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Cannonball Adderley

 

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Exact matches: 51
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball & Nat AdderleyThem Adderleys (aka Introducing Nat Adderley) ... LP
Limelight, Late 50s. Very Good- ... $2.99
A 60s repackaging of the album Introducing Nat Adderley – an excellent batch of soulful bop tracks, recorded as Nat's first, and with a group that includes brother Cannonball, Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section on the session. Titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". LP, Vinyl record album
(Cover has light wear, staining along the opening and the bottom left corner, and small splits on the top and bottom seams.)

Exact matches2
CD, LP, Vinyl record album cover art
New Cannonball AdderleyAfrican Waltz ... LP
Riverside, 1961. Very Good ... $7.99
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm. LP, Vinyl record album
(Blue label Bill Grauer productions pressing with deep groove and microphone logo. Cover has clear tape holding the top seam.)

Exact matches3
CD, LP, Vinyl record album cover art
New Cannonball AdderleyBest Of Cannonball Adderley – The Capitol Years ... CD
Capitol, 1960s. Used ... $3.99
CD

Exact matches4
CD, LP, Vinyl record album cover art
New Cannonball AdderleyBest Of Cannonball Adderley (Capitol) ... LP
Capitol, 1960s. Very Good+ Gatefold ... $6.99
A nice collection of some of Cannon's bigger numbers for Capitol in the 60s – most of them longer tracks, some of them recorded live, with a bit of production help from David Axelrod! The grooves are firmly in place – not as tripped out and funky as later years, but a good updating of his early 60s soul jazz approach, handled with that clean Capitol sound. Titles include "Work Song", "Jive Samba", "Why Am I Treated So Bad", "Mercy Mercy Mercy", "Them Dirty Blues", and "Dat Dere". LP, Vinyl record album
(Red label pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ... $17.99 19.98
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
(On the Dusty Groove label.)

Exact matches6
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley & Friends (2LP version) ... LP
Capitol, 1960s/1973. Near Mint- 2LP Gatefold ... $7.99
Very nice 2LP set that digs through Cannon's Riverside and Capitol recordings – and pulls together sides that he cut with famous guest players and singers, like Sergio Mendes, Nancy Wilson, Ernie Andrews, Charles Lloyd, Yusef Lateef, Eddie Vinson, and Bobby Timmons. The styles are very mixed up – but the record includes a lot of nice cuts that are hard to find on vinyl, like "Clouds", "Hold It", "Big City", "O Amor Em Paz", "Old Country", "Primitivo", "Dat Dere", and "Minha Saudade". LP, Vinyl record album
(Cover has light wear, two cutout holes, and a small sticker on front.)

Exact matches7
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley & The Bossa Rio Sextet With Sergio Mendes ... LP
Capitol, 1962. Very Good+ ... $7.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley & The Poll Winners ... LP
Riverside, 1960. Very Good- ... $11.99
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Side 2 has a mark that clicks a bit on track one. Cover has some wear, a split bottom seam, some splitting on the other seams, and some small light stains on the back.)

Exact matches9
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Very Good ... $29.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Black label mono pressing. Cover has a name in pen and a tear on the back paste-on.)

Exact matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley With Sergio Mendes ... LP
Capitol/Everest, 1962. Near Mint- ... $13.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Batida Diferente", and "Sambop". Everest pressing of a Capitol album. LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
New Cannonball AdderleyInside Straight ... LP
Fantasy, 1973. Very Good Gatefold ... $8.99
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s touches too – a bit more emphasis on electric piano, played here by Hal Galper – and rhythms that are even funkier than before! Other players include Nat Adderley on cornet, Walter Booker on bass, Roy McCurdy on drums, and King Errison on percussion – and titles include the excellent "Snakin' the Grass", which is just ripe for samplin', plus some other good grooves like "Second Son", "Saudade", "Five Of A Kind", and "Inside Straight". LP, Vinyl record album
(Cover has a cut corner. Vinyl has a short click on one track.)

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley ... CD
EmArcy/Verve, 1955. Used ... $13.99
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyJump For Joy ... LP
Mercury, 1958. Good ... $4.99
An interesting early side by Cannonball that captures him before he'd really found his voice – and when the folks at Mercury still didn't really know what to do with him. The record's a tightly arranged set of tracks from Duke Ellington's musical "Jump For Joy" – with arrangements by Bill Russo, and small group playing that includes Emmett Berry, Bill Evans, Barry Gabraith, Jimmy Cobb, and a small string section. The sound's actually quite haunting – and Cannon's alto solos remind us more of some of the best "with strings" soloing heard on Verve in the early 50s than they do his later soul jazz classics on Riverside or Capitol. That's ok with us, though – because the session's still got a lot to offer in that respect, and Cannonball handles the solos wonderfully! Titles include "Bli Blip", "Just Squeeze Me", "Nothin", and "The Tune Of The Hickory Stick". LP, Vinyl record album
(Blue label Mercury pressing with deep groove. Cover has smoke discoloration around the edges.)

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyKnow What I Mean? (20 bit remaster) ... CD
Riverside, 1961. Used ... $6.99
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". CD features 4 bonus tracks too. CD
(BMG Direct pressing. Tray card has a small rip on the spine.)

Exact matches15
CD, LP, Vinyl record album cover art
New Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. New Copy ... $11.99
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD

Exact matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleyLush Side Of Cannonball ... LP
EmArcy, Late 50s. Very Good ... $4.99
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", "Lonely Dreams", and "Two Sleepy People". LP, Vinyl record album
(Black label Mercury pressing with deep groove. Cover looks nice overall, save for some moisture on the back along part of the opening.)

Exact matches17
CD, LP, Vinyl record album cover art
New Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Very Good- ... $6.99
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Rainbow label pressing. Cover has light staining along the opening and a bit of light wear.)

Exact matches18
CD, LP, Vinyl record album cover art
Cannonball AdderleyMusic, You All ... LP
Capitol, Early 70s/1976. Very Good+ ... $29.99
Excellent live set from the early 70's, featuring George Duke, Airto, Ernie Watts, and brother Nat. David Axelrod produced, and the LP's got that nice hard funky sound that he did so well during his stint with Cannonball. Includes the 12 minute groover "The Brakes", plus "Oh Babe", "Music, You All", and "Capricorn". Lots of funky drums and bass, and with a lot of space in the arrangements to let things break down! LP, Vinyl record album
(Cover has light wear & a cutout hole.)

Exact matches19
CD, LP, Vinyl record album cover art
New Cannonball AdderleyPhenix ... LP
Fantasy, 1975. Very Good- 2LP Gatefold ... $5.99
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". LP, Vinyl record album
(Cover has some wear and a couple of wrinkles, with splitting and tape on the top seams.)

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, Early 70s. Very Good+ 2LP Gatefold ... $16.99
Classic funkiness with David Axelrod producing, and lots of funky electric piano by Joe Zawinul. Recorded live, when the group was at their best, and with 2 LPs worth of great originals – many by Zawinul. Titles include "Alto Sex", "Lonesome Stranger", "Wild-Cat Pee", "Soul Virgo", "Painted Desert", "Directions", and more! LP, Vinyl record album
(Cover has some light wear.)

Exact matches21
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Good+ ... $79.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(63rd street pressing. Cover has light wear.)

Exact matches22
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Of The Bible ... LP
Capitol, 1972. Very Good+ 2LP Gatefold ... $39.99
Prime material from Cannonball and David Axelrod – and despite the biblical leanings of the title, the record is pretty darn funky! As they did for the Zodiac, Cannonball and Adderley take a trip through a host of cultural milestones – stopping along the way to turn each one into a new pillar of soul, working with Rick Holmes, who narrates the set in the same way he did on the Zodiac albums. Brother Nat Adderley and George Duke are among the players in the album's very funky backing – and tracks include "Make Your Own Temple", "Amani", "Space Spiritual", "Eternal Walk", and "Gone". Oh for the days of the double LP concept jazz record! LP, Vinyl record album
(Original pressing. Cover has very light ringwear, small center splits in the top seams, and slight waviness along the bottom 2 inches.)

Exact matches23
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. New Copy 2LP Gatefold (reissue)... $16.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
Also available Soul Zodiac ... LP 24.99

Exact matches24
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Near Mint- 2LP Gatefold ... $24.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has some light wear.)
Also available Soul Zodiac ... LP 16.99

Exact matches25
CD, LP, Vinyl record album cover art
Cannonball AdderleySpontaneous Combustion ... CD
Savoy (Germany), 1955. Used ... $4.99
Tracks recorded back in 1955. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me",, "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie". CD
(Out of print.)

Exact matches26
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetHappy People ... CD
Capitol (Japan), 1972. New Copy ... $15.99
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record – a set that isn't really bossa, but isn't regular Cannonball funk either – kind of a special hybrid of the two! Airto plays on the set, and contributed the great groover "The Happy People" – a long bit of funky samba that features George Duke on electric piano, and percussion and vocals by Airto himself. The rest of the album's pretty darn great too – with some long tracks that have a more open-ended groove than the usual Cannon funk – featuring more piano by Duke, percussion by Airto and King Errison, cornet by Nat Adderley, and guitar by David T Walker. Other titles include "Ela", "Maria Tres Filhos", and "Savior" – and the album was recorded live, with a very lively feel! CD
Also available Happy People ... LP 18.99

Exact matches27
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetHappy People ... LP
Capitol, 1972. Near Mint- ... $18.99
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record – a set that isn't really bossa, but isn't regular Cannonball funk either – kind of a special hybrid of the two! Airto plays on the set, and contributed the great groover "The Happy People" – a long bit of funky samba that features George Duke on electric piano, and percussion and vocals by Airto himself. The rest of the album's pretty darn great too – with some long tracks that have a more open-ended groove than the usual Cannon funk – featuring more piano by Duke, percussion by Airto and King Errison, cornet by Nat Adderley, and guitar by David T Walker. Other titles include "Ela", "Maria Tres Filhos", and "Savior" – and the album was recorded live, with a very lively feel! LP, Vinyl record album
(Cover has some wear & a mark from price sticker removal.)
Also available Happy People ... CD 15.99

Exact matches28
CD, LP, Vinyl record album cover art
Kenny Clarke, Cannonball Adderley, & OthersBohemia After Dark (with bonus track) ... CD
Savoy, 1955. Used ... $5.99
An excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". CD features the bonus track "Caribbean Cutie". CD

Exact matches29
CD, LP, Vinyl record album cover art
Eddie Cleanhead Vinson & Cannonball AdderleyCleanhead & Cannonball (Milestone) ... CD
Milestone, 1961. Used ... $8.99
An incredible album that has Cleanhead moving way past his usual bag! Sure, he's normally known as an R&B vocalist and alto player, but here, in one of those great Riverside "Cannonball Adderley Presents" sessions, Vinson gets into a whole new bag on some cuts. He's playing with Cannonball's group of Nat, Joe Zawinul, Sam Jones, and Louis Hayes – and there's one track in particular that's amazing – "Arriving Soon", an instrumental that has Vinson soaring on alto, wailing with an almost Coltrane-esque level of freedom. It's a killer modal track, and is worth the price of the album alone. There's another instrumental called "Vinsonology", plus vocal numbers like "Hold It", "This Time", and "Kidney Stew" – all with a nice groovy Adderley quintet kind of groove. CD also includes 4 bonus tracks! CD
(Barcode has a cutout hole.)

Exact matches30
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... Around October 8, 2014
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
Also available Cannonball Adderley Quintet In Chicago ... LP 29.99

Exact matches31
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Sextet In New York ... LP
Riverside/OJC, 1962. New Copy (reissue)... Around September 9, 2014
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". LP, Vinyl record album

Exact matches32
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Very Good+ ... Just Sold Out!
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing.)

Exact matches33
CD, LP, Vinyl record album cover art
Cannonball AdderleyDomination ... LP
Capitol, 1965. Near Mint- ... Just Sold Out!
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark Axelrod edge that we love so much from the Capitol years. The tunes have just the right amount of space to keep things interesting – but also enough soul to link the work nicely to the other Adderley albums of the time. Nelson himself brings in some captivating modern moments to the set – and titles include "Interlude", "Mystified", "Gon Gong", "Shake A Lady", and "Introduction To A Samba". LP, Vinyl record album
(In great shape!)

Exact matches34
CD, LP, Vinyl record album cover art
New Cannonball AdderleyJazz Workshop Revisited ... LP
Riverside, Early 60s. Good ... Just Sold Out!
Classic funky soul jazz playing by Cannonball and one of his great groups, caught live in San Francisco, with a nice hard groove that you don't always get in their studio recordings. The record includes a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest track, plus "Primitivo", "Lillie", and "Mellow Buno". Nat Adderley's on trumpet, Joe Zawinul's on piano, and Yusef Lateef is on tenor! LP, Vinyl record album
(Black label Bill Grauer Productions pressing, with microphone logo. Cover has a name in pen on back.)

Exact matches35
CD, LP, Vinyl record album cover art
New Cannonball Adderley & Nat AdderleyWhat Is This Thing Called Soul – The Cannonball Adderley/Nat Adderley Quintet In Europe Live ... LP
Pablo, 1960. Very Good+ ... Just Sold Out!
A real treat for Cannonball Adderley fans in the years after his passing – vintage live material recorded in 1960, right at a time when Adderley was really finding his groove! The lineup here features a classic quintet – with brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – rolling out in a heavy soul jazz groove that's right up there with Cannon's best Riverside albums from the time! The tracks are longish, given the live setting – with energy to match his Live In San Francisco or Japan albums – and titles include "Big P", "One For Daddy O", "The Chant", "Azule Serape", and "What Is This Thing Called Love". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches36
CD, LP, Vinyl record album cover art
New Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... LP
Capitol, Mid 60s. Near Mint- ... Just Sold Out!
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! LP, Vinyl record album
(Green label pressing.)

Exact matches37
CD, LP, Vinyl record album cover art
New Cannonball & Nat AdderleySummer Of 1955 (Bohemia After Dark/Spontaneous Combustion/That's Nat) ... CD
Savoy, 1955. New Copy 2CD ... Temporarily Out Of Stock
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". Next is more material from the same stretch, originally issued under the title Spontaneous Combustion under Cannonball's name. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Spontaneous Combustion", "Caribbean Cutie", "A Little Taste", "We'll Be Together Again", "Still Talkin To Ya", and "Flamingo". Last up is the album That's Nat – a real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD

Exact matches38
CD, LP, Vinyl record album cover art
New Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. Used 2 CDs ... Temporarily Out Of Stock
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
Also available Black Messiah ... CD 17.99

Exact matches39
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Live! ... LP
Capitol, 1964. Used ... Temporarily Out Of Stock
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright". LP, Vinyl record album
(Rainbow label pressing.)

Exact matches40
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience/Tensity/Dialogues ... LP
Capitol, Late 60s. Used ... Temporarily Out Of Stock
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album
(Back cover has waviness & staining due to moisture. Cover has some splitting. Vinyl plays with a few clicks.)

Exact matches41
CD, LP, Vinyl record album cover art
New Cannonball AdderleyKnow What I Mean? ... LP
Riverside, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with the microphone logo. Cover has worn corners and a name in pen on back.)
Also available Know What I Mean? (20 bit remaster) ... CD 6.99

Exact matches42
CD, LP, Vinyl record album cover art
New Cannonball AdderleyMercy, Mercy, Mercy! ... CD
Capitol, 1966. Used ... Temporarily Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! CD
(BMG music club pressing.)
Also available Mercy, Mercy, Mercy! ... LP 6.99

Exact matches43
CD, LP, Vinyl record album cover art
New Cannonball AdderleyMoney In The Pocket – Recorded Live At The Club In Chicago 1966 ... CD
Capitol, 1966. Used ... Temporarily Out Of Stock
A great lost slice of Cannonball Adderley from the 60s – material recorded live in Chicago in 1966, but never issued at the time! The performance on the set is a real corker – right up there with any of Cannonball's other live albums for Capitol at the time, and featuring a similar group that includes Nat Adderley on cornet and Joe Zawinul on piano – grooving along with Cannon in a set of long, loping numbers that mix together equal parts modal and soul jazz! A few of the tunes were briefly issued as 45s in the 60s – chopped down to very edited versions – but these takes are all nice and long, with many tracks that run close to ten minutes! Titles include "Money In The Pocket", "Introduction To A Samba", "Hear Me Talkin To Ya", "Requiem For A Jazz Musician", "Fiddler On The Roof", "The Sticks", and "Cannon's Theme". CD
(BMG Direct pressing.)

Exact matches44
CD, LP, Vinyl record album cover art
New Cannonball AdderleyPhenix ... CD
Fantasy, 1975. New Copy ... Temporarily Out Of Stock
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". CD
Also available Phenix ... LP 5.99

Exact matches45
CD, LP, Vinyl record album cover art
New Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available Somethin' Else ... LP 79.99

Exact matches46
CD, LP, Vinyl record album cover art
New Cannonball AdderleyThings Are Getting Better ... LP
Riverside/OJC, 1958. New Copy (reissue)... Temporarily Out Of Stock
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album

Exact matches47
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet In San Francisco (with bonus track) ... CD
Riverside/OJC, 1959. Used ... Out Of Stock
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD

Exact matches48
CD, LP, Vinyl record album cover art
New Cannonball AdderleySophisticated Swing – Emarcy Small Group Sessions (Sophisticated Swing/Cannonball's Sharpshooters/To The Ivy League From Nat/Enroute) ... CD
EmArcy, Late 50s. Used 2CDs ... Out Of Stock
4 early Cannonball Adderley albums on 2 CDs! The package is a brilliantly put-together look at Cannon's early style – forged at Mercury in the years before he settled into soul jazz fame in the 60s, a mix of hardbop styles that shows his genius even as a young player, working with players that include brother Nat Adderley, Junior Mance, Jimmy Cobb, and Sam Jones, as tight a combo as Cannon had in the 60s, and a bit more versatile too! The set features a total of 36 tracks, some great notes, and a wealth of excellent titles that will have you rediscovering why you like Cannonball Adderley all over again! Titles include "Bimini", "Porky", "Another Kind Of Soul", "Jubilation", "Our Delight", "Stay On It", "Fuller bop Man", "That Funky Train", "Sam's Tune", "Miss Jackie's Delight", and "Cobbweb". CD

Exact matches49
CD, LP, Vinyl record album cover art
New Cannonball AdderleySoul Zodiac ... CD
Capitol (UK), 1972. New Copy ... Out Of Stock
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". CD
Also available
Soul Zodiac ... LP 24.99
Soul Zodiac ... LP 16.99

Exact matches50
CD, LP, Vinyl record album cover art
New Cannonball AdderleyThings Are Getting Better (SACD) ... CD
Riverside/Fantasy, 1958. Used ... Out Of Stock
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD
(Out of print, SACD hybrid version – plays on regular players too.)

Exact matches51
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Sextet In New York ... CD
Riverside/Concord/OJC, 1962. New Copy ... Out Of Stock
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD
(CD case has a cutout notch.)
 
Possible matches: 40
Possible matches52
CD, LP, Vinyl record album cover art
Nat AdderleyWork Songs (Work Song/That's Right) ... LP
Riverside, 1960. Very Good- 2LP Gatefold ... $6.99
Milestone 2-fer combining two of our favorite late 60s soul jazz LPs, that practically defined the genre – Work Song and That's Right! "Work Song" was a whopping hit for Nat, plus Cannonball's killer "Sack O Woe", played here by a firey group that includes the great Bobby Timmons on piano, and Wes Montgomery on guitar, making a rare non-leader group appearance. On the second set Nat's trumpet is backed up by a "big sax section" – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. 17 tracks in all, including "Tadd", "The Old Country", "Chordnation", "ESP", "Scrambled Eggs", "Pretty Memory", and "Fallout". LP, Vinyl record album
(Vinyl has some marks that click a bit on two tracks. Cover has some wear, a few stains, and some waviness on the back.)

Possible matches53
CD, LP, Vinyl record album cover art
Nat AdderleyYou, Baby ... LP
CTI/A&M, 1968. Very Good+ Gatefold ... $16.99
Nat Adderley demonstrates that he can be as funky as brother Cannonball in this nice set of short groovers recorded for CTI from the late 60s! The record is one of Nat's few funky ones, and he's got some nice backing by Joe Zawinul, Grady Tate, Ron Carter, and Jerome Richardson. Cuts have the tightly arranged style of the early CTI sessions – with Nat's solos bouncing over the top, and some nice tight grooving underneath. Titles include "Early Minor", "You Baby", "Denise", "Electric Eel", "Hang On In", and "Halftime". LP, Vinyl record album
(Nice heavy original pressing!)

Possible matches54
CD, LP, Vinyl record album cover art
Gene AmmonsBrasswind ... LP
Prestige, 1973. Very Good ... $8.99
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches55
CD, LP, Vinyl record album cover art
David AxelrodHeavy Axe ... LP
Fantasy, 1974. New Copy (reissue)... $9.99
Although he's best known for his albums on Capitol, David Axelrod cut this great record for Fantasy during the mid-70s, and it features Cannonball Adderley producing Axelrod's work (instead of the other way around, as on Cannonball's albums from the time). The tracks here are a bit more jazz funk oriented than earlier stuff, but there's still the great Axelrod sense of composition, with lots of space, and lots of spare cold bits that are nice nice nice for sample cuts! As proof of this, the reissue includes his classic track "Everything Counts", plus other nice ones that include "Get Up Off Your Knees", "My Family", and "Mucho Chupar". LP, Vinyl record album

Possible matches56
CD, LP, Vinyl record album cover art
David Axelrod & OthersEdge – David Axelrod At Capitol Records 1966 to 1970 ... CD
Capitol, Late 60s. Used ... $8.99
A great look at the genius of David Axelrod – the groundbreaking producer who recorded some incredibly hip albums at Captiol during the late 60s, but who's now only finally getting his due! Axelrod brought a whole new sensibility to the studio in his day – an approach that really stripped down the overly-cluttered modes of the era of Phil Spector and Brian Wilson, and which went instead for a spacious approach to the music that seemed to use silence as heavily as it did sound! Axelrod's genius was heard most famously on key 60s recordings by Cannonball Adderley and Lou Rawls for Capitol, but while at the label, he also got the chance to cut some incredibly mind-blowing albums on his own – and to work with some other artists who really benefited from his amazing touch in the studio. This set's a masterpiece – and it features 17 Axelrod numbers from the Capitol years – all hand-picked by Egon of Stones Throw (himself an Axelrod expert), and supported by comments from David himself! Titles include "House Of Mirrors" and "The Edge" by David McCallum, "Theme From The Fox" by Don Randi, "Tensity" by Cannonball Adderley, "Pula Yetla" by Letta Mbulu, "Lifetime Monologue" and "You've Made Me So Very Happy" by Lou Rawls, and "The Signs (part 1)", "Warning Talk (parts 1 & 3)", "The Smile", "The Mental Traveller", "The Fly", and "London" by David Axelrod himself. CD
(Barcode has a promotional sticker.)

Possible matches57
CD, LP, Vinyl record album cover art
BlowflyZodiac Blowfly ... LP
Weird World, Mid 70s. Very Good ... $11.99
One of the greatest Blowfly records ever! The album follows in the tradition of Cannonball Adderley's Zodiac albums – and offers up some excellent funky tunes, all based around the different symbols of the zodiac, and all done with the usual Blowfly porno sense of humor! The backing is great – and nearly every cut has a strong funk or soul groove behind it – with the music really integrated into the performance, and not just layered in underneath the monologue. Great stuff – with a Zodiac humping cover to boot! LP, Vinyl record album
(Original pressing. Cover has a cutout notch, a partially split top seam, and some light wear.)

Possible matches58
CD, LP, Vinyl record album cover art
Miles DavisJazz Track ... LP
Columbia, Late 50s. Very Good ... $19.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(6 eye pressing with deep groove.)

Possible matches59
CD, LP, Vinyl record album cover art
Miles DavisJazz Track (mono) (2013 Black Friday Release) ... LP
Columbia, 1958. New Copy (reissue)... $19.99 24.98
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Limited numbered edition.)

Possible matches60
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $24.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available Kind Of Blue (with bonus track) ... CD 2.99

Possible matches61
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $2.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(BMG Direct pressing.)
Also available Kind Of Blue (mono) ... LP 24.99

Possible matches62
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... LP
Columbia, 1958. Very Good ... $39.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(6 eye pressing. Cover has some wear. Vinyl plays with a short click on side two, tracks 1 & 3.)

Possible matches63
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $24.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches64
CD, LP, Vinyl record album cover art
New Rick HolmesRemember To Remember/To The Unknowledgeable One ... 12-inch
Gold Mink, 1981. Very Good+ ... $34.99
Knowledge and righteousness galore – the one and only single recorded by Rick Holmes, best known for his vocal recitations on some of the classic Cannonball Adderley albums! Rick's working here in company that's every bit as great – letting Roy Ayers come up with a sweet jazzy groove in the background – stepping along with some slight female vocal support, while Rick speaks over the top in a tapestry of references from African-American music and culture! The tune's a classic that has gotten plenty of play on steppers dancefloors over the years – mellow, but righteous – and with a Roy Ayers touch that can't be denied! "To The Unknowledgeable One" follows in a similar mode – laidback and jazzy, with more spoken lyrics by Rick. 12-inch, Vinyl record
(Original pressing.)

Possible matches65
CD, LP, Vinyl record album cover art
Ramsey LewisBarefoot Sunday Blues ... LP
Argo, 1963. Very Good ... $5.99
One of the strongest early albums by the Ramsey Lewis Trio – especially because it features some great original material! The group – with the usual Redd Holt and Eldee Young lineup – is augmented by Chris White on a few tracks, who plays bass while Young switches to cello, an instrument that he played better in jazz than just about anyone. Apart from the group's great title reading of Cannonball Adderley's "Barefoot Sunday Blues", the record also features original tracks "The Train Won't Wait", "Come On Baby", "I Spend My Life", "Act Like You Mean It", "Salute To Ray Charles", and "Don't Even Kick It Around". Also includes Charles Lloyd's evocative composition "Island Blues". LP, Vinyl record album
(Grey label Argo pressing. Cover has a name in marker on back.)

Possible matches66
CD, LP, Vinyl record album cover art
Mangione Brothers SextetJazz Brothers ... CD
Riverside/OJC, 1960. New Copy ... $3.99 11.98
Think what you want about Chuck and his 70s hits, this version of the Mangione Brothers is a cooker! Chuck is on trumpet, Gap is on piano, and the rest of the group features Larry Combs on alto, Sal Nistico on tenor, Bill Saunders on bass, and Roy McCurdy on drums – all grooving in a nice soul jazz bounce that's clearly influenced by Cannonball Adderley – no surprise, since Cannon produced the set! Titles include the strong originals "Something Different", "Struttin With Sandra", "The Gap", and "Alice". CD

Possible matches67
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith (non-RVG remaster edition) ... CD
Blue Note, 1957. Used ... $5.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". CD

Possible matches68
CD, LP, Vinyl record album cover art
Stanley TurrentineJoyride ... LP
Blue Note, 1965. Very Good- ... $8.99
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation". LP, Vinyl record album
(New York stereo pressing. Cover has some pen & some wear.)

Possible matches69
CD, LP, Vinyl record album cover art
New VariousMod Jazz ... LP
Kent (UK), 1960s/Early 70s. New Copy 2LP Gatefold ... $26.99
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album

Possible matches70
CD, LP, Vinyl record album cover art
New VariousSoul Groove! ... LP
Capitol, 1970s. Very Good ... $1.99
One of those compilations that was either a loss leader, or a commercial attempt to capitalize on past hits laying around the vaults (often sold in supermarkets and drug stores), but still quite a respectable collection of soul and jazz numbers from Capitol: Nancy Wilson "Uptight (Everything's All Right)" and "West Coast Blues", Cannonball Adderley "74 Miles Away" and "I Remember Bird", Lou Rawls "I Love You, Yes I Do" and "We Baby Blues", King Curtis "Soul Serenade" and "Watermelon Man", and Bettye Swan "Willie & Laura Mae Jones" and "Don't Touch Me". LP, Vinyl record album
(Cover has remnants of a sticker on one corner.)

Possible matches71
CD, LP, Vinyl record album cover art
VariousVSOP Album – All Material Previously Unissued (4LP set) ... LP
Mercury (Japan), Late 40s/1950s/1960s. Near Mint- 4LPs ... $58.99
A killer collection of previously-unissued jazz from Mercury Records – with material by Roland Kirk, Ben Webster, Dinah Washington, Bob James, Dizzy Gillespie, Art Farmer, Cannonball Adderley, and others! LP, Vinyl record album
(Includes obi used to sell in the US, which has some light wear – but the whole thing's great overall.)

Possible matches72
CD, LP, Vinyl record album cover art
Gene AmmonsBrasswind ... CD
Prestige/Universal (Japan), 1973. New Copy ... Around September 25, 2014
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved". CD
Also available Brasswind ... LP 8.99

Possible matches73
CD, LP, Vinyl record album cover art
MachitoKenya ... CD
Roulette, Late 50s. New Copy ... Around August 10, 2014 (delayed)
A classic Machito session from the 50s – with stunning arrangements by Mario Bauza and AK Salim! The record is a beautiful batch of Latin jazz tracks that shine with a sound that's unlike anything else Machito was doing at the time – and the band wails hard, with soloists that include Cannonball Adderley, Eddie Bert, Doc Cheatham, Johnny Griffin, and others – in a groundbreaking mix of straight jazz and Latin that still burns mightily today! Tracks include the great "Congo Mulence", a very tight groover, plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle. Very nice, and a very tight jazz sound! CD

Possible matches74
CD, LP, Vinyl record album cover art
New Nat AdderleyIn The Bag ... LP
Jazzland, 1962. Used ... Temporarily Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother Cannonball joins on on alto for a nice set of groovers that includes "In The Bag", "Sister Wilson", "Low Brown", and "New Arrival". Nice stuff, and we don't really see this one that much these days. LP, Vinyl record album
(Orange label Bill Grauer pressing with deep groove. Cover has some wear and a small peeled spot.)

Possible matches75
CD, LP, Vinyl record album cover art
New Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve, Late 50s. Used ... Temporarily Out Of Stock
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print. Barcode has a cutout mark.)

Possible matches76
CD, LP, Vinyl record album cover art
New David Axelrod & OthersAxelrod Chronicles ... CD
Fantasy, Early 70s. New Copy ... Temporarily Out Of Stock
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – and the music represents Axe's key move to Fantasy after bigger label fame – a move that he made with Cannonball Adderley, who also figures in on some of these tracks. The CD features 8 tracks from Axelrod's Full Axe album – a tasty bit of funky fusion that's one of his best jazz-oriented releases – plus a sampling of tracks from other albums he produced and/or arranged for Fantasy. Titles from Full Axe include "My Family", "Mucho Chupar", "Don't You Worry 'Bout A Thing", and "Everything Counts" – and other tracks include "Cantaro" and "Solitario" by Gene Ammons, "Bach" and "Sierra Morena" by Hampton Hawes, "Quit It" by Nat Adderley, "Goodbye So Long" by Funk Inc, and "Stayin Place" from the Big Man 2LP set. CD
(CD case has a small cutout notch.)

Possible matches77
CD, LP, Vinyl record album cover art
New Miles DavisKind Of Blue ... LP
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing.)
Also available
Kind Of Blue (with bonus track) ... CD 2.99
Kind Of Blue (mono) ... LP 24.99

Possible matches78
CD, LP, Vinyl record album cover art
New Bill EvansEverybody Digs Bill Evans ... LP
Riverside, 1958. Used ... Temporarily Out Of Stock
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". LP, Vinyl record album
(Early 80s Japanese pressing, including the insert.)

Possible matches79
CD, LP, Vinyl record album cover art
New Gil EvansNew Bottle Old Wine ... CD
Pacific Jazz/Blue Note, 1958. Used ... Temporarily Out Of Stock
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". CD

Possible matches80
CD, LP, Vinyl record album cover art
New Louis HayesLouis Hayes ... LP
Vee Jay, Early 60s. Used ... Temporarily Out Of Stock
An excellent lost album on Vee Jay! The album's one of the few ever cut as a leader by Louis Hayes – a very soulful talent who's probably best known for his work with Horace Silver and Cannonball Adderley during the late 50s. Hayes' has a wonderful approach to the record – borrowing bits of the exoticism of his work with Silver, and bits of the harder soul jazz from Cannonball's group – all of which is played to perfection by a tight quintet that includes Yusef Lateef, Sam Jones, Barry Harris, and Nat Adderley. Tracks are all originals by the group, and titles include "Hazing", "Rip De Boom", "Teef", and "Sassy Ann". LP, Vinyl record album
(Beautiful original rainbow label pressing – in great shape!)

Possible matches81
CD, LP, Vinyl record album cover art
New Sam JonesChant ... LP
Riverside, 1961. Used ... Temporarily Out Of Stock
Early genius from Sam Jones – the kind of record that showed the world that he was way more than just a bass player – even though he was pretty darn great at that! At the time of the set, Sam was already raising plenty of ears with his work in the Cannonball Adderley group, an outfit that helped Jones find a whole new role for the bass in jazz. But here, he's working with a much larger group – a tentet that's filled with all star players that include Melba Liston, Cannonball Adderley, Blue Mitchell, Jimmy Heath, Victor Feldman, Tate Houston, and Les Spann – soaring through lively arrangements by Heath and Feldman that sit in a space between small combo soul jazz and larger group swing – a bit in the mode of some of Quincy Jones' best early 60s work on Mercury! Despite the large group, Sam's bass gets plenty of room to roam in the album – and titles include "The Chant", "Blues On Down", "In Walked Ray", "Blue Bird", "Four", and "Off Color". LP, Vinyl record album
(Blue label Bill Grauer pressing, no logo. Textured cover is nice, but has one light mark from an old sticker.)

Possible matches82
CD, LP, Vinyl record album cover art
New Willie MitchellMany Moods Of Willie Mitchell ... LP
Hi Records, Early 70s. Used ... Temporarily Out Of Stock
A killer album by Willie – hard and funky, with none of the sleepiness of his other records! The tracks have a tightly grooving, funky 45 type style – and Willie's blowing hard and tight, not gliding around the top dreamily, as on other records. Filled with loads of great cuts – like Monk Higgins' "Black Fox", Cannonball Adderley's "Sack O Woe", and the funky original "Breaking Point". LP, Vinyl record album
(Cover has some wear and a bit of splitting on the top seam, with a sticker and some small light stains on the back.)

Possible matches83
CD, LP, Vinyl record album cover art
New VariousFrom Route 66 to the Flamingo ... LP
Stateside/EMI (UK), Late 60s. Used ... Temporarily Out Of Stock
Smokin soul and instrumental tunes from the 60s – including many hard grooving New York jukebox hits! The compilation's issued by EMI – and the cuts are from 60s labels like Sue, Capitol, United Artists, and Blue Note, with a focus on the kind of storming tunes that would be big on a British northern soul dancefloor. There's a whopping 24 cuts in all – and the quality is excellent. Titles include "Loop De Loop" by The Soul Sisters, "So Far Away" by Hank Jacobs, "Sticks" by Cannonball Adderley, "Hey Girl" by Freddie Scott, "Lipstick Traces" by Benny Spellman, "Googa Mooga" by Freddie Roach, "Don't Put Me Down Like This" by Derek Martin, "You Can't Sit Down" by Phil Upchurch, and "She Put The Hurt On Me" by Prince La La. LP, Vinyl record album

Possible matches84
CD, LP, Vinyl record album cover art
New VariousHip Walk – Jazz Undercurrents In 60s New York ... LP
BGP/Ace (UK), 1960s. New Copy 2LP ... Temporarily Out Of Stock
A very groovy selection of tracks from the New York scene of the 60s – mostly tunes pulled from the Prestige and Milestone labels, and a mixture of soul jazz, modal jazz, and early funky jazz! The package features 13 tracks in all – with plenty rare numbers – and titles that include "Cantaloupe Woman" by George Braith, "The Village Caller" by Johnny Lytle, "Ca'Purange (Jungle Soul)" by Gene Ammons, "Love Theme From Spartacus" by Yusef Lateef, "Brother John" by Cannonball Adderley, "Muscle Soul" by Phil Upchurch, "Eastern Blues" by Gary Bartz, and the completely fantastic "Nuther'n Like Thuther'n" by Willis Jackson – worth the price of the LP alone! LP, Vinyl record album

Possible matches85
CD, LP, Vinyl record album cover art
New David AxelrodSongs Of Experience ... LP
Capitol, 1969. New Copy Gatefold (reissue)... Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". Reissued with the original gatefold cover and everything! LP, Vinyl record album

Possible matches86
CD, LP, Vinyl record album cover art
New Miles DavisJazz Track – Frantic ... CD
Fontana/Jazz Beat (Spain), 1957/1958. Used ... Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! CD
(Out of print.)

Possible matches87
CD, LP, Vinyl record album cover art
New Jazz At The PhilharmonicJazz At The Philharmonic In Europe (2LP) ... LP
Verve, Early 60s. Used 2LP Gatefold ... Out Of Stock
2 nice live sets – put together by Norm Granz, as a tour of the JATP all stars in Europe. Originally issued separately, but pretty much under the same title, the first LP brings together the hottest jazz stars of the day, and on this volume it includes Dizzy Gillespie, Cannonball Adderley, JJ Johnson, Coleman Hawkins and Roy Eldridge. There's a great jamming take on "Bernie's Tune" and a sidelong riffing version of "All The Things You Are", plus "Swedish Jam". The second album was issued ostensibly as a Dizzy Gillespie performance, but with like the first features some very strong guest stars! The core of the group is Diz's great one from the early 60s – with Lalo Schifrin on piano and Leo Wright on alto and flute, and they're joined by Stan Getz, JJ Johnson, and Candido for this tasty set of three long tracks: "Kush", "The Mooch" and "Wheatleigh Hall". LP, Vinyl record album
(Cover has some wear and small stains on back.)

Possible matches88
CD, LP, Vinyl record album cover art
New Nat AdderleyWork Song ... CD
Riverside, 1960. New Copy ... Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(CD case has a small cutout hole.)

Possible matches89
CD, LP, Vinyl record album cover art
New VariousMod Jazz ... CD
Kent (UK), 1960s/Early 70s. New Copy ... Out Of Stock
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. CD
Also available Mod Jazz ... LP 26.99

Possible matches90
CD, LP, Vinyl record album cover art
New Miles DavisKind Of Blue (Canadian pressing) ... CD
Columbia, 1959. Used ... Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Columbia Jazz Masterpiece pressing.)

Possible matches91
CD, LP, Vinyl record album cover art
New VariousFire ... CD
Garland, 1960s. Used ... Out Of Stock
Includes tracks by Cannonball Adderley, Eddie Harris, Lee Morgan, Yusef Lateef, Wynton Kelly, and Frank Strozier. CD
(Out of print.)
 
 
 



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