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The third album from Alice Cooper and perhaps the first great one – starting the 70s sleaze show win streak with the massive "I'm Eighteen" –and a record full of great, gritty and grimy rock 'n' roll. Bob Ezrin's producing for the first time, and if the songs and the whole show isn't yet as menacingly theatrical as it would get to be in the following couple of years, the angry anthemic vibe is here and it's heavy! Other tracks include "Caught In A Dream", "Hallowed Be My Name", "Black Juju", "Is It My Body", "Second Coming", "Ballad Of Dwight Fry" and "Sun Arise".

The third album from Alice Cooper and perhaps the first great one – starting the 70s sleaze show win streak with the massive "I'm Eighteen" and an LP full of great, gritty and grimy rock and roll. Bob Ezrin's producing for the first time, and if the songs and the whole show isn't yet as menacingly theatrical as it would get to be in the following couple of years, the angry anthemic vibe is here and it's heavy! Other tracks include "Caught In A Dream", "Hallowed Be My Name", "Black Juju", "Is It My Body", "Second Coming", "Ballad Of Dwight Fry" and "Sun Arise".

The third album from Alice Cooper and perhaps the first great one – starting the 70s sleaze show win streak with the massive "I'm Eighteen" and an LP full of great, gritty and grimy rock and roll. Bob Ezrin's producing for the first time, and if the songs and the whole show isn't yet as menacingly theatrical as it would get to be in the following couple of years, the angry anthemic vibe is here and it's heavy! Other tracks include "Caught In A Dream", "Hallowed Be My Name", "Black Juju", "Is It My Body", "Second Coming", "Ballad Of Dwight Fry" and "Sun Arise".

Pre shock rock psychedelia from Alice Cooper – more of a Detroit reared answer to early Pink Floyd than it is a clue to the early metal horror show to come – and as such, it's actually a heck of a lot better than you might be expecting! Since most people never even heard Pretties For You until long after Alice became a notorious rock star, we're thinking it's been judged unfairly in most circles. We hear rare psychedelia by the bucketful that's not as good as this album, but celebrated by rare psych diggers purely for their obscurity. Titles include "10 Minutes Before The Worm", "Sing Low, Sweet Cheerio", "Reflected", "Apple Bush", "Earwigs To Eternity" and more.

A trio of amazing albums – all of which really live up to the legend of Kim Fowley! First up is the well-titled Outrageous – one of the wildest albums ever from LA scenester Fowley – done in a very weird, very messed-up style that sort of sounds like The Stooges meet The Modern Lovers meet Alice Cooper! Fowley's fantastic on vocals – which are sort of of screeched and screamed, with revolutionary Riot On Sunset Strip-type lyrics, fused with a bit of Jim Morrison stoner spiritualism – a lot more compelling than you'd expect, and really mindblowing all the way through! The album's a perfect illustration of the genius that made Kim legendary, even when he wasn't having much of an impact on the mainstream – and titles include the incredible "Animal Man", plus "Hide & Seek", "Chinese Water Torture", "Bubble Gum", "Inner Space Discovery", and "Caught In The Middle". Next is Born To Be Wild – mindblowing organ work from the mighty Kim Fowley – a rare instrumental set that has Kim carving out amazing sounds on the organ that really match is vocal force on other records of the time! The set's a bit more soulful than usual for Fowley – a record that almost pushes a soul instrumental sound more strongly than Kim's usual Sunset Strip sleaze – although there is a nice fuzzy undercurrent to the record at times too! The set burns like some lost Tower Records soundtrack – and titles include "Born To Be Wild", "Soul Limbo", "Space Odyssey", "I Can't Stop Dancing", "Savage In The Sun", "Fresno1963", and "Pictures of Matchstick Men". Good Clean Fun is filled with awesome work from madman Kim Fowley – an album that offers hard rockers, some nice groovers, and even some trippier tracks that feature spoken or performed bits! The record's got a really wonderful approach that's a look at the lost genius of the LA scene of the late 60s – emphasized by an appearance on the record by Rodney Bingeheimer, the mayor of Sunset Strip, plus work by Motorcycle John and the Frog Prince! If you've ever heard about Fowley, but never found the record to truly convey his insanity on record, this is the one to check out – as it's as brilliant as it is insane! Titles include "Energy", "Baby Rocked Her Dolly", "Motorcycle", "One Man Band", "Good Clean Fun", "Search For A Teenage Woman", "I'm Not Young Anymore", "Lights The Blind & Lame Can See", and "Kangaroo".

The fun fun soundtrack to Rock 'N' Roll High School – that gloriously, knowingly trashy Roger Corman produced movie vehicle for the Ramones! Of course The Ramones are all over he soundtrack, but it's got a bunch of 70s new wave and hard rock from Devo, Eno, Nick Lowe, Todd Rundgren and more. Includes "Rock N Roll High School", "I Want You Around", a medley of "Blitzkrieg Bop", "Pinhead", "California Sun" and more by The Ramones, "Come Back Jonee" by Devo, "Energy Fools The Magician" by Eno, "So It Goes" by Nick Lowe, "School Days" by Chuck Berry, "School's Out" by Alice Cooper and more.

Chicago rock & soul tour. Lengthy interview with the Treniers, the first rock n roll group (think Louis Jordan meets Jerry Lewis meets David Lee Roth). Milt Trenier...lounge revival? Amazing Baby Huey cover painting. The final Tiny Tim interview. Plus: Alice Cooper, eight great Jews, more.

One of the stranger chapters of the Holland-Dozier-Holland story of the early 70s – and one of the coolest, too! Warlock are a jazzy rock combo with plenty of soul – a bit like a twisted version of Blood Sweat & Tears, but with all the sinister energy you'd guess from the image on the cover! Most of the numbers have a nasty scratchy sort of vocal – almost Alice Cooper-ish, in keeping with the Warlock name of the group – but a few others get a bit more soulful and funky, belying the HDH connection of the group – sometimes even showing a righteous jazzy vibe, as kind of an odd echo of the Detroit Tribe Records scene. The best tracks have some jazzy phrasing in the mix, and let the guitars go off to the side – and titles include "Love Girl", "You've Been My Rock", "So Can Woman", "Thrills Of Love", and the 14 minute jammer "As You Die/Music Box", which almost has a Colosseum build to it! CD features the bonus track "The Judgement Day".

The excellent annual roundup of out-of-print issues of Shindig – plus a pair of previously unpublished articles from the groovy magazine for psyche, garage, prog, powerpop, soul, folk and more! Annual Number Three comes hardbound with cool, foil on black cover art – and items on Pretty Things, Flamin' Groovies, Kevin Ayers, The Scaffold, The Strawbs, Procession, Fire, Alice Cooper, The 14 Hour Technicolor Dream, Procession, Green Beat, David Daltrey and more!

The 70s rock soundtrack classic for Dazed & Confused – pressed on vinyl to commemorate for the 20th anniversary Richard Linklater's stoner masterpiece – a double LP on hella appropriate green vinyl! On big loud dumb (in a good way) radio rock jam after another – with "Rock And Roll Hoochie Koo" by Rick Derringer, "Slow Ride" by Foghat, "School's Out" by Alice Cooper, "Jim Dandy" by Black Oak Arkansas, "Tish" by ZZ Top, "Love Hurts" by Nazareth, "Low Rider" by War, "Highway Star" by Deep Purple, "Paranoid" by Black Sabbath and more.

A double-length collection of work from two obscure Atlanta soul labels – the Tragar and Note imprints, both run by local producer Jesse Jones! Back in the day, Atlanta wasn't nearly as big of an outlet for soul records as it's become in recent years – so Jones' labels were key in showcasing under-exposed local talent in the city, a range of soul groups, solo singers, and funk combos – all produced here with a really fresh sound! Nearly every track here is super-obscure – and there's few southern soul cliches to get in the way of the music – no overdone blues, no Hotlanta disco, no Muscle Shoals copies – just honest-to-goodness indie soul at its best – full of life, vitality, and personality – all presented with the usual deep-digging Numero look at the artists in the notes. The package features a whopping 50 tracks in all – one of the biggest Numero collections so far – and together, they really tell the tale of this crucially overlooked scene – a key link between more familiar southern styles and rising Northern modes, all with a personality of its own. Titles include "All Because of You" and "Down In The Country" by Tee Fletcher, "The Hump" and "Tipping Strings" by The Knights, "Somebody Got A Help Me" and "Love is So Mean" by Richard Cook, "I'll Show You With Love" by Young Divines, "Watch The Dog That Bring The Bone" by Sandy Gaye, "Messing Around" by Bobby Owens & The Diplomats, "I Think It's Time" by Alice Swoboda, "Black Midnight" by JJ Jones, "That's How Much I Love You" by Eula Cooper, "Let's Get Funky" by Langston & French, "You Got A Spell On Me" by Bill Wright, "Strange Feeling" by Nathan Wilkes, "Shake Daddy Shake" by Eula Cooper, and "Nitecap" by L Daniels.