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The title sounds like an old R&B song from the 50s, but the album's a searing collaboration between three of the boldest improvisers in 70s European jazz – Peter Brotzmann on reeds, Harry Miller on bass, and Louis Moholo on drums! Although Miller and Moholo can have warmer moments when working in British Ogun modes, they're definitely well-matched here with the young Brotzmann's energy – very freewheeling on both of their instruments, and rising to Peter's challenge to find new sounds at just about every twist and turn of the record! Titles include "Long Time Service", "Kucken und Drucken", "Schnell Im Biss", and "The Nearer The Bone The Sweeter The Meat".

A landmark in the European avant scene of the 60s – the first self-released album by pianist Alexander Von Schlippenbach – an all star session that features work by Peter Brotzmann, Manfred Schoof, Paul Rutherford, Han Bennink, and others! The work here is very free and a spacious – with slow-building, tentative rumblings from all players involved, gently feeling out the space between them as the set goes on – energy levels increasing with confidence as tighter and stronger movements emerge. Titles include "The Living Music", "Into The Staggerin", "Tower", "Wave", "Past Time", and "Lollopalooza". Greatness!

One of the earliest albums on the Free Jazz Productions label – a large group session led by trumpeter Manfred Schoof, and featuring a wealth of great talents from the European avant garde of the 60s – including Peter Brotzmann on tenor, Enrico Rava on trumpet, Irene Schweizer and Alexander Von Schlippenbach on piano, Derek Bailey on guitar, Evan Parker on soprano sax, Paul Rutherford on trombone, and both Han Bennink and Pierre Favre on drums! The album features one long track – Schoof's "European Echoes" – the kind of extended, freewheeling, large group improvisation that was exemplary of the united front being expressed across nations by the free jazz movement of the late 60s. Still as powerful today as it was back then!

Classic Chappottin tracks from the 60s – material done in a host of key Cuban modes – all with tight trumpet on the top, and great vocals from singers who include Miguelito Cuni, Cheo Marquetti, Rene Alvarez, and Gina Martin! The change in vocalists really keeps things fresh – especially as the album moves between upbeat groovers and mellower tracks with a more melancholy quality. Titles include "Oriente", "No Vengas Por Mi", "Amor Verdadero", "No Puedes Dejarme", "Transnochando", and "Cienfuegos".