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Minimalist drone from Masaki Batoh of Ghost – sparely beautiful and somewhat ominous soundscapes from ever-creative experimenter – and the way he created these sounds is kinda mindblowing! Brain Pulse Music is literally what Masaki Batoh has here. Essentially, he dreamed up a machine that could convert radio-transmitted brainwave/EKG data into a more audible frequency. He then found some people to make that happen! Also in the mix here are both peaceful sounding and kind of clattering bits of more traditional Japanese instrumentation – drums, gongs and bells. Dreamy, haunting stuff from a master experimentalist! Includes "Kunamo Codex 1", "Eye Tracking Test", "Kumano Codex 2", "Kumano Codex 3", "Kumano Codex 4", "Kumano Codex 5" and "Aiki No Okami".

One of coolest live documents of folk music adventuror Sandy Bull you could ask for – recorded at the Berkeley Community Theater in 1976 – with Bull playing the oud, on stage with early version of the TASCAM 4-track recorder, utilized here as his backing "band"! He dubs his tape machine The Rhythm Ace – with Bull playing the oud to pre-taped drum machine and bass, and talking to the audience about just what heck they're seeing and hearing. We don't know of the audience was in awe, dumbstruck or what – folk fellows didn't do this kind of thing on stage in '76 – which makes it all the more rewarding to hear 35+ years later! Sandy's musicianship is brilliant, and it's great fun to listen to him talk about his pal The Rhythm Ace, too. Includes "Oud", "Love Is Forever", "Driftin", "Alligator Wrestler" (with an intro) and "New York City" – plus a demo of his Rhythm Ace.

Another rough hewn, poetic gem of an album from Bill Callahan, the man who once was and may again be Smog! Callahan has steadily grown over the years from a vaguely experimental indie folk loner with a distinctive voice – in both sound and style – into simply one the best, most creative and rewarding singer songwriters of his generation. Honestly . . .the dude deserves the kind of praise that latter day Dylan is rewarded. A must have. Titles include "Drover", "Baby's Breath", "America!", "Universal Applicant", "Free's", "One Fine Morning" and more.

A should-be Cali country rock classic by Chris Darrow – and a real rare gem of a record we'd put right up there with the best of its kind! Multi-instrumentalist Darrow might be best known to psych enthusiasts – as he was a founding member of Kaleidoscope – but as a session player, he's worked with an eclectic roster of major players that includes Frank Zappa, Gram Parsons, Leonard Cohen, Sly Stone, the Nitty Gritty Dirt Band and others. His solo work is akin to some other great, but better-known Cali country rockers, and honestly, we'd rate this record up against the aforementioned Mr. Parsons – it's really that good – but with more eclectic instrumentation. Catchy songs that are well sung and expertly-crafted – with Chris playing guitars, mandolin, dobro, fiddle and just about anything else with strings on it – and some light percussion, too! Other players include Ed Black, Loren Newkirk, Arnie Moore and Mickey McGhee – plus a sweet group of backing vocalists that includes Jennifer Warren. Titles include "Beware Of Time", "Lovers Of Sleep Abed Tonight", "Shawnee Moon", "Move On Down The Line", "Song For Steven", "Cocaine Lil", "Alligator Man", "Keep On Trying", "New Zoot", "The Show Must Go On", "The Sky Is Not Blue Today" and "We Can Both Learn To Say I Love You".

A pre-punk bit of charged, hard grooving Motor City rock from Death – a lost record that takes a tightly coiled, blazing approach to their influences of garage rock and psychedelia – and a record that's all the better in that it was recorded way back in 1975! To put it bluntly, music didn't really sound like this in '75 – and it would be as easy to label the sound as something like, "mid 70s Detroit African American precursor to Husker Du", etc, but this is a honestly a pretty remarkable album for its time that we don't want to trivialize it with a lazy nutshell description. The group does distill their influences in a way that's reminiscent of some midwestern post punk, but Death is pre-punk, making it a really fascinating record, and a blast to crank up in your headphones! Titles include "Keep On Knocking", "Rock-N-Roll Victim", the longer, seemingly Arthur Lee influenced "Let The World Turn" (eventually nailing a fiercer sound the likes of which Love never messed with), "You're A Prisoner", "Freakin Out", "Where Do We Go From Here???" and "Politicians In My Eyes". 7 songs, 27 minutes, and pretty awesome.

Droning soundscapes with dreamy atmosphere and ominous twists and turns from Ensemble Pearl! The ensemble is an international one – featuring Sunn O)))'s Stephen O'Malley, plus Atsuo from Boris, Boris-affiliate Michio Kurihara, William Herzog and guests – and their eponymous record for Drag City is one of cooler avant instrumental projects on DC in recent memory. It apparently came together from material recorded for a theater project a couple years earlier – and it has a bit of tripped out, spooky soundtrack-y feel to show for it – but it stands really strongly as a headphones experience all its own! Includes "Ghost Parade", "Painting On A Corpse", "Wray", "Island Epiphany", "Giant" and "Sexy Angle".

Droning soundscapes with dreamy atmosphere and ominous twists and turns from Ensemble Pearl! The ensemble is an international one – featuring Sunn O)))'s Stephen O'Malley, plus Atsuo from Boris, Boris-affiliate Michio Kurihara, William Herzog and guests – and their eponymous record for Drag City is one of cooler avant instrumental projects on DC in recent memory. It apparently came together from material recorded for a theater project a couple years earlier – and it has a bit of tripped out, spooky soundtrack-y feel to show for it – but it stands really strongly as a headphones experience all its own! Includes "Ghost Parade", "Painting On A Corpse", "Wray", "Island Epiphany", "Giant" and "Sexy Angle".

The one and only album Kansas City singer songwriter Jeff Eubank – his rare, should be classic A Street Called Straight from 1983! The album was recorded in KC after Eubank spent some months puttering around the LA scene, and it's a low key, brilliant effort with a lot of love for the best folk rock and soft rock of the previous decade – plus some occasional oddball flourishes – filtered through Eubank's own considerable talents. Easy melodies and solid lead and harmony vocals lead the way, and Eubank somehow either had the foresight to avoid early 80s production trappings that could have dated the recording. The timeless is very impressive and this is worthy discovery! Titles include "Feels Like Me", "For Your Return", "Inside", "Earthian Children", "A Street Called Straight", "Summersong", "Adolescent Daydream" and more.

It's been a couple years since we last saw a Galactic Zoo Dossier, but Plastic Crimewave, a great group of contributors and publisher Drag City have delivered the best yet – 100+ pages of both legendary and deep underground psych obsessions! It's got interviews with Arthur Brown, Rodriguez, Black Widow, Susanjacks & Craig McCaw of Poppy Family and more – and hand-drawn (natch!) In Memorium section of heroes departed since #8 – Bert Jansch, Gil Scott-Heron, Eugene McDaniels, Alex Chilton and more – and page after glorious b&w page of psych coverage and comics. Pieces on Bob Segar, Moody Blues, Texas Acid Punk, Quo, "Psychedelicanada" and more! Also comes with perforated sheets of trading cards – dozens of "Astral Folk Goddesses" and "Damaged Guitar Gods". Also includes a free CD with 23 tracks by The Revelation, Mainlier, The Goblins, Results, The Joy Poppers, Roscoe, Mission Sisters and many more.

A split single by some esteemed Billys – folkish indie mainstay Bonnie Prince Billy and Texas boogie rock great Billy F Gibbons of ZZ Top – and each covering Fleetwood Mac! Gibbons & company cover the very early Mac song "Oh Well" on the A-side, and honestly, it's pretty great! It's a loose, swaggery, bluesy thing, though not in a typical ZZ Top way – but Gibbons is Gibbons – with his charismatic, gravely voice out front of those signature electric licks. He's backed by Blake Mills, Danielle Haim and Matt Sweeney. Sweeney & Bonnie Prince Billy cover "Storms" on the other side – and it's another win – one that shows real respect for the Stevie Nicks-penned song, by furnishing it sparey and singing it well!

A six track EP of unheard Gary Higgins material from the early 70s – acoustic tracks recorded prior to the landmark Red Hash. It's just voice and guitar, but the stuff cuts way deeper than we expected, with easygoing guitar playing and sharp lyricism. Higgins was quite brilliant at the time, even when he was just tossing ideas around! Just 6 tracks, but they're all effective. Includes "Stormy Weather", "Laugh A Little", "Song To Springtime", "Waiting For You", "Oxygen" and "Checklist".

Music from the film by Harmony Korine.

Lost late 60s psychedelia from Doug Jerebine – recorded in London after leaving New Zealand and before a spiritual search that led him to India – buzzing, Hendrix-ian greatness that more than lives up to that lofty comparision! Jerebine plays all the guitar and bass here, with drums by Dave Preston and backing vocals on just one song. Hard grooving, raw, hypnotic and accessible – this coulda/shoulda busted out big! Includes "Midnight Sun", "Hole In My Hand", "Fall Down", "Ashes And Matches", "Thawed Ice", "Ain't So Hard To Do", "Good News Blues", "Reddened Eyes", "Circles" and "Idea".

Singer and harpist Carol Kleyn's Takin' The Time album from 1980 – and a pretty remarkable step up from her Love Has Made Me A Stranger record of a few years earlier! While the preceding album carried more of a late 60s mood – though one that felt right at home on the mid 70s folk fringe – this one has a warm, laidback and somewhat otherworldly West Coast folk rock vibe. Carol's voice leads the way, and her harp is often right out front, too, but there's lot going on! Speaking of fringe-y, Bobby "Enlightening Beam Of Axonda" Brown is the producer here – but the record is actually quite accessible. Another really strong and worthy reissue from Drag City! Includes "Takin' The Time", "Jethro", "She Lost Her Crown", "Sailor Like Me", "Could Be Me", "Tides And Crazy Moons", "Missy Robin", "Intermission", "How Long Till Forever" and "Prayer".

A full blown duets album by Bonnie Prince Billy and Dawn McCarthy of Faun Fables –co-headlining a straight-up beautiful set of tunes once sung by The Everly Brothers! They're not going for the hits here, rather taking on some of the more unusual Everly originals and covers – which include tunes written by Kris Kristofferson, Jackie Edwards, John Denver, King/Goffin and others. As longtime fans of The Everlys at their wierdest and most adventurous, we can't recommend this enough! Billy & Dawn clearly love the songs, and deliver with genuine warmth and affection – and go all in with the production, too! It's sweet and intimate, yet beautifully textured with steel, electric and acoustic guitars, mandolin, harmonium, flute, cello and keyboards – even a sousaphone and tuba! It's mostly got some leftfield country charm, but there's a chugging rocker or 2 in the mix, too. Titles include "Breakdown", "Empty Boxes", "Milk Train", "What Am I Llivng For", "My Little Yellow Bird", "So Sad", "Omaha", "Poems, Prayers And Promises", "Just What I Was Looking For", "Kentucky" and more.

A full blown duets album by Bonnie Prince Billy and Dawn McCarthy of Faun Fables – co-headlining a straight-up beautiful set of tunes once sung by The Everly Brothers! They're not going for the hits here, rather taking on some of the more unusual Everly originals and covers – which include tunes written by Kris Kristofferson, Jackie Edwards, John Denver, King/Goffin and others. As longtime fans of The Everlys at their wierdest and most adventurous, we can't recommend this enough! Billy & Dawn clearly love the songs, and deliver with genuine warmth and affection – and go all in with the production, too! It's sweet and intimate, yet beautifully textured with steel, electric and acoustic guitars, mandolin, harmonium, flute, cello and keyboards – even a sousaphone and tuba! It's mostly got some leftfield country charm, but there's a chugging rocker or 2 in the mix, too. Titles include "Breakdown", "Empty Boxes", "Milk Train", "What Am I Llivng For", "My Little Yellow Bird", "So Sad", "Omaha", "Poems, Prayers And Promises", "Just What I Was Looking For", "Kentucky" and more.

Dubbed out takes of Om's "Addis" from their Advaitic Songs LP – with 2 dubplate versions, courtesy Alpha & Omega! The globally-inspired Om original is ripe for the treatment – and it taking on an adventurous and wholly credible contemporary dub trip – with echoey bass and other inspired textures.

A should-be private press classic from Detroit's Rich Ristagno – a record he had pressed up, but didn't see through to release – and a wild, but pretty amazing mix of murky post disco funk, soul and rock! Recorded quickly and on the cheap, you can sort of hear an aspiration to make a late 70s style groove rock record – something along the lines of the Steve Miller – but the threadbare production and instrumental accompaniement courtesy of area funk band Solar Flight gives it oddball, but compelling feel all its own. There's some primitive electronic touches, too, that bear unintended, but real similarities to groups like Suicide. A cool discovery from Drag City! Includes "God's In The Chips", "I'm The Poorest", "Women Thinkin'", "Eye Of Love", "Not Good Enough", "There Are People", "Coming From", "England", "Eileen Reach", "Richman Poorman", "Never At The Top", "What Is A Man", "See Me Hear Me" and "Trace It Down".

Laetitia Sadier's second excellent post-Stereolab album – a mix of breezy and moody avant pop with some occasionally strident lyricism – a rewarding record that's reminiscent of the timelessly innovative Stereolab, but it's ultimately much more personal! The vibe is less indebted to vintage keyboard atmosphere, though there's some nice use of Moog and other subtle electronics – and the songs really stand out above the atmospherics. We were Stereolab fans right up to the end, so it's all the more rewarding to have Laetitia in such great form outside of that beloved group. Recorded in Toulouse and in Chicago. Titles include "The Rule Of The Game", "Find Me The Pulse Of The Universe", "Silent Post", "Auscultation To The Nation", "Between Earth And Heaven", "Lightning Thunderbolt", "Fragment Pour Le Future De L'Homme", "Invitation Au Silence" and more.

A tightly-curated soundtrack for the Source Family documentary – a film the looks at the California commune and spiritualist refuge of Father Yod and his followers – and a creative engine for the psych folk sounds of Father, The Source Family, Ya Ho Wa 13 and others! It features 1973 and 1974 recordings by the sprawling collective – with songs credited to Father Yod & The Spirit Of 76, Ya Ho Wa 13 and Father And The Original Source Family and others– and it's probably the best and most accessible compilation of the commune's recorded output that we've ever heard. They probably recorded hundreds of songs, chants and jams the early-to-mid 70s, but this set has just 14 – ranging from weird spiritual folk soul tunes, to gorgeous female choruses, to freaky guitar and drums heavy jams. It's as great of a jumping in point to The Source Family groove as we've ever seen! Includes "Home", "How Long In Time", "Every Morning", "Man The Messiah", "Godmen", "Chant 10", "I'm Gonna Take You Home", "Expansion", "Kahoutek", "Penetration", "Contraction" and more.

Beautiful, strange – and strangely beautiful stuff from Tony Dore, Caroline Dore and John Clark – who are best-remembered by 70s rare folk diggers as Tony Caro & John! The trio's All On The First Day is one of greater private press records of the early 70s to a get some love much later down the road – and as hard to find as that record was before some reissue action, it turns out that some of their completely unreleased recordings are just as sweet! Most of the songs are from a bit later in the 70s, but they carry on with the psych folk spirit and vocal harmonies of their earlier craft – and with a bit more keyboard experimentation here and there. Strong lead and harmony vocals and a mix of acoustic and electric instrumentation. 11 great songs: "Forever And Ever", "Bye Bye I Love You", "Home", "Sally Free And Easy", "Where The Elephants Go To Die", "Ton Ton Macoutes", "Swirling Sphere", "Pretty Saro" and "Children Of Plenty", plus 2 live tracks from London in '74: "There Are No Greater Heroes" and "The Road To Avalon".

Brilliant, uncategorizable instrumental sounds from Woo! The group is the 2-man brother band of Mark and Clive Ives – with guitars, clavinet, bass and bits of vocals by Mark – and percussion, violin and electronics by Clive. They follow the trail blazed by Eno and others, fusing acoustic instrumentation with electronic experimentation – but there's really nothing quite like Woo out there! It's original and innovative, but at the same time, very warm and inviting. Definitely cozy, or "cosy", if you prefer! Truly wonderful stuff – especially when you factor in how many underground experimentalists found bigger audiences and greater acclaim later on! Titles include "Into", "The Western", "Water Drum", "Downtown Suburbia", "Upside Down", "Wallpaper", "Purple Pussy", "It's Cosy Inside", "Marion", "Did You See", "Final Card", "No More Telly", "End Of The Attic", "Overhead" and more.

A should-be Cali country rock classic by Chris Darrow – and a real rare gem of a record we'd put right up there with the best of its kind! Multi-instrumentalist Darrow might be best known to psych enthusiasts – as he was a founding member of Kaleidoscope – but as a session player, he's worked with an eclectic roster of major players that includes Frank Zappa, Gram Parsons, Leonard Cohen, Sly Stone, the Nitty Gritty Dirt Band and others. His solo work is akin to some other great, but better-known Cali country rockers, and honestly, we'd rate this record up against the aforementioned Mr. Parsons – it's really that good – but with more eclectic instrumentation. Catchy songs that are well sung and expertly-crafted – with Chris playing guitars, mandolin, dobro, fiddle and just about anything else with strings on it – and some light percussion, too! Other players include Ed Black, Loren Newkirk, Arnie Moore and Mickey McGhee – plus a sweet group of backing vocalists that includes Jennifer Warren. Titles include "Beware Of Time", "Lovers Of Sleep Abed Tonight", "Shawnee Moon", "Move On Down The Line", "Song For Steven", "Cocaine Lil", "Alligator Man", "Keep On Trying", "New Zoot", "The Show Must Go On", "The Sky Is Not Blue Today" and "We Can Both Learn To Say I Love You". This great 2013 version on Drag City has 5 bonus demos, too!

The lone early 70s masterpiece from Gary Higgins! Red Hash is monumental on a few fronts, one huge one being how far his influence reached despite the album spending so many years as a rarity, beloved by the relative few who've heard it. Seriously. . .we can think of a few icons of the indie folk 90s & 00s whose music simply would not exist if not for this record, but Red Hash is incredible on it's own terms. Post 60s psych folk at it's finest! Includes "Thicker Than A Smokey", "It Didn't Tak Too Long", "Windy Child", "Telegraph Towers", "I Can't Sleep At Night", "Cuckoo", "Stable The Spuds", "Unable To Fly", 'Looking For June" and more.

The LA Turnaround from Brit folk tunesmith Bert Jansch – one of the few records he made for Charisma in the mid 70s – this one fresh from the break up of the seminal Pentangle! The UK folk sound is as noteable in Bert's voice as any other aspecet of this warm, wonderful set – but there's also some laidback, southern Cali sunshine in the acoustic picking as well as the more fleshed out instrumentation, with some electric bass, pedal steel and electric piano that shows up when the mood strikes. A really wonderful record, produced by Mike Nesmith, who often a part of some pretty inspiring things when free of any creativitely stifling Monkee business! Titles include "Fresh As A Sweet Sunday Morning", "Chambertin", "Travelling Man", "Stone Monkey", "Needle Of Death", "Lady Nothing", "One For Jo", "Open Up The Watergate (Let The Sunshine In), "The Blacksmith" and more. Vinyl version includes a bonus CD 4 bonus tracks: alternate versions of "Open Up The Watergate", "The Blacksmith" and "One For Jo", plus "In The Bleak Midwinter, plus the CD is enhanced, featuring the 13+ minute behind the scenes "LA Turnaround. . .The Movie".

Singer and harpist Carol Kleyn's Takin' The Time album from 1980 – and a pretty remarkable step up from her Love Has Made Me A Stranger record of a few years earlier! While the preceding album carried more of a late 60s mood – though one that felt right at home on the mid 70s folk fringe – this one has a warm, laidback and somewhat otherworldly West Coast folk rock vibe. Carol's voice leads the way, and her harp is often right out front, too, but there's lot going on! Speaking of fringe-y, Bobby "Enlightening Beam Of Axonda" Brown is the producer here – but the record is actually quite accessible. Another really strong and worthy reissue from Drag City! Includes "Takin' The Time", "Jethro", "She Lost Her Crown", "Sailor Like Me", "Could Be Me", "Tides And Crazy Moons", "Missy Robin", "Intermission", "How Long Till Forever" and "Prayer".

A tightly-curated soundtrack for the Source Family documentary – a film the looks at the California commune and spiritualist refuge of Father Yod and his followers – and a creative engine for the psych folk sounds of Father, The Source Family, Ya Ho Wa 13 and others! It features 1973 and 1974 recordings by the sprawling collective – with songs credited to Father Yod & The Spirit Of 76, Ya Ho Wa 13 and Father And The Original Source Family and others– and it's probably the best and most accessible compilation of the commune's recorded output that we've ever heard. They probably recorded hundreds of songs, chants and jams the early-to-mid 70s, but this set has just 14 – ranging from weird spiritual folk soul tunes, to gorgeous female choruses, to freaky guitar and drums heavy jams. It's as great of a jumping in point to The Source Family groove as we've ever seen! Includes "Home", "How Long In Time", "Every Morning", "Man The Messiah", "Godmen", "Chant 10", "I'm Gonna Take You Home", "Expansion", "Kahoutek", "Penetration", "Contraction" and more.

Hawaiian psych folk from songwriters Margret Morgan and Patrick Cockett – who sing and play guitar, dulcimer, slide and tabla – backed by more guitar, sitar, vocals, ipu, feet and all kinds of dreamy charm on the rare and legendary These Trails album! The songs are uniquely, brilliantly influenced by their surroundings – the trails of the mountains of Kaua'i – without a tourist's cliché of Hawaii to be found, though. Lovely, somewhat strange post psychedelic folk rock unlike anything else! Titles include "These Trails", "Our House In Hanalei", "El Rey Pescador", "Waipoo", "Garden Botanum", "Rapt Attention" and more.

One of the most vital singer-songwriter packages we've seen in years – the stunning original trio of albums by Mickey Newbury from 1969-1973, dubbed his American Trilogy – plus the bonus 4th disc of even rarer tracks and unreleased material! Newbury was in the upper tier of brilliant and successful songwriters of his era straddling the lines of country, rock and folk, yet rendering genres moot with his adventurous craft. He wrote songs that were recorded by by a wide variety of artists – from Roger Miller to Eddy Arnold to Andy Williams – and well beyond. His own recordings are something else entirely – lonely, haunting and achingly beautiful. We can hear the influences of in admirers from the best writing of Kris Kristofferson and up to Will Oldham – both of whom are professed admirers. First up is 1969's Looks Like Rain, just a beautiful, loose around the edges, yet oddly imaculate at the same time. The set includes '69's Looks Like Rain, '71's 'Frisco Mabel Joy, '73's Heaven Help The Child and the rarities disc Better Days with demos and unreleased material from throughout the period. The 4CD set also includes a nice booklet with writings from Chris Campion, Ben Fong-Torres and Kris Kristofferson's original liner notes for Looks Like Rain.

A complete mystery of a record – and a completely charming set as well! The all-instrumental outing is filled with space and echo – lots of acoustic piano lines floating in space, and mixed with occasional other bits like harp, flute, light percussion, and bits of wordless vocals – usually pretty spare, and served up in an evocative way that's somewhere between mid 70s ECM, and some of the instrumental explorations of the warmer side of the early 80s post-punk scene – like Durutti Column or Dif Juz. The original album was released with no real notes at all – making this music a maddening mystery, but one with sounds that are more than compelling enough to stand on their own.

The legendary album from Mayo Thompson – pared down with more of an outsider folk rock vibe after the freaky psych of the first couple Red Krayola – and ultimately just as trailblazing! Mayo's voice and skewed songcraft are front and center, though there's piano, organ, fiddle, slide guitar, bass and drums coming in and out, too, but whether or not it was forthright goal, Mayo's weird lyricism is the star of the show, and you can hear the influence this record had on myriad underground rock figures in the decades that followed! Includes "The Lesson", "Oyster Thin", "Horses", "Dear Betty Baby", "Venus In The Morning", "To Black Legs", "Good Brisk Blues", "Around The Home" and "Worried Woman".

Brilliant, uncategorizable instrumental sounds from Woo! The group is the 2-man brother band of Mark and Clive Ives – with guitars, clavinet, bass and bits of vocals by Mark – and percussion, violin and electronics by Clive. They follow the trail blazed by Eno and others, fusing acoustic instrumentation with electronic experimentation – but there's really nothing quite like Woo out there! It's original and innovative, but at the same time, very warm and inviting. Definitely cozy, or "cosy", if you prefer! Truly wonderful stuff – especially when you factor in how many underground experimentalists found bigger audiences and greater acclaim later on! Titles include "Into", "The Western", "Water Drum", "Downtown Suburbia", "Upside Down", "Wallpaper", "Purple Pussy", "It's Cosy Inside", "Marion", "Did You See", "Final Card", "No More Telly", "End Of The Attic", "Overhead" and more.

Tripped out, spiritual and oddly entrancing sounds from underground legends Father Yod & The Source Family – jams circa '73 & '74! It's raw, ragged and off the deep end, as you might expect from Father Yod/Source Family/Yahowah13 collective, but it's also playful and charming in a weird way, with rambling spiritual lyricism that's logical enough in the weird world created here for it! Includes "Seed Of Yahowaha", "The Goddess Earth/All My Sons Are Jesus", "Sleepy Heads", "Osiris/Isis", "Spin Around Part One", the 19+ minute second part of the jam and more.

The rare one-off collaborative side project by Robert Smith of The Cure and Steven Severin of Siouxsie & The Banshees! Includes "Like An Animal", "Looking Glass Girl", "A Blue In Drag", "Punish Me With Kisses", "Relax", ""Mouth To Mouth", "Like An Animal", "This Green City" and more.

Drag strip rockers to more vocals based surf and otherwise pop numbers by The Rip Chords! Hey Little Cobra has a wealth of numbers, with the vocals kind of floating over the arrangements and a surreal way – be they duo harmonies or more layered Beach Boys & 4 Seasons style – with seedy & pulpy rockers and sweeter numbers. Includes "Hey Little Cobra","409", Shut Down", "Drag City" and many more.

Raucous drag strip rockers and driving R&B-fueled instrumentals by The T-Bones – killer material on Liberty from a group of young session wizards – including Hal Blaine, Glen Campbell, Leon Russell, Dave Pell, Steve Douglas and others! It's wildly fun stuff that goes all in with the drag strip novelty – but totally transcends it – with some rubber-burning, rumbling excellence! Killer guitars, sax, organ drums from a one-time relatively anonymous cast of players. Includes "Hey Little Cobra", "Shut Down", "Drag City", "Draggin'", "Scorchin", "Little Deuce Coupe", "Boss Drag" and more.

The very first recordings of Chicago bluesman Tail Dragger – recorded back in the early 80s, with that great rootsy sound that city's scene still had at the time! You can definitely hear a bit of polish since the early electric days, but overall the sound is nice and raw – and a great change from more commercial blues of the time – thanks especially to the raw, raspy style of singing that Tail Dragger uses – and the sharp instrumentation from Johnny B Moore and Jesse Lee Williams on guitars, and Eddie Jewtown Burks on harmonica. Titles include "So Ezee", "Where Did You Go", "Ain't Gonna Cry No Mo", "Don't You Want A Good Man", "Stop Lyin", and "Tail's Tale".

The one-and-only full length by Ann Arbor, MI combo The Rationals! The group comes from that fertile regional rock scene that also spawned The Stooges & MC5 – and while The Rationals rock out with primal abandon in moments, they also carry a much more soulful R&B influenced vibe than some of their more notorious peers. There's bits of bluesy psych in the mix, too, and it's most certainly a worthy gem from a prime period for the outlying Motor City scene. Includes "Barefootin'", "Temptation 'Bout To Get Me", "Guitar Army", "Deep Red", "Sunset", "Glowin'", "Handbags And Gladrags", "Ha Ha" and more. This Big Beat UK edition has 4 bonus tracks: "Zip-A-Dee-Doo-Dah", "Wang Dang Doodle", "Guitar Army (Single Version)" and "Sunset (Single Version)".

Not singles as in the world of "hits" – but a really cool collection of rare work from Sun City Girls – mostly tracks issued on 7" singles for the Majora label, plus a few bits from other sources too! Together, the tracks provide a perfect illustration of the wide-ranging aesthetic of the group – some of the exotic tones that would be explored much more fully in their Sublime Frequencies label – mixed with some raspy, trippy elements that marked these guys as some of the few psych experimentalists of their generation! And honestly, this stuff sounds way better than we remember it – really compelling after all these years, especially in light of the later accomplishments of the Bishop brothers. Titles include "Soar/The Flower", "Esoterica Of Abyssynia", "Eye Mohini", "Sun Damaged My Ass", "Borungku Si Derita", "It's Ours", "Abydos", "Kickin The Dragon", and "Kal El Lazi Kad Ham".