that range from funky, to modal, to soaring and searching – but a few other great numbers have vocals by singers like Andy Bey or Eugene McDaniels, both artists who helped really hip things up nicely! 2CD package features a total of 18 tracks in all – including "Psychedelic Pi" by Lonnie Smith, "Hey Hey" by Andrew Hill, "The Emperor" by Donald Byrd, "Black Rhythm Happening" by Eddie Gale, "The Phantom" by Duke Pearson, "I Have A Dream" by Herbie Hancock, "Peace" by Horace Silver, "Slow Drag" by Donald Byrd, "Fulton Street" by Eddie Gale, "Message From The Nile" by McCoy Tyner, "Slow Change" by Bobby Hutcherson, and "Soul Soul Soul" by Jackie McLean. CD

Possible matches27
CD, LP, Vinyl record album cover art
VariousSharp Shades & Finger Snaps ... CD
Blue Note (UK), Late 50s/1960s. New Copy 2CD ... $9.99
A great introduction to the amazing hardbop work recorded by Blue Note in the late 50s and 1960s – served up as a massive 2CD set filled with some of the label's most cooking classics! The sound here is always tight, right, and to the point – a key illustration of the care and focus that Blue Note brought to the studio when recording jazz work of this nature, which always helped them get the best work out of all players on the session. The 19 track collection is beautifully packaged with full notes and album cover images for each track – and a set of music that goes way past the hits, to feature real gems that include "The African Queen" by Horace Silver, "After The Rain" by Duke Pearson, "No Room For Squares" by Hank Mobley, "Mosaic" by Art Blakey, "Nite Flite" by Lee Morgan, "Footprints" by Wayne Shorter, "Easterly Winds" by Jack Wilson, "A Little Busy" by Art Blakey, "The Black Disciple" by Donald Byrd, "Una Muy Bonita" by Bobby Hutcherson, "Hootnan" by Jackie McLean, and "Hobo Joe" by Johhny Coles. CD

Possible matches28
CD, LP, Vinyl record album cover art
Donald ByrdFuego ... CD
Blue Note (Japan), 1960. New Copy ... Around October 22, 2014
One of Donald Byrd's first albums on Blue Note – tight, soulful, and a firm statement of hardbop truth – a record that showed that Byrd was firmly on the map! The ensemble features Jackie McLean on alto, and the rhythm section includes Duke Pearson, Doug Watkins, and Lex Humphries – all of whom bring in a sense of lyrical interplay that really shows off a newer side of Byrd's trumpet that didn't emerge in earlier 50s recordings – one that opens up in the individuality of the Blue Note mode, and shakes off some of the more academic trappings of his early work with Gigi Gryce. All tunes are proud originals by Byrd himself – written with a real sense of color, tone, and timing – and titles include "Bup A Loup", "Funky Mama", "Lament", and "Amen". CD

Possible matches29
CD, LP, Vinyl record album cover art
Lee MorganCharisma ... CD
Blue Note (Japan), 1966. New Copy ... Around October 22, 2014
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD

Possible matches30
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New Donald ByrdByrd In Flight (with bonus tracks) ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
A wonderfully lyrical session from trumpeter Donald Byrd – yet for some reason, the album's one of his most overlooked from the 60s! The session features material by 2 different groups – one that includes Byrd, Hank Mobley, and Duke Pearson; and another which features Byrd, alongside Jackie McLean and Pearson. Donald's playing is really opening up here – hitting some sweeter, more drifting notes, yet still referencing the heavier style of his hardbop years from time to time – and in a way, the record's almost a hint of the solo style that Byrd would take up on 70s recordings with Larry Mizell – still in a deep groove, but with a newfound ability to sail over the top with some nice light notes. Mobley and McLean are superb, as always, and Pearson plays nice and hard – with more of an edge than on his own recordings of the time. Tracks include "Ghana", "Lex", "My Girl Shirl", and "Bo". Includes 3 bonus tracks "Child's Play", "Carol", "Soulful Kiddy"! CD
(Out of print Conn`oisseur CD series. BMG Direct pressing)

Possible matches31
CD, LP, Vinyl record album cover art
New Donald ByrdNew Perspective ... LP
Blue Note, 1963. Used ... Temporarily Out Of Stock
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(70s pressing. Cover has a cut corner, ring & edge wear, small splits on the spine and top seam, a stained corner, and some aging.)

Possible matches32
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New Lou DonaldsonLush Life (75th Anniversary Edition) ... LP
Blue Note, 1967. New Copy (reissue)... Temporarily Out Of Stock
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
New Lou DonaldsonLush Life (RVG remaster edition) ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! CD

Possible matches34
CD, LP, Vinyl record album cover art
New Joe HendersonInner Urge ... LP
Blue Note, 1964. New Copy (reissue)... Temporarily Out Of Stock
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". LP, Vinyl record album

Possible matches35
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New Luca Mannutza Sound SixTributo Al Sestetti Anno 60 ... CD
Albore Jazz (Japan), 2009. New Copy ... Temporarily Out Of Stock
The Italian sound of the 60s lives again – in this fresh set of work from pianist Luca Mannutza, and his ultra-hip Sound Six combo! The sextet has a wonderful way of reaching back into the past, grabbing up the best elements of Italian jazz, and moving it forward strongly into the 21st Century – almost a summation of the excellent work heard on other titles on the Albore label, served up to perfection here by a lineup that also includes Andy Gravish on trumpet, Max Ionata on tenor, Paolo Recchia on alto, Renato Gattone on bass, and Andrea Nunzi on drums! There's a fluid feel, solid soul, and modern swing that takes us right back to the classic days of Blue Note – no surprise, given that the set includes versions of Wayne Shorter's "On The Ginza" and "The Big Push", Kenny Dorham's "Short Story", and Duke Pearson's "You Know I Care" – plus great takes on Chick Corea's "Litha" and Mulgrew Miller's "Grew's Tune". CD

Possible matches36
CD, LP, Vinyl record album cover art
New Hank MobleySlice Of The Top (Connoisseur Series) ... CD
Blue Note, 1966/1979. Used ... Temporarily Out Of Stock
A lost session by Hank Mobley – originally recorded in 1966, but not officially issued until 1979, and then only briefly until another short issue in the mid 90s! The record has Mobley really reaching out into a new bag – hitting a more soulfully arranged sound than on some of his other straighter Blue Notes – a full, rich groove that's totall wonderful! Duke Pearson arranged the group, and it's slightly larger than usual – with James Spaulding on alto, Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, Billy Higgins on drums, and Kiane Zawadi and Howard Johnson providing a very unique tuba/euphonium bass part – hardly the clunky horns you might expect, and instead sort of a rumbling bottom-end sound that's really great. Titles include "Hank's Other Bag", "Touch Of Blue", and "A Slice Of The Top". CD
(Out of print Conoisseur Series pressing.)

Possible matches37
CD, LP, Vinyl record album cover art
New Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Used ... Temporarily Out Of Stock
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(Liberty stereo pressing. Cover has light wear.)

Possible matches38
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New Donald ByrdElectric Byrd ... LP
Blue Note, 1970. New Copy (reissue)... Out Of Stock
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ensemble mode Blue Note sometimes used in the late 60s, but with a spacey, stretched-out feel that's mighty nice! The album's somewhat similar to Byrd's Kofi set – but possibly a bit more open overall – and players here include Duke Pearson on electric piano, Jerry Dodgion on alto and sopranos ax, Frank Foster on tenor, Pepper Adams on baritone, Hermeto Pascoal on flute, Wally Richardson on guitar, Ron Carter on bass, Mickey Roker on drums, and Airto on percussion. Pearson produced, and probably arranged too – given a slight Brazilian undercurrent to the grooves – and titles include "Estavanico", "Essence", "The Dude", and "Xibaba". LP, Vinyl record album

Possible matches39
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New Grant GreenIdle Moments (75th Anniversary Edition) ... LP
Blue Note, Early 60s. New Copy (reissue)... Out Of Stock
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". LP, Vinyl record album

Possible matches40
CD, LP, Vinyl record album cover art
New Joe HendersonInner Urge ... LP
Blue Note, 1964. Used ... Out Of Stock
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". LP, Vinyl record album
(New York stereo pressing, with Van Gelder stamp. Cover has some wear, masking tape and some splitting on the seams, two stickers on the front, some aging, and a few ink stamps on the back.)

Possible matches41
CD, LP, Vinyl record album cover art
New Hi Fly OrchestraMo Slow/Sweet Honey Bee ... 7-inch
Tramp (Germany), 2006. New Copy ... Out Of Stock
Leave it to Tramp Records to make our turntable happy – because both cuts here are totally great! "Mo Slow" is a snapping little jazz number that feels like it was lifted from a mid 60s Lee Morgan album – less the deep funk that the label first gave us years back – and more a soul jazz tune with a great sense of rhythm, and wonderful interplay between trumpet and tenor sax! Not surprisingly, the flipside is a great remake of Duke Pearson's "Sweet Honey Bee" – penned around the same stretch – and done here with a slow-loping flute line that's really great! 7-inch, Vinyl record

Possible matches42
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New John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Used ... Out Of Stock
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp – very nice! Cover has one slightly worn corner and a pen squiggle on the back. Vinyl is great!)

Possible matches43
CD, LP, Vinyl record album cover art
New Grant GreenIdle Moments ... LP
Blue Note, 1963. New Copy (reissue)... Out Of Stock
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", "Django" and "Jean De Fleur". LP, Vinyl record album

Possible matches44
CD, LP, Vinyl record album cover art
New Grant GreenIdle Moments (180 gram gatefold pressing) ... LP
Blue Note/Music Matters, Early 60s. New Copy Gatefold (reissue)... Out Of Stock
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". LP, Vinyl record album
(Amazing limited edition reissue pressing – with heavy vinyl and gatefold cover!)

Possible matches45
CD, LP, Vinyl record album cover art
New Eddie JeffersonMain Man ... CD
Inner City, 1977. New Copy ... Out Of Stock
One of our favorite albums ever from Eddie Jefferson – one of the last sessions he ever recorded as a leader, and a stone cooker through and through! The arrangements here are by Slide Hampton, who hits a really soulful groove for the set – one that moves away from some of the more experimental modes of other Jefferson dates of the 70s, and hits a snapping, swinging style that moves Eddie back to his hippest modes of the 60s. Hampton plays trombone in the group, and other players include Charles Sullivan on trumpet, Richie Cole on alto, Junior Cook on tenor, Hamiet Bluiett on baritone, and Harold Mabern on piano and electric piano. Leon Thomas produced the record, and Joyce Lawson guests as the female voice on a remake of "Moody's Mood For Love". Other titles include a killer version of Duke Pearson's "Jeannine" that is probably worth the price of the album alone – and there's also "Benny's From Heaven" and "Freedom Jazz Dance", both of which are great, too – plus "Summertime", "Exactly Like You", and "Night Train". CD

Possible matches46
CD, LP, Vinyl record album cover art
New Hank MobleyFlip ... CD
Blue Note (Japan), 1969. New Copy ... Out Of Stock
Late work by tenor giant Hank Mobley – and a really unique session that stands out from his other Blue Note work of the time! The set was recorded in Paris with an ultra-hip lineup – one that features Dizzy Reece on trumpet and Slide Hampton on trombone – both fresh players alongside Hank's work on tenor sax, making for really wonderful phrasing and timing in the front line! The bottom's pretty great, too – with wicked rhythms from Philly Joe Jones on drums, at a level that bounces around with a growing sense of soul – yet still has all the complex colors of Mobley's classic work. The balance is beautiful – as fresh as the image on the cover – and the album's one that we'd rank right up there with The Phantom by Duke Pearson and Slow Drag by Donald Byrd – overlooked gems that show some great Blue Note growth in the late 60s. Titles include "The Flip", "Feelin' Folksy", and "Snappin' Out". CD
(SHM CD pressing!)

Possible matches47
CD, LP, Vinyl record album cover art
New Stanley TurrentineNew Time Shuffle (Japanese pressing – with bonus tracks) ... CD
Blue Note (Japan), 1967/1979. New Copy ... Out Of Stock
Obscure material by Stanley Turrentine – recorded in 1967, but not issued until 1979, and then only briefly! The album's got Stan working strongly in the Joyride style of his previous Blue Note hit – with larger arrangements from Duke Pearson, in a groove that sets Turrentine's tenor up with plenty of soulful rhythms! Pearson brings a nice sense of lyricism to the session, even a hint of bossa at times – and the sharp-edged Turrentine tone is a welcome one throughout – setting sparks and illuminating corners of the music with a deeply personal feel. Titles include "Blues For Del", "Manha De Carnaval", "Here's That Rainy Day", and "Return of The Prodigal Son". CD features 6 bonus tracks too – including "Bonita", "Pres Delight", "Better Luck Next Time", and "Samba De Aviao". CD
(Packaged here with the original 70s cover art too!)

Possible matches48
CD, LP, Vinyl record album cover art
New VariousBlue Bossa – Cool Cuts From The Tropics ... CD
Blue Note (Japan), 1991. New Copy ... Out Of Stock
Not really sounds from the tropics – but instead a great reworking of bossa and Latin modes – all done by the best 60s artists at Blue Note Records! The rhythms are what really make the set swing – as they have this hard edge that retains all the initial soulful inspiration of the American players – while also picking up some more complicated elements that really open up the groove – and pave the way for great solo work on trumpet, tenor, piano, and Hammond! Additionally, the set's got the pedigree of being one of the early Blue Note comps hand-picked for the hip London scene – and tracks include "Congalere" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "You're Everything" by Carmen McRae, "Afrodisia" by Kenny Dorham, "Sandalia Dela" by Duke Pearson, "Mambo Inn" by Grant Green, and "Latona" by John Patton. CD

Possible matches49
CD, LP, Vinyl record album cover art
New Donald ByrdFancy Free ... CD
Blue Note, 1969. Used ... Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(Out of print.)

Possible matches50
CD, LP, Vinyl record album cover art
New Blue MitchellHeads Up! (with bonus tracks) ... CD
Blue Note (Japan), 1967. New Copy ... Out Of Stock
One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau". CD featuers bonus alternate takes of "Togetherness" and "Good Humor Man". CD
(SHMCD.)
Also available Heads Up! ... LP 11.99
 
 
 



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