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Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the instrumentation, played by David Snell in a style that's right up there with Dorothy Ashby's best jazz work. Pianist Stan Tracey is also on board – playing beautiful notes that have a sharp modern edge, while still falling on the inside of the spectrum – and Lasha himself is especially great – blowing plastic alto sax and wooden flute, both of which have a slightly offbeat sound – but one that's surprisingly warm, which makes the album one of his most sensitive and soulful sessions ever! The tunes are a mix of standards and originals – and there's a wonderful sense of balance here – sounds that are sometimes more inside than other records from Lasha, but which have a really Dolphy-like sense of expression – right at home amidst a wider history of jazz, yet also reaching for new ideas at the same time. Pure genius throughout, and a record that was never made available to audiences in the US. Titles include "Nuttin Out Jones", "Impressions Of Eric Dolphy", "Out Of Nowhere", "Just Friends", "Body & Soul", and "Everything Happens To Me".

Brilliant work – and one of the rare few albums to feature the genius alto of Sonny Simmons from the 60s! The session has the fierceness of other ESP sessions from the time, but it's also tempered with a bit of spiritualism, too – somewhat more introspective in the heavy moments than other albums on the label, due in part to Simmons' personal style of playing, and the presence of John Hicks on piano and Barbara Donald on trumpet – put together in a way that's almost a bridge between the ESP and Impulse Records scenes of the 60s, with perhaps a nod towards the direction the jazz underground would take in the 70s! Other players include Teddy Smith on bass and Marvin Pattillo on drums – and tracks include "City of David", "Metamorphosis", and "Interplanetary Travelers".

Great late Philly – played by a group that features plenty of talents from the legendary Sigma Studios scene of the 70s! As you'd guess from the title, most of the cuts here are remakes of earlier Philly cuts – mostly Gamble & Huff favorites from back in the day – but redone here in a session from the start of the 80s, so most of the classic elements are still very firmly intact! Plus, the players are all the right choice to make the record come off just right – a lineup that includes Norman Harris on guitar, Lenny Pakula on organ, Vince Montana on vibes, Ronnie Baker on bass, Earl Young on drums, and Larry Washington on congas – about as great a Philly rhythm section as you could hope for! Vocals are by a well-chosen group too – David Simmons, Ron Tyson, and Joe Freeman – who might be best known for his work with The Ethics and Love Committee. There's a very strong Gamble & Huff vibe running through the set – and titles include "Philly Medley (parts 1 & 2)", "Bad Luck", "I Don't Love You Anymore", "Backstabbers", "Love Train", "The Love I Lost", and "TSOP Medley".