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Blues Spectrum

 

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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
Milt JacksonBig Band Bags (Big Bags/For Someone I Love – Milt Jackson & Big Brass) ... LP
Riverside/Milestone, 1962. Very Good 2LP Gatefold ... $6.99
Two excellent early 60s sides from Bags, both casting him in a larger setting than the smaller, tighter ensembles he typically worked in. On Big Bags Jackson takes on a set of 10 standards (mostly) with some help from Tadd Dameron and Ernie Wilkins on larger group arrangements! Milt's the primary soloist, buoyed by an orchestra built around a rhythm section of Hank Jones, Ron Carter and either Connie Cay or Philly Joe on drums, plus loads of great horn players like Clark Terry, Nat Adderley, Melba Liston, James Moody and Jimmy Heath among others. Includes renditions of "Old Devil Moon", "'Round Midnight", "The Dream Is You", "You'd Be So Nice To Come Home To", "Echoes", "If You Could See Me Now", "Star Eyes", "Namesake", "If I Should Lose You", and "Later Than You Think". The second album of this set is also a surprisingly nice pairing – the vibes of Milt Jackson and some larger horn backings that fall heavy on the trumpet and trombone side of the spectrum! The sound's not nearly as heavy or hokey as you'd expect – thanks to arrangements by Melba Liston – and the horns do a nice job of setting a scene that lets Milt's vibes sneak in and out with effortless ease – coloring things with a great one, and a very rhythmic feel. The album's worth it for one track alone – the really great "Bossa Bags", which grooves with a sound that's everything you'd expect from the title! Other tracks include "Extraordinary Blues", "Save Your Love For Me", "For Someone I Love", "Days Of Wine & Roses", and "Just Waiting". LP, Vinyl record album
(Cover has ring & edge wear.)

Possible matches2
CD, LP, Vinyl record album cover art
Milt JacksonFor Someone I Love – Milt Jackson & Big Brass ... LP
Riverside, Early 60s. Very Good+ ... $6.99
A surprisingly nice pairing – the vibes of Milt Jackson and some larger horn backings that fall heavy on the trumpet and trombone side of the spectrum! The sound's not nearly as heavy or hokey as you'd expect – thanks to arrangements by Melba Liston – and the horns do a nice job of setting a scene that lets Milt's vibes sneak in and out with effortless ease – coloring things with a great one, and a very rhythmic feel. The album's worth it for one track alone – the really great "Bossa Bags", which grooves with a sound that's everything you'd expect from the title! Other tracks include "Extraordinary Blues", "Save Your Love For Me", "For Someone I Love", "Days Of Wine & Roses", and "Just Waiting". LP, Vinyl record album
(Turquoise label Orpheum pressing. Great heavy glossy cover!)

Possible matches3
CD, LP, Vinyl record album cover art
New Lee KonitzAn Image – Lee Konitz With Strings ... LP
Verve, 1958. Very Good ... $26.99
A rare "with strings" session for altoist Lee Konitz – recorded back in his great years with Verve, set to wonderful arrangements from a young Bill Russo! The style here is a bit darker and more spare than some of the other albums of this type from the time – and Russo brings plenty of somber tones to the record – not in a bad way, but in a style that lets Lee's horn be the most strongly redeeming feature of the session – often stepping forth in relatively unfettered mode, with many of the strings at the lower end of the sound spectrum. Titles include the extended "An Image Of Man", plus "What's New", "Blues For Our Children", "The Daffodil's Sake", and "Music For Alto Saxophone & Strings". LP, Vinyl record album
(Verve Inc pressing – with trumpeter logo and deep groove. Cover spine is split, but the rest is nice.)
 
Partial matches: 1
Partial matches4
CD, LP, Vinyl record album cover art
New Jimmy SmithWho's Afraid Of Virginia Woolf? ... LP
Verve, 1964. Used Gatefold ... Out Of Stock
A real treasure, and a record that may well be our favorite Jimmy Smith album for Verve – a masterful meeting of his smoking Hammond work with some swingingly sophisticated arrangements by Oliver Nelson and Claus Ogerman! Both Nelson and Ogerman bring a fuller spectrum of horn work to the album than heard on other Smith sides of the time – using an almost orchestral approach to the backings, one that pushes Jimmy even further into the stratosphere as he solos madly on the organ! But don't think that the larger backings are clunky at all – because they're not – and there's a surprisingly deep soul to all the proceedings on the album, making it one of the tightest, grooviest, and deeply soulful records that Jimmy cut after leaving Blue Note! The LP includes two very long cuts – killer versions of "Who's Afraid Of Virginia Wolf" and "Slaughter On 10th Avenue" – plus shorter takes on "Bluesette", "Women Of The World", and "Wives & Lovers" that are all plenty amazing too! LP, Vinyl record album
 
 
 
 



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