All Categories — LPs  

A pair of great albums – brought together in one super-heavy package! First up is the legendary East Of Underground record – an uber-obscure LP recorded in 1971 by a group of US Army serviceman at the Armed Forces Network studios in Frankfurt, Germany – originally used as a recruiting tool during the Vietnam war! Given the strength of the set, we wouldn't be surprised if plenty of folks signed up for a tour of duty after hearing it – as the set cooks like some of the best American funk from the indie 45 world at the time. The production is nice and dark – with an echoey quality that makes us guess the album was a live recording – done by American servicemen with the feel of some backroom funk show from the Indy or Ohio scene of the 70s. Some of the tracks are familiar numbers from American hits – but redone here with a nicely gritty feel – and titles include the awesome medley "Bet'Ya Never Lose My Love California Dreamer" – plus "Higher", "Smiling Faces", "Hell Below", "Getting Over", "Popcorn/Santana", "I Love You", "Java Girl", and "Walk On By". The set also includes the Soap album – a very similar record with a mix of rock and soul, done with the same sort of US Army-endorsed approach – and some great raw production that really makes the album sparkle! Many tunes are covers, but they're played here with a gritty live energy – so that even the rock tunes feel a bit funky at times – given a really odd edge. Titles include weird versions of "Uncle Albert", "Ticket To Ride", "Southern Man", "I Just Want To Celebrate", "Get Together", and "Walk Away".

Wonderful work from Ty Karim – an LA singer from the 60s, just waiting to be rediscovered! Ty might not be the biggest name in California soul, but she's a hell of a great talent here – starting out in the 60s with upbeat Northern Soul groovers – then moving into the 70s with material that's even deeper, and a bit more sophisticated – laidback numbers that really show a maturation in style, and which are filled with wonderful twists and turns! Ty's vocals have a burning quality that's quite surprising, given her kittenish look on the cover – and as the themes get hotter, her singing gets even more righteous – making the whole package a really wonderful journey in soul. And although most of these numbers were issued (or recorded, but unissued) by tiny indie labels, they often have a very full, spacious approach to production – one that's really trying to hit the heights of Detroit or New York at the time. A good number of these cuts weren't issued at the time, and together with the rare singles, they really go a long way towards filling in the gaps in Ty's too-short career on record. Titles include "Lighten Up Baby", "Help Me Get That Feeling Back Again", "Only A Fool", "All At Once", "Don't Let Me Be Lonely Tonight", "Wear Your Natural Baby", and "Don't Make Me Do Wrong".

A great little title for this stone cooker – as The New Mastersounds play with enough raw funk energy, the could easily crack the coast of northern California! We've loved these guys for years – and they still blow us away with their razor-sharp energy – a mindblowing sense of perfection that's still deeply funky and very spontaneous – not slick or smooth, as musicians of this caliber could easily be – but delivered as a socking punch to the rest of the deep funk underground – as proof that if you've been playing together this long, you can rise to the top of the heap with an amazingly funky sound! The guitar of Eddie Roberts is sublime, the drums of Simon Allen are nice and heavy, and the organ of Joe Tatton really cooks the whole thing together – on tracks that include "You Mess Me Up", "Yo Mamma", "Mission Creep", "Ding A Ling", "Turncoat", "Make Up Your Mind", "Each To Their Own", and "Welcome To Nola".

The fun fun soundtrack to Rock 'N' Roll High School – that gloriously, knowingly trashy Roger Corman produced movie vehicle for the Ramones! Of course The Ramones are all over he soundtrack, but it's got a bunch of 70s new wave and hard rock from Devo, Eno, Nick Lowe, Todd Rundgren and more. Includes "Rock N Roll High School", "I Want You Around", a medley of "Blitzkrieg Bop", "Pinhead", "California Sun" and more by The Ramones, "Come Back Jonee" by Devo, "Energy Fools The Magician" by Eno, "So It Goes" by Nick Lowe, "School Days" by Chuck Berry, "School's Out" by Alice Cooper and more.

A lost bossa classic from Wanda De Sah – aka Wanda Sa, the wife of Edu Lobo, and a singer who worked with Sergio Mendes in his pre-Brasil 66 days! The album's got a wonderfully laidback feel – languid, yet jazzy, with the feel of some of Astrud Gilberto's best work on Verve, yet with vocals that are possibly better – thanks to Wanda's pedigree in Brazilian pop. Recordings were done in California, not Rio – and arrangements are handled by the great Jack Marshall – who's got a strong ear for keeping things interesting with a mix of strings, Latin rhythms, and Capitol pop shadings. Titles include "Aqua De Beber", "Ho Ba La La", "Sweet Happy Life", "The Dreamer", and a great version of "Aruanda".

A tightly-curated soundtrack for the Source Family documentary – a film the looks at the California commune and spiritualist refuge of Father Yod and his followers – and a creative engine for the psych folk sounds of Father, The Source Family, Ya Ho Wa 13 and others! It features 1973 and 1974 recordings by the sprawling collective – with songs credited to Father Yod & The Spirit Of 76, Ya Ho Wa 13 and Father And The Original Source Family and others– and it's probably the best and most accessible compilation of the commune's recorded output that we've ever heard. They probably recorded hundreds of songs, chants and jams the early-to-mid 70s, but this set has just 14 – ranging from weird spiritual folk soul tunes, to gorgeous female choruses, to freaky guitar and drums heavy jams. It's as great of a jumping in point to The Source Family groove as we've ever seen! Includes "Home", "How Long In Time", "Every Morning", "Man The Messiah", "Godmen", "Chant 10", "I'm Gonna Take You Home", "Expansion", "Kahoutek", "Penetration", "Contraction" and more.

A perfect example groove that got The Undisputed Truth big hit fame in the early 70s – sort of a rumbling funk, full-on approach, using male/female vocals in kind of a "wall of soul" approach. Includes the huge hit "Smiling Faces Sometimes", plus lots of covers of cool tracks like "California Soul", "Like A Rolling Stone", "Ball Of Confusion", and "You Got The Love I Need". Norman Whitfield production all the way through, with a lot of nice twists similar to those he was taking with other Motown groups at the time.

Quite possibly the most beautiful record we've ever seen from the folks at The Numero Group – and that's saying a lot, given the quality of all their top-shelf releases! This beautiful edition features a hardcover book of vintage black and white photographs taken on Chicago's south side in the mid 70s – images of patrons and proprietors from long-lost nite spots that include Perv's House, Pepper's Hideout, The High Chaparral, and The Showcase Lounge – all the kind of clubs that were likely to feature the sort of Chicago funk and soul that Numero's been reissuing for the past few years! The images are amazing – a really rare look into the community that supported this sort of music – caught far far from the mainstream, in placed that were almost even private, compared to more well-travelled entertainment outlets. Photographs come from the collection of Michael Abramson – and are beautifully reproduced on LP-sized pages, in a book that also features some vintage flyers, posters, and business cards from the clubs! And if that's not enough, Numero also throws in some great notes of their own, and a bonus 2LP set with music that includes "I'm A Streaker Baby" by Arelean Brown, "No Better Time Than Now" by Ricky Allen, "The Same One" by Malcolm Simmons, "You Made Me Suffer" by Andrew Brown, "This Is My Prayer" by Lady Margo, "It's A Dream" by Little Ed & The Soundmasters Band, "I Sayed That" by Slim Willis Band, "Bring It Down Front" by Hugh Hawkins, "Womans Lib" by Lucille Spann, "Gimmie Some Of Yours" by Artie White, "Baby" by Walter Butterball Davis, "Is It Because I'm Black (inst)" by Syl Johnson, "Goose Walk" by Little Mack, "Young Blood" by Detroit Jr, "California Lady" by James Kinds & Stack, and "I Learned My Lesson" by Willie Davis. The albums are packaged in their own Numero-like cover – then nestled in a slipcover with the book – a hell of a sweet set at this price, and it also comes with an introduction by Nick Hornby!

Groovy psychedelic rock from Brazil – the self-titled effort from Ronnie Von – a Brazilian television personality and musician who stayed incredibly busy from late 60s through the 70s – but recorded few albums as sublime as this album from 1968! It's really a near-perfect batch of sunshine rock – sung in Portuguese and featuring some of the similar freeform sounds of his Brazilian contemporaries of the time – with groovy western touches in the instrumentation. Ronnie's vocals are backed up by organ washes and piano, buzzing guitars and walloping drums – but the overall feel is quite melodic. A wonderful blend of California sunshine and Brazilian rock grooves! Tracks include "Meu Novo Cantar", "Chega De Tudo", "Espelhos Quebrados", Anarquia", "Esperahca De Cantar", "Contudo, Todavia", "Anarquia", "Mil Novecentos E Alem", "Canto De Despedida" and more – plus 6 bonus tracks!

The one-and-only record by Anonymous – a mid 70s Indianapolis group who only ever pressed up a few hundred copies – and now it's one of best and most desired private press gems of its time! It's got a great sound that bears the influences of some of the great California combos of the period – think The Byrds and Crosby Stills Nash & Young – with great lead and harmony vocals and brilliant acoustic guitar work. What's most remarkable is that their songs and performances live up to those groups – it really seems like the only thing that held them back was the lack of a big production budget, promotion and distribution. Talent-wise, they have the goods! A really solid, timeless set. Includes "Who's Been Foolin'?", "J Rider", "Up To You", "Shadow Lay", "Pick Up And Run", "We Got More", "Sweet Lilac" and "Baby Come Risin'". This first ever licensed re-release feature liner notes by Aaron Milenski of Acid Archives.

A massively tripped-out set of guitar-based funk – played to perfection by the legendary Eddie Hazel, best known for his work in the George Clinton P-Funk empire! The album offers a different side of Eddie's talents – one that's produced with a smoothly compressed California groove, in a mode that's almost an extension of some of the themes explored by Shuggie Otis on his own 70s albums – taken with a bit more of a P-Funk style. George Clinton produced the set with Eddie – and the tunes have a nice slow-stepping groove that really opens up the guitar solos wonderfully. The record kicks off with a massive cover of "California Dreamin" – but the whole thing's great, with a wonderfully unified feel throughout! Other titles include "Frantic Moment", "What About It?", "So Goes The Story", "Physical Love", and a great cover of "I Want You (She's So Heavy)".

A well-titled record, as Albert King here plays with the large sound and big tone that would make him one of the best up-and-coming bluesmen of the 60s – a key player in the already-electrified generation, and possibly the greatest example of the new confidence that was coming into the genre at the time! This early King Records session captures Albert at a great early point in his career – a bit free of some of the more standard modes that would come with his later fame – yet already a hell of a powerhouse on the scene. Titles include "Let's Have A Natural Ball", "Travelin To California", "Dyna Flow", "This Funny Feeling", "I've Made Nights By Myself", and "I Walked All Night Long".

A classic album of jazzed-up funk – the one lasting legacy by this oft-sampled group – reissued here with its original title and cover art! 9th Creation originally hailed from west of the Bay Area scene of the 70s – and this album was recorded in Oakland with the same sweet jazzy finish as work by some of the other big Northern California funk acts of the time, especially Pleasure, who are the closest comparison to the group's sound. The album is best known for the cut "Bubble Gum" – a great number with lots of jazzy changes, and a modern funky groove that still sounds pretty darn fresh – but the whole album is totally great, and filled with plenty of other songs that have the same feel as the title cut! Tracks include "Sexy Girl", "Quit It", "Falling In Love", "We Need Love", and "Rule Of Mind".

REM's major label debut – the culmination of years spent inching closer and closer to the mainstream – and one of the best examples of the past several decades of a band rooted in the indie rock underground reinventing themselves as superstars, without compromising their uniqueness or overall greatness! The previous couple of albums showed that REM was capable of producing songs with sing-a-long potential – and more powerful rock songs – along with their uniquely moody, often acoustic-based songcraft. This is where they took the biggest step yet in that direction. Michael Stipe really stepped out his shell like never before around this time, and his evolution from indie rock poet to extroverted showman is amazing. Titles include "Pop Song 89", "Get Up", "You Are Everything", "Stand", "World Leader Pretend", "The Wrong Child", "Orange Crush", "Turn You Inside Out", "Air Shirt" and "I Remember California".

Fantastic! The lost link in the Chicago soul scene of the 60s was Baby Huey – and he was a pretty darn big link too, if you've ever seen him in pictures! Weighing in at about 300 pounds, Baby Huey was sort of a rockin' soul star who played clubs on both sides of the city, to audiences of all types – working in a party-styled blend of funk, rock, and soul that was one of the most powerful grooves going down in the Windy City at the time! Huey sadly passed away at a very young age, leaving only this full album as his legacy – a great batch of hard-hitting soul tracks that are among some of the funkiest work ever recorded for the legendary Curtom label! The set includes Huey's classic version of "Mighty, Mighty", a club favorite from the live shows – plus the excellent Curtis Mayfield tune "Hard Times", famous as an oft-used sample track! Other titles include "A Change Is Going To Come", "California Dreamin", "Running", and "Mama Get Yourself Together".

Classic folk blues from Big Joe Williams – an artist who was really getting his due with 60s sessions like this! The album's a rare gem from the early years of Arhoolie – and is a great illustration of the way the label was sensitive to musicians like Williams – and really let them do their thing at a level that's kept the music feeling timeless for years. Material was recorded in California, and Joe's great vocals are backed by his own inventive work on nine string guitar! Titles include "I Want My Crown", "Mean Stepfather", "Shake Your Boogie", "Vitamin A Blues", "So Glad", and "Forty Four Blues".

Very groovy work from the Four King Cousins – a sweet quartet of lovely voices peeled off of the larger King Family ensemble, singing here in a spare and syncopated groove with lots of late 60s Capitol touches! Maestro Lex De Azevedo produced, arranged, and conducted – and the album's got a really unified sound that links together harmonies from Sunshine Pop and a bit of the loping styles that were showing up in mainstream easy at the time – a sublime blend of vocals and lightly snapping rhythms that's totally outta site! All tracks are covers, but done in really wonderful versions – and tunes include the great Roger Nichols track "I Fell", plus "Love So Fine", "God Only Knows", "California Nights", "This Girl's In Love With You", and "I Wanna Be Free".

One of the best early efforts to pair the great Sam Lightin Hopkins with accompaniment – in this case, the rollicking drums of Spider Kilpatrick – bring just a little bit of early 60s boogie to Sam's charismatic blues! The electric guitar and bluesy storytelling style of Sam sounds great in all recording situations if you ask us, but this pared down duo style with Spider works really well. A great early Arhoolie album from Sam & Spider. Includes "Meet You At The Chicken Shack", "Once Was A Gambler", "Ice Storm Blues", "Do The Boogie", "Goin' Out", "California Showers" and more.

An amazing batch of sophisticated soul tracks – and a favorite with the righteous groove scene! On the surface, the record's a combination of jazz and soul tracks in the same mode that you'd find on some of Nancy Wilson's albums for Capitol during the same time – but digging deeper, you'll find an undercurrent of politics, feminism, and social commentary delivered with surprising intensity. Marlena Shaw's voice is generally sweet, but she's set up in some extremely powerful arrangements by Richard Evans and Charles Stepney that recast even the simplest phrase into a whole new setting of strength and pride – and Bobby Miller of Dells fame also helped make the record what it is, and helped write some of the best songs on the record. The set includes Marlena's classic original reading of "Woman Of The Ghetto", which has been sampled by just about everyone, plus "California Soul", which has a nice hard break, and the tunes "Liberation Conversation", "Where Can I Go?", and the original version of "Go Away Little Boy" – as sweet a statement of womanhood if there ever was one!

Finally a strong full-length from Nu-Mark – the myriad strengths of which were amply hinted up via the epic 10" series that led up to it – and an album that packs plenty of diverse, timeless beatcraft and stellar guests on the mic! Nu-Mark's got a sharp, crisp edge with his beats – one that really seems to set a new sort of fire without ever being too overly-aware of its own style – often with these soulful undercurrents that help his music reach way past the usual, too! Vocals and rhymes are by a great batch of A-list talents – including Aloe Blacc, Charles Bradley, Bumpy Knuckles, Ernie Hines, Large Professor, J-Live, and Tiron – and one cut even features some sweet funky touches from Quantic. Titles include "Oya Indebure", "Tropicalifornia", "Tough Break", "Feel The Way About It", "Vengeance Is Mine", "Dumpin Em All", "Our Generation (re-edit)", "When You Sleep", "Never Be Wrong", "Times Is Rough", and "Tonight".