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Obscure spiritual avant garde material, recorded in San Francisco by the little-known sax player Ray Collins. One track on the album, "Catchin The NY Subway", is fairly straight, and played with a larger group. The rest are sparer, and more out – and include "Images of Africa", a duet with pianist Rudi Abdullah Mwongozi; "Hiroko" a soprano duet with bassist Mark Izu; and "Farewell to Rufus G", a haunting and short work on soprano sax.

Great work from the trio of singer Francoise-Franca Cuomo – a singer with a great blend of experimental modes and European inflections – easily one of the freshest jazz vocalists we've heard in years! The instrumentation here is very spare – just bass and piano – both played with evocative shifts in tone and timing, to match Cuomo's inventive style of singing – a blend that, all together, reminds us somewhat of the more experimental spare Sheila Jordan sessions from years back – although there's also some spoken passages here in French, which definitely give the record a different feeling, and an influence from blues that's bubbling underneath. Music includes a fair bit of songs from rootsy sources, turned towards more offbeat phrasing – and titles include "Alabama Blues", "Le Blues", "Viens Baby", "No Images", "Dealer/Harlem", "Speech", "Vietnam Blues", and "Black Brown & White".

The life story of Buddy Guy – one of the the key blues figures to come out of our Windy City home! David Ritz helps shape the story, but the book is definitely in Buddy's own words – which vividly paint a picture of both the Chicago scene, and the growing global world that began to appreciate the talents of Guy and his contemporaries – as well as a myriad of little trials and tribulations that show that the road to fame was never an easy one for Buddy – even after he thought that he'd made it! The book is a very lively read, but also has some heft too – and is 276 pages, hardcover, with some black and white images.

A pair of classics from John Hartford – with bonus tracks too! First up is Aereo Plain – a groundbreaking album from the young John Hartford – not really folk, not really country – but a unique hybrid of both, and done with a good ear for unique sounds as well! Hartford's a really unique artist, especially at this key point in his career – and he's working here with producer David Bromberg, who himself was also helping to reinvent acoustic music at the time. The Warner Brothers placement of the record is key – as Hartford's got this sense of the past, mixed with the irony of the present – one which strongly echoes some of the hip rock contemporaries on the label, particularly the up and coming brand of post-Sunset LA talents. Titles include "Turn Your Radio On", "Up On The Hill Where They Do The Boogie", "First Girl I Loved", "With A Vamp In The Middle", and "Tear Down The Grand Ole Opry". Next is Morning Bugle – a record that's even rootsier than John's first for Warner – with just a bit of bass backing from Dave Holland, and excellent guitar from Norman Blake next to Hartford's own banjo. As before, the lyrics have this really unusual bent – steeped in images of the past, but with the sensibilities of the present – particularly the left-leaning politics of the early 70s time in which the album was recorded. Titles include "Streetcar", "My Rag", "Old Joe Clark", "On The Road", "Howard Hughes Blues", and "Got No Place To Go". 2CD set features 8 bonus tracks too – including "Airport Floor", "Back Up & Push", "Flower Power Died", and "Weave & Way".

If you can forgive the title of this one, you'll find it to be a very groovy record! The album's a killer batch of funky instrumentals ("black sound") recorded in Italy in 1972 by Augusto Martelli ("white people") – and it's got the groove and swing of some of the best Italian soundtracks from the time, no surprise, as Martelli had his hand in a few from that era! The package is a nice one – with a thick booklet, notes in Japanese, but some good images of Martelli and album covers – and the music is really great, with some excellent sax and flute work that takes the tracks into a jazzier mode than usual for this sort of thing! Loads of great percussion too – and titles include "Loco Love Motor", "Mondo No", "Krypto Blues", "Ma ne Vale La Pena", "90th Compleanno", and "Sara Stato Il Futuro".

One of Oscar Peterson's most sophisticated albums of the 60s – an extended suite of tracks dedicated to the soul and spirit of Canada! The tunes are all originals, and have a really lush, vivid sort of feel – one that still has undercurrents of Peterson's usual soulful style, but which also has Oscar painting these very vivid images in sound! The material is performed by a trio with Ray Brown on bass and Ed Thigpen on drums – and although the tunes aren't familiar, we'd rank this one right up there with Peterson's most inventive material of the time. Titles include "Laurentide Waltz", "Ballad To The East", "Blues Of The Praries", and "Wheatland".

A stunning look at a legendary London club of the 60s – presented here in a really well-done book-style package – with a CD that's brimming over with the American soul that made it groove so great back in the day! The set does a great job of showing the roots both of Northern soul, and the UK mod scene – as most of the work here is from that early cusp of soul – when R&B still figured strongly into the mix, and the groove also had some strong inflections from blues and jazz as well! The photos and images in the book are totally great – laid out over a full-color 24 pages – and the CD features 28 smoking tracks – including "Ain't That Loving You Baby" by Jimmy Reed, "Jaywalking" by The Upsetters, "Who Can I Run To" by Geri Hall, "I'll Take One" by Harold Burrage, "Song Called Soul" by Gene Chandler, "Let The Good Times Roll" by Alvin Robinson, "Question" by Roscoe Shelton, and "I've Got A Claim On You" by Betty Everett.

An amazing portrait of America between the wars – served up over dozens of vintage 78rpm recordings – all based around themes of daily life mentioned in the title! The collection is an incredible historical document – pulled mostly from the collection of Louisville 78 collector Don Wahle, and remastered and re-presented beautifully by the folks at Tompkins Square – who not only sort the songs into key categories, but also provide a wealth of notes and images to further illuminate the tunes! There's a number of tracks on here that have never been reissued before, mixed with others that are still plenty darn rare – and the 3LP vinyl version comes in a beautiful box that reminds us a bit of classic Folkways – the size of which allows for a bigger, nicer booklet! It features 42 tracks that include "Climbing The Golden Stairs" by Happy Four, "Oh Declare His Glory" by McDonald Quartette, "Fourth Of July At The County Fair" by Bill Chitwood, "Tennessee Coon Hunt" by Whit Gaydon, "Hide Away" by Oscar Ford, "Poor Man Rich Man" by David McCarn, "Driving Saw Logs On The Plover" by Pierre La Dieu, and "Flat Wheel Train Blues (parts 1 & 2)" by Red Gay & Jack Wellman.

The amazing story of Ahmet Ertegun – the driving force behind Atlantic Records, and a crucial figure in popular music in the 20th Century! Ahmet's story is the stuff of legend – and this book delivers the whole thing in stunning detail – from Ertegun's early years as the child of the Turkish ambassador, to his adolescent love of jazz and blues, to his launching Atlantic with his brother – initially to dominate the field of rhythm and blues, then jazz and soul, then even mainstream rock and roll! The hefty book is over 400 pages in length, and features a handful of black and white images too.

A great little small group session by Nelson – one that has him working in a quintet with Eric Dolphy, one that shows that Nelson could be a strongly modernist player when he wanted to be! Dolphy plays alto, bass clarinet, and flute – and Nelson's tone is appropriately biting to match the set – way harder and stark than on some other albums, with an edge that we really like a lot! Rhythm is by Richard Wyands, George Duvivier, and Roy Haynes – and titles include "Ralph's New Blues", "Straight Ahead", "111 44", and "Images".

One of Oscar Peterson's most sophisticated albums of the 60s – an extended suite of tracks dedicated to the soul and spirit of Canada! The tunes are all originals, and have a really lush, vivid sort of feel – one that still has undercurrents of Peterson's usual soulful style, but which also has Oscar painting these very vivid images in sound! The material is performed by a trio with Ray Brown on bass and Ed Thigpen on drums – and although the tunes aren't familiar, we'd rank this one right up there with Peterson's most inventive material of the time. Titles include "Laurentide Waltz", "Ballad To The East", "Blues Of The Praries", and "Wheatland".

Really wonderful work from Sun Ra – a host of recordings cut at the Ann Arbor Blues & Jazz Fest in the early 70s – always a very welcoming audience for the Arkestra at the time! We're not sure what was in the water, but it always seems like the group really hit their stride at the festival – opening up with a force and intensity that really goes past some of their other recordings! It's almost as if the enthusiastic mix of ages and cultures present really ignited the best energies in the Arkestra – having them hit the kind of righteous crescendo of their best Space Is The Place identity – and even some of the more avant, outside moments have a focus that the group hardly seems to reach this well! The material is from the John Sinclair archives – originally issued on the CDs Life Is Splendid, Outer Space Employment Agency, and It Is Forbidden – but somehow sounding even more amazing in a tight package like this – with loads of amazing keyboards from Ra, soulful vocals from June Tyson, Cheryl Banks, and Judith Holton, and wonderful supporting reeds from the Arkestra. Titles include "Space Is The Place", "Enlightenment", "What Planet Is This", "Immeasurable", "Love In Outer Space", "Watusi", "Images", and some great untitled improvisations.

An amazing tribute to one of our favorite soundtrack composers ever – a massive overview of the work of Michel Legrand, one that spans over 70 films, 4 decades, and 5 hours of music! The package looks at Legrand's career on a film-by-film basis – offering up key tracks and themes in a historical progression that begins in late 50s France, runs through key European films of the 60s, and takes off into important global territory in the 70s. Throughout this long span of work, Legrand always has an amazing ear for the sensitive melody – the kind of simple, straightforward tune that often becomes as important to a film as the image itself (and honestly, looking through the films in this collection, it's clear that many of the tunes have had a longer life than the movies they were used in!) The package comes complete with a great booklet on Legrand's career, complete with older photos and images – as well as both English and French versions of an interview with Legrand, and reflections on his work by Sydney Pollack, Agnes Varda, Norman Jewison, and others. Includes music from the films Lola, Cleo De 5 A 7, Le Gentleman D'Epsom, Eva, Love Is A Ball, The Happy Ending, Sweet November, Play Dirty, L'Homme A La Buick, The Go-Between, Le Mans, Portnoy's Complaint, Time For Living, Brian's Song, Peau D'Ane, To Catch A Pebble, Le Gang Des Otages, Castle Keep, The Magic Garden Of Stanley Sweetheart, F For Fake, Un Homme Est Mort, Lady Sings The Blues, Breezy, and many others!

A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take chances too – a way of handling the tenor that few of his contemporaries could match, which is probably why Ralph's presence really upped the ante on so many dates at the time as a sideman. He's even better as a leader, though, and this standout set for Landmark is a real gem – a record filled with freely creative energy throughout, and a never-ending sense of soul – as Moore's tenor is set up nicely in a core group with Benny Green on piano, Peter Washington on bass, and Kenny Washington on drums – the latter of whom brings some of the same magic to this set that Billy Higgins did to Blue Note in the 60s. Terence Blanchard plays trumpet on 4 of the album's tracks – and titles include "Punjab", "Freeway", "Enigma", "Blues For John", "One Second Please", and "Episode From A Village Dance". Also includes the CD-only bonus track "Morning Star".

An amazing portrait of America between the wars – served up over dozens of vintage 78rpm recordings – all based around themes of daily life mentioned in the title! The collection is an incredible historical document – pulled mostly from the collection of Louisville 78 collector Don Wahle, and remastered and re-presented beautifully by the folks at Tompkins Square – who not only sort the songs into key categories, but also provide a wealth of notes and images to further illuminate the tunes! There's a number of tracks on here that have never been reissued before, mixed with others that are still plenty darn rare – and the package features 42 tracks that include "Climbing The Golden Stairs" by Happy Four, "Oh Declare His Glory" by McDonald Quartette, "Fourth Of July At The County Fair" by Bill Chitwood, "Tennessee Coon Hunt" by Whit Gaydon, "Hide Away" by Oscar Ford, "Poor Man Rich Man" by David McCarn, "Driving Saw Logs On The Plover" by Pierre La Dieu, and "Flat Wheel Train Blues (parts 1 & 2)" by Red Gay & Jack Wellman.

The blues boomed big on record in the 20s and 30s – but in order to get that music to market, most labels had to really improvise – come up with whole new ways of recording the artists, and often going far afield with relatively little equipment! This well-done book by blues historian Paul Oliver really documents those formative years – a time when labels were working harder than ever to capture the growing range of American blues musicians – taking frequent trips south with recording equipment at hand – and cutting discs that would have a huge impact for decades to come. In addition to information about recording techniques, Oliver also breaks down different categories of the music, and showcases different approaches too – and also provides some more detailed information on recordings in his notes. 228 pages, hardcover, with some black and white images.

Vintage footage of Ike & Tina Turner – caught live on tour, at a time when their energy level was at its height – about ready to blow its top! The material here was filmed by photographer Bob Gruen and wife Nadya – and not only includes concert footage, but also some practices, studio work, and even candid shots as well – a nice mix of songs and other images that really personalize the pair. Titles include "Oh Devil", "Gulf Coast Blues", "I've Been Loving You Too Long", "Walking The Dog", "I Smell Trouble", "Shine", "I Want To Take You Higher", "Proud Mary", "River Deep Mountain High", and "Under The Weather".