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Cannonball Adderley

 

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Exact matches: 43
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball & Nat AdderleySummer Of 1955 (Bohemia After Dark/Spontaneous Combustion/That's Nat) ... CD
Savoy, 1955. New Copy 2CD ... $8.99 24.98
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". Next is more material from the same stretch, originally issued under the title Spontaneous Combustion under Cannonball's name. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Spontaneous Combustion", "Caribbean Cutie", "A Little Taste", "We'll Be Together Again", "Still Talkin To Ya", and "Flamingo". Last up is the album That's Nat – a real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD

Exact matches2
CD, LP, Vinyl record album cover art
New Cannonball AdderleyAccent On Africa ... LP
Capitol, 1968. Very Good ... $6.99
Wickedly hip work from Cannonball Adderley – and one of his real standout sessions for Capitol Records in the 60s! The set lives up to its "Africa" promise right from the very first note – and features a set of loud, proud tunes that really bring out the righteous sounds of this generation of new liberation – tunes that sparkle with lead alto and soprano sax from Cannon, but which really draw even more energy from the whole collective of musicians on the record – a hip lineup led by HB Barnum, who also did all the arrangements for the set! The result is a record that's unlike any of Adderley's other albums – from some of the evocative snakey lines on the top, to the hip mix of 60s Cali soul and African percussion on the bottom. And oh yeah, David Axelrod produced the whole thing too! Titles include "Gumba Gumba", "Up & At It", "Hamba Nami", "Ndolima", and "Lehadima". LP, Vinyl record album
(Rainbow label pressing. NOTE: cover has staining & a few peeled spots.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyBest Of Cannonball Adderley – The Capitol Years ... CD
Capitol, 1960s. Used ... $3.99
CD

Exact matches4
CD, LP, Vinyl record album cover art
Cannonball AdderleyBest Of Cannonball Adderley (Capitol) ... LP
Capitol, 1960s. Very Good+ Gatefold ... $6.99
A nice collection of some of Cannon's bigger numbers for Capitol in the 60s – most of them longer tracks, some of them recorded live, with a bit of production help from David Axelrod! The grooves are firmly in place – not as tripped out and funky as later years, but a good updating of his early 60s soul jazz approach, handled with that clean Capitol sound. Titles include "Work Song", "Jive Samba", "Why Am I Treated So Bad", "Mercy Mercy Mercy", "Them Dirty Blues", and "Dat Dere". LP, Vinyl record album
(Red label pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ... $17.99 19.98
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
(On the Dusty Groove label.)

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley & Friends (2LP version) ... LP
Capitol, 1960s/1973. Very Good 2LP Gatefold ... $4.99
Very nice 2LP set that digs through Cannon's Riverside and Capitol recordings – and pulls together sides that he cut with famous guest players and singers, like Sergio Mendes, Nancy Wilson, Ernie Andrews, Charles Lloyd, Yusef Lateef, Eddie Vinson, and Bobby Timmons. The styles are very mixed up – but the record includes a lot of nice cuts that are hard to find on vinyl, like "Clouds", "Hold It", "Big City", "O Amor Em Paz", "Old Country", "Primitivo", "Dat Dere", and "Minha Saudade". LP, Vinyl record album
(Cover has some wear & a cutout hole.)

Exact matches7
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience/Tensity/Dialogues ... LP
Capitol, Late 60s. Good+ ... $0.99
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album
(Cover has light wear.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... $13.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Exact matches9
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Sextet In New York (Keepnews collection) ... CD
Riverside/Concord, 1962. New Copy ... $4.99 11.98
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD
(CD case has a small cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley With Sergio Mendes ... LP
Capitol/Everest, 1962. Near Mint- ... $9.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Batida Diferente", and "Sambop". Everest pressing of a Capitol album. LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Near Mint- ... $9.99
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing.)

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball's Sharpshooters ... LP
Mercury, 1958. Very Good+ ... $19.99
A set that's right on target, right from the start – and one that has the young Cannonball Adderley really coming into his groove! The set's a lot more soul jazz-oriented than some of Cannon's records from a few years before – played by a rock-solid group that includes brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – hitting a groove that's got plenty of nascent elements of that Cannonball sound that would virtually take over jazz in the 60s! Yet there's also a nicely different vibe going on here too – a bit less structure, and a looser approach to the mode – spun out with some modern moments too, on titles that include "Straight No Chaser", "Jubilation", "Our Delight", "Fuller Bop Man", and "Stay On It". LP, Vinyl record album
(Blue label pressing with deep groove. Cover has some wear.)

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyJive Samba/Lillie ... 7-inch
Riverside, Early 60s. Very Good ... $9.99
7-inch, Vinyl record
(Labels have some wear and a small sticker.)

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley ... CD
EmArcy/Verve, 1955. Used ... $11.99
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". CD
(Out of print.)

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley & Strings ... LP
EmArcy, 1955. Very Good- ... $11.99
An early album that features Adderley's beautifully edgey alto sliding nicely through a set of standards conducted by Richard Hayman. The album's not as strikingly emotive as other Verve "with strings"outings – such as the Charlie Parker & Strings sessions – but it is a great platform for the youthful Cannonball to do more than wail in a soul jazz kind of way, and it unlocks a much more thoughtful, introspective side of his playing not usually heard on record. A nice divergence from the usual – with titles that include "I Cover The Waterfront", "Two Sleepy People", "I'll Never Stop Loving You", and "Street Of Dreams". LP, Vinyl record album
(Blue label Mercury pressing, with deep groove. Cover has aging, some wear, a split bottom seam, some splitting on the spine and top seam, and a small rip at the opening.)

Exact matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. New Copy ... $11.99
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD

Exact matches17
CD, LP, Vinyl record album cover art
Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Very Good- ... $6.99
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Rainbow label pressing. Cover has light staining along the opening and a bit of light wear.)

Exact matches18
CD, LP, Vinyl record album cover art
Cannonball AdderleyPlanet Earth ... LP
Riverside/ABC, Early 60s/1969. Very Good+ ... $7.99
Excellent early 60s work by Cannonball Adderley – retitled here for release in the late 60s, but with a rock-solid soul jazz sound all the way through! The album features Cannon's sextet with Yusef Lateef and Joe Zawinul – and they're playing a number of Lateef compositions that have that mix of soul and exoticism that always sounded great. Most of the best tunes are long, and the band plays weaving modal solos over tight rhythms by Zawinul, Sam Jones, and Louis Hayes. Titles include "The Weaver", "Syn-anthesia", "Planet Earth", and "Brother John", one of Lateef's best! LP, Vinyl record album
(Cover has a promo sticker and some wear.)

Exact matches19
CD, LP, Vinyl record album cover art
Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, Early 70s. Very Good 2LP Gatefold ... $11.99
Classic funkiness with David Axelrod producing, and lots of funky electric piano by Joe Zawinul. Recorded live, when the group was at their best, and with 2 LPs worth of great originals – many by Zawinul. Titles include "Alto Sex", "Lonesome Stranger", "Wild-Cat Pee", "Soul Virgo", "Painted Desert", "Directions", and more! LP, Vinyl record album
(Cover has some light wear. Vinyl plays with a short click on side 2, track 4.)

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Good+ ... $44.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(63rd street pressing. Cover has light wear.)

Exact matches21
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... CD
Capitol (UK), 1972. New Copy ... $14.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". CD
Also available Soul Zodiac ... LP 24.99

Exact matches22
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Near Mint- 2LP Gatefold ... $24.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has some light wear.)
Also available Soul Zodiac ... CD 14.99

Exact matches23
CD, LP, Vinyl record album cover art
Cannonball AdderleySpontaneous Combustion ... CD
Savoy (Germany), 1955. Used ... $4.99
Tracks recorded back in 1955. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me",, "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie". CD
(Out of print.)

Exact matches24
CD, LP, Vinyl record album cover art
Cannonball AdderleyThem Dirty Blues ... LP
Riverside, 1960. Very Good- ... $11.99
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo and deep groove! Cover has some light stains along the opening.)

Exact matches25
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside/OJC, 1958. New Copy (reissue)... $15.99 17.98
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
Also available Things Are Getting Better ... LP 19.99

Exact matches26
CD, LP, Vinyl record album cover art
New Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good- ... $19.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo and deep groove. Vinyl has marks that click on two tracks. Cover has a bit of light wear, with some stains, a spot of sticker residue, and a bit of pen on the back.)
Also available Things Are Getting Better ... LP 15.99

Exact matches27
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Sextet In New York ... LP
Riverside/OJC, 1962. New Copy (reissue)... Around November 18, 2014
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". LP, Vinyl record album
Also available Cannonball Adderley Sextet In New York (Keepnews collection) ... CD 4.99

Exact matches28
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Very Good- ... Just Sold Out!
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Small blue label Bill Grauer Productions pressing with deep groove and microphone logo. Cover has a split top seam, a thin stain and some flaking on the opening, and small black bits on front.)

Exact matches29
CD, LP, Vinyl record album cover art
New Cannonball Adderley74 Miles Away/Walk Tall ... LP
Capitol, 1967. Used ... Temporarily Out Of Stock
A stone classic from Cannonball Adderley – and a pivotal set that has him continuing the live recording setting of some of his best 60s albums, while also stretching forward to some of the more inventive ideas of the latter part of the decade! David Axelrod produced, and the album's definitely got his ear firmly in place – a great way of bringing together the album's hip instrumentation – Cannon's alto, Nat Adderley's cornet, and the wicked electric piano of Joe Zawinul – played here in a style that would go onto have a huge influence on countless other musicians on the instrument. Rhythm is by Victor Gaskin on bass and Roy McCurdy on drums – and as with other Axelrod live albums, there's some great spoken bits left in the mix – Cannon's charming conversation with the audience, which really opens up the tunes. Titles include the 2 title hits – "Walk Tall" and "74 Miles Away" – plus "I Remember Bird", "Oh Babe", and "Do Do Do". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has a partially split spine & some wear.)

Exact matches30
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley & The Bossa Rio Sextet With Sergio Mendes ... LP
Capitol, 1962. Used ... Temporarily Out Of Stock
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". LP, Vinyl record album
(Cover has some wear and splitting.)

Exact matches31
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Black label mono pressing. Cover has a name in pen and a tear on the back paste-on.)
Also available Cannonball Adderley Quintet In Chicago ... CD 13.99

Exact matches32
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley Quintet In San Francisco ... LP
Riverside, 1959. Used ... Temporarily Out Of Stock
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! LP, Vinyl record album
(Blue label Bill Grauer pressing, with microphone logo, deep groove, and smaller label. Cover has a split spine & top seam.)

Exact matches33
CD, LP, Vinyl record album cover art
New Cannonball AdderleyIn The Land Of Hi Fi With Julian Cannonball Adderley ... LP
EmArcy, 1956. Used ... Temporarily Out Of Stock
The title's a bit of a mouthful, but a good description of the way Cannonball was presented in the years before his soul jazz groove firmly kicked in! The "hi fi" is a bit overstated – as the album's pretty much of a straight jazz record, featuring Cannon blowing lead solos in a large group arranged and directed by Ernie Wilkins. Bother Nat's on cornet, and other players include Jerome Richardson, Junior Mance, and Jimmy Cleveland. Titles include "Junior's Tune", "Blues For Bohemia", "Dog My Cats", "T's Tune", and "Casa De Marcel". LP, Vinyl record album
(Blue label Mercury pressing with deep groove.)

Exact matches34
CD, LP, Vinyl record album cover art
New Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. New Copy 2LP Gatefold (reissue)... Temporarily Out Of Stock
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
Also available
Soul Zodiac ... LP 24.99
Soul Zodiac ... CD 14.99

Exact matches35
CD, LP, Vinyl record album cover art
New Cannonball Adderley QuintetCannonbal Adderley Quintet Plus ... LP
Riverside, 1962. Used ... Temporarily Out Of Stock
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Cover's back paste-on has a small light stain and a small edge rip.)

Exact matches36
CD, LP, Vinyl record album cover art
New Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available Somethin' Else ... LP 44.99

Exact matches37
CD, LP, Vinyl record album cover art
New Cannonball Adderley QuintetHappy People ... CD
Capitol (Japan), 1972. New Copy ... Out Of Stock
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record – a set that isn't really bossa, but isn't regular Cannonball funk either – kind of a special hybrid of the two! Airto plays on the set, and contributed the great groover "The Happy People" – a long bit of funky samba that features George Duke on electric piano, and percussion and vocals by Airto himself. The rest of the album's pretty darn great too – with some long tracks that have a more open-ended groove than the usual Cannon funk – featuring more piano by Duke, percussion by Airto and King Errison, cornet by Nat Adderley, and guitar by David T Walker. Other titles include "Ela", "Maria Tres Filhos", and "Savior" – and the album was recorded live, with a very lively feel! CD

Exact matches38
CD, LP, Vinyl record album cover art
New Cannonball AdderleyPhenix ... CD
Fantasy, 1975. New Copy ... Out Of Stock
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". CD

Exact matches39
CD, LP, Vinyl record album cover art
New Cannonball AdderleyCannonball Adderley & The Poll Winners ... LP
Riverside, 1960. Used ... Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Side 2 has a mark that clicks a bit on track one. Cover has some wear, a split bottom seam, some splitting on the other seams, and some small light stains on the back.)

Exact matches40
CD, LP, Vinyl record album cover art
New Cannonball AdderleyJump For Joy ... LP
Mercury, 1958. Used ... Out Of Stock
An interesting early side by Cannonball that captures him before he'd really found his voice – and when the folks at Mercury still didn't really know what to do with him. The record's a tightly arranged set of tracks from Duke Ellington's musical "Jump For Joy" – with arrangements by Bill Russo, and small group playing that includes Emmett Berry, Bill Evans, Barry Gabraith, Jimmy Cobb, and a small string section. The sound's actually quite haunting – and Cannon's alto solos remind us more of some of the best "with strings" soloing heard on Verve in the early 50s than they do his later soul jazz classics on Riverside or Capitol. That's ok with us, though – because the session's still got a lot to offer in that respect, and Cannonball handles the solos wonderfully! Titles include "Bli Blip", "Just Squeeze Me", "Nothin", and "The Tune Of The Hickory Stick". LP, Vinyl record album
(Blue label Mercury pressing with deep groove. Cover has smoke discoloration around the edges.)

Exact matches41
CD, LP, Vinyl record album cover art
New Cannonball AdderleyLush Side Of Cannonball ... LP
EmArcy, Late 50s. Used ... Out Of Stock
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", "Lonely Dreams", and "Two Sleepy People". LP, Vinyl record album
(Black label Mercury pressing with deep groove. Cover looks nice overall, save for some moisture on the back along part of the opening.)

Exact matches42
CD, LP, Vinyl record album cover art
New Cannonball AdderleySoul Of The Bible ... LP
Capitol, 1972. Used 2LP Gatefold ... Out Of Stock
Prime material from Cannonball and David Axelrod – and despite the biblical leanings of the title, the record is pretty darn funky! As they did for the Zodiac, Cannonball and Adderley take a trip through a host of cultural milestones – stopping along the way to turn each one into a new pillar of soul, working with Rick Holmes, who narrates the set in the same way he did on the Zodiac albums. Brother Nat Adderley and George Duke are among the players in the album's very funky backing – and tracks include "Make Your Own Temple", "Amani", "Space Spiritual", "Eternal Walk", and "Gone". Oh for the days of the double LP concept jazz record! LP, Vinyl record album
(Original pressing. Cover has very light ringwear, small center splits in the top seams, and slight waviness along the bottom 2 inches.)

Exact matches43
CD, LP, Vinyl record album cover art
New Cannonball Adderley QuintetHappy People ... LP
Capitol, 1972. Used ... Out Of Stock
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record – a set that isn't really bossa, but isn't regular Cannonball funk either – kind of a special hybrid of the two! Airto plays on the set, and contributed the great groover "The Happy People" – a long bit of funky samba that features George Duke on electric piano, and percussion and vocals by Airto himself. The rest of the album's pretty darn great too – with some long tracks that have a more open-ended groove than the usual Cannon funk – featuring more piano by Duke, percussion by Airto and King Errison, cornet by Nat Adderley, and guitar by David T Walker. Other titles include "Ela", "Maria Tres Filhos", and "Savior" – and the album was recorded live, with a very lively feel! LP, Vinyl record album
(Cover has some wear & a mark from price sticker removal.)
 
Possible matches: 49
Possible matches44
CD, LP, Vinyl record album cover art
Nat AdderleyDouble Exposure ... LP
Prestige, 1975. Sealed ... $24.99
A lost chapter in the David Axelrod/Cannonball Adderley tradition – and one of Nat's best albums from the 70s! Nat's funky trumpet sits nicely in moody arrangements by David Axelrod and Jimmy Jones – and the group features electric piano by George Duke, plus guest playing by Cannonball Adderley, Hal Galper, and Johnny Watson. Includes a few cuts with vocals by Nat, done in a weird funky style that's vaguely similar to Eugene McDaniels. Titles include "Traffic", "Contant 19", "59 Go & Pass", "Quit It", "Watermelon Man", and "Song Of The Valez Diamond", which has some cool electronics! LP, Vinyl record album
(Shrinkwrap has a hole in front. Cover has a large cut corner.)

Possible matches45
CD, LP, Vinyl record album cover art
Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve, Late 50s. Used ... $6.99
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print. Barcode has a cutout mark.)

Possible matches46
CD, LP, Vinyl record album cover art
New Nat AdderleyIntroducing Nat Adderley ... LP
EmArcy, Late 50s. Very Good- ... $14.99
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". LP, Vinyl record album
(Blue label Mercury pressing, with deep groove. Cover has a split top seam, a small split on the bottom seam, some light wear, and a bit of pen on the back.)

Possible matches47
CD, LP, Vinyl record album cover art
Nat AdderleyMuch Brass ... LP
Riverside, 1959. Good ... $12.99
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album
(Small blue label Bill Grauer pressing with microphone logo and deep groove. Cover has light wear and a small center split in the spine.)

Possible matches48
CD, LP, Vinyl record album cover art
Nat AdderleyTo The Ivy League From Nat Adderley ... LP
EmArcy, Late 50s. Very Good ... $14.99
What was Nat's deal with the Ivy League? We can't figure it out, but the set's a strong one – with Nat in the lead, working in a group that's essentially the late 50s Cannonball combo. Cannon's on alto, Junior Mance on piano, Sam Jones on bass, and Charles Wright on drums – and Ernie Wilkins arranged the tunes with a sparkly soul jazz finish that's perfect for Nat's tone on cornet. Titles include a number of strong originals – such as "Jackleg", "Rattler's Groove", "Hayseed", "Fat Man", "Sam's Tune", and "Bimini". LP, Vinyl record album
(Blue label drummer logo pressing, with deep groove. Side 1 has a mark that clicks on tracks one through three. Cover has some oxidation on the front, a split bottom seam, some aging, minor splitting on the other seams, and some stains on the back.)

Possible matches49
CD, LP, Vinyl record album cover art
Nat AdderleyWork Song ... CD
Riverside, 1960. New Copy ... $4.99 11.98
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(CD case has a small cutout hole.)

Possible matches50
CD, LP, Vinyl record album cover art
Nat AdderleyYou, Baby ... LP
CTI/A&M, 1968. Very Good Gatefold ... $9.99
Nat Adderley demonstrates that he can be as funky as brother Cannonball in this nice set of short groovers recorded for CTI from the late 60s! The record is one of Nat's few funky ones, and he's got some nice backing by Joe Zawinul, Grady Tate, Ron Carter, and Jerome Richardson. Cuts have the tightly arranged style of the early CTI sessions – with Nat's solos bouncing over the top, and some nice tight grooving underneath. Titles include "Early Minor", "You Baby", "Denise", "Electric Eel", "Hang On In", and "Halftime". LP, Vinyl record album
(Nice heavy original pressing. Cover has some discoloration from age.)

Possible matches51
CD, LP, Vinyl record album cover art
Nat Adderley & The Big Sax SectionThat's Right! ... LP
Riverside, 1960. Very Good ... $9.99
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has discoloration from age, half split seams, and a name in pen.)

Possible matches52
CD, LP, Vinyl record album cover art
Gene AmmonsBrasswind ... CD
Prestige/Universal (Japan), 1973. New Copy ... $13.99
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved". CD
Also available Brasswind ... LP 6.99

Possible matches53
CD, LP, Vinyl record album cover art
Gene AmmonsBrasswind ... LP
Prestige, 1973. Very Good ... $6.99
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved". LP, Vinyl record album
(Cover has a cut corner.)
Also available Brasswind ... CD 13.99

Possible matches54
CD, LP, Vinyl record album cover art
David AxelrodHeavy Axe ... LP
Fantasy, 1974. New Copy (reissue)... $9.99
Although he's best known for his albums on Capitol, David Axelrod cut this great record for Fantasy during the mid-70s, and it features Cannonball Adderley producing Axelrod's work (instead of the other way around, as on Cannonball's albums from the time). The tracks here are a bit more jazz funk oriented than earlier stuff, but there's still the great Axelrod sense of composition, with lots of space, and lots of spare cold bits that are nice nice nice for sample cuts! As proof of this, the reissue includes his classic track "Everything Counts", plus other nice ones that include "Get Up Off Your Knees", "My Family", and "Mucho Chupar". LP, Vinyl record album

Possible matches55
CD, LP, Vinyl record album cover art
David Axelrod & OthersAxelrod Chronicles ... CD
Fantasy, Early 70s. New Copy ... $4.99 14.98
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – and the music represents Axe's key move to Fantasy after bigger label fame – a move that he made with Cannonball Adderley, who also figures in on some of these tracks. The CD features 8 tracks from Axelrod's Full Axe album – a tasty bit of funky fusion that's one of his best jazz-oriented releases – plus a sampling of tracks from other albums he produced and/or arranged for Fantasy. Titles from Full Axe include "My Family", "Mucho Chupar", "Don't You Worry 'Bout A Thing", and "Everything Counts" – and other tracks include "Cantaro" and "Solitario" by Gene Ammons, "Bach" and "Sierra Morena" by Hampton Hawes, "Quit It" by Nat Adderley, "Goodbye So Long" by Funk Inc, and "Stayin Place" from the Big Man 2LP set. CD
(CD case has a small cutout notch.)

Possible matches56
CD, LP, Vinyl record album cover art
David Axelrod & OthersEdge – David Axelrod At Capitol Records 1966 to 1970 ... CD
Capitol, Late 60s. Used ... $6.99
A great look at the genius of David Axelrod – the groundbreaking producer who recorded some incredibly hip albums at Captiol during the late 60s, but who's now only finally getting his due! Axelrod brought a whole new sensibility to the studio in his day – an approach that really stripped down the overly-cluttered modes of the era of Phil Spector and Brian Wilson, and which went instead for a spacious approach to the music that seemed to use silence as heavily as it did sound! Axelrod's genius was heard most famously on key 60s recordings by Cannonball Adderley and Lou Rawls for Capitol, but while at the label, he also got the chance to cut some incredibly mind-blowing albums on his own – and to work with some other artists who really benefited from his amazing touch in the studio. This set's a masterpiece – and it features 17 Axelrod numbers from the Capitol years – all hand-picked by Egon of Stones Throw (himself an Axelrod expert), and supported by comments from David himself! Titles include "House Of Mirrors" and "The Edge" by David McCallum, "Theme From The Fox" by Don Randi, "Tensity" by Cannonball Adderley, "Pula Yetla" by Letta Mbulu, "Lifetime Monologue" and "You've Made Me So Very Happy" by Lou Rawls, and "The Signs (part 1)", "Warning Talk (parts 1 & 3)", "The Smile", "The Mental Traveller", "The Fly", and "London" by David Axelrod himself. CD
(Barcode has a promotional sticker.)

Possible matches57
CD, LP, Vinyl record album cover art
Paul ChambersEase It (aka Go. . .) ... LP
Vee Jay/Yes To Jazz (Portugal), Late 50s. Very Good ... $7.99
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(UK pressing on Affinity.)

Possible matches58
CD, LP, Vinyl record album cover art
Miles DavisJazz At The Plaza Vol 1 ... CD
Columbia, 1958. Used ... $2.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". CD
(BMG music club pressing.)

Possible matches59
CD, LP, Vinyl record album cover art
New Miles DavisJazz Track ... LP
Columbia, Late 50s. Very Good- ... $11.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(6 eye pressing with deep groove.)

Possible matches60
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... $29.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing. Cover has some light wear.)
Also available
Kind Of Blue (with bonus track) ... CD 0.99
Kind Of Blue (Japanese pressing) ... CD 13.99
Kind Of Blue (mono) ... LP 24.99

Possible matches61
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Japanese pressing) ... CD
Sony (Japan), 1959. Used ... $13.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Includes obi.)
Also available
Kind Of Blue ... LP 29.99
Kind Of Blue (with bonus track) ... CD 0.99
Kind Of Blue (mono) ... LP 24.99

Possible matches62
CD, LP, Vinyl record album cover art
New Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $24.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available
Kind Of Blue ... LP 29.99
Kind Of Blue (with bonus track) ... CD 0.99
Kind Of Blue (Japanese pressing) ... CD 13.99

Possible matches63
CD, LP, Vinyl record album cover art
New Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $0.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
Also available
Kind Of Blue ... LP 29.99
Kind Of Blue (Japanese pressing) ... CD 13.99
Kind Of Blue (mono) ... LP 24.99

Possible matches64
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... LP
Columbia, 1958. Very Good ... $33.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(6 eye pressing. Cover has some wear. Vinyl plays with a short click on side two, tracks 1 & 3.)

Possible matches65
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2CD ... $9.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches66
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches67
CD, LP, Vinyl record album cover art
New Jimmy HeathNice People ... LP
Riverside, 1959. Near Mint- ... $7.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. 8 tracks in all, including "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". LP, Vinyl record album

Possible matches68
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith (non-RVG remaster edition) ... CD
Blue Note, 1957. Used ... $3.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". CD
Also available Here Comes Louis Smith (RVG remaster edition) ... CD 7.99

Possible matches69
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith (RVG remaster edition) ... CD
Blue Note, 1957. Used ... $7.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". CD
(BMG Direct pressing.)
Also available Here Comes Louis Smith (non-RVG remaster edition) ... CD 3.99

Possible matches70
CD, LP, Vinyl record album cover art
Joe ZawinulConcerto Retitled ... LP
Atlantic, Late 60s/1976. Near Mint- ... $3.99
Early recordings by Joe Zawinul as a leader – mostly tracks from the 60s, but issued by Atlantic in the mid 70s to work off Joe's growing fame in Weather Report! The set's got a sound that's a fair bit different than some of the more dynamic work that Joe was doing in the 70s – and many numbers are somewhat mellow, or somewhat modern – played with definite third stream jazz influences that show Zawinul's more serious side after years working as Cannonball Adderley's famous sideman. Together, the tracks actually create a wonderful tapestry of sound – one that's hardly a mis-matched batch of tunes from a variety of records, and which works surprisingly well as a whole! Titles include 2 numbers from his Rise & Fall Of The Third Stream album, combining motifs and an overall approach taken from contemporary classical composition with jazzy improvisation with a string quartet augmenting Zawinul's group – "From Vienna With Love" and "Concerto Retitled". Then there's 4 tracks from his hard to get soul jazz/hard bop side Money In The Pocket, "Del Sasser", "Sharon's Waltz", "My One & Only Love", and "Riverbed". And finally there's 2 numbers pulled from the spacious electric album Zawinul, "His Last Journey", and "In A Silent Way". LP, Vinyl record album
(Cover has some light wear.)

Possible matches71
CD, LP, Vinyl record album cover art
VariousMod Jazz ... LP
Kent (UK), 1960s/Early 70s. New Copy 2LP Gatefold ... $26.99
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album

Possible matches72
CD, LP, Vinyl record album cover art
VariousSave The Children ... LP
Motown, 1973. Very Good+ 2LP Gatefold ... $3.99
This one was kind of Motown's answer to the Wattstax albums – a double live set, recorded in Chicago during the Push Expo, headed by Jesse Jackson. The tracks here are more of a mixed bag than some of those on the deeper soul Wattstax albums, but there are some nice moments overall, buried in the large mix of music and artists – many of whom didn't normally record for Motown. The tunes are familiar, but they're presented here in some nicely different live takes. Titles include "Lean On Me" by Bill Withers, "Country Preacher" by Cannonball Adderley, "This Child Of Mine" by Zulema, "Everybody Plays The Fool" by Main Ingredient, "Give Me Your Love" by Curtis Mayfield, "I've Gotta Be Me" by Sammy Davis Jr, "I Wanna Be Where You Are" by The Jackson 5, "What's Going On" by Marvin Gaye, "Close To You" by Jerry Butler & Brenda Lee Eager, "On A Clear Day/Killer Joe" by Roberta Flack & Quincy Jones, and "Sunshine" by The O'Jays. Also features some dialogue by Jesse Jackson. LP, Vinyl record album
(Cover has some wear.)

Possible matches73
CD, LP, Vinyl record album cover art
MachitoKenya ... CD
Roulette, Late 50s. New Copy ... Around August 10, 2014 (delayed)
A classic Machito session from the 50s – with stunning arrangements by Mario Bauza and AK Salim! The record is a beautiful batch of Latin jazz tracks that shine with a sound that's unlike anything else Machito was doing at the time – and the band wails hard, with soloists that include Cannonball Adderley, Eddie Bert, Doc Cheatham, Johnny Griffin, and others – in a groundbreaking mix of straight jazz and Latin that still burns mightily today! Tracks include the great "Congo Mulence", a very tight groover, plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle. Very nice, and a very tight jazz sound! CD

Possible matches74
CD, LP, Vinyl record album cover art
Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. Used ... Just Sold Out!
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD
(Out of print.)
Also available Milestones ... LP 33.99

Possible matches75
CD, LP, Vinyl record album cover art
New Nat AdderleySayin' Somethin ... CD
Atlantic (Germany), 1966. Used ... Temporarily Out Of Stock
A stone killer from Cannonball Adderley's funky brother – one of the best soul jazz sets ever cut by Nat Adderley, and one done with a smoking 60s Atlantic Records groove! Nat's blowing trumpet throughout – and working in 2 different groups – one a larger ensemble with a tight soulful swing, arranged by Jimmy Wisner – the other a smaller combo with tenor from Joe Henderson and piano from Herbie Hancock! The whole thing grooves beautifully – and titles include "Gospelette", "Call Me", "Cantaloupe Island", "Hippodelphia", "The Other Side", and "Manchild". CD
(Out of print.)

Possible matches76
CD, LP, Vinyl record album cover art
New Miles DavisKind Of Blue (Canadian pressing) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Columbia Jazz Masterpiece pressing.)

Possible matches77
CD, LP, Vinyl record album cover art
New Gil EvansPacific Standard Time ... LP
Blue Note, Late 50s. Used 2LP Gatefold ... Temporarily Out Of Stock
Blue Note 2-fer that brings together some of Gil Evans' great modernist jazz pieces for the World Pacific label. The material was all recorded in New York in 1958 and 1959, and the groups include crack jazz players like Steve Lacy, Art Blakey, Cannonball Adderley, Johnn Coles, Elvin Jones, and Evans himself. The tracks are mostly standards, but they're given super-sharp arrangements by Evans, in the style that he was using for some of his work with Miles Davis. They also feature prominent soloists, also as with the Miles work, and titles include "Chant Of The Weed", "Lester Leaps In", "Round Midnight", "Manteca", and "Sruttin With Some Barbeque". 2 LPs, with a good essay on Evans' work. LP, Vinyl record album
(Cover has a cut corner.)

Possible matches78
CD, LP, Vinyl record album cover art
New Yusef LateefLost In Sound ... LP
Charlie Parker, 1961. Used ... Temporarily Out Of Stock
Yusef Lateef's one and only album for the Charlie Parker label – cut during a period when he's been making real waves in the jazz scene with work on Prestige and Savoy! The set's a bit more straight ahead than some of Lateef's more exotic sides of the time – focusing on his work on tenor, and going for a soulful hardbop approach that relatively upbeat and swinging, with traces of the work that Lateef was doing in the Cannonball Adderley group of the time. Players on the album include Vincent Pitts on trumpet, John Horman on piano, Ray McKinny on bass, and either George Scott or Clifford Jarvis on drums – and all tunes save two are originals, with titles that include "Outside Blues", "Blue Rocky", "Introlude", "Train Stomp", and "Trudy's Delight". LP, Vinyl record album
(Cover has a small split on the top seam & a light stain on the back.)

Possible matches79
CD, LP, Vinyl record album cover art
New Mangione Brothers SextetJazz Brothers ... CD
Riverside/OJC, 1960. New Copy ... Temporarily Out Of Stock
Think what you want about Chuck and his 70s hits, this version of the Mangione Brothers is a cooker! Chuck is on trumpet, Gap is on piano, and the rest of the group features Larry Combs on alto, Sal Nistico on tenor, Bill Saunders on bass, and Roy McCurdy on drums – all grooving in a nice soul jazz bounce that's clearly influenced by Cannonball Adderley – no surprise, since Cannon produced the set! Titles include the strong originals "Something Different", "Struttin With Sandra", "The Gap", and "Alice". CD

Possible matches80
CD, LP, Vinyl record album cover art
New Bobby TimmonsThis Here Is Bobby Timmons ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
Fantastic early work from pianist Bobby Timmons album – a set that shows all the brilliant young genius that marked his playing at the time! Although only a trio session, the album grooves with the best sort of vibe that you'd find in Bobby's recordings with Art Blakey or Cannonball Adderley – probably because of the excellent rhythm accompaniment by Sam Jones and Jimmy Cobb, who really make the album cook with a tremendous amount of energy! The set list is virtually the Bobby Timmons songbook, and includes classics like "This Here", "Dat Dere", "Moanin", and others – all done in lively soul jazz trio versions different than the famous renditions you probably already know! LP, Vinyl record album
(OJC pressing, with a torn obi. Cover has a partially unglued bottom seam and some creases.)

Possible matches81
CD, LP, Vinyl record album cover art
New Stanley TurrentineJoyride ... LP
Blue Note, 1965. Used ... Temporarily Out Of Stock
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation". LP, Vinyl record album
(80s DMM pressing. Vinyl has a short click on one track. Cover has some staining.)

Possible matches82
CD, LP, Vinyl record album cover art
New Stanley TurrentineJoyride (RVG remaster edition) ... CD
Blue Note, 1965. Used ... Temporarily Out Of Stock
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation" – and the CD features the bonus tracks "Gravy Train" and "A Kettle Of Fish". CD

Possible matches83
CD, LP, Vinyl record album cover art
New VariousSuper Breaks – Essential Funk, Soul & Jazz Samples and Breakbeats ... LP
BGP/Ace (UK), Late 60s/1970s. New Copy 2LP ... Temporarily Out Of Stock
20 killer funky sample tracks – all pulled from the legendary holdings of ACE/BGP! Some of the tracks on here have appeared on other compilations, but the set's put together extremely well, and has more than enough funk for a whole crate of records! Nearly every cut's been sampled at least more than once – and titles include "Blind Alley" by The Emotions, "Chick A Boom" by Pazant Brothers, "Eva" by Jean Jacques Perry, "Walk Tall" by Cannonball Adderley, "Baby Let Me Take You In My Arms" by Detroit Emeralds, "Bouncy Lady" by Pleasure, "Tramp" by Lowell Fulson, "Take Yo Praise" by Camille Yarbrough, "Thinking Single" by The Counts, "Different Strokes" by Syl Johnson, "Ike's Mood" by Isaac Hayes, "What A Man" by Linda Lynell, and "Smokey Joe's La La" by Googie Rene. Funky funky! LP, Vinyl record album

Possible matches84
CD, LP, Vinyl record album cover art
New Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Used ... Out Of Stock
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
(70s pressing.)
Also available Jazz At The Plaza Vol 1 ... CD 2.99

Possible matches85
CD, LP, Vinyl record album cover art
New Miles DavisMilestones ... CD
Sony, 1958. Used ... Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Columbia Jazz Masterpieces pressing – with a blue border around the cover image.)
Also available Milestones ... LP 33.99

Possible matches86
CD, LP, Vinyl record album cover art
New Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... Out Of Stock
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD

Possible matches87
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New Bernard PurdieBernard Purdie's Soul To Jazz ... CD
Act/Blue Jackel, 1996. Used ... Out Of Stock
Bernard Purdie takes a trip down 40 years of soul jazz history – starting with late 50s jazz experiments by Art Blakey, Cannonball Adderley, and others – and working his way up through 60s soul and 70s funk! The set's got a slightly polished feel, but still plenty of nice moments – with soloists that include Michael and Randy Brecker, Eddie Harris, and Nils Landgren, plus larger arrangements by the WDR Big Band, conducted by Gil Goldstein. Titles include "Moanin", "Superstition", "Iko Iko", "Senor Blues", "Sidewinder", "Freedom Jazz Dance", "Work Song", "Land Of 1000 Dances", and "Brother Where Are You". CD

Possible matches88
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New David AxelrodSongs Of Experience ... LP
Capitol, 1969. New Copy Gatefold (reissue)... Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". Reissued with the original gatefold cover and everything! LP, Vinyl record album

Possible matches89
CD, LP, Vinyl record album cover art
New Nat AdderleyWork Songs (Work Song/That's Right) ... LP
Riverside, 1960. Used 2LP Gatefold ... Out Of Stock
Milestone 2-fer combining two of our favorite late 60s soul jazz LPs, that practically defined the genre – Work Song and That's Right! "Work Song" was a whopping hit for Nat, plus Cannonball's killer "Sack O Woe", played here by a firey group that includes the great Bobby Timmons on piano, and Wes Montgomery on guitar, making a rare non-leader group appearance. On the second set Nat's trumpet is backed up by a "big sax section" – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. 17 tracks in all, including "Tadd", "The Old Country", "Chordnation", "ESP", "Scrambled Eggs", "Pretty Memory", and "Fallout". LP, Vinyl record album
(Vinyl has some marks that click a bit on two tracks. Cover has some wear, a few stains, and some waviness on the back.)

Possible matches90
CD, LP, Vinyl record album cover art
New Miles DavisJazz Track (mono) (2013 Black Friday Release) ... LP
Columbia, 1958. New Copy (reissue)... Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Limited numbered edition.)

Possible matches91
CD, LP, Vinyl record album cover art
New Ramsey LewisBarefoot Sunday Blues ... LP
Argo, 1963. Used ... Out Of Stock
One of the strongest early albums by the Ramsey Lewis Trio – especially because it features some great original material! The group – with the usual Redd Holt and Eldee Young lineup – is augmented by Chris White on a few tracks, who plays bass while Young switches to cello, an instrument that he played better in jazz than just about anyone. Apart from the group's great title reading of Cannonball Adderley's "Barefoot Sunday Blues", the record also features original tracks "The Train Won't Wait", "Come On Baby", "I Spend My Life", "Act Like You Mean It", "Salute To Ray Charles", and "Don't Even Kick It Around". Also includes Charles Lloyd's evocative composition "Island Blues". LP, Vinyl record album
(Grey label Argo pressing. Cover has a name in marker on back.)

Possible matches92
CD, LP, Vinyl record album cover art
New VariousHip Walk – Jazz Undercurrents In 60s New York ... LP
BGP/Ace (UK), 1960s. New Copy 2LP ... Out Of Stock
A very groovy selection of tracks from the New York scene of the 60s – mostly tunes pulled from the Prestige and Milestone labels, and a mixture of soul jazz, modal jazz, and early funky jazz! The package features 13 tracks in all – with plenty rare numbers – and titles that include "Cantaloupe Woman" by George Braith, "The Village Caller" by Johnny Lytle, "Ca'Purange (Jungle Soul)" by Gene Ammons, "Love Theme From Spartacus" by Yusef Lateef, "Brother John" by Cannonball Adderley, "Muscle Soul" by Phil Upchurch, "Eastern Blues" by Gary Bartz, and the completely fantastic "Nuther'n Like Thuther'n" by Willis Jackson – worth the price of the LP alone! LP, Vinyl record album
 
 
 



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