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CDs (7) new/usedLPs (4) new/usedAll (11)* Search:

Alan Tew

 

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
New Bullet/Alan TewHanged Man – Original Television Soundtrack ... LP
Contour, 1975. New Copy (reissue)... Out Of Stock
Nice funky 70s instrumentals, composed by Alan Tew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Contract Man", "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album
 
Possible matches: 3
Possible matches2
CD, LP, Vinyl record album cover art
New VariousEasy Project – 20 Loungecore Favourites ... CD
Sequel, Early 70s. Used ... Just Sold Out!
The first volume in Sequel's great series of UK eazy groovy tracks! Like the other titles in the series, it has an amazing sense of production missing from some other loungey comps. It features loads and loads of great easy instrumental groups that made Britain one of the best places to go thrift store shopping in the 80's! Classics include "Staccato" by The Eliminators, "Revenge" by The Ray McVay Sound, "The Shake" by Laurie Johnson, "Walk on The Wild Side" by Alan Tew, "Mas Que Nada" by Sounds Orchestral and tons more! CD
(US pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
New Dusty SpringfieldWhere Am I Going ... CD
Philips (Japan), 1967. New Copy ... Temporarily Out Of Stock
One of the greatest of all Dusty Springfield albums – a gem of a record that mixes British pop, soul, and some very groovy orchestrations! The whole session has that kind of soaring, soulful bounce that Dusty had on her best records – but which was possibly never done nearly as well as on this one! Backings are conducted by Alan Tew, Peter Night, Arthur Greenslade, and Wally Stott – Brit Easy giants all of them – and tracks include sublime gems like "Bring Him Back", "Don't Let Me Lost This Dream", "I Can't Wait Until I See My Baby's Face", "Sunny", "Welcome Home", and "Broken Blossoms". CD features 3 bonus tracks too – "Don't Forget About Me", "Time After Time", and "I've Got A Good Thing". CD

Possible matches4
CD, LP, Vinyl record album cover art
New VariousMighty Mellow 2 The Sequel – A Psycho-Funk Resurrection ... CD
Partners In Crime (Italy), 1999. New Copy ... Out Of Stock
Call it psycho-funk, call it Brit easy, call it downtempo abstract – whatever the case, it's all great! This second volume in one of our favorite all-time series is a stunner – and it comes up with a sparkling blend of very fresh grooves that we've only ever heard matched by a few other compilations over the past few years. The general vibe is rare soundtrack and sophisticated jazz funk material – and a huge amount of these cuts come from sources we've never seen before! Tracks include "The Rub" by Alan Tew, "Pretexte Indicatifs" by Guy Pederson, "Abstraction" by Projection, "Plummer Park" by Pete Jolly, "My Love For You & The Ugly" by Ed Green, "Beach Buggy" by Pierre Duchamp, "Beat Construction" by David Seeland Band, "Sour Soul" by Gentle Rain, "Night Is Blues" by Performance, "Name Of The Game" by Brian Bennet, and "Bass In Action #1" by Tonio Rubio. 19 cuts in all! CD
 
Partial matches: 7
Partial matches5
CD, LP, Vinyl record album cover art
New James BrownBodyheat ... LP
Polydor, 1976. Near Mint- ... $16.99
An enduring classic from James Brown – quite possibly the strongest of his late 70s albums, and a record that nicely balances the harder funk of the early part of the decade with a more sophisticated style that almost gets slightly jazzy at times! The vocals are planted strongly at the top of most tunes – really calling out the shots and directing the rhythms – even though they seem tight enough to keep snapping along on their own – and also noteworthy are some of the mellower numbers on the set, which are almost more compelling than some of the groovers! Titles include "Bodyheat", "What The World Needs Now", "Don't Tell It", "Kiss In 77", "Woman", "Wake Up And Give", and "I'm Satisfied". LP, Vinyl record album

Partial matches6
CD, LP, Vinyl record album cover art
National HealthNational Health ... LP
Visa, 1978. Near Mint- ... $11.99
Great work from this post-Soft Machine, post-Hatfield jazz rock combo – a group that draws tremendous creative inspiration from the talents of Dave Stewart on keyboards, Phil Miller on guitar, and Pip Pyle on drums! There's a bit of vocals on the record, but the main focus is clearly instrumentation – the kind of complex, jazz-leaning styles that first made the Canterbury scene one to watch in the UK – almost carried off here more perfectly than on earlier examples of the genre. The group gets some help from Alan Gowen on keyboards, Amanda Parsons on vocals, and Jimmy Hastings on flute – and titles include "Tenemos Roads", "Brujo", "Borogoves", and "Elephants". LP, Vinyl record album
(US pressing.)

Partial matches7
CD, LP, Vinyl record album cover art
Nikki Sudden & Dave KusworthJacobites ... LP
Glass/Numero, 1984. New Copy (reissue)... $14.99 16.98
An overlooked gem from the 80s – but an album that should be right at the top of any important collection of rock from the 70s – given the instantly classic sound of the set! The pairing of Nikki Sudden and Dave Kusworth is one of those true genius moments in UK rock – like that of Bowie and Ronson, or Jagger and Richards – where the two individuals balance each other beautifully, and help reach this amazing territory together – in this case, at a level that we'd rank right next to gigantic-selling albums from the decade before. These songs are amazing – penned at a level that should have made all of them classics – and sung by Nikki Sudden with a voice that's instantly one of the most unique and compelling you'll ever hear – honestly right up there with Bob Dylan or Rod Stewart or any other artist at that level. The guitars are great too – mixed electric and acoustic with a really fragile feel, and lots of earthy echoes that you might find in The Faces – but fused through energy from two guys who also lived through the birth of punk as well. The album's nothing like anything else that was going on in 1984 – which is why it was sadly under-circulated at the time – but it's true genius all the way through, as you'll hear on tracks that include "Hurt Me More", "Jacobites Grave", "Kissed You Twice", "Need A Friend", "For The Roses", "Silver Street", "Hanging Out The Banners", and the original version of "Big Store". LP, Vinyl record album

Partial matches8
CD, LP, Vinyl record album cover art
James BrownBodyheat ... CD
Polydor (Japan), 1976. New Copy ... Around September 25, 2014
An enduring classic from James Brown – quite possibly the strongest of his late 70s albums, and a record that nicely balances the harder funk of the early part of the decade with a more sophisticated style that almost gets slightly jazzy at times! The vocals are planted strongly at the top of most tunes – really calling out the shots and directing the rhythms – even though they seem tight enough to keep snapping along on their own – and also noteworthy are some of the mellower numbers on the set, which are almost more compelling than some of the groovers! Titles include "Bodyheat", "What The World Needs Now", "Don't Tell It", "Kiss In 77", "Woman", "Wake Up And Give", and "I'm Satisfied". CD
Also available Bodyheat ... LP 16.99

Partial matches9
CD, LP, Vinyl record album cover art
New Sun RaSun Ra Featuring Pharoah Sanders & Black Harold ... CD
ESP, 1964. New Copy ... Out Of Stock
Landmark work from Sun Ra – a rare 1964 performance that features some very early work from Pharoah Sanders, a good deal of which is appearing here for the first time ever! The material was recorded at Judson Hall, and only half the tracks came out on a rare Saturn LP – making this CD collection that first time that all 11 titles appear in their entirety. Ra and the group recorded the set on New Year's Eve, 1964 – at a time when John Gilmore had left the Arkestra to work with Art Blakey – leaving Pharoah Sanders to come and take his place on tenor. Also noteworthy is the presence of Black Harold (Harold Murray) on flute – blowing with a dark edge alongside other group members who include Al Evans on trumpet, Teddy Nance on trombone, Marshal Allen on alto sax, Pat Patrick on baritone sax, and both Alan Silva and Ronnie Boykins on bass. The performance starts with a relatively fierce sound, but then moves into some beautifully lyrical moments – and titles include "Gods On A Safari", "The New Tomorrow", "The Second Stop Is Jupiter", "Cosmic Interpretation", "The Other World", "Dawn Over Israel", and "Space Mates". CD

Partial matches10
CD, LP, Vinyl record album cover art
New Luther IngramLet's Steal Away To The Hideaway/Do You Love Somebody (plus bonus track) ... CD
Koko/Kent (UK), 1976/1977. New Copy ... Out Of Stock
Two classics from Luther Ingram! First up is Let's Steal Away – a masterfully mature record that really helped take southern soul to the next level in the mid 70s! The music has a slow-building, sensuous sort of feel that's really great – a classy, sophisticated approach, but one that still has enough roots in the older modes to keep things real – a balance that's struck wonderfully by arrangers Johnny Baylor and John V Allen. Recording was done in Muscle Shoals, but at a level that really gets past some of the more standard modes that were being trotted out for more crossover artists – almost like they were holding back the best, waiting for Luther. Titles include "Sweet Inspiration", "Let's Steal Away To The Hideaway", "All That Shines", "I've Got Your Love In My Life", "It's Too Much", and "I'm Gonna Be The Best Thing". On Do You Love Somebody, Luther Ingram takes things deep deep deep – working up that more sophisticated groove developed on earlier albums, into a slinky southern style that's totally great – and pretty darn standard-setting all these many years later! As before, Ingram's working with producer Johnny Baylor – who also handled the arrangements with help from Tommy "Bump & Hustle" Stewart – really capturing a new level of maturity that was happening in the southern scene of the time – a wave perhaps inspired by Al Green's hits, but which really pushed forward in new directions for itself. Titles include "Time Machine", "Do You Love Somebody", "Do You Think There's A Chance", "Sorry", "Get To Me", "Faces", "Ain't Good For Nothing", and "Funny People". CD also features a bonus track – "I'll Love You Until The End (version 2)". CD

Partial matches11
CD, LP, Vinyl record album cover art
New Alan Skidmore/Leszek ZadloEgo Recordings (Thoughts/Morning Rise/SOH/European Jazz Quintet) (4CD set) ... CD
Ego/Organic (Germany), Late 70s. New Copy 4 CDs ... Out Of Stock
A treasure trove of rare work from the obscure German Ego label – four different albums, all of them great – packaged here in tiny LP-styled covers too! The set's especially noteworthy for the work of British saxophonist Alan Skidmore – working here on some of his best material of the late 70s – records that easily rival the best sides cut back home in the UK, but which also have a very different feel and flavor! On Morning Rise, Skidmore plays tenor and soprano sax, alongside Gerd Dudek, who also plays both horns too – in these long, textural lines that merge and diverge nicely with Skidmore's – creating these majestic shapes in sound, before then taking off towards much more powerful solos. Rhythm is from Adelhard Rodiginger on bass and Lala Kovacev on drums – and titles include "Morning Rise", "Macedonian Market", "Dr Les Mosses", and "Nakemiin". SOH is a trio outing from Alan Skidmore, drummer Tony Oxley, and bassist Ali Haurand – hence the title – and the set really allows Skidmore to expand on some of his most open, expressive lines on tenor and soprano sax! Tracks are quite long, and build with this almost late-Coltrane sort of energy – almost glowing with a sense of spirituality that's pushed along strongly by the reed lines. Titles include "One Two Free", "Das Ist Alice", "Lost In WG", and "Trio Nr 10". European Jazz Quintet features tremendous reeds from the trio of Alan Skidmore, Gerd Dudek, and Leszek Zadlo – all of whom play both tenor and soprano sax – and work alongside the bass of Ali Haurand and drums of Pierr Courbois! The set features two long tracks – "Das Ist Alice" and "Miss B" – both of them balanced nicely on the cusp between European free jazz and some stronger spiritual jazz structures, in a very nice way. Last up is Thoughts, from Leszek Zadlo – a record that has Zadlo on both flute and tenor, working with the excellent Ego Records rhythm trio of Joe Haider on piano, Isla Eckinger on bass, and Joe Nay on drums! The sound is quite different than other Ego sessions with the trio – as the tracks here build very slowly, often through the initial utterings of Zadlo on his reeds – kind of growing into a spiritually expressive style that gets increasingly focused as the set goes on – in ways that are a nice change from European free jazz. Titles include "Two Friends", "Some Body", "Struggle", and "Thoughts". CD
 
 
 



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