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Eastern tinged jazzy funk rock from Dutch born Okko Bekker! "East Indian Traffic" has a totally wicked funky backbone and a spindly, dexterous sitar way out front. Some jazz funk horns kick in as it goes along, too. "Ganges Delta" as another gem, less sorta soundtrack pulpy styled as the A-side, still a great and genre straddling number. Groovy stuff that appeared on Okko's cool Sitar & Electronics LP.

One of the more unusual albums we've ever heard from Japanese vocalist Chiemi Eri – a set done in collaboration with the famous Delta Rhythm Boys quintet from the US – pictured here on the cover in unusual Japanese outfits! Backings are by the large group of Nobuo Hara, who really knows how to make the proceedings swing – and the set begins with Chiemi alone, first in a medley of tunes that includes "A Guy Is A Guy" and "C'Est Si Bon", then on a haunting version of "Sanosa" – a Japanese geisha song with a really soulful quality. Then, the Delta Rhythm Boys come in – and do this really cool job of harmonizing along with Chiemi's vocals – on titles that include "Marina", "Soran Bushi", and "It's Only A Paper Moon" – before Eri then cuts them loose, to sing on their own on tracks that include "Mack The Knife", "Historia De Un Amor", and "Alright OK You Win" – all surprisingly swinging, thanks to Hara!

Hard blues and soul loving material from Hendrix – the excellent South Saturn Delta compilation of rarities, alternate mixes and other bits from throughout Jimi's too short life and career! It’s killer stuff that stands up today as well as any posthumous Hendrix release, really pulling together the breadth of stylistic range over the years. Includes "Look Over Yonder", "Here He Comes (Lover Man)", "South Saturn Delta", "Tax Free", "Midnight", "Drifter's Escape", "Midnight Lightning", "All Along The Watchtower", "Power Of Soul" and more.

Soul Jazz takes an open-eyed and open-minded look at swampy, funky, freewheeling southern rock – southern-by-nature or southern-by-inspiration grooves from the end of the 60s and well into the 70s! What we love most about the set, besides that it features one great song after another, is the Soul Jazz perspective. They don't simply put together Delta Swamp Rock from a purist's standpoint regionally, or as a sound – it's loosely-defined, which you could complain about if you want, but we love all of this stuff so it works for us! There's early phase southern rock, blue-eyed soul, soulful country and homey, swaggering pop. Tracks include "The Seasons" by Lynryd Skynryd, "Smokies" by Barefoot Jerry", "Papa, Won't You Let Me Go To Town With You" by Bobbie Gentrie, "Stone Fox Chase" by Area Code 615, "Be What You Want To" by Link Wray", "I'll Be Long Gone" by Boz Scaggs, "God Rest His Soul" by Duane And Gregg Allman"Out In The Woods" by Leon Russell, "Polk Salad Annie" by Tony Joe White, "Come To Me Tonight" by Barefoot Jerry, "I Won't Be Hangin' Round" by Linda Rondstadt, "Big D" by Waylon Jennings, "Mississippi Delta" by Bobbie Gentry", "If I Were A Carpenter" by Johnny Cash" and more. 25 tracks on 2CDs.

Soul Jazz takes an open-eyed and open-minded look at swampy, funky, freewheeling southern rock – southern-by-nature or southern-by-inspiration grooves from the end of the 60s and well into the 70s! What we love most about the set, besides that it features one great song after another, is the Soul Jazz perspective. They don't simply put together Delta Swamp Rock from a purist's standpoint regionally, or as a sound – it's loosely-defined, which you could complain about if you want, but we love all of this stuff so it works for us! There's early phase southern rock, blue-eyed soul, soulful country and homey, swaggering pop. Volume 1 of the vinyl has 13 tracks on 2LPs: "The Seasons" by Lynryd Skynryd, "Smokies" by Barefoot Jerry", "Papa, Won't You Let Me Go To Town With You" by Bobbie Gentrie, "Stone Fox Chase" by Area Code 615, "Be What You Want To" by Link Wray", "I'll Be Long Gone" by Boz Scaggs, "God Rest His Soul" by Duane And Gregg Allman and more.

Country cats, southern rockers, and even some soul-singers too – all wrapped up in a heady brew of grooves that definitely lives up to the swamp rock in the title! The package is a rich discovery of tracks from the southern scene at the start of the 70s – an amazing place where sounds were really criss-crossing at the time – not just mixing up country and redneck rock styles, but also drawing a surprising amount of influence from soul and funk too – especially the latter, given some of the massive rhythms in the set! Like the first volume, the collection is a great illustration of the way that, in the right parts of the south, boundaries were constantly being broken – as you'll hear on great tracks that include "Ruby" by Area Code 615, "Houston" by Cowboy, "For What It's Worth" by Cher, "Touch Em With Love" by Bobbie Gentry, "Sufficiently Breathless" by Captain Beyond, "Deep In Kentucky" by The Box Tops, "Lonesome & A Long Way From Home" by Earl Scruggs, "Let The South Wind Blow" by Grinderswitch, "Midnight Rider" by Gregg Allman, "The Minstrel Is Free At Last" by Barefood Jerry, "Somewhere In Between" by Bobby Lance, "No Fence Around Me" by Joe South, and "Who's Making Love" by Tony Joe White.

Country cats, southern rockers, and even some soul-singers too – all wrapped up in a heady brew of grooves that definitely lives up to the swamp rock in the title! The package is a rich discovery of tracks from the southern scene at the start of the 70s – an amazing place where sounds were really criss-crossing at the time – not just mixing up country and redneck rock styles, but also drawing a surprising amount of influence from soul and funk too – especially the latter, given some of the massive rhythms in the set! Like the first volume, the collection is a great illustration of the way that, in the right parts of the south, boundaries were constantly being broken – as you'll hear on great tracks that include "Ruby" by Area Code 615, "Houston" by Cowboy, "For What It's Worth" by Cher, "Touch Em With Love" by Bobbie Gentry, "Sufficiently Breathless" by Captain Beyond, "Deep In Kentucky" by The Box Tops, "Lonesome & A Long Way From Home" by Earl Scruggs, "Let The South Wind Blow" by Grinderswitch, "Midnight Rider" by Gregg Allman, "The Minstrel Is Free At Last" by Barefood Jerry, "Somewhere In Between" by Bobby Lance, "No Fence Around Me" by Joe South, and "Who's Making Love" by Tony Joe White.

Delta blues, recorded right near their source – an early Mississippi recording by Arhoolie Records – one that captures Mississippi Fred McDowell at his best! Fred's mostly on acoustic guitar, alongside his tremendous vocals – really stretched-out, well-inflected lyrics that could well stand enough on their own – but a few tracks feature a spare electric, sounding almost equally rootsy! Mrs McDowell sings on one track – and titles include "Black Minnie", "Fred's Worried Life Blues", "61 Highway", "I Heard Somebody Call", "My Trouble Blues", and "That's Alright".

Tough mid 60s blues from Skip James – recorded by Richard Spottswood – and it's among Skip's best recordings! Greatest Of The Delta Blues Singers features recordings made in 1964 – at a time when James was being celebrated by the folk community – and it’s also a time when he was in ailing health – which adds some incredible depth to the material – as if Skip's bluesy truth would ever be questioned! Includes "Hard Time Killin' Floor Blues", "Sick Bed Blues", "Devil Got My Woman", "Illinois Blues", "All Night Long", "Cherry Ball", "I Don't Want A Woman To Stay Out All Night Long" and more – plus the reissue bonus tracks "Skip's Worried Blues" and "Motherless & Fatherless".

A fantastic bit of rare funk from Manu Dibango – originally scored for a film that starred Greg Morris, Ruby Dee, and Ossie Davis – but every bit as funky as Manu's own work of the time! The tunes are all very firmly in the best style of his earliest work of the 70s, with loads of great rhythms and choppy instrumentation – some tracks in the upbeat "Soul Makossa" mode, but others in a slower, snakier, funkier mode – one that he wasn't showing much on other studio albums by the end of the 70s. The whole thing's great – and just when we thought we knew everything there was to love about Manu Dibango, we turn up this sweet little gem from the 70s! Titles include "Go Slow Streets", "Motapo", "Jam Session", "Bokolo's Boogie", "Marnie", "Liberations Song", and "Blowin Western Mind".

A sweet little set – quite similar to the Doc's Concert album on Delta – with core performances by the John Hersey High School Bands, with Doc Severinsen as a guest soloist! Titles include "Concerto For Prime Time", "Oscar Night 78", "The Typewriter", "Sounds Of Hollywood", and "Beguine For Band".

With a cell phone on the cover, blues has definitely gone far from the delta – yet this recent set from Willie Buck still keeps strongly in a Chicago electric tradition! Backing is by a tight group of north side players – including Rockin Johnny on guitar, who helps underscore Willie's soulful lead vocals as the set rocks and rollicks along! There's a surprising amount of cuts on the record – and titles include "Streamline Woman", "What's The Matter With The Mill", "Tow Truck Man", "Doin Good & Bad At The Same Time", "Cell Phone Man", "Strange Woman", and "Blow Wind Blow".

Melodic, beautiful, but still pretty adventurous solo guitar from Richard Crandell – originally a private press release, from a player that turned out to be pretty influential to guitar gurus such as Leo Kottke, who recorded "Rebecca" – plus a Crandell piece was included on Numero's fantastic Wayfaring Strangers Guitar Soli compilation. In The Flower Of Youth is a sometimes lovely, sometimes fairly brooding set, and he balances incredible technique and mastery with gut level emotion very well! Titles include the title track, "Rebecca", "Diagonal", "Shamrock", "Delta Triad", "Assembly Line", "Mount Shasta" and more.

Perhaps the most beloved of albums by Mercury Rev – and also their most unique! This is a band that was just about the least predictable group to appear on a major label during the early 90s "alternative" feeding frenzy – certainly one of those great bands whose influence and impact extends far beyond however many records they sold at the time. Deserter's Songs has textures picked up from classic ornate pop, waltzy numbers and dreamy atmosphere to spare– paired with off kilter vocals and a freewheeling, creative sensibility. A classic! Includes "Holes", "Tonite It Shows", "Endlessly", "I Collect Coins", "Opus 40", "Hudson Line", "The Happy End (The Drunk Room)", "Goddess On A Hiway", "The Funny Bird", "Delta Sun Bottleneck Stomp".

A great little album from O Terco – a later album from the group, but one that still has them sounding plenty wonderful! As before, there's a progressive vibe to the music – a mixture of jazz and rock that really comes through well in the mature, fusion-based instrumentation of the album – which works perfectly with the thoughtful lyrics and songwriting. Vocals are often mixed down nicely, so that the instruments almost hold the lead – and although production is professional, the sound is still a lot different than commercial American work of its type from the time. Titles include "Tambores Da Mente", "Luzes", "Nunca Duvidar", "Asa Delta", and "Viajante Relogio".

A dreamlike flow of elemental sounds and masterful mood from Adam Rudolph & Ralph James – conceived and performed as a dialogue between multi-instrumentalists Adam Rudolph and Ralph Jones on a date at Michigan's Delta College Theatre in 2009! Rudolph works with African percussion and more for his parts, including different hand drums and frame drum, thumb piano, cup gongs, glockenspiel and more – plus some voice, melodica and horns. Jones brings more wind to the proceedings with flutes, clarinet, sax and contributes a bit of percussion, too. It's pretty dreamy, yet wholly hypnotic given the percussion and overall creative energy of the duo! Includes "Nectaric Vibrations", "Aspects Of Motion", "Oshogbo", "Leaf Writing", "Celestial Space", "Forest Geometry", "Kind Thoughts", "Motherless Child", "Thankfulnes And Joy" and "Dream Inflected".

Even more experimental than the first album from The Swell Maps – a set that features some longer songs and a bit more tunes, but also a lot more weird sounds as well! Instrumentation is often slightly more conventional here, but usually taken to some very unusual places – odd tones and phrases that really mark the Maps as a key link between pre and post-punk sides of the British scene – and which give this record a timeless quality that's kept it essential for years! Epic Soundtracks serves up loads of cool instruments along with his drums – including some toys, violin, typewriter, and even a bit of mumbling – and Nikki Sudden drives the whole thing home with his droney guitar and great vocals. Titles include "Let's Buy A Bridge", "Robot Factory", "Big Maz In The Desert From The Trolley", "Mining Villages", "Collision With A Frogman Vs The Mangrove Delta Plan", "Whatever Happens Next", and "The Helicopter Spies".

Even more experimental than the first album from The Swell Maps – a set that features some longer songs and a bit more tunes, but also a lot more weird sounds as well! Instrumentation is often slightly more conventional here, but usually taken to some very unusual places – odd tones and phrases that really mark the Maps as a key link between pre and post-punk sides of the British scene – and which give this record a timeless quality that's kept it essential for years! Epic Soundtracks serves up loads of cool instruments along with his drums – including some toys, violin, typewriter, and even a bit of mumbling – and Nikki Sudden drives the whole thing home with his droney guitar and great vocals. Titles include "Let's Buy A Bridge", "Robot Factory", "Big Maz In The Desert From The Trolley", "Mining Villages", "Collision With A Frogman Vs The Mangrove Delta Plan", "Whatever Happens Next", and "The Helicopter Spies".

The classic, finally back in print on LP! The roots of Kool Keith's abstract poetical style are in evidence here in all it's brilliant glory, properly displayed without the smug hipster irony that makes so much of his latter day projects so off putting. Plus, the Ultramags had that amazing production by Ced Gee. This is still one of our all-time favorites late 80s new school hip hop albums. With "Watch Me Now", "Ego Trippin", "Ease Back", "Funky", "Kool Keith Housing Things", "Feelin It", "Ced Gee (Delta Force One)", "Traveling At The Speed Of Thought" and more.

The best bits from one of our favorite compilation series ever – Blue Juice, the 3 volume set on Blue Note that brings together a mind-bending mix of funky soul, jazzy funk, groovy grooves, and other odd and delightful bits from a wide variety of sources! This one shows the expansive scope of the groove scene and crate-diggers over the past decade – turning a focus on some great and passed-over grooves from the late 60s and early 70s that sparkle again on this fantastic set! Titles include "Feelin Alright" by Trinidad Oil Company, "Fever" by Patti Drew, "Tighten Up" by Benny Gordon, "Sookie Sookie" by Tina Britt, "I Want To Testify" by Bobby Bryant, "Listen Here" by Groove Holmes, "Get Out Of My Life Woman" by George Semper, "Never Come Closer" by Doris, "California Soul" by Gerald Wilson, "Cristo Redentor" by Ferrante & Teicher, and "Mississippi Delta" by Bobbi Gentry.

A killer assortment of funky leftfield grooves from the late 70s and early 80s – groundbreaking work that goes way beyond conventional club, funk, and disco! The music here was light years ahead of its time, and still sounds pretty darn fresh today – a weird mix of arty, punky, and experimental modes – but all filtered down into a groove that's still catchy and compelling enough to cross over to fans of mainstream club. Many cuts here had a huge influence on house and techno modes of the mid 80s, and continue to have impact today on some of the younger, more influential groovemakers around the globe – and this single CD set is sort of a re-casting of the previous Disco Not Disco collections on Strut Records, which themselves were influential enough at the start of the current decade. CD features the tracks "Mind Your Own Business" by Delta 5, "Crunch Cake" by Isotope, "Your Life (party mix)" by Konk, "Launderette" by Vivien Goldman, "My Spine Is The Bassline (12" edit)" by Shriekback, "Contort Yourself (August Darnell rmx)" by James White & The Blacks, "Love Tempo (rmx)" by Quando Quango, "Sharevari (inst)" by A Number Of Names, "Silent Street/Silent Dub" by Maximum Joy, "Shake It Right" by Six Sed Red, and "Los Ninos Del Parque (12" mix)" by Liaisons Dangereuses.

Includes tracks by Mildred Bailey & Her Alley Cats, Meade Lux Lewis, Bed Freeman & His Windy City Six and Joe Marsala & His Delta Six.

Blues from the delta, beautifully compiled by the folks at Yazoo – in a classic collection that shows why they've always been one of the most trusted sources for music like this! The package really expands strongly on the sounds of Charlie Patton and Robert Johnson – both of whom are included, but featured with a host of contemporaries who really show the whole spectrum of this fertile scene during these crucial years. Titles include "Special Rider Blues" by Skip James, "Billy Goat Blues" by John Byrd, "Tallahatchie River Blues" by Mattie Delaney, "Delta Blues" by Son House, "Dead Shrimp Blues" by Robert Johnson, "Gang Of Brownskin Women" by Harvey Hull, and "Be True Be True Blues" by Henry Sims.

A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s – beautiful work from a slew of players we've never heard of – but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. Some tunes are starkly beautiful, some chime on fairly intently, some do both those things and more – and it's very heartening and instantly appealing stuff – wordless tunes that carry a lot of sensitivity and emotion! The 40 page booklet features detailed notes and bio material for each track, plus an introduction by Numero's Rob Sevier and essays by Dan Lambert and Jim Ohlschmidt. Titles include "Beginning" by Dana Westover", "Raga In D" by Ted Lucas, "Sailor's Dream" by Scotte Witte, "Flight" by George Cromarty, "Diagonal" by Richard Crandell, "Baha Dream Songs" by Daniel Hecht, "Delta Freeze" by Jim Ohlschmidt, "No More School" by Stephen Cohen, "Strawberry Man" by Mark Lang, "Warm River" by Bread Chequer, "One Forty Eight" by Swayne Canna and more.

One of the only albums ever cut by Maxi Anderson – a hell of a soul singer who's lent her talents to a number of sessions over the years, but who sounds especially great here in the lead! Anderson's got a vibe that's almost like Minnie Riperton at the time – a warmly glowing approach to soul that's sophisticated, yet sweet and personal too – set up nicely here with some great Cali arrangements from Gene Page, who slides in an undercurrent of funky soul at the bottom – especially on some of the album's great Skip Scarborough cuts. Titles include "Dancin To Keep From Cryin", "Glory Glory", "Delta Road", "Lover To Lover", "Let Him In", "By Your Side", "Walk Softly", "The Perfect Day", and "Music On My Mind".

One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown with a crisp tone firmly in place – sitting somewhere between older bop players and some of the emerging Tristano-ites from the east coast – a vibe that's almost like Charlie Mariano or Dick Johnson in their best younger years, but with a bit more soul too. The group's a hip sextet – with trumpet from Joe Wilder, guitar from Wally Richardson, and piano by Wadde Legge – and the album includes a great version of "The World Is Waiting For The Sunrise", plus the nice originals "Delta Blues" and "Used Blues".

Rare Mississippi blues from Ranie Burnette – recorded in the early 80s, but with a timeless style that takes us right back to the delta! The approach here is similar to some of the best Georgia rural blues of the time – very spare and stripped-down, with mostly just guitar and vocals from Ranie, often with some folksy undercurrents – and some occasional harmonica on two tracks from Abe Keg Young. There's no attempt to modernize the music at all, and the quality of Ranie's gritty guitar comes through beautifully in the space of the recording – on titles that include "Lonesome Moon Blues", "Gone Dead On You", "One String Baby", "Yonder Goes My Baby", "Shake Em On Down", and "Dough Roller Blues".

Amazing sounds from the delta – but way different than the usual blues you might expect! Sid Hemphill is a really unique talent – a multi-instrumentalist who made most of the records heard on this set – and a strong proponent of the earlier Mississippi use of panpipes! The local variant heard here is referred to as "quills" – and often mixed with a rocking fiddle accompaniment in the background – moving up and down with kind of a devilish quality that really sets an edge underneath the rough-edged vocals, too! Also, the vintage recording feel also gives the music a very offbeat feel – and from the notes inside the package, it sounds like Alan Lomax really worked hard to track down these sounds of Sid's. Titles include "The Devil's Dream", "Leather Britches", "Sidewalks Of New York", "Rye Straw", "Boll Weevil", "Jesse James", and "Come On Boys Let's Go To The Ball".

An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All".

Holy cow! This is an original pressing of the last LP by the Ultramagnetics – on single vinyl, in a plain black sleeve with a sticker on the front. The last of the classic from the initial years of the Ultramagnetic MCs. The lyrics are still in the abstract style the Ultramags are famous for, but this time they're a little less manic – despite Kool Keith dropping his trademark madness. Ced Gee's production is still up to par to say the least – this one still sounds great! Tracks include "Two Brothers With Checks (San Francisco, Harvey)", "One, Two, One Two", "We Are The Horsemen", "Saga Of Dandy, The Devil & Day" (about Negro League baseball), "Adventures of Herman's Lust", and "Delta Force II." 14 tracks in all.

One of the last recordings ever made by Bukka White – recorded in West Memphis in the early 70s, but with a sound that stretches back to the delta decades before! The album features White alone on vocals and acoustic guitar – captured with an up-close quality that's beautiful, and which is especially great to illustrate his creative phrasings on the strings of the steel guitar – ringing out with a rough-handed quality that's extremely powerful. Titles include "Black Crepe Blues", "Gibson Hill", "Sic Em Dogs On", "1936 Triggertoe", "Black Cat Bone Blues", and "Shake My Hand Blues".

A great performance by the Chicago trio of Ernest Dawkins on reeds, Harrison Bankhead on bass, and Hamid Drake on drums and percussion – dedicated to their late scene-mate Fred Anderson, and played with an open, exploratory sound that Anderson would have loved! At times, there's a very unstructured quality to the recording – the most unfettered approach forged by the AACM – with Dawkins especially stretching out, on soprano, alto, or tenor sax. At other points, though, Bankhead's wonderful basslines pull things in, and give them a soulful solidity that underscores the spiritual elements of the music – that element in his sound we always appreciate, and which seems to bring Drake's percussion strongly into focus too – creating a groove that's almost like the Ethnic Heritage Ensemble at times. Titles include "One For Fred", "Waltz Of Passion", "Jah Music", "Down N The Delta", "The Rumble", "Sweet 22nd Street", and "Woman Of Darfur".

About as pure as you can get for John Lee Hooker – a classic set of cuts for Chess, recorded with a feel that's almost folksy at times! The guitar has a raw edge that goes way back to the delta – and the overall approach is much more gritty than even some of Hooker's labelmates at the time – a really classic vibe that's supported in the liner notes by Studs Terkel! Titles include "The Journey", "Hey Baby", "Mad Man Blues", "Worried Life Blues", "Apologize", "Lonely Boy Boogie", and "Just Me & My Telephone".

Timeless blues work from Boyd Rivers – played on both acoustic and electric guitar, but with a classic spirit that stretches back to the days of the delta! The recordings are from the early 90s, but done in a way that feels like they're from decades before – clear enough to bring out the best tones in Rivers' guitar and vocals, yet with a spare, stripped-down vibe that shows little change in the evolution of the blues over the 20th century! Titles include "Won't It Be Grand", "I Want To Be At The Meeting", "Get Away Jordan", "That Fire Shed In My Bones", "You Can't Make Me Doubt", "Church House Rock", and "When The World Seems Cold".

We never stopped ourselves to ask what "stonking" means – but with tunes this great, who cares! The set's the third in a really great batch of Northern Soul compilations from EMI UK – featuring rare tracks pulled from EMI-owned labels like Capitol, Liberty, and other companies that don't necessarily jump to mind when thinking "classic soul" – but who cut some really great singles back in the 60s! The set's a real treasure trove – and features tons of tracks we'd never heard before. Titles include "Kissin Her & Cryin For You" by The Checkmates, "River Of Tears" by Barbara Banks, "I Feel Good" by Bettye Lavette, "One Day Love" by Tommy Dodson, "60 Minutes Of Your Love" by Homer Banks, "Good Little You" by Joey Dee, "I Hurt On The Other Side" by Jerry Cook, "In The Same Old Way" by Scotty Williams, "Turn Around Baby" by Lena & The Deltanettes, "My Heart Is In Danger" by Alder Ray, "She Blew A Good Thing" by Donald Height, "It's A Sad Thing" by Ray Pollard, "Why Did You Do It To Me" by The Thieves, and "I Can't Do It" by Eddie & Ernie.