Nice funky 70s instrumentals, composed by AlanTew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album
(Cover has some wear and a partially unglued top seam.)
Nice funky 70s instrumentals, composed by AlanTew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Contract Man", "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album
One of the greatest of all Dusty Springfield albums – a gem of a record that mixes British pop, soul, and some very groovy orchestrations! The whole session has that kind of soaring, soulful bounce that Dusty had on her best records – but which was possibly never done nearly as well as on this one! Backings are conducted by AlanTew, Peter Night, Arthur Greenslade, and Wally Stott – Brit Easy giants all of them – and tracks include sublime gems like "Bring Him Back", "Don't Let Me Lost This Dream", "I Can't Wait Until I See My Baby's Face", "Sunny", "Welcome Home", and "Broken Blossoms". CD features 3 bonus tracks too – "Don't Forget About Me", "Time After Time", and "I've Got A Good Thing". CD
Call it psycho-funk, call it Brit easy, call it downtempo abstract – whatever the case, it's all great! This second volume in one of our favorite all-time series is a stunner – and it comes up with a sparkling blend of very fresh grooves that we've only ever heard matched by a few other compilations over the past few years. The general vibe is rare soundtrack and sophisticated jazz funk material – and a huge amount of these cuts come from sources we've never seen before! Tracks include "The Rub" by AlanTew, "Pretexte Indicatifs" by Guy Pederson, "Abstraction" by Projection, "Plummer Park" by Pete Jolly, "My Love For You & The Ugly" by Ed Green, "Beach Buggy" by Pierre Duchamp, "Beat Construction" by David Seeland Band, "Sour Soul" by Gentle Rain, "Night Is Blues" by Performance, "Name Of The Game" by Brian Bennet, and "Bass In Action #1" by Tonio Rubio. 19 cuts in all! CD
Partial matches: 5
Nikki Sudden & Dave Kusworth —
Jacobites ... LP Glass/Numero, 1984. New Copy (reissue)...
An overlooked gem from the 80s – but an album that should be right at the top of any important collection of rock from the 70s – given the instantly classic sound of the set! The pairing of Nikki Sudden and Dave Kusworth is one of those true genius moments in UK rock – like that of Bowie and Ronson, or Jagger and Richards – where the two individuals balance each other beautifully, and help reach this amazing territory together – in this case, at a level that we'd rank right next to gigantic-selling albums from the decade before. These songs are amazing – penned at a level that should have made all of them classics – and sung by Nikki Sudden with a voice that's instantly one of the most unique and compelling you'll ever hear – honestly right up there with Bob Dylan or Rod Stewart or any other artist at that level. The guitars are great too – mixed electric and acoustic with a really fragile feel, and lots of earthy echoes that you might find in The Faces – but fused through energy from two guys who also lived through the birth of punk as well. The album's nothing like anything else that was going on in 1984 – which is why it was sadly under-circulated at the time – but it's true genius all the way through, as you'll hear on tracks that include "Hurt Me More", "Jacobites Grave", "Kissed You Twice", "Need A Friend", "For The Roses", "Silver Street", "Hanging Out The Banners", and the original version of "Big Store". LP, Vinyl record album
James Brown —
Bodyheat ... CD Polydor (Japan), 1976. New Copy ...
Around September 25, 2014
An enduring classic from James Brown – quite possibly the strongest of his late 70s albums, and a record that nicely balances the harder funk of the early part of the decade with a more sophisticated style that almost gets slightly jazzy at times! The vocals are planted strongly at the top of most tunes – really calling out the shots and directing the rhythms – even though they seem tight enough to keep snapping along on their own – and also noteworthy are some of the mellower numbers on the set, which are almost more compelling than some of the groovers! Titles include "Bodyheat", "What The World Needs Now", "Don't Tell It", "Kiss In 77", "Woman", "Wake Up And Give", and "I'm Satisfied". CD
One of the best Dave Brubeck albums from later years – and one of the hippest! The record is noteworthy for its pairing of Anthony Braxton and Lee Konitz – the former a rising star at the time, influenced strongly by the latter in his roots – showcased here in some rare moments of Braxton straight-aheadness! Brubeck's contribution is heard most strongly on the album's extended trio "Jimmy Van Huesen Medley" – played by Dave with Jack Six on bass and Alan Dawson on drums. But we're most partial to the saxophone tunes – Konitz playing a spare duet with Brubeck on "Don't Get Around Much Anymore", soloing with the group on "Like Someone In Love", duetting with Braxton on "All The Things You Are" – and stepping back to let Anthony play with Dave on a version of "In Your Own Sweet Way". Really great stuff throughout – and a unique Brubeck moment! LP, Vinyl record album
Reeds & Deeds (Eric Alexander & Grant Stewart) —
Tenor Time ... CD Criss Cross, 2011. Used ...
Temporarily Out Of Stock
Two bright tenor talents from the New York scene – coming together beautifully here, with one heck of a great rhythm section! The players are all familiar, but the sound is nice and fresh – thanks to really strong interplay between the tenors of Eric Alexander and Grant Stewart – both driven onward with energy that almost reminds us of a Johnny Griffin/Eddie Davis session from way back! There's plenty of that older soul on some of these tunes – mixed with a few that have a bit more poise, too – a good balance that's handled well in the rhythms by David Hazeltine on piano, John Webber on bass, and Joe Farnsworth on drums. Titles include "R&D Bossa", "Crying Blues", "Omicron", "Amsterdam After Dark", and "Rise N Shine". CD
Landmark work from Sun Ra – a rare 1964 performance that features some very early work from Pharoah Sanders, a good deal of which is appearing here for the first time ever! The material was recorded at Judson Hall, and only half the tracks came out on a rare Saturn LP – making this CD collection that first time that all 11 titles appear in their entirety. Ra and the group recorded the set on New Year's Eve, 1964 – at a time when John Gilmore had left the Arkestra to work with Art Blakey – leaving Pharoah Sanders to come and take his place on tenor. Also noteworthy is the presence of Black Harold (Harold Murray) on flute – blowing with a dark edge alongside other group members who include Al Evans on trumpet, Teddy Nance on trombone, Marshal Allen on alto sax, Pat Patrick on baritone sax, and both Alan Silva and Ronnie Boykins on bass. The performance starts with a relatively fierce sound, but then moves into some beautifully lyrical moments – and titles include "Gods On A Safari", "The New Tomorrow", "The Second Stop Is Jupiter", "Cosmic Interpretation", "The Other World", "Dawn Over Israel", and "Space Mates". CD